Abstract:

The article provides a thorough analysis of ensemble sound in the process of collective music making. For the first time, the components of ensemble sound were analyzed and systematized precisely in the context of a pop vocal-instrumental ensemble. Working with a pop vocal-instrumental ensemble appears as a holistic artistic and communicative process, based on the thoughtful and coordinated interaction of the team members.

The purpose of the article is to study and analyze the issue of organizing ensemble sound in a pop vocal-instrumental ensemble, systematizing the main methods of working on the components of ensemble sound in working with pop vocal-instrumental groups.

The scientific novelty of the article lies in the thorough study of ensemble sound in the process of collective music making. For the first time, the components of ensemble sound were analyzed and systematized precisely in the context of a pop vocal-instrumental ensemble.

Working with a pop vocal-instrumental ensemble appears as a holistic artistic and communicative process, based on thoughtful and coordinated interaction of the team members. Important prerequisites for a balanced ensemble sound are the synthesis of the technical skills of the performers, a clear distribution of parts, and the development of auditory analysis skills during the performance.

Keywords: ensemble sound, pop vocal-instrumental ensemble, tempo ensemble, rhythmic ensemble.

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