Abrams, J. J., dir. Star Wars Episode IX: The Rise of Skywalker. Produced by J.J. Abrams, Kathleen Kennedy, and Michelle Rejwan. Screenplay by Chris Terrio, J.J. Abrams, Derek Connolly, and Colin Trevorrow. LucasFilm, Bad Robot, Walt Disney Studios Motion Pictures, 2019.
———, dir. Star Wars Episode VII: The Force Awakens. Produced by J.J. Abrams, Kathleen Kennedy, and Bryan Burk. Screenplay by Lawrence Kasdan, J.J. Abrams, and Michael Arndt. LucasFilm, Bad Robot, Walt Disney Studios Motion Pictures, 2015.
Acker, Ben, Renée Ahdieh, Tom Angleberger, Ben Blacker, Jeffrey Brown, Pierce Brown, Meg Cabot, Rae Carson, Adam Christopher, Zoraida Córdova, Delilah S. Dawson, Kelly Sue DeConnick, Paul Dini, Ian Doescher, Ashley Eckstein, Matt Fraction, Alexander Freed, Jason Fry, Kieron Gillen, Christie Golden, Claudia Gray, Pablo Hidalgo, E. K. Johnston, Paul S. Kemp, Mur Lafferty, Daniel M. Lavery, Ken Liu, Griffin McElroy, and John Jackson Miller. Star Wars: From a Certain Point of View. New York: Del Rey, 2017.
The Acolyte. Created by Leslye Headland. Produced by Leslye Headland, Kathleen Kennedy, Simon Emanuel, Jason Micallef, and Jeff F. King. Produced by Rayne Roberts, Damian Anderson, Rob Bredow, and Eileen Shim. Aired 2024 (first broadcast June 4, 2024), on Disney+.
Ahmed, Saladin, Charlie Jane Anders, Tom Angleberger, Kristin Baver, Olivia Blake, Akemi Dawn Bowman, Emma Mieko Candon, Olivia Chadha, Gloria Chao, Mike Chen, Adam Christopher, Paul Crilley, Amal El-Mohtar, M.K. England, Jason Fry, Adam Lance Garcia, Lamar Giles, Max Gladstone, Thea Guanzon, Ali Hazelwood, Patricia A. Jackson, Alex Jennings, Mary Kenney, Jarrett J. Krosoczka, Sarah Kuhn, Danny Lore, Sarah Glenn Marsh, Kwame Mbalia, Marieke Njikamp, Daniell Paige, Laura Pohl, K. Arsenault Rivera, Dana Schwartz, Tara Sim, Phil Szostak, Suzanne Walker, Hannah Whitten, Fran Wilde, Sean Williams, and Alyssa Wong. Star Wars: Return of the Jedi: From a Certain Point of View. N.p.: Random House Worlds, 2023.
Ahsoka. Created and written by Dave Filoni. Produced by Dave Filoni, Jon Favreau, Kathleen Kennedy, Carrie Beck, and Colin Wilson. Produced by John Bartnicki. Aired 2023-present (first broadcast August 22, 2023), on Disney+.
Andor. Created by Tony Gilroy. Produced by Sanne Wohlenberg, Tony Gilroy, Kathleen Kennedy, Diego Luna, Toby Haynes, and Michelle Rejwan. Produced by Kate Hazell and David Meanti. Aired 2022-present (first broadcast September 21, 2022), on Disney+.
Angleberger, Tom, Sarwat Chadda, S.A. Chakraborty, Mike Chen, Adam Christopher, Katie Cook, Zoraida Cordova, Delilah S. Dawson, Tracy Deonn, Seth Dickinson, Alexander Freed, Jason Fry, Christie Golden, Hank Green, Rob Hart, Lydia Kang, Michael Kogge, R.F. Kuang, C.B. Lee, Mackenzi Lee, John Jackson Miller, Michael Moreci, Daniel Jose Older, Mark Oshiro, Amy Ratcliffe, Beth Revis, Lilliam Rivera, Cavan Scott, Emily Skrutskie, Karen Strong, Anne Toole, Catherynne M. Valente, Austin Walker, Martha Wells, Django Wexler, Kiersten White, Gary Whitta, Brittany N. Williams, Charles Yu, and Jim Zub. Star Wars: The Empire Strikes Back: From a Certain Point of View. New York: Del Rey, 2020.
Beecroft, Simon. Lego Star Wars: The Visual Dictionary. New York: DK Publishing, 2009.
———. LEGO Star Wars: The Visual Dictionary: Updated and Expanded. New York, NY: DK Publishing, 2014.
Beecroft, Simon, Jason Fry, and Simon Hugo. Lego Star Wars Visual Dictionary, New Edition. New York: DK Publishing, 2019.
The Book of Boba Fett. Created by Jon Favreau. Produced by Jon Favreau, Dave Filoni, Robert Rodriguez, Kathleen Kennedy, and Colin Wilson. Produced by John Bartnicki. Aired 2021-2022 (first broadcast December 29, 2021).
Bray, Adam. Star Wars Rebels: The Visual Guide. New York: DK Publishing, 2014.
———. Star Wars Rebels: Visual Guide: Epic Battles. New York, NY: DK Publishing, 2015.
Brooks, Terry, and George Lucas. The Phantom Menace. New York: Ballantine Pub. Group, 2000.
Carson, Rae. The Rise of Skywalker. New York: Del Rey, 2020.
Dawson, Delilah S. Inquisitor: Rise of the Red Blade. New York: Random House Worlds, 2024.
———. Phasma. New York: Del Rey, 2018.
DICE. Star Wars Battlefront. Electronic Arts. PlayStation 4, Windows, Xbox One. 2015.
———. Star Wars Battlefront II. Electronic Arts. PlayStation 4, Windows, Xbox One. 2017.
Edwards, Gareth, dir. Rogue One: A Star Wars Story. Screenplay by Chris Weitz, Tony Gilroy, John Knoll, and Gary Whitta. Produced by Kathleen Kennedy, Allison Shearmur, and Simon Emanuel. LucasFilm, Walt Disney Studios Motion Pictures, 2016.
Filoni, Dave, dir. Star Wars: The Clone Wars. Screenplay by Henry Gilroy, Steven Melching, and Scott Murphy. Produced by Catherine Winder. 2008.
Foster, Alan Dean. The Force Awakens. New York: Del Rey, 2016.
Freed, Alexander. Rogue One: A Star Wars Story. New York: Del Rey, 2017.
Fry, Jason. Star Wars: Attack of the Clones: The Ultimate Illustrated Guide. N.p.: Alvilda, 2013.
———. Star Wars: The Clone Wars: New Battlefronts: The Visual Guide. N.p.: DK Publishing, 2010.
———. Star Wars: The Clone Wars: The Visual Guide: Ultimate Battles. London: DK Publishing, 2010.
Fry, Jason, and Rian Johnson. Star Wars: The Last Jedi. New York: Del Rey, 2018.
Fry, Jason, and Heather Scott. Star Wars: The Clone Wars: The Visual Guide. New York: DK Publishing, 2008.
Glut, Donald F., and George Lucas. The Empire Strikes Back. New York: Random House Pub. Group, 2011.
Golden, Christie. Dark Disciple. New York: Del Rey, 2016.
Gray, Claudia. Bloodline. New York: Del Rey, 2017.
———. Leia : Princess of Alderaan. London: Egmont, 2017.
———. Lost Stars. Los Angeles, CA: Disney/Lucasfilm Press, 2015.
Hidalgo, Pablo. Solo: A Star Wars Story: The Official Guide. New York, NY: DK Publishing, 2018.
———. Star Wars: Rogue One: The Ultimate Visual Guide. New York, NY: DK Publishing, 2016.
———. Star Wars: The Acolyte: The Visual Guide. N.p.: DK Publishing, 2025.
———. Star Wars: The Force Awakens: The Visual Dictionary. New York, NY: DK/Penguin Random House, 2015.
———. Star Wars: The Last Jedi: The Visual Dictionary. New York, NY: DK Publishing, 2017.
———. Star Wars: The Mandalorian: The Ultimate Visual Guide. N.p.: DK, 2021.
———. Star Wars: The Rise of Skywalker: The Visual Dictionary. New York: DK Publishing, 2019.
Hidalgo, Pablo, and David Reynolds. Star Wars: The Complete Visual Dictionary, New Edition. New York, NY: DK Publishing, 2018.
Hidalgo, Pablo, and Emily Shkoukani. Star Wars: Dawn of Rebellion: The Visual Guide. New York: DK Publishing, 2023.
Howard, Ron, dir. Solo: A Star Wars Story. Produced by Kathleen Kennedy, Allison Shearmur, and Simon Emanuel. Screenplay by Jonathan Kasdan and Lawrence Kasdan. LucasFilm, Walt Disney Studios Motion Pictures, 2018.
Johnson, Rian, dir. Star Wars Episode VIII: The Last Jedi. Produced by Kathleen Kennedy and Ram Bergman. Screenplay by Rian Johnson. 2017.
Johnston, E.K. Ahsoka. Los Angeles, CA: Disney Lucasfilm Press, 2016.
———. Crimson Climb. Los Angeles: Disney Lucasfilm Press, 2023.
———. Queen's Hope. Los Angeles, CA: Disney Lucasfilm Press, 2022.
———. Queen's Peril. Los Angeles: Disney/Lucasfilm Press, 2020.
———. Queen's Shadow. Glendale, CA: Disney/Lucasfilm Press, 2020.
Kahn, James, Lawrence Kasdan, and George Lucas. Star Wars, Return of the Jedi. New York: Ballantine Books, 1983.
Kershner, Irvin, dir. Star Wars Episode V: The Empire Strikes Back. Screenplay by George Lucas, Lawrence Kasdan, and Leigh Brackett. Produced by Gary Kurtz. LucasFilm, Twentieth Century Fox, 1980.
