This image takes a single bloom and captures it under natural sunlight. I was attracted to its colors and delicate structure, and I wanted to freeze that ephemeral beauty in a clean, concise composition. The crisp focus and blurred bokeh serve to isolate the bloom, isolating it from its surroundings.
This was the first time I was lucky enough to have access to a DSLR, so I used the opportunity to adjust the settings manually. It being a bright sunny afternoon, I fixed the ISO at 160 to prevent noise, selected a fast shutter speed of 1/500 to remove motion blur, and employed an aperture of f/2.8 to achieve shallow depth of field. These configurations enabled me to pick out the details of the flower from a distance while gently smudging the background.
Poblacion is never sleeping, neon lights, crowded streets, and this energized ambiance that refuses to rest. I was intrigued by the design of this building, particularly the way that the purple-pink lights sculpted its shape against the dark. There is something dreamlike about the way that it pulses in the darkness, as if it belongs to a dream. That's why I photographed it, to bottle up that transient, near-movie-like tranquility amidst all the madness
I shot this by hand with my iPhone 13 because I wanted complete control over how the shadows and lights unfolded. The iPhone's main lens has a fixed aperture of f/1.6, which of course lets a great deal of light in, ideal for nighttime scenes like this one. I exposed it at 1/125 to keep the photo sharp with no blur from motion and kept the ISO at 160 to keep grain to a minimum. Even in low light, I wanted the colors to stay rich and the photo to be clean and intentional not just a snap.
I wanted to get the movement of vehicles at night, not a photograph of traffic, but something that truly conveyed the sensation of speed. I stood alongside a brightly lit street and synchronized the exposure with a passing car. My goal was to obtain a visual contrast between the background's immobility and the blur of the approaching car, that feeling of movement expressed in light trails.
To get this effect, I employed manual mode on my iPhone 13. I adjusted a slow shutter speed of 1/20 to have motion blur, while maintaining the ISO at 100 to prevent graininess in the shadows. Because the iPhone has a standard aperture of f/1.6, it automatically allowed sufficient light for a night shot. Handheld shooting required a bit of experimentation, but after the timing worked, the outcomes captured exactly what I saw.
I initially intended to shoot another building with more dramatic lighting and a clearer view of the skyline. However, when I arrived at the location, I found myself too close to the edge of a busy road. Motorbikes and cars were zooming past all the time, and there was not a safe place to stop and compose the shot correctly. I did not want to chance getting hit, so I had ended up settling on a different building nearby that still provided a feeling of height and contrast to the blackness of the sky.
I took this photo with my iPhone, and it automatically set the settings because it was a low-light situation. The camera chose a large aperture (f/1.6), ISO 500, and a slow shutter speed (1/30) to let sufficient light onto the sensor. Though I didn't have control over the settings, I framed the shot to focus on the height of the building and the dramatic lighting, and I also adjusted the photo afterwards in Lightroom to boost shadows and contrast.
I was initially attracted to this rubber mat due to its forceful repetitive texture and pattern. To the first glance, it's something which people would never notice, but capturing it closer unveiled an almost hypnotic beat in its circular perforations. It made me realize that even the most plain, functional pieces of equipment could turn into interesting pieces of visuals if seen at an angle.
I took this photo with my iPhone, and the camera automatically chose settings according to lighting. It selected a wide aperture (f/1.6), moderate ISO (200), and shutter speed of 1/60 in order to provide sharpness without adding motion blur. These were effective settings because there was sufficient natural light, and the shallow depth of field separated the foreground pattern and faded the background with gentle blur.