A first-year English PhD with a focus in Early Modern drama, Katharine is also a director, dramaturg, and theater deviser with research interests that sit at the intersection of editorial history, performance practice, and feminist criticism. Katharine is curious about how Shakespeare’s editors have had the power to amplify or remove details regarding the specificity of language and presence of characters on the page, and what ramifications those choices have had on legacies of Shakespeare in performance.