Lafferty, Mur, Jonathan Kasdan, and Lawrence Kasdan. Solo: A Star Wars Story. London: Arrow Books, 2019.
LEGO Star Wars: All-Stars. Created by Bill Motz and Bob Roth. Produced by Bill Motz, Bob Roth, Jill Wilfert, and Erik Wilstrup. Aired 2018 (first broadcast October 29, 2019), on Disney XD and Disney XD (YouTube).
Lego Star Wars: Droid Tales. Produced by Torsten Jacobson, Jill Wilfert, Erik Wilstrup, and Michael Price. Produced by Irene Sparre. Aired 2015 (first aired July 6, 2015), on Disney XD.
Lego Star Wars: The Empire Strikes Out. Created by George Lucas. Directed by Guy Vasilovich. Aired 2012 (first broadcast on September 26, 2012), on Cartoon Network.
Lego Star Wars: The Freemaker Adventures. Produced by Bill Motz, Bob Roth, Torsten Jacobson, Jill Wilfert, and Erik Wilstrup. Produced by Carrie Beck, Jake Blais, Jason Cosler, John McCormack, and Irene Sparre. Aired 2016 (first broadcast June 20, 2016), on Disney XD.
The Lego Star Wars Holiday Special. Produced by Jason Cosler, Jacqui Lopez, Keith Malone, Josh Rimes, James Waugh, and Jill Wilfert. Produced by Daniel Cavey and Dan Langlois. Aired 2020 (first broadcast on November 17, 2020), on Disney+.
Lego Star Wars: Rebuild the Galaxy. Produced by Dan Hernandez, Benji Samit, James Waugh, Jacqui Lopez, Josh Rimes, Will Wilfert, Jason Cosler, and Keith Malone. Produced by Daniel Cavey and Dan Langlois. Aired 2024 (first broadcast September 13, 2024), on Disney+
Lego Star Wars: Summer Vacation. Produced by Jason Cosler, Jacqui Lopez, Keith Malone, Josh Rimes, David Shayne, Jason D. Stein, Jennifer Twiner McCarron, James Waugh, and Jill Wilfert. Produced by Daniel Cavey and Dan Langlois. Aired 2022 (first broadcast August 5, 2022), on Disney+.
Lego Star Wars Terrifying Tales. Produced by Jason Cosler, Jacqui Lopez, Keith Malone, Josh Rimes, David Shayne, Jason D. Stein, Jennifer Twiner McCarron, James Waugh, and Jill Wilfert. Produced by Daniel Cavey and Dan Langlois. Aired 2021 (first broadcast October 1, 2021), on Disney+.
Lego Star Wars: The Padawan Menace. Created by George Lucas. Directed by David Scott. Written by Michael Price. Aired 2011 (first broadcast on July 22, 2011), on Cartoon Network.
Lego Star Wars: The Resistance Rises. Produced by Lucasfilm, Lego, and M2Film. Aired 2016 (first broadcast February 15, 2016), on Disney XD.
Lego Star Wars: The Yoda Chronicles. Created by George Lucas. Produced by Erik Wilstrup, Torsten Jacobsen, and Michael Price. Produced by Irene Sparre. Aired 2013-2014 (first broadcast May 29, 2013), on Cartoon Network.
Lucas, George. Star Wars, a New Hope : a Novel. New York: Ballantine Books, 1978.
———, dir. Star Wars Episode II: Attack of the Clones. Produced by Rick McCallum. Screenplay by George Lucas and Jonathan Hales. LucasFilm, Twentieth Century Fox, 2002.
———, dir. Star Wars Episode III: Revenge of the Sith. Screenplay by George Lucas. Produced by Rick McCallum. LucasFilm, Twentieth Century Fox, 2005.
———, dir. Star Wars Episode I: The Phantom Menace. Screenplay by George Lucas. Produced by Rick McCallum. LucasFilm, Twentieth Century Fox, 1999.
———, dir. Star Wars Episode IV: A New Hope. Screenplay by George Lucas. Produced by Gary Kurtz. LucasFilm, Twentieth Century Fox, 1977.
LucasArts. Star Wars: The Force Unleashed. LucasArts. Windows, Mac OS, Xbox 360, PlayStation 3, PlayStation 2, PlayStation Portable, Wii, Nintendo DS, iOS, N-Gage, Nintendo Switch. 2008.
Luceno, James. Star Wars: Revenge of the Sith: The Visual Dictionary. New York: DK, 2005.
———. Star Wars: The Force Unleashed II. LucasArts. Windows, Xbox 360, PlayStation 3, Wii, Nintendo DS, iOS. 2010.
The Mandalorian. Created by Jon Favreau. Produced by Jon Favreau, Dave Filoni, Kathleen Kennedy, Colin Wilson, and Rick Famuyiwa. Produced by John Bartnicki. Aired 2019-2023 (first broadcast November 12, 2019), on Disney+.
Marquand, Richard, dir. Star Wars Episode VI: Return of the Jedi. Screenplay by George Lucas and Lawrence Kasdan. Produced by Howard Kanzanjian. LucasFilm, Twentieth Century Fox, 1983.
Massive Entertainment. Star Wars Outlaws. Ubisoft. Windows, PlayStation 5, Xbox Series X/S. 2024.
Mikoishi. Star Wars Battlefront: Mobile Squadrons. THQ Interactive. Mobile phone. 2009.
Miller, John Jackson. A New Dawn. New York: Del Rey, 2015.
Motive Studio. Star Wars: Squadrons. Entertainment Arts. Windows, PlayStation 4, Xbox One. 2020.
Obi-Wan Kenobi. Directed by Deborah Chow. Produced by Deborah Chow, Ewan McGregor, Kathleen Kennedy, Michelle Rejwan, and Joby Harold. Produced by Thomas Hayslip and Katterli Frauenfelder. Aired 2022 (first broadcast May 27, 2022).
Pandemic Studios. Star Wars: Battlefront. LucasArts. PlayStation 2, Windows, Xbox, Mac, Mobile phone. Pandemic Studios. 2004.
———. Star Wars: Battlefront II. LucasArts. PlayStation 2, Windows, Xbox, PlayStation Portable. 2005.
Ratcliffe, Amy, and Kathleen Kennedy. Star Wars : Women of the Galaxy. San Francisco: Chronicle Books, 2018.
Revis, Beth. The Princess and the Scoundrel. New York: Del Rey, 2022.
———. Rebel Rising. Los Angeles: Disney/Lucas Film Press, 2017.
Rebellion Developments. Star Wars Battlefront: Renegade Squadron. LucasArts. PlayStation Portable. 2007.
———. Star Wars Battlefront: Elite Squadron. LucasArts. PlayStation Portable, Nintendo DS. 2009.
ReSpawn Entertainment. Star Wars Jedi: Fallen Order. Electronic Arts. Windows, PlayStation 4, Xbox One, Stadia, PlayStation 5, Xbox Series X/S. 2019.
———. Star Wars Jedi: Survivor. Electronic Arts. Windows, PlayStation 5, Xbox Series X/S. 2023.
Reynolds, David West. Star Wars: Attack of the Clones: The Visual Dictionary. New York: DK Publishing, 2002.
———. Star Wars: Episode I: The Visual Dictionary. New York, N.Y.: DK Publishing, 1999.
———. Star Wars: The Visual Dictionary. New York: DK Publishing, 1998.
Reynolds, David West, and Jason Fry. Star Wars: The Phantom Menace: The Expanded Visual Dictionary. New York: DK Publishing, 2012.
———. Star Wars: The Phantom Menace: The Expanded Visual Dictionary. New York: DK Publishing, 2012.
Reynolds, David West, James Luceno, and Ryder Windham. Star Wars: The Complete Visual Dictionary. New York, NY: DK Publishing, 2016.
Salvatore, R. A., George Lucas, and Jonathan Hales. Star Wars Episode II. Attack of the Clones. New York: Del Rey, 2002.
Skeleton Crew. Created and directed by Jon Watts and Christopher Ford. Produced by Kathleen Kennedy, Jon Watts, Dave Filoni, and Jon Favreau. Aired 2024 (first broadcast December 3, 2024), on Disney+.
Star Wars: Clone Wars. Directed and written by Genndy Tartakovsky. Produced by Brian A. Miller. Produced by Genndy Tartakovsky and Shareena Carlson. Aired 2003-2005 (first broadcast November 7, 2003), on Cartoon Network, Disney+.
Star Wars Forces of Destiny. Created by Dave Filoni, Carrie Beck, and Jennifer Muro. Written by Jennifer Muro and Nicole Dubuc. Directed by Brad Rau. Narrated by Lupita Nyong'o. Produced by Carrie Beck and Dave Filoni. Produced by Jacqueline Lopez. Aired 2017-2018 (first broadcast July 3, 2017), on YouTube, Disney+.
Star Wars Rebels. Created and produced by Simon Kinberg, Dave Filoni, and Carrie Beck. Produced by Simon Kinberg, Dave Filoni, and Greg Weisman. Aired 2014-2018 (first broadcast October 3, 2014), on Disney XD, Disney+.
Star Wars Resistance. Created by Dave Filoni, Kiri Hart, and Carrie Beck. Produced by Dave Filoni, Athena Yvette Portillo, Justin Ridge, and Brandon Auman. Aired 2018-2020 (first broadcast October 7, 2018), on Disney XD, Disney+.
Star Wars: The Bad Batch. Created by Dave Filoni. Directed and produced by Brad Rau. Produced by Josh Rimes. Aired 2021-2024 (first broadcast May 3, 2021), on Disney+.
Star Wars: The Clone Wars. Directed and produced by Dave Filoni. Created by George Lucas. Produced by Cary Silver and Caroline Kermel. Aired 2008-2013, 2014, 2020 (first broadcast October 3, 2008), on Cartoon Network, Netflix, Disney+.
