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David L. Reece is an American singer who has been active in the heavy metal rock scene professionally since the late 1980s, recording with several bands in diverse genres including Bonfire from January 2015 to July 2016. He is best known for his time with the band Accept, appearing on their 1989 album Eat the Heat.

Reece was raised in Oklahoma, eventually moving to Minnesota and performing with major local rockers Dare Force[1] in the early 1980s.[2] He also recorded vocals in 1987 for a demo for the hard rock band Sacred Child. Although he was replaced by Astrid Young before recording their album, the demos were included on a re-release of their debut.

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After many auditions, Reece was chosen to be the new Accept singer, and was the lead vocalist appearing on the album Eat the Heat. He and the rest of the band produced what has been regarded as a much different sounding album compared to the previous Accept albums. The 1989-1990 tour with W.A.S.P and Metal Church was eventually cancelled, and he was dropped from the band as Accept went on a hiatus.

After being fired from Accept, he formed Bangalore Choir and released the album "On Target" with them. The band included members of Reno, Nevada's Razormaid and the slightly more well-known Hericane Alice - a band for which Reece had declined to record demo vocals earlier due to his involvement with Lillian Axe - a partnership which never resulted in any recorded material.[3] The following years he released two albums with Sircle of Silence with Larry Farkas from Vengeance Rising, Jay Schellen from Hurricane and Greg Chaisson, formerly of Badlands. He then released an album with American band Stream.

Reece released his first solo album on August 28, 2009, with Andy Susemihl (ex-U.D.O.), Stefan Schwarzmann (ex-U.D.O., ex-Accept) and Jochen Fnders (ex-Holy Moses) participating. He later released an album from a joint project with Martin Kronberg from Gypsy Rose in between releases from a reunited Bangalore Choir, and another solo album in between releases by Tango Down. He then released an album with the band EZ Livin' before joining Bonfire in 2015.[5]On the new solo project "Resilient Heart" 2018, Reece has teamed up with the musicians Marco Angioni (guitar, songwriter, producer), Martin J. Andersen (guitar, songwriter), Malte Frederik Burkert (bass) and Sigurd J. Jensen (drums). The album was recorded at Death Island Studio in Denmark with Marco Angioni as producer and is entitled 'Resilient Heart'. It was released in November 2018.

A-Reece released his debut studio album, Paradise (2016) which produced the singles, "Couldn't" and "Mgani".[2] In 2017, A-Reece released his second album From Me to You & Only You. In 2018, he released a collaborative album with Ecco the Beast and Wordz titled "Long Lost Letters" (L3), the lead single was "Welcome To My Life". In October that year he released his 5th Extended Play, And I'm Only 21. In 2019, he released Reece Effect.[3]

In 2014, A-Reece released an EP titled Browniez EP. In 2015, A-Reece signed to Ambitiouz Entertainment and released his first single "Couldn't" under the label, featuring Emtee. He released Cutaways, an EP, on 29 September 2016, which consists of songs that did not make the cut for his debut album Paradise.[6] His debut album was later released on October 21, 2016, and topped the No.1 spot on iTunes just under 24 hours after its release.[7]

Following a financial squabble with Ambitiouz Entertainment, he formed The Wrecking Crew (TWC) in 2017 with MashBeatz, FLVME & B3nchMarQ. The Wrecking Crew consisted of Him, MashBeatz, IMP THA DON, EX Global, Wordz, Ghoust, Ecco the Beast, Enkei, Louw, KRI$H, Tyga Bankz, Mellow Don Picasso and Olu Cakata. He released a single "Meanwhile in Honeydew" which featured 1000 Degreez early in 2017. On the 21st of October, he released his second album From Me to You & Only You which included Feelings featuring FLVME.

In 2018, he released a collaborative album with Ecco the Beast and Wordz titled Long Lost Letters (L3), the lead single was Welcome To My Life. Mataboge then released 2 Extended Plays, Gwan Big Up Urself 2 in March and in October he released his 5th EP, And I'm Only 21. Early in 2018 FLVME, Ecco the Beast and Mellow Don Picasso left The Wrecking Crew due to financial disputes.[8]

In 2019, A-Reece released a single, Carele$$, to address his squabble with FLVME. He then released his second collaborative album with MashBeatz titled Reece Effect. The Wrecking Crew changed names to Rvbberband Records.

