What is canon for this project?
Star Wars canon is complicated. As far as this project goes, it mostly relies on the official Disney canon post-2014 as described here on StarWars.com or here on Star Wars Explained's YouTube channel. Star Wars Explained also has a video explaining every era of Star Wars which may be mentioned throughout the project. However, parts of the project (such as the Video Games and Print Media sections) will draw on select elements of Star Wars Legends. Given the high numbers of books, comics, and video games created before the Disney takeover in 2014, the project’s coverage of Star Wars Legends will not be comprehensive and will likely focus on a few characters rather than the entire series.
Does this project use acronyms?
Yes! This project will use the main movie and TV show acronyms (ANH for A New Hope, ESB for The Empire Strikes Back, and so on) as needed. All unfamiliar acronyms will be defined as necessary throughout the project.
What do I need to know about Star Wars to use this project?
Technically, no prerequisite knowledge of Star Wars is required to use this project. It might make it helpful and provide additional critical context, however. Before using this project, though, keep the following in mind:
First of all, there will be spoilers for all past and presently accessible Star Wars content! Assume spoilers will be present and unmarked unless it pertains to a currently ongoing piece of media. For instance, Skeleton Crew spoilers in December 2024 will be marked, but spoilers for The Mandalorian season 3 from March-April 2023 will not be marked.
Trigger warnings for things other than fantasy violence will be marked as necessary.
Users of this site do not need to be familiar with feminist or film theory before using Built on Hope; such insights will be provided throughout the site or here on the FAQ page.
Links to specific viewing guides for a movie, game, show, or other piece of media will be available through the timeline on the Home page or through the quick links section on the “Using Built on Hope” page.
Here, there is no “right” viewing order for the Skywalker Saga films. Machete order, release order, or chronological order viewers are all welcome! The timeline presents information by chronological release date, and the quick links are organized by genre or trilogy.
What is transmedia?
Transmedia, or transmedia storytelling, tells a single story through several different mediums and platforms, which are often digital. Transmedia texts or franchises can be physical like the High Republic multimedia series (2021-present), or it can be digital like the Indiana Jones franchise (movies, TV shows, video games). Star Wars is a mix of digital and physical transmedia; other examples include the Marvel Cinematic Universe and the DC Cinematic Universe, both of which have different mediums in their respective canons (comic books, live action and animated TV shows, and movies).
What is the Star Wars mega-text?
The Star Wars mega-text is the background canon and world-building built into the franchise. The term comes from speculative fiction, fantasy, and science fiction where the elaborate background of the world or universe (language, culture, religion, politics, social dynamics) is necessary for readers to understand the story. J.R.R. Tolkien’s The Silmarillion and Unfinished Tales of Numenor and Middle Earth, in addition to the appendices of The Lord of the Rings, are excellent examples of mega-texts. Mega-texts can also refer to a large set of texts in the same universe or franchise expressed in several mediums (television, film, audio productions such as radio dramas, and print media including books and comics); franchises like Star Wars, Star Trek, and the Marvel Cinematic Universe (and its various other properties owned by Sony and Fox) fall under this definition.1 The first definition will be more commonly referred to as world-building or canon, while the second definition will be used to identify or note the Star Wars mega-text or the transmedial Star Wars franchise.
What is the hero’s journey?
Created by Joseph Campbell, the hero’s journey focuses on just that -- the steps a hero must go through as part of the monomyth (a universal pattern in heroic tales like The Iliad, The Odyssey, Harry Potter, and Star Wars). George Lucas directly used Campbell’s theory during the creation process of A New Hope. Campbell was posthumously revealed to be racist, antisemitic, and misogynistic; I will not tolerate or allow any of his beliefs to be shared on this site, and I do not hold any of these beliefs myself. Understanding the hero's journey (and how Campbell's beliefs, particularly about women, resulted in Murdock's heroine's journey) is vital to any analysis of Star Wars, however, so some discussion of his academic work (rather than the man himself) must occur.
Campbell’s work has inspired others like Maureen Murdock to develop the heroine’s journey. Murdock, a student of Campbell’s, developed the heroine’s journey in the 1980s to better represent women’s journeys as Campbell’s narrative excludes women and female characters (according to him). This model involves a rejection of the feminine or society’s prescribed gender roles, a confrontation with various obstacles (elements present in Campbell’s hero’s journey), and a recognition that a total rejection of femininity and acceptance of masculinity (and their accompanying social roles) is not sustainable, resulting in heroines integrating both masculine and feminine perspectives and ways of being into their person and post-quest life.
For more information, see Joseph Campbell’s The Hero with a Thousand Faces (1949) for more.
See Maria Tatar’s The Heroine With 1,001 Faces (2022), Murdock’s andThe Heroine’s Journey: Woman’s Quest For Wholeness (1990) for more.
What is the feminist lens? What is feminist media analysis?
Feminist lenses of analysis use feminist theory, queer theory, and other concepts from gender and sexuality studies (also known as women’s studies, feminist studies, queer studies, etc.) to critically read and analyze various texts. Feminist media analysis uses relevant feminist theories and texts to critically view and analyze media such as movies, TV shows, social media channels, theatrical performances, dances, and other products of the fine and performing arts. This project uses feminist media analysis to create viewing, reading, or interacting guides with different elements of the Star Wars franchise which allow readers to pinpoint the feminist elements in the various texts.
What materials did you use to build this project and the analysis?
Use the References tab at the top of the page to see the primary and secondary sources (original material and derivative scholarly material respectively). For more about the project, licensing, and copyrighting, see About the Project (also at the top of the page). To reach us about our source material or points of analysis, use the Contact Us feature at the bottom of the page.
Does this project use the Bechdel Test?
The Bechdel test or Bechdel-Wallace, as defined here, uses a three part test to measure women’s representation in film and fiction, and the criteria are as follows: the media under review 1) has at least two named women in it who 2) talk to each other 3) about something other than a man. Passing or failing the test is meant to highlight gender inequality in film, TV, and other fictional media rather than critiquing the representation of women in the text of study. The Bechdel test’s standards are incredibly low, especially now in 2024, and while I will reference it in relation to the Star Wars films, I am not factoring it into my analysis of whether the media or characters of study are feminist. I will instead use it to highlight interactions between women in the Star Wars universe and as a familiar term, as some users may be familiar with the Bechdel test, so my use of the term might provide a familiar point of comparison.
Lincoln Geraghty, "Creating and Comparing Myth in Twentieth-Century Science Fiction: 'Star Trek' and 'Star Wars,'" Literature/Film Quarterly 33, no. 2 (2005): 192, JSTOR.
Image credit, in order of appearance:
Image credit to Built on Hope
Image credit to the Joseph Campbell Foundation
Image credit to The Heroine Journeys Project