Star Wars: The New Yoda Chronicles. Created by George Lucas. Produced by Erik Wilstrup, Torsten Jacobsen, and Michael Price. Produced by Irene Sparre. Aired 2014 (first broadcast May 4, 2014), on Disney XD.
Star Wars Visions. Produced by Jacqui Lopez, James Waugh, Josh Rimes, and Justin Leach. Produced by Kanako Shirasaki. Aired 2021-2023 (first broadcast September 22, 2021), on Disney+.
Star Wars: Young Jedi Adventures. Produced by James Waugh, Jacqui Lopez, Josh Rimes, and Michael Olson. Aired 2023-present (first broadcast May 4, 2023), on Disney Jr., Disney+.
Stover, Matthew Woodring, and George Lucas. Revenge of the Sith. London: Arrow, 2005.
Tales of the Empire. Created and directed by Dave Filoni. Produced by Dave Filoni, Athena Yvette Portillo, and Carrie Beck. Produced by Josh Spotswood and Josh Rimes. Aired 2024 (first broadcast May 4, 2024), on Disney+.
Tales of the Jedi. Created and directed by Dave Filoni. Produced by Dave Filoni, Athena Yvette Portillo, and Carrie Beck. Produced by Josh Spotswood and Josh Rimes. Aired 2022 (first broadcast October 26, 2022), on Disney+.
Traveller’s Tales. Lego Star Wars: The Complete Saga. LucasArts. WIndows, Mac, Xbox 360, PlayStation 3, Wii, Nintendo DS, iOS, Android. 2007.
———. Lego Star Wars: The Skywalker Saga. Warner Bros. Games. Windows, PlayStation 4, PlayStation 5, Xbox One, Xbox Series X, Nintendo Switch. 2022.
———. Lego Star Wars: The Video Game. Eidos Interactive, Giant Interactive Entertainment (TT Games Publishing). Windows, Mac, PlayStation 2, Xbox, GameCube, Game Boy Advance. 2005.
———. Lego Star Wars II: The Original Trilogy. LucasArts. Windows, Mac, PlayStation 2, PlayStation Portable, Xbox 360, Xbox, GameCube, Game Boy Advance. 2006.
———. Lego Star Wars III: The Clone Wars. LucasArts. Windows, Mac, Xbox 360, PlayStation 3, PlayStation Vita, Xbox One, Xbox 360, Wii U, Nintendo 3DS, iOS. 2011.
Windham, Ryder. Star Wars: The Ultimate Visual Guide. New York: DK Publishing, 2005.
Windham, Ryder, and Daniel Wallace. Star Wars: The Ultimate Visual Guide: Updated and Expanded. London: DK Publishing, 2012.
Zynga. Star Wars: Hunters. Zynga. Nintendo Switch, iOS, Android. 2024.
Abrams, J. J., dir. Star Wars Episode IX: The Rise of Skywalker. Produced by J.J. Abrams, Kathleen Kennedy, and Michelle Rejwan. Screenplay by Chris Terrio, J.J. Abrams, Derek Connolly, and Colin Trevorrow. LucasFilm, Bad Robot, Walt Disney Studios Motion Pictures, 2019.
———, dir. Star Wars Episode VII: The Force Awakens. Produced by J.J. Abrams, Kathleen Kennedy, and Bryan Burk. Screenplay by Lawrence Kasdan, J.J. Abrams, and Michael Arndt. LucasFilm, Bad Robot, Walt Disney Studios Motion Pictures, 2015.
Edwards, Gareth, dir. Rogue One: A Star Wars Story. Screenplay by Chris Weitz, Tony Gilroy, John Knoll, and Gary Whitta. Produced by Kathleen Kennedy, Allison Shearmur, and Simon Emanuel. LucasFilm, Walt Disney Studios Motion Pictures, 2016.
Filoni, Dave, dir. Star Wars: The Clone Wars. Screenplay by Henry Gilroy, Steven Melching, and Scott Murphy. Produced by Catherine Winder. 2008.
Howard, Ron, dir. Solo: A Star Wars Story. Produced by Kathleen Kennedy, Allison Shearmur, and Simon Emanuel. Screenplay by Jonathan Kasdan and Lawrence Kasdan. LucasFilm, Walt Disney Studios Motion Pictures, 2018.
Johnson, Rian, dir. Star Wars Episode VIII: The Last Jedi. Produced by Kathleen Kennedy and Ram Bergman. Screenplay by Rian Johnson. 2017.
Kershner, Irvin, dir. Star Wars Episode V: The Empire Strikes Back. Screenplay by George Lucas, Lawrence Kasdan, and Leigh Brackett. Produced by Gary Kurtz. LucasFilm, Twentieth Century Fox, 1980.
Lucas, George, dir. Star Wars Episode II: Attack of the Clones. Produced by Rick McCallum. Screenplay by George Lucas and Jonathan Hales. LucasFilm, Twentieth Century Fox, 2002.
———, dir. Star Wars Episode III: Revenge of the Sith. Screenplay by George Lucas. Produced by Rick McCallum. LucasFilm, Twentieth Century Fox, 2005.
———, dir. Star Wars Episode I: The Phantom Menace. Screenplay by George Lucas. Produced by Rick McCallum. LucasFilm, Twentieth Century Fox, 1999.
———, dir. Star Wars Episode IV: A New Hope. Screenplay by George Lucas. Produced by Gary Kurtz. LucasFilm, Twentieth Century Fox, 1977.
Marquand, Richard, dir. Star Wars Episode VI: Return of the Jedi. Screenplay by George Lucas and Lawrence Kasdan. Produced by Howard Kanzanjian. LucasFilm, Twentieth Century Fox, 1983.
The Acolyte. Created by Leslye Headland. Produced by Leslye Headland, Kathleen Kennedy, Simon Emanuel, Jason Micallef, and Jeff F. King. Produced by Rayne Roberts, Damian Anderson, Rob Bredow, and Eileen Shim. Aired 2024 (first broadcast June 4, 2024), on Disney+.
Ahsoka. Created and written by Dave Filoni. Produced by Dave Filoni, Jon Favreau, Kathleen Kennedy, Carrie Beck, and Colin Wilson. Produced by John Bartnicki. Aired 2023-present (first broadcast August 22, 2023), on Disney+.
Andor. Created by Tony Gilroy. Produced by Sanne Wohlenberg, Tony Gilroy, Kathleen Kennedy, Diego Luna, Toby Haynes, and Michelle Rejwan. Produced by Kate Hazell and David Meanti. Aired 2022-present (first broadcast September 21, 2022), on Disney+.
The Book of Boba Fett. Created by Jon Favreau. Produced by Jon Favreau, Dave Filoni, Robert Rodriguez, Kathleen Kennedy, and Colin Wilson. Produced by John Bartnicki. Aired 2021-2022 (first broadcast December 29, 2021).
LEGO Star Wars: All-Stars. Created by Bill Motz and Bob Roth. Produced by Bill Motz, Bob Roth, Jill Wilfert, and Erik Wilstrup. Aired 2018 (first broadcast October 29, 2019), on Disney XD and Disney XD (YouTube).
Lego Star Wars: Droid Tales. Produced by Torsten Jacobson, Jill Wilfert, Erik Wilstrup, and Michael Price. Produced by Irene Sparre. Aired 2015 (first aired July 6, 2015), on Disney XD.
Lego Star Wars: The Empire Strikes Out. Created by George Lucas. Directed by Guy Vasilovich. Aired 2012 (first broadcast on September 26, 2012), on Cartoon Network.
Lego Star Wars: The Freemaker Adventures. Produced by Bill Motz, Bob Roth, Torsten Jacobson, Jill Wilfert, and Erik Wilstrup. Produced by Carrie Beck, Jake Blais, Jason Cosler, John McCormack, and Irene Sparre. Aired 2016 (first broadcast June 20, 2016), on Disney XD.
The Lego Star Wars Holiday Special. Produced by Jason Cosler, Jacqui Lopez, Keith Malone, Josh Rimes, James Waugh, and Jill Wilfert. Produced by Daniel Cavey and Dan Langlois. Aired 2020 (first broadcast on November 17, 2020), on Disney+.
Lego Star Wars: Rebuild the Galaxy. Produced by Dan Hernandez, Benji Samit, James Waugh, Jacqui Lopez, Josh Rimes, Will Wilfert, Jason Cosler, and Keith Malone. Produced by Daniel Cavey and Dan Langlois. Aired 2024 (first broadcast September 13, 2024), on Disney+
Lego Star Wars: Summer Vacation. Produced by Jason Cosler, Jacqui Lopez, Keith Malone, Josh Rimes, David Shayne, Jason D. Stein, Jennifer Twiner McCarron, James Waugh, and Jill Wilfert. Produced by Daniel Cavey and Dan Langlois. Aired 2022 (first broadcast August 5, 2022), on Disney+.
Lego Star Wars Terrifying Tales. Produced by Jason Cosler, Jacqui Lopez, Keith Malone, Josh Rimes, David Shayne, Jason D. Stein, Jennifer Twiner McCarron, James Waugh, and Jill Wilfert. Produced by Daniel Cavey and Dan Langlois. Aired 2021 (first broadcast October 1, 2021), on Disney+.
Lego Star Wars: The Padawan Menace. Created by George Lucas. Directed by David Scott. Written by Michael Price. Aired 2011 (first broadcast on July 22, 2011), on Cartoon Network.
Lego Star Wars: The Resistance Rises. Produced by Lucasfilm, Lego, and M2Film. Aired 2016 (first broadcast February 15, 2016), on Disney XD.
Lego Star Wars: The Yoda Chronicles. Created by George Lucas. Produced by Erik Wilstrup, Torsten Jacobsen, and Michael Price. Produced by Irene Sparre. Aired 2013-2014 (first broadcast May 29, 2013), on Cartoon Network.
