Event Logistics (2/13/25,Craft and Chat, If You Can Think It, Shrink It: Shrinky Dink Keychains)
#visualart
I attended the If You Can Think It, You Can Shrink It craft and chat last Thursday. We were offered stencils to trace over, or we could free draw. I made an orange dinosaur using one of the stencils and free drew a Lego-shaped Lamar Jackson (my favorite football player). After attending this Craft and Chat, I grew curious on the history of Shrinky Dinks and how one came up with this form of art. This was inspired by the workshop I have been attending, the “Raiders of the Lost Art”. This workshop focuses on “lost” art from different periods of history and how modern art forms are inspired by the past. I was wondering if there was any sort of art from the past that inspired “Shrinky Dinks”, which led me to conduct my own research. I learned of celluloid, which is a plastic that can be shaped with heat and was used in decorative crafts and for jewelry making. This technique was popular in the 1800’s and was the first synthetic plastic material. However, it was highly flammable and difficult and expensive to produce which is why it’s no longer widely used. I find it very interesting to see how these older art forms transform into modern art. The workshop I have been attending has really made me appreciate the modern art that we have and also made me intrigued by how it came to be as well.
Event Logistics (3/16/25, Alexander Street, "The Songs of China")
(#Theater)
I watched a play online titled “The Songs of China”, via UMD’s streaming service. After watching the film, I learned what influenced the popular songs in China and learned that composers in China take a lot of inspiration from nature. For example, in one of Hanggai’s songs, (a Chinese band based in Beijing) the lyrics go: “Ill be back with you when the spring has come and the flowers are in bloom”. Although they are based in Beijing, they go down to inner Mongolia to write their music as they take inspiration from the rural landscape and they find it “more relaxing” for them to write and rehearse. I’m able to connect this to the lesson I learned two weeks ago in my “Raider’s of the Lost Art” workshop, where we learned about Chinese porcelain painting. A key characteristic of the Chinese Porcelain painting was that the pottery also typically consisted of scenes from nature, like flowers or bamboo. The Chinese saw a lot of symbolism in nature, such as bamboo representing longevity, which is why they incorporated it a lot into their pottery. I also find it interesting how different Dynasties influenced different parts of Chinese culture, because Chinese Porcelain painting was inspired by the Ming Dynasty, whereas the Yuan Dynasty inspired a lot of Hunggai’s tunes.
The Raiders of the Lost Art workshop also focuses heavily on emphasizing the importance of reviving “lost” art forms. In the film, it touched on how one of China’s most famous singers right now is Luo Tiyani, a virtual singer, and how this could pose as a threat to real singers. However, the band Hanggai is a representation of how traditional art forms are still thriving and serve as at timeless piece of art in the world.
Event Logistics (3/30/25, Contemporary Art Purchasing Program)
(#visualart)
I visited Stamp and viewed a piece of art by Ingrid Weyland. Her piece was a part of the Contemporary Art Purchasing Program, and was titled Topographies of Fragility V. Her art depicted a beautiful landscape of a forest from her trip to Greenland, but it was severely crumpled up in the middle. This piece represents the destructive impact the humans have on nature. She crumpled it up to the point that it wouldn’t be the same even if one tried to restore it, emphasizing the lasting impact that humans can have on the environment. This piece of art invokes a call to action from the viewer. It causes me to be more conscious about my own efforts when it comes to my daily life and how this may impact the environment. After viewing this piece of art, it made me reflect on the art that I have created this semester in my workshop “Raiders of the Lost Art”, and if any of my art had a message that would inspire the viewers to change their actions. Most of my artwork this semester has been more for the aesthetic. While there is nothing wrong with that, I want to challenge myself in future lessons to create art that uses historical techniques to display current issues or messages relevant today, just as Weyland did in her artwork. I want my artwork to be less surface level and inspire viewers to enact change, which I'm hoping to incorporate in my artwork for ArtFest.