In 2021, he released his second mixtape Today's Tragedy, Tomorrow's Memory containing 13 tracks. He also released his third collaborative album, heaveN caN waiT: thE narroW dooR, vol.1, with Jay Jody. The album included "thE confrontatioN" which is a song that addresses his beef with his former producer MashBeatz.[10] In December 2022 A-Reece was featured in Africa Cypher (Hennessy Cypher) that happened in Nigeria, the Cypher also featured artists such as Vector, M.I Abaga, M.anifest and Octopizzo.

Ambitiouz Entertainment went under much scrutiny after artists Fifi Cooper, B3nchMarQ, A-Reece and Flvme left the label in a very public and ugly fight.[11][12] Artists claimed that they decided to part ways with the record label because of financial disagreements. Fifi Cooper went on to say that she had been signed for over two years to the label yet had not received a single cent from her performances, as well as royalties.[13][14] The record label also went on to remove all of A-Reece's music videos from their YouTube channel and his Facebook page was also deleted. A-Reece Released "Loyal" where he addressed his reason for leaving Ambitious Entertainment. In the song A-Reece slammed his former colleague Emtee for staying in the record label. 7 months later on his album Manando, Emtee responded with a diss track called "Crown" calling A-Reece whack and emotional on songs.[15]

The inspiration for Jason Moran's new album, From the Dancehall to the Battlefield, came from a distinguished source, who passed it down like a family heirloom. Randy Weston, a fellow pianist-composer in the jazz tradition, was still performing in his mid-80s a decade or so ago, when he welcomed Moran to his home in Brooklyn with an admonishment: You need to know about James Reese Europe. (Weston, an NEA Jazz Master, died in 2018 at 92.)

The same is now true of From the Dancehall to the Battlefield, which Moran has released digitally through his own YES Records. A brilliant and often startling listen, it's the latest act of radical reimagining from Moran, whose previous forays into Black music history include celebrated tributes to Fats Waller and Thelonious Monk. At the album's center strides The Bandwagon, his flagship trio with bassist Tarus Mateen and drummer Nasheet Waits, who bring a headlong urgency to some of the songs, like Europe's "Castle House Rag." Elsewhere, Moran expands the frame to include collaborators like alto saxophonist Logan Richardson, clarinetist Darryl Harper and trumpeter David Adewumi.

Follies & Vices reached out to me with an ongoing project - create cover art for every single they release up until the release of their new album 'The Art of Letting Go'. An opportunity to reskin and continually collaborate with a talented band, couldn't say no. Click here to listen to the band.

Here we have thedebut album from Wellington-born and Nelson-raised singer songwriter Reece Milton.As with many other young Kiwi musicians, Reece was involved with SmokefreeRockquest, where his band won their regional heats in 2018. In that same year hewon a competition to record his song Once in a Lifetime at StudioBox andhave it produced by Greg Haver (Manic Street Preachers etc.) which in turn sawhim being offered a recording contract with Antipodes Records. That song wasreleased as a single in 2019, and was followed up by Atmosphere, TakeMy Hand, and Take It Easy, with all four included on this album.

Given the commercial aspect ofthis album, and the way it closely aligns with much modern radio programming,it would not surprise me if this a major chart success, as there is no doubt itis very clever, wonderfully produced, and bang on point. Aimed at those who followthe latest youth trends, I have rated it for what it is worth in that market,but personally I doubt I will ever play this again.

Former ACCEPT singer David Reece performed the band's "Eat The Heat" album in its entirety for the first time this past Saturday (March 10) at the Matarock festival in Barcelona, Spain. Fan-filmed video footage of the concert can be seen below.

The current SAINTED SINNERS vocalist was recruited for "Eat The Heat" in 1989 following the departure of Udo Dirkschneider. Reece's higher-pitched delivery was in sharp contrast to Dirkschneider's distinctive style, and overall, the album was a critical and commercial disappointment. Midway through the "Eat The Heat" tour, differences between the band and Reece had come to a head, leading to the altercation between the singer and bassist Peter Baltes in Chicago. By the end of 1989, ACCEPT had hung it up.

Two surprising collaborators on the album include famed amapiano king Maphorisa and South African rap legend Emtee. Speaking on the songs resulting off these collaborations, A-Reece says Emtee and I finally link up after six years of highs and lows, dropping out of our former label, going independent and taking on more responsibility for our own careers. Soulkit sent me a beat pack with like 8 beats on it. Before even running through the rest of the pack I was stuck on the third beat. Kept playing it for like a week just enjoying it. e24fc04721