The Mandalorian. Created by Jon Favreau. Produced by Jon Favreau, Dave Filoni, Kathleen Kennedy, Colin Wilson, and Rick Famuyiwa. Produced by John Bartnicki. Aired 2019-2023 (first broadcast November 12, 2019), on Disney+.
Obi-Wan Kenobi. Directed by Deborah Chow. Produced by Deborah Chow, Ewan McGregor, Kathleen Kennedy, Michelle Rejwan, and Joby Harold. Produced by Thomas Hayslip and Katterli Frauenfelder. Aired 2022 (first broadcast May 27, 2022).
Skeleton Crew. Created and directed by Jon Watts and Christopher Ford. Produced by Kathleen Kennedy, Jon Watts, Dave Filoni, and Jon Favreau. Aired 2024 (first broadcast December 3, 2024), on Disney+.
Star Wars: Clone Wars. Directed and written by Genndy Tartakovsky. Produced by Brian A. Miller. Produced by Genndy Tartakovsky and Shareena Carlson. Aired 2003-2005 (first broadcast November 7, 2003), on Cartoon Network, Disney+.
Star Wars Forces of Destiny. Created by Dave Filoni, Carrie Beck, and Jennifer Muro. Written by Jennifer Muro and Nicole Dubuc. Directed by Brad Rau. Narrated by Lupita Nyong'o. Produced by Carrie Beck and Dave Filoni. Produced by Jacqueline Lopez. Aired 2017-2018 (first broadcast July 3, 2017), on YouTube, Disney+.
Star Wars Rebels. Created and produced by Simon Kinberg, Dave Filoni, and Carrie Beck. Produced by Simon Kinberg, Dave Filoni, and Greg Weisman. Aired 2014-2018 (first broadcast October 3, 2014), on Disney XD, Disney+.
Star Wars Resistance. Created by Dave Filoni, Kiri Hart, and Carrie Beck. Produced by Dave Filoni, Athena Yvette Portillo, Justin Ridge, and Brandon Auman. Aired 2018-2020 (first broadcast October 7, 2018), on Disney XD, Disney+.
Star Wars: The Bad Batch. Created by Dave Filoni. Directed and produced by Brad Rau. Produced by Josh Rimes. Aired 2021-2024 (first broadcast May 3, 2021), on Disney+.
Star Wars: The Clone Wars. Directed and produced by Dave Filoni. Created by George Lucas. Produced by Cary Silver and Caroline Kermel. Aired 2008-2013, 2014, 2020 (first broadcast October 3, 2008), on Cartoon Network, Netflix, Disney+.
Star Wars: The New Yoda Chronicles. Created by George Lucas. Produced by Erik Wilstrup, Torsten Jacobsen, and Michael Price. Produced by Irene Sparre. Aired 2014 (first broadcast May 4, 2014), on Disney XD.
Star Wars Visions. Produced by Jacqui Lopez, James Waugh, Josh Rimes, and Justin Leach. Produced by Kanako Shirasaki. Aired 2021-2023 (first broadcast September 22, 2021), on Disney+.
Star Wars: Young Jedi Adventures. Produced by James Waugh, Jacqui Lopez, Josh Rimes, and Michael Olson. Aired 2023-present (first broadcast May 4, 2023), on Disney Jr., Disney+.
Stover, Matthew Woodring, and George Lucas. Revenge of the Sith. London: Arrow, 2005.
Tales of the Empire. Created and directed by Dave Filoni. Produced by Dave Filoni, Athena Yvette Portillo, and Carrie Beck. Produced by Josh Spotswood and Josh Rimes. Aired 2024 (first broadcast May 4, 2024), on Disney+.
Tales of the Jedi. Created and directed by Dave Filoni. Produced by Dave Filoni, Athena Yvette Portillo, and Carrie Beck. Produced by Josh Spotswood and Josh Rimes. Aired 2022 (first broadcast October 26, 2022), on Disney+.
DICE. Star Wars Battlefront. Electronic Arts. PlayStation 4, Windows, Xbox One. 2015.
———. Star Wars Battlefront II. Electronic Arts. PlayStation 4, Windows, Xbox One. 2017.
LucasArts. Star Wars: The Force Unleashed. LucasArts. Windows, Mac OS, Xbox 360, PlayStation 3, PlayStation 2, PlayStation Portable, Wii, Nintendo DS, iOS, N-Gage, Nintendo Switch. 2008.
———. Star Wars: The Force Unleashed II. LucasArts. Windows, Xbox 360, PlayStation 3, Wii, Nintendo DS, iOS. 2010.
Massive Entertainment. Star Wars Outlaws. Ubisoft. Windows, PlayStation 5, Xbox Series X/S. 2024.
Mikoishi. Star Wars Battlefront: Mobile Squadrons. THQ Interactive. Mobile phone. 2009.
Motive Studio. Star Wars: Squadrons. Entertainment Arts. Windows, PlayStation 4, Xbox One. 2020.
Pandemic Studios. Star Wars: Battlefront. LucasArts. PlayStation 2, Windows, Xbox, Mac, Mobile phone. Pandemic Studios. 2004.
———. Star Wars: Battlefront II. LucasArts. PlayStation 2, Windows, Xbox, PlayStation Portable. 2005.
Rebellion Developments. Star Wars Battlefront: Renegade Squadron. LucasArts. PlayStation Portable. 2007.
———. Star Wars Battlefront: Elite Squadron. LucasArts. PlayStation Portable, Nintendo DS. 2009.
ReSpawn Entertainment. Star Wars Jedi: Fallen Order. Electronic Arts. Windows, PlayStation 4, Xbox One, Stadia, PlayStation 5, Xbox Series X/S. 2019.
———. Star Wars Jedi: Survivor. Electronic Arts. Windows, PlayStation 5, Xbox Series X/S. 2023.
Traveller’s Tales. Lego Star Wars: The Complete Saga. LucasArts. WIndows, Mac, Xbox 360, PlayStation 3, Wii, Nintendo DS, iOS, Android. 2007.
———. Lego Star Wars: The Skywalker Saga. Warner Bros. Games. Windows, PlayStation 4, PlayStation 5, Xbox One, Xbox Series X, Nintendo Switch. 2022.
———. Lego Star Wars: The Video Game. Eidos Interactive, Giant Interactive Entertainment (TT Games Publishing). Windows, Mac, PlayStation 2, Xbox, GameCube, Game Boy Advance. 2005.
———. Lego Star Wars II: The Original Trilogy. LucasArts. Windows, Mac, PlayStation 2, PlayStation Portable, Xbox 360, Xbox, GameCube, Game Boy Advance. 2006.
———. Lego Star Wars III: The Clone Wars. LucasArts. Windows, Mac, Xbox 360, PlayStation 3, PlayStation Vita, Xbox One, Xbox 360, Wii U, Nintendo 3DS, iOS. 2011.
Zynga. Star Wars: Hunters. Zynga. Nintendo Switch, iOS, Android. 2024.
Acker, Ben, Renée Ahdieh, Tom Angleberger, Ben Blacker, Jeffrey Brown, Pierce Brown, Meg Cabot, Rae Carson, Adam Christopher, Zoraida Córdova, Delilah S. Dawson, Kelly Sue DeConnick, Paul Dini, Ian Doescher, Ashley Eckstein, Matt Fraction, Alexander Freed, Jason Fry, Kieron Gillen, Christie Golden, Claudia Gray, Pablo Hidalgo, E. K. Johnston, Paul S. Kemp, Mur Lafferty, Daniel M. Lavery, Ken Liu, Griffin McElroy, and John Jackson Miller. Star Wars: From a Certain Point of View. New York: Del Rey, 2017.
Ahmed, Saladin, Charlie Jane Anders, Tom Angleberger, Kristin Baver, Olivia Blake, Akemi Dawn Bowman, Emma Mieko Candon, Olivia Chadha, Gloria Chao, Mike Chen, Adam Christopher, Paul Crilley, Amal El-Mohtar, M.K. England, Jason Fry, Adam Lance Garcia, Lamar Giles, Max Gladstone, Thea Guanzon, Ali Hazelwood, Patricia A. Jackson, Alex Jennings, Mary Kenney, Jarrett J. Krosoczka, Sarah Kuhn, Danny Lore, Sarah Glenn Marsh, Kwame Mbalia, Marieke Njikamp, Daniell Paige, Laura Pohl, K. Arsenault Rivera, Dana Schwartz, Tara Sim, Phil Szostak, Suzanne Walker, Hannah Whitten, Fran Wilde, Sean Williams, and Alyssa Wong. Star Wars: Return of the Jedi: From a Certain Point of View. N.p.: Random House Worlds, 2023.
Angleberger, Tom, Sarwat Chadda, S.A. Chakraborty, Mike Chen, Adam Christopher, Katie Cook, Zoraida Cordova, Delilah S. Dawson, Tracy Deonn, Seth Dickinson, Alexander Freed, Jason Fry, Christie Golden, Hank Green, Rob Hart, Lydia Kang, Michael Kogge, R.F. Kuang, C.B. Lee, Mackenzi Lee, John Jackson Miller, Michael Moreci, Daniel Jose Older, Mark Oshiro, Amy Ratcliffe, Beth Revis, Lilliam Rivera, Cavan Scott, Emily Skrutskie, Karen Strong, Anne Toole, Catherynne M. Valente, Austin Walker, Martha Wells, Django Wexler, Kiersten White, Gary Whitta, Brittany N. Williams, Charles Yu, and Jim Zub. Star Wars: The Empire Strikes Back: From a Certain Point of View. New York: Del Rey, 2020.
Beecroft, Simon. Lego Star Wars: The Visual Dictionary. New York: DK Publishing, 2009.
———. LEGO Star Wars: The Visual Dictionary: Updated and Expanded. New York, NY: DK Publishing, 2014.
Beecroft, Simon, Jason Fry, and Simon Hugo. Lego Star Wars Visual Dictionary, New Edition. New York: DK Publishing, 2019.
