Publications (peer-reviewed)

2020

[Journal Article] Milasi, Luca. 2020. ‘Translating Performance: Reconsidering the Dichotomy between Hon’an and Hon’yaku in Tsubouchi Shōyō’s Shakespeare Theatre Translation’. Rivista Degli Studi Orientali XCIII (3): 77–92. https://doi.org/10.19272/202003804006.

2019

[Book chapter] Milasi, Luca. 2019. ‘Ango, Mishima, War, and Nuclear Power’. In 3.11: Disaster and Trauma in Experience, Understanding, and Imagination, edited by Christopher Craig, Enrico Fongaro, and Andreas Niehaus, 59–74. Milano: Mimesis International.

2018

[Book chapter] Milasi, Luca. 2018. ‘Teatralità della farsa – il ruolo dell’elemento comico nel teatro di Kōda Rohan (1867-1947) [Farce as a key element in Kōda Rohan’s theatre pièces]’. In Riflessioni sul Giappone antico e moderno, edited by Paolo Villani, Naomi Hayashi, and Luca Capponcelli, III:369–86. Canterano: Aracne editrice. https://doi.org/104399/978882551465016.

2017

[Book chapter] Milasi, Luca. 2017. ‘A Sun Soaked in Blood: The Symbolic Value of Colors in Natsume Sōseki’s London Diaries’. In How to Learn?: Nippon/Japan as Object, Nippon/Japan as Method : Acts of the 1st Symposium of the Hasekura League University of Florence, Palazzo Marucelli-Fenzi, 29-30 October 2015, edited by Christopher Craig, Enrico Fongaro, Akihiro Ozaki, and Hasekura league, 311–19. Milano: Mimesis International.

2016

[Journal article] Milasi, Luca. 2016. ‘Recepcja Kanonu Szekspirowskiego w Japonii w XIX i XX Wieku: Przejście Od Adaptacji (Hon’an) Do Przekładu (Hon’yaku) Jako Forma Reinterpretacji Międzykulturowej’. Przekładaniec, no. 31-Przekład na scenie: 90–106.

[Book chapter] Milasi, Luca. 2016. ‘Crossing the Borders of the Phenomenal Work: Buddhist Doctrine as a Literary Device in Kōda Rohan’s Early Works’. In Transcending Borders: Selected Papers in East Asian Studies, edited by Ikuko Sagiyama and Valentina Pedone, 115–32. Studi e Saggi 161. Firenze: Firenze University Press. http://www.fupress.com/catalogo/transcending-borders/3367.

2015

[Book] Mastrangelo, Matilde, Luca Milasi, and Stefano Romagnoli. 2015. Comprendere e parlare giapponese. Lezioni ed esercizi [Understanding and speaking Japanese. Lessons and exercises]. Milano: Hoepli.

2014

[Book chapter] Milasi, Luca. 2014. ‘Intorno al testo: i primi adattamenti teatrali, da Shakespeare in poi, come modello implicito per una nuova drammaturgia nel Giappone di fine Ottocento [Around and about the text: Japanese adaptations of Shakespeare and the new dramaturgy of late 19^th-century Japan]’. In Il teatro giapponese: la macchina scenica tra spazi urbani e riforme, edited by Matilde Mastrangelo, Luca Milasi, and Stefano Romagnoli, 89–116. Collana di studi giapponesi. Ricerche 4. Roma: Aracne Editrice.

[Book (editor)] Mastrangelo, Matilde, Luca Milasi, and Stefano Romagnoli, eds. 2014a. Il teatro giapponese: la macchina scenica tra spazi urbani e riforme [Japanese Theatre: the stage machinery between urban spaces and reforms]. Roma: Aracne Editrice.

[Book (editor)] Mastrangelo, Matilde, Luca Milasi, and Stefano Romagnoli, eds. 2014b. Riflessioni sul Giappone antico e moderno [Concerning Ancient and Modern Japan]. Collana di studi giapponesi. Ricerche 3. Roma: Aracne Editrice.

2013

[Translation] Motokiyo, Zeami. 2013. ‘Hagoromo (Noh Pièce)’. In La Veste Di Piume [The Feather Robe], by Zeami Motokiyo and Nagasawa Hidetoshi, translated by Luca Milasi, 1–10. Belluno; Venezia: Edizioni Colophon. http://www.colophonarte.it/Nagasawa_b17.html

[Book chapter] Milasi, Luca. 2013. ‘Teoria e prassi del romanzo storico giapponese fra Ottocento e Novecento [Historical fiction in Japan in mid-Meiji Japan, from theory to praxes]’. In I dieci colori dell’eleganza: saggi in onore di Maria Teresa Orsi, edited by Andrea Maurizi, 389–406. Collana di studi giapponesi. Ricerche 2. Roma: Aracne Editrice.

2012

[Book chapter] Milasi, Luca. 2012. ‘L’identità nazionale e la letteratura giapponese della decadenza nel secondo dopoguerra [National Identity and Decadent Japanese Literature after WWII]’. In L’identità nazionale nel 21. secolo in Cina, Giappone, Corea, Tibet e Taiwan, edited by Marina Miranda, 105–18. Roma: Orientalia.

[Translation] Kazuomi, Tada. 2012. ‘L’essenza del Waka. Spunti dal libro XVI del Man’yoshu’. In La cultura del periodo Nara, edited by Andrea Maurizi, translated by Luca Milasi, 135–43. Critica letteraria e linguistica 93. Milano: Franco Angeli Editore.

2011

[Journal article] Milasi, Luca. 2011. ‘History as It Is or History Ignored? The Search for a “New” Historical Fiction in Meiji Japan’. Rivista Degli Studi Orientali, Nuova Serie, LXXXIV (Special issue 2011): 163–76.

[Book] Milasi, Luca. 2011. Gli scrittori Meiji e la Cina [Meiji writers and Chinese literature]. Padova: Libreria Universitaria.

2009

[Journal article] Milasi, Luca. 2009. ‘A Meiji Writer’s Outlook on Chinese Literature: The Case of Mori Ogai’. Phoenix in Domo Foscari 2: 253–91.

2009

[Journal article] Milasi, Luca. 2008. ‘Rekishi Shōsetsu o lettura di genere? La condizione femminile in due racconti storici di Mori Ōgai [Rekishi Shōsetsu or Genre Literature? Women in two Historical Short Stories by Mori Ōgai]’. Rivista degli studi orientali LXXXI (1–4): 205–53.