Bray, Adam. Star Wars Rebels: The Visual Guide. New York: DK Publishing, 2014.
———. Star Wars Rebels: Visual Guide: Epic Battles. New York, NY: DK Publishing, 2015.
Brooks, Terry, and George Lucas. The Phantom Menace. New York: Ballantine Pub. Group, 2000.
Carson, Rae. The Rise of Skywalker. New York: Del Rey, 2020.
Dawson, Delilah S. Inquisitor: Rise of the Red Blade. New York: Random House Worlds, 2024.
———. Phasma. New York: Del Rey, 2018.
Foster, Alan Dean. The Force Awakens. New York: Del Rey, 2016.
Freed, Alexander. Rogue One: A Star Wars Story. New York: Del Rey, 2017.
Fry, Jason. Star Wars: Attack of the Clones: The Ultimate Illustrated Guide. N.p.: Alvilda, 2013.
———. Star Wars: The Clone Wars: New Battlefronts: The Visual Guide. N.p.: DK Publishing, 2010.
———. Star Wars: The Clone Wars: The Visual Guide: Ultimate Battles. London: DK Publishing, 2010.
Fry, Jason, and Rian Johnson. Star Wars: The Last Jedi. New York: Del Rey, 2018.
Fry, Jason, and Heather Scott. Star Wars: The Clone Wars: The Visual Guide. New York: DK Publishing, 2008.
Glut, Donald F., and George Lucas. The Empire Strikes Back. New York: Random House Pub. Group, 2011.
Golden, Christie. Dark Disciple. New York: Del Rey, 2016.
Gray, Claudia. Bloodline. New York: Del Rey, 2017.
———. Leia : Princess of Alderaan. London: Egmont, 2017.
———. Lost Stars. Los Angeles, CA: Disney/Lucasfilm Press, 2015.
Hidalgo, Pablo. Solo: A Star Wars Story: The Official Guide. New York, NY: DK Publishing, 2018.
———. Star Wars: Rogue One: The Ultimate Visual Guide. New York, NY: DK Publishing, 2016.
———. Star Wars: The Acolyte: The Visual Guide. N.p.: DK Publishing, 2025.
———. Star Wars: The Force Awakens: The Visual Dictionary. New York, NY: DK/Penguin Random House, 2015.
———. Star Wars: The Last Jedi: The Visual Dictionary. New York, NY: DK Publishing, 2017.
———. Star Wars: The Mandalorian: The Ultimate Visual Guide. N.p.: DK, 2021.
———. Star Wars: The Rise of Skywalker: The Visual Dictionary. New York: DK Publishing, 2019.
Hidalgo, Pablo, and David Reynolds. Star Wars: The Complete Visual Dictionary, New Edition. New York, NY: DK Publishing, 2018.
Hidalgo, Pablo, and Emily Shkoukani. Star Wars: Dawn of Rebellion: The Visual Guide. New York: DK Publishing, 2023.
Johnston, E.K. Ahsoka. Los Angeles, CA: Disney Lucasfilm Press, 2016.
———. Crimson Climb. Los Angeles: Disney Lucasfilm Press, 2023.
———. Queen's Hope. Los Angeles, CA: Disney Lucasfilm Press, 2022.
———. Queen's Peril. Los Angeles: Disney/Lucasfilm Press, 2020.
———. Queen's Shadow. Glendale, CA: Disney/Lucasfilm Press, 2020.
Kahn, James, Lawrence Kasdan, and George Lucas. Star Wars, Return of the Jedi. New York: Ballantine Books, 1983.
Lafferty, Mur, Jonathan Kasdan, and Lawrence Kasdan. Solo: A Star Wars Story. London: Arrow Books, 2019.
Lucas, George. Star Wars, a New Hope: a Novel. New York: Ballantine Books, 1978.
Luceno, James. Star Wars: Revenge of the Sith: The Visual Dictionary. New York: DK, 2005.
Miller, John Jackson. A New Dawn. New York: Del Rey, 2015.
Ratcliffe, Amy, and Kathleen Kennedy. Star Wars: Women of the Galaxy. San Francisco: Chronicle Books, 2018.
Revis, Beth. The Princess and the Scoundrel. New York: Del Rey, 2022.
———. Rebel Rising. Los Angeles: Disney/Lucas Film Press, 2017.
Reynolds, David West. Star Wars: Attack of the Clones: The Visual Dictionary. New York: DK Publishing, 2002.
———. Star Wars: Episode I: The Visual Dictionary. New York, N.Y.: DK Publishing, 1999.
———. Star Wars: The Visual Dictionary. New York: DK Publishing, 1998.
Reynolds, David West, and Jason Fry. Star Wars: The Phantom Menace: The Expanded Visual Dictionary. New York: DK Publishing, 2012.
———. Star Wars: The Phantom Menace: The Expanded Visual Dictionary. New York: DK Publishing, 2012.
Reynolds, David West, James Luceno, and Ryder Windham. Star Wars: The Complete Visual Dictionary. New York, NY: DK Publishing, 2016.
Salvatore, R. A., George Lucas, and Jonathan Hales. Star Wars Episode II. Attack of the Clones. New York: Del Rey, 2002.
Stover, Matthew Woodring, and George Lucas. Revenge of the Sith. London: Arrow, 2005.
Windham, Ryder. Star Wars: The Ultimate Visual Guide. New York: DK Publishing, 2005.
Windham, Ryder, and Daniel Wallace. Star Wars: The Ultimate Visual Guide: Updated and Expanded. London: DK Publishing, 2012.
Agin, Basak. "'The Force Is Strong with This One': A Material Feminist Approach to Star Wars." In Ecofeminist Science Fiction: International Perspectives on Gender, Ecology, and Literature, edited by Douglas A. Vakoch, 113-26. N.p.: Routledge, 2021.
Allen, Spencer L. "A Rebel by Any Other Name: The Onomastics of Disney's Star Wars Rebels." The Journal of Religion and Popular Culture 31, no. 1 (2019): 72-86. https://doi.org/10.3138/jrpc.2017-0020.
Ambasciano, Leonardo. "Trials and Tribulations of Luke Skywalker." Implicit Religion 23, no. 3 (2021). https://doi.org/10.1558/imre.43229.
Arthur, Claire, Frank Lehman, and John McNamara. "Presenting the SWTC: A Symbolic Corpus of Themes from John Williams' Star Wars Episodes I-IX." Empirical Musicology Review 17, no. 2 (2023): 169-77. https://doi.org/10.18061/emr.v17i2.8927.
Atkinson, Joshua, and Bernadette Calafell. "Darth Vader Made Me Do It! Anakin Skywalker's Avoidance of Responsibility and the Gray Areas of Hegemonic Masculinity in the Star Wars Universe." Communication, Culture & Critique 2, no. 1 (2009): 1-20. https://doi.org/10.1111/j.1753-9137.2008.01026.x.
Bancks, Tristan. "Beyond the Hero's Journey." Australian Screen Education, no. 33 (2003): 32-34. Academic Search Complete.
Barr, Tricia. "Coffee with Kenobi Discusses the Ladies of Star Wars." FANgirl Blog. Entry posted July 17, 2013. Accessed July 17, 2024. http://fangirlblog.com/2013/07/coffee-with-kenobi/.
———. "Does Slave Leia Weaken or Empower Women?" FANgirl Blog. Entry posted July 18, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/slave-leia-empower-women/.
———. "The Fairy Tale Princess in Empire Strikes Back: Why Leia Is the Gold Standard for Strong Female Heroines." FANgirl Blog. Entry posted 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/princess-leia-gold-standard/?ref=popsugar.com&=___psv__p_39361046__t_w__r_www.google.com%2F_.
———. "How Star Wars Made Me a Feminist — Even When the Franchise Was Not." Popsugar, December 18, 2019. Accessed July 17, 2024. https://www.popsugar.com/entertainment/star-wars-from-feminist-perspective-39361046.
———. "Hyperspace Theories Special Edition: Rey and the Hero's Journey in The Force Awakens." FANgirl Blog. Entry posted February 14, 2016. Accessed July 17, 2024. http://fangirlblog.com/2016/02/hyperspace-theories-special-edition-rey-and-the-heros-journey-in-the-force-awakens/.
———. "Leadings Ladies of Star Wars EU Shine." FANgirl Blog. Entry posted October 11, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/10/leadings-ladies-of-star-wars-eu-shine/.
———. "Seeking SFH – Mara Jade Skywalker in the Star Wars EU." FANgirl Blog. Entry posted October 3, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/10/seeking-sfh-mara-jade-sweu/.
———. "Seeking SFH (Strong Female Heroine) – Jaina Solo in the New Jedi Order." FANgirl Blog. Entry posted June 28, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/06/seeking-sfh/.
———. "Seeking SFH: Tyria Sarkin Tainer Fights for the Jedi Team." FANgirl Blog. Entry posted May 30, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/05/seeking-sfh-tyria-sarkin-tainer-jedi-team/.
———. "Star Wars Insider #142." FANgirl Blog. Entry posted June 11, 2013. Accessed July 17, 2024. http://fangirlblog.com/2013/06/star-wars-insider-142/.
———. "Who Should Write Strong Female Heroines? Women Don't Always Get It Right." FANgirl Blog. Entry posted July 15, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/who-should-write-sfh/.
Batti, Bianca. "Feminist Worldbuilding: Intersectional Methodologies in Feminist SF Criticism and Feminist Game Studies." TransMissions: The Journal of Film and Media Studies 2, no. 2 (2017): 30-46.
Berger, Arthur Asa. "Return of the Jedi: The Rewards of Myth." Society 21, no. 4 (1984): 71-75. https://doi.org/10.1007/bf02695105.
Bondi, Gabrielle. "What Rey Means to Me: 'Star Wars' Delivers an Iconic New Character." The Young Folks, January 3, 2015. Accessed July 17, 2024. https://www.theyoungfolks.com/film/69919/star-wars-rey-character-means-to-me/.
Booth, Paul. "Disney's Princess Leia." In Disney's Star Wars: Forces of Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 179-92. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Booth, Paul. "Disney's Princess Leia." In Disney's Star Wars: Forces of Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 179-92. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Brabazon, Tara. "Star Wars and Writing a Popular Memory." Youth Studies Australia 18, no. 4 (1999): 11-16. Academic Search Complete.
Brooker, Will. "Readings of Racism: Interpretation, Stereotyping and The Phantom Menace." Continuum 15, no. 1 (2001): 15-32. https://doi.org/10.1080/713657758.
Brooker, Will, and Dan Hassler-Forest. "Afterword: 'You'll Find I'm Full of Surprises': The Future of Star Wars." Afterword to Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 289-96. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.25.
Brown, Douglas. "To Disney Infinity and Beyond: Star Wars Video Games before and after the LucasArts Acquisition." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 123-35. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Brown, Jeffrey A. "#wheresRey: Feminism, Protest, and Merchandising Sexism in Star Wars: The Force Awakens." Feminist Media Studies 18, no. 3 (2017):
335-48. https://doi.org/10.1080/14680777.2017.1313291.
Callahan, David, and Anthony Barker. Body and Text: Cultural Transformations in New Media Environments. Cham: Springer, 2019.
Canavan, Gerry. "19. Fandom Edits: Rogue One and the New Star Wars." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 277-88. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.24.
Cao, Caroline. "Why Captain Hera Syndulla Deserves Her Very Own Marvel Comic." The Mary Sue, February 20, 2017. Accessed July 17, 2024. https://www.themarysue.com/hera-syndulla-deserves-a-comic/.
Castillo, Marco. "Eternal Conflicts." Administrative Theory & Praxis 36, no. 3 (2014): 332-47. https://doi.org/10.2753/atp1084-1806360304.
Cavelos, Jeanne. "Stop Her, She's Got a Gun! How the Rebel Princess and the Virgin Queen Became Marginalized and Powerless in George Lucas's Fairy
Tale." In Star Wars on Trial, edited by David Brin and Matthew Woodring Stover, 305-27. Dallas, TX: Benbella Books, 2006.
Chhaya, Priya. "The Anatomy of a Strong Female Character." FANgirl Blog. Entry posted September 24, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/09/anatomy-strong-female-character/.
Clark, Jessica. "I Had the Feminist Awakening I Never Knew I Needed at a Star Wars Convention." Mamamia, April 22, 2017. Accessed July 17, 2024. https://www.mamamia.com.au/feminist-star-wars/.
Cocca, Carolyn. "'Somebody Has to Save Our Skins!': Padme Amidala, Leia Organa, and Jaina Solo in Star Wars." In Superwomen: Gender, Power, and
Representation, 87-120. N.p.: Bloomsbury Academic, 2016.
Darth Holocron. "George Lucas on Women in Star Wars!!!!" Instagram. Last modified May 26, 2024. Accessed July 17, 2024. https://www.instagram.com/reel/C7cHbtFOWrO/?igsh=MTc4MmM1YmI2Ng==.
Davis, Lauren. "Why Ahsoka Tano Is the Best Thing to Happen to Star Wars in 20 Years." Gizmodo, March 6, 2014. Accessed July 17, 2024. https://gizmodo.com/how-clone-wars-ahsoka-tano-made-the-star-wars-franchis-1537984315.
de Bruin-Molé, Megen. "15. Space Bitches, Witches, and Kick-Ass Princesses: Star Wars and Popular Feminism." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 225-40. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.20.
———. "'Does It Come with a Spear?' Commodity Activism, Plastic Representation, and Transmedia Story Strategies in Disney's Star Wars: Forces of Destiny." Film Criticism 42, no. 2 (2018). https://doi.org/10.3998/fc.13761232.0042.205.
———. "The Feminist Politics of Star Wars." Frankenfiction (blog). Entry posted October 12, 2016. Accessed July 17, 2024. https://frankenfiction.com/feminist-politics-star-wars/.
———. "Is Star Wars a Boys' Club?" Frankenfiction (blog). Entry posted November 9, 2016. Accessed July 17, 2024. https://frankenfiction.com/star-wars-boys-club/.
Doctor, Payal. "The Force Awakens: The Individualistic and Contemporary Heroine." New American Notes Online, no. 12 (2017): 1-19.
Dray, Kayleigh. "Star Wars Fans, This Is Why Princess Leia's Feminist Legacy Will Never Die." Stylist UK, 2018. Accessed July 17, 2024. https://www.stylist.co.uk/life/star-wars-leia-organa-feminist-icon-disney-princess-general-carrie-fisher/68159.
Ecenbarger, Charlie. "Comic Books, Video Games, and Transmedia Storytelling." International Journal of Gaming and Computer-Mediated Simulations 8, no. 2 (2016): 34-42. https://doi.org/10.4018/ijgcms.2016040103.
Ellis, Kathleen. "New World, Old Habits: Patriarchal Ideology in Star Wars: A New Hope." Australian Screen Education, no. 30 (2002): 135-39. Academic Search Complete.
Erlandson, Karen Thea. "Teaching Intercultural Awareness with Star Wars: A New Hope." Communication Teacher 26, no. 1 (2012): 17-21. https://doi.org/10.1080/17404622.2011.625361.
Frankel, Valerie Estelle. Star Wars Meets the Eras of Feminism: Weighing All the Galaxy's Women Great and Small. Lanham, MD: Lexington Books, 2018.
Freeman, Matthew. "3. From Sequel to Quasi-Novelization: Splinter of the Mind's Eye and the 1970s Culture of Transmedia Contingency." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 61-72. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.8.
Freeman, Matthew. "Rebuilding Transmedia Star Wars: Strategies of Branding and Unbranding a Galaxy Far, Far Away." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 23-38. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Freeman, Matthew, and Renira Rampazzo Gambarato. The Routledge Companion to Transmedia Studies Edited by Matthew Freeman and Renira Rampazzo
Gambarato. London: Routledge, Taylor & Francis Group, 2020.
Galipeau, Steven. "Film Review/Commentary: Star Wars, Episodes VII, VIII, & IX." Psychological Perspectives 65, no. 1 (2022): 148-59. https://doi.org/10.1080/00332925.2022.2083881.
Garber, Megan. "Star Wars: The Feminism Awakens." The Atlantic, December 19, 2015. Accessed July 17, 2024. https://www.theatlantic.com/entertainment/archive/2015/12/star-wars-the-feminism-awakens/420843/.
Gardner, Kate. "Learning to Love Star Wars: The Last Jedi." The Mary Sue. Accessed July 17, 2024. https://www.themarysue.com/learning-to-love-star-wars-the-last-jedi/.
Garner, Ross. "The Mandalorian Variation: Gender, Institutionality, and Discursive Constraints in Star Wars Rebels." In Disney's Star Wars: Forces of Production, Promotion,
and Reception, edited by Richard McCullough and William Proctor, 109-22. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Geraghty, Lincoln. "Creating and Comparing Myth in Twentieth-Century Science Fiction: 'Star Trek' and 'Star Wars.'" Literature/Film Quarterly 33, no. 2 (2005): 191-200. JSTOR.
———. "7. Transmedia Character Building: Textual Crossovers in the Star Wars Universe." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 117-28. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.12.
Giannelli, Federica. "The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess." In The Transmedia Franchise of Star Wars TV, edited by DJ Nardi and Derek R. Sweet, 97-117. N.p.: Springer International Publishing, 2020. https://doi.org/10.1007/978-3-030-52958-1_6.
Gibson, Caitlin. "How Princess Leia Became an Unofficial Symbol for the Women's March." The Washington Post, January 23, 2017. Accessed July 17, 2024. https://www.washingtonpost.com/news/arts-and-entertainment/wp/2017/01/23/how-princess-leia-became-an-unofficial-symbol-for-the-womens-march/.
Gilkeson, Shanna R. "Fanning While Female: Gatekeeping, Boundary Policing, and the Harassment of Women in the Star Wars Fandom." PhD diss., Bowling Green State University, 2023.
Gill, Glen Robert. "Re-envisioning Myth in Star Wars: Episode VII: The Force Awakens." The Journal of Religion and Popular Culture 31, no. 1 (2019): 3-15. https://doi.org/10.3138/jrpc.2017-0017.
Gordon, Andrew. "The Inescapable Family in American Science Fiction and Fantasy Films." Journal of Popular Film and Television 20, no. 2 (1992): 1-8. https://doi.org/10.1080/01956051.1992.9943963.
———. "Return of the Jedi: The End of the Myth." Film Criticism 8, no. 2 (1984): 45-54. Academic Search Complete (31286215).
———. "Science-Fiction and Fantasy Film Criticism: The Case of Lucas and Spielberg." Journal of the Fantastic in the Arts 2, no. 6 (1989): 80-94. JSTOR.
———. "Star Wars: A Myth for Our Time." Literature Film Quarterly 6, no. 4 (1978): 314-27. Academic Search Complete (7150150).
Green, Michael. "Screenwriting Representation: Teaching Approaches to Writing Queer Characters." Journal of Film and Video 65, nos. 1-2 (2013): 30-42. https://doi.org/10.5406/jfilmvideo.65.1-2.0030.
Guitton, Matthieu J. "The Underwater Quest of Prince Lee-Char: Renewing the Hero Archetype in Star Wars." The Journal of Religion and Popular Culture 31, no. 1 (2019): 44-58. https://doi.org/10.3138/jrpc.2018-0045.
Guynes, Sean. "9. Publishing the New Jedi Order: Media Industries Collaboration and the Franchise Novel." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 143-54. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.14.
Hall, Stefan. "5. Franchising Empire: Parker Brothers, Atari, and the Rise of LucasArts." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 87-100. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.10.
Hedge, Stephanie, and Jennifer Grouling, eds. Roleplaying Games in the Digital Age : Essays on Transmedia Storytelling, Tabletop RPGs and Fandom. Jefferson: McFarland & Company, Incorporated Publishers, 2021.
Herrera, Beatriz Bartolome, and Philipp Dominik Keidl. "10. How Star Wars Became Museological: Transmedia Storytelling in the Exhibition Space." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 155-68. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.15.
Hilck, Karin. "The Space Community and the Princess: Reworking the American Space Program's Public Image from 'Miss NASA' to Princess Leia." In A Galaxy Here and Now: Historical and Cultural Readings of Star Wars, edited by Peter W. Lee, 33-55. N.p.: McFarland Incorporated Publishers, 2016.
Hills, Matt. "14. From Transmedia Storytelling to Transmedia Experience: Star Wars Celebration as a Crossover/Hierarchical Space." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 213-24. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.19.
———. "Transmedia Spectacle and Transownership Storytelling as Seen on TV: Star Wars from the Holiday Special to Rebels." In Disney's Star Wars: Forces of Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 39-52. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Isac, Iuliana, and Vlad Isac. "The Heroic Myth in Modern Times. the 'Star Wars' Franchise." Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts, January 31, 2023, 87-98. https://doi.org/10.31926/but.pa.2022.15.64.3.10.
Janardhan, Shruti. "A Feminist Reading of Star Wars: The Last Jedi." Feminism in India. Last modified December 19, 2017. Accessed July 17, 2024. https://feminisminindia.com/2017/12/19/feminist-reading-star-wars/.
Jenkins, Henry. "Adaptation, Extension, Transmedia." Literature/Film Quarterly 45, no. 2 (2017). JSTOR.
Johnson, Derek. "'May the Force Be with Katie': Pink Media Franchising and the Postfeminist Politics of HerUniverse." Feminist Media Studies 14, no. 6
(2014): 895-911. https://doi.org/10.1080/14680777.2014.882856.
Jowett, Lorna. "Rey, Mary Sue, and Phasma Too: Feminism and Fan Responses to The Force Awakens Merchandise." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 192-205. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Kaufman, Roger. "Homosexual Romance and Self-Realization in Star Wars." In Sex, Politics, and Religion in Star Wars: an Anthology, by Douglas Brode
and Leah Deyneka, 115-32. Lanham, Md.: Scarecrow Press, 2012.
Keidl, Philipp Dominik. "Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian." JCMS: Journal of Cinema and Media Studies 61, no. 5 (2021): 159-82. https://doi.org/10.1353/cj.2021.0088.
Kempshall, Chris. "'We Don't Want Them Here': Aliens, Androids, and Far Outsiders." In The History and Politics of Star Wars: Death Stars and Democracy, 179-222. N.p.: Routledge, 2022. https://doi.org/10.4324/9781315145426-6.
King, Mary C., and Jessica L. Ridgway. "Costume Evolution during the Development of Romantic Relationships and Its Impact on the Positions of Power in the Star Wars Prequel and Original Trilogies." Fashion and Textiles 6, no. 11 (2019). https://doi.org/10.1186/s40691-018-0167-8.
King, Tracy. "The Last Jedi Is the First Properly Feminist Star Wars." The New Statesman, December 19, 2017. Accessed July 17, 2024. https://www.newstatesman.com/culture/film/2017/12/last-jedi-first-properly-feminist-star-wars.
King, Zoë A. Johnson. "Accidentally Doing the Right Thing." Philosophy and Phenomenological Research 100, no. 1 (2018): 186-206. https://doi.org/10.1111/phpr.12535.
Knouse, Evelyn. "Why Female Protagonists Like Rey Aren't as Feminist as You Think." The Heights (Chestnut Hill, MA), March 1, 2022. Accessed July 17, 2024. https://www.bcheights.com/2022/02/28/why-female-protagonists-like-rey-arent-as-feminist-as-you-think/.
Knudsen, Gry Hongsmark, Michael Fabrin Hjort, and Lukas Johannes Blaser. "Playing with Fandom." MedieKultur: Journal of Media & Communication Research 35, no. 66 (2019): 18-36. Communication and Mass Media Complete.
Korn, Anne. "Women in a Galaxy Far, Far Away: Star Wars Characters' Costumes Reflect Shift from Power to Romance." Florida State University News, February 27, 2019. Accessed July 17, 2024. https://news.fsu.edu/news/education-society/2019/02/27/women-in-a-galaxy-far-far-away-star-wars-characters-costumes-reflect-shift-from-power-to-romance/.
Koushik, Kailash, and Abigail Reed. "Star Wars: The Last Jedi, Beauty and the Beast, and Disney's Commodification of Feminism: A Political Economic Analysis." Social Sciences 7, no. 11 (2018): 237-57. Accessed July 16, 2024. https://doi.org/10.3390/socsci7110237.
Lakka, Aikaterini-Maria. "Mothers, Daughters, Rebels: Women's Bodies in Star Wars." In Star Wars and Philosophy: This Is the Way, edited by Jason T.
Eberl and Kevin S. Decker, 30-38. N.p.: John Wiley & Sons, 2023.
Lamerichs, Nicolle. "6. Droids on the Runway: Fandom, Business, and Transmedia in Star Wars Luxury Fashion." In Sartorial Fandom: Fashion, Beauty Culture, and Identity, edited by Elizabeth Affuso and Suzannee Scott, 99-113. N.p.: University of Michigan Press, 2023. https://doi.org/10.3998/mpub.12315327.
Lancashire, Anne. "Complex Design in 'The Empire Strikes Back.'" Film Criticism 5, no. 3 (1981): 38-52. Academic Search Complete.
———. "The Phantom Menace: Repetition, Variation, Integration." Film Criticism 24, no. 3 (2000): 23-22. Academic Search Complete.
———. "Return of the Jedi: Once More With Feeling." Film Criticism 8, no. 2 (1984): 55-66. Academic Search Complete.
Lawler, James. "Passionate Love, Platonic Love, and Force Love in Star Wars." In Star Wars and Philosophy: This Is the Way, edited by Jason T. Eberl and
Kevin S. Decker, 276-83. N.p.: John Wiley & Sons, 2023.
Lee, Jonathan Rey. "8. The Digitizing Force of Decipher's Star Wars Customizable Card Game." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 129-42. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.13.
Leishman, Rachel. "So You're Still Gatekeeping New Fans of Star Wars…." The Mary Sue, April 14, 2021. Accessed July 17, 2024. https://www.themarysue.com/stop-gatekeeping/.
Leon-Boys, Diana, and Christopher Chavez. "Star Wars: Galaxy's Edge as Postcolonial Fantasy: Disney, Labor, and the Renegotiation of Border Discourses." International Journal of Communication 15 (2021): 2378-96. Communication and Mass Media Complete.
Liedl, Janice. "Teen Queen: Padme Amidala and the Power of Royal Women." In Star Wars and History, edited by Nancy Ruth Reagin and Janice Liedl,
151-75. Hoboken, NJ: Wiley, 2013.
Liedl, Janice, and Nancy R. Reagin. "'Part of the Rebel Alliance and a Traitor': Women in War and Resistance." In Star Wars and History, edited by Nancy
Ruth Reagin and Janice Liedl, 41-65. Hoboken, NJ: Wiley, 2013.
Liptak, Andrew. "Looking for Leia Is an Upcoming Documentary That Highlights the Women of Star Wars." The Verge, May 11, 2917. Accessed July 17, 2024. https://www.theverge.com/2017/5/11/15567710/star-wars-looking-for-leia-documentary-women-fandom.
Lomax, Tara. "1. 'Thank the Maker!': George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 35-48. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.6.
Louzon, Monica. "Mara Jade, Frontier Woman: Agency in Star Wars and Influencing the Transmedia Franchise." In Women's Space: Essays on Female
Characters in the 21st Century Science Fiction Western, edited by Melanie A. Marotta, 25-41. N.p.: McFarland & Company, 2019.
Lubow, Arthur. "The Star Wars War I: A Space 'Iliad.'" Film Comment 13, no. 4 (1977): 20-21. JSTOR.
Lyden, J. C. "Whose Film Is It, Anyway? Canonicity and Authority in Star Wars Fandom." Journal of the American Academy of Religion 80, no. 3 (2012): 775-86. https://doi.org/10.1093/jaarel/lfs037.
Mack, Eric. "Princess Leia: My First Feminist Icon." Geek Girl Con (blog). Entry posted July 28, 2017. Accessed July 17, 2024. https://geekgirlcon.com/princess-leia-my-first-feminist-icon/.
MacMullan, Terrance. "Balance through Struggle: Understanding the Novel Cosmology of the Force in The Last Jedi." The Journal of Religion and Popular Culture 31, no. 1 (2019): 101-13. https://doi.org/10.3138/jrpc.2018-0029.
Malloy, Daniel P. "Of Graffiti and Kalikoris." In Star Wars and Philosophy: This Is the Way, edited by Jason T. Eberl and Kevin S. Decker, 90-98. N.p.: John
Wiley & Sons, 2023.
Marino, Reagan. "'The Bad Batch' Showcases Freedom and Identity in Final Season." The Heights (Chestnut Hill, MA), February 25, 2024. Accessed July 17, 2024. https://www.bcheights.com/2024/02/25/the-bad-batch-returns/.
Marshall, Andrea. "Our Stories, Our Selves: Star Wars Fanfictions as Feminist Counterpublic Discourses in Digital Imaginaria." Journal of Fandom Studies
8, no. 3 (2020): 277-88. https://doi.org/10.1386/jfs_00024_1.
Martin, Angie. "'Star Wars' Day 2024: The Femininity and Ferociousness of a Princess." Editorial. Fanbase Press. Last modified May 4, 2024. Accessed July 17, 2024. https://fanbasepress.com/press/editorials/item/54949-star-wars-day-2024-the-femininity-and-ferociousness-of-a-princess/.
McDonald, Paul F. "The Goddess." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 153-59. N.p.: McFarland & Company, 2013.
———. "The Love." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 67-74. N.p.: McFarland & Company, 2013.
———. "The Mother." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 55-59. N.p.: McFarland & Company, 2013.
———. "The Queen." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 26-32. N.p.: McFarland & Company, 2013.
———. "The Senator." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 91-98. N.p.: McFarland & Company, 2013.
McDowell, John C. "En/Gendering Trouble with J. J. Abrams's Rey in The Force Awakens: Re-Subjecting the Subject to a Performative Subjectivity." The Journal of Religion and Popular Culture 31, no. 1 (2019): 16-30. https://doi.org/10.3138/jrpc.2018-0004.
———. "'There'll Be No Escape for the Princess This Time': Re-Gendering the Patriarchal Star Wars Texts." In Identity Politics in George Lucas' Star Wars, 78-115. N.p.: McFarland & Company, 2016.
———. "'Wars Not Make One Great': Redeeming the Star Wars Mythos from Redemptive Violence without Amusing Ourselves to Death." The Journal of Religion and Popular Culture 22, no. 1 (2010): 4. https://doi.org/10.3138/jrpc.22.1.004.
Mejeur, Cody. "13. Chasing Wild Space: Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 199-210. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.18.
Meneses, Allana Cristina Sales, and Margareth Torres de Alencar Costa. "The Protagonism of Rey in Star Wars: The Force Awakens, a Feminist Reading." Acta Scientiarum. Language and Culture 45, no. 1 (2023): 1-8. https://doi.org/10.4025/actascilangcult.v45i1.64735.
Merlock, Ray, and Kathy Merlock Jackson. "Lightsabers, Political Arenas, and Marriages for Princess Leia and Queen Amidala." In Sex, Politics, and
Religion in Star Wars: an Anthology, by Douglas Brode and Leah Deyneka, 77-88. Lanham, Md.: Scarecrow Press, 2012.
Mishou, A. Luxx. "12. Retcon: Revisiting Cosplay Studies." In Sartorial Fandom: Fashion, Beauty Culture, and Identity, edited by Elizabeth Affuso and Suzannee Scott, 190-202. N.p.: University of Michigan Press, 2023. https://doi.org/10.3998/mpub.12315327.
Montgomery, Fielding. "Rogue One: A U.S. Imperialism Story." Journal of Popular Film and Television 48, no. 1 (2020): 27-37. https://doi.org/10.1080/01956051.2019.1642841.
Moreno-Ortiz, Antonio, and María García-Gámez. "Corpus Annotation and Analysis of Sarcasm in Twitter: #CatsMovie Vs. #TheRiseOfSkywalker." Atlantis. Journal of the Spanish Association for Anglo-American Studies 44, no. 1 (2022): 186-207. https://doi.org/10.28914/atlantis-2022-44.1.11.
Morgan, Rebekah S. "Rey-ifying a New Heroine: Interrogating the Curriculum of Femininity in Star Wars Films." PhD diss., Georgia Southern University,
2020.
Morton, Drew. "6. 'You must feel the Force around you!': Transmedia Play and the Death Star Trench Run in Star Wars Video Games." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 101-14. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.11.
Mulvey, Laura. "Thoughts on Myth, Narrative, and Historical Experience." History Workshop, no. 23 (1987): 3-19.
Muncy, Julie. "In Praise of the Growth of Ahsoka Tano, the Star Wars Heroine I Always Needed." Gizmodo, March 11, 2018. Accessed July 17, 2024. https://gizmodo.com/in-praise-of-the-growth-of-ahsoka-tano-the-star-wars-h-1823682030.
Munn, Nick, and Dan Weijers. "Friendship, Love, and Sex with Droids in Solo: 'How Would That Work?' 'It Works.'" In Star Wars and Philosophy: This Is
the Way, edited by Jason T. Eberl and Kevin S. Decker, 143-51. N.p.: John Wiley & Sons, 2023.
Nardi, Dominic J. "Canonical Legends: How the Expanded Universe (Selectively) Lives on TV." In The Transmedia Franchise of Star Wars TV, edited by DJ Nardi and Derek R. Sweet, 175-99. N.p.: Springer International Publishing, 2020. https://doi.org/10.1007/978-3-030-52958-1_6.
Okapal, James M. "The Rise of Rey Skywalker: The Importance of Community and Friends in Star Wars." In Star Wars and Philosophy: This Is the Way,
edited by Jason T. Eberl and Kevin S. Decker, 284-92. N.p.: John Wiley & Sons, 2023.
Ophelian, Annalise, dir. Looking for Leia. SYFY, 2019.
Perez, Edwardo. "Awakening Race, Culture, and Ethnicity in a Galaxy Far, Far Away." In Star Wars and Philosophy: This Is the Way, edited by Jason T.
Eberl and Kevin S. Decker, 247-56. N.p.: John Wiley & Sons, 2023.
Philip, Tom. "An Angry Fan Re-edited Star Wars: The Last Jedi to Make It Less Feminist—And We Watched It." GQ, January 17, 2018. Accessed July 17, 2024. https://www.gq.com/story/angry-fan-re-edited-star-wars-the-last-jedi-to-make-it-less-feminist.
Phillips, Forrest. "Star Wars Franchise, Fan Edits, and Lucasfilm." Transformative Works and Cultures 9 (March 15, 2012). https://doi.org/10.3983/twc.2012.0385.
Poly, Monet. "Feminism and Star Wars: What's Next for the Fandom." Her Campus, February 10, 2022. Accessed July 17, 2024. https://www.hercampus.com/school/susqu/feminism-and-star-wars-whats-next-for-the-fandom/.
Priester, B J. "The Heroine's Journey: Defining Concepts." FANgirl Blog. Entry posted March 2, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/03/the-heroines-journey-defining-concepts/.
———. "The Heroine's Journey: How Campbell's Model Doesn't Fit." FANgirl Blog. Entry posted March 30, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/04/the-heroines-journey-how-campbells-model-doesnt-fit/.
———. "Rey's Heroic Journey in The Force Awakens." FANgirl Blog. Entry posted February 8, 2016. Accessed July 17, 2024. http://fangirlblog.com/2016/02/reys-heroic-journey-in-the-force-awakens/.
Richau, Amy. "The Evolution of Twi'leks in the Star Wars Universe." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 3-25. N.p.: Vernon Art and Science, 2023.
———. "365 Star Wars Women." 365 Star Wars. Accessed July 17, 2024. https://365starwars.com/category/365-star-wars-women/.
Romain, Lindsay. "Ahsoka Tano Is the Best Character in Star Wars." Nerdist, February 20, 2020. Accessed July 17, 2024. https://nerdist.com/article/ahsoka-tano-best-star-wars-character/.
Rowlett, Jacob. "'Why Are You Here, Rey from Nowhere?'" In Film Landscapes of Global Youth: Imagining Young Lives, compiled by Stuart C. Aitken, 166-80. Film Landscapes of Global Youth. N.p.: Routledge, 2024. https://doi.org/10.4324/9781003347446-13.
Sammons, Todd H. "Return of the Jedi: Epic Graffiti." Science Fiction Studies 14, no. 3 (1987): 355-71. Humanities International Complete.
Schiller, Melanie. "6. Transmedia Storytelling: New Practices and Audiences." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 97-108. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctv5rf6vf.10.
Schowalter, Dana, Shannon Stevens, and Daniel L. Horvath. "Star Wars (toxic) Nostalgia and the Looming End of Man." In The Misogynistic Backlash against Women-Strong Films, 136-60. N.p.: Taylor & Francis, 2021. https://doi.org/10.4324/9780429291975-6.
Scott, Suzanne. "A Fangirl's Place Is in the Resistance: Feminism and Fan Studies." In Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry, 25-50. N.p.: NYU Press, 2019.
———. "#Wheresrey?: Toys, Spoilers, and the Gender Politics of Franchise Paratexts." Critical Studies in Media Communication 34, no. 2 (2017): 138-47. https://doi.org/10.1080/15295036.2017.1286023.
Shefrin, Elana. "Lord of the Rings, Star Wars, and Participatory Fandom: Mapping New Congruencies between the Internet and Media Entertainment Culture." Critical Studies in Media Communication 21, no. 3 (2004): 261-81. https://doi.org/10.1080/0739318042000212729.
Sloan, Amanda. "Star Wars and Feminism: An Intersectional Look into the Galaxy." The Feminist Shop (blog). Entry posted May 4, 2020. Accessed July 17, 2024. https://thefeministshop.com/blogs/the-feminist-shop-blog/star-wars-and-feminism-an-intersectional-look-into-the-galaxy-by-amanda-sloan.
Smith, Anna. "A Force for Good: Why The Last Jedi Is the Most Triumphantly Feminist Star Wars Movie Yet." The Guardian, December 18, 2017. Accessed July 17, 2024. https://www.theguardian.com/film/2017/dec/18/star-wars-the-last-jedi-women-bechdel-test.
Spangler, Bill. "Fighting Princesses and Other Distressing Damsels." In Star Wars on Trial, edited by David Brin and Matthew Woodring Stover, 329-40.
Dallas, TX: Benbella Books, 2006.
Star Wars Doctrine. "George on Leia and Padme." Instagram. Last modified May 30, 2024. Accessed July 17, 2024. https://www.instagram.com/p/C7mTqFOs9BP/?igsh=MTc4MmM1YmI2Ng==.
Star Wars Explained. "What is Leia's Military Rank in The Empire Strikes Back?" Instagram. Last modified June 23, 2024. Accessed July 17, 2024. https://www.instagram.com/reel/C8j97IWO518/?igsh=MTc4MmM1YmI2Ng==.
"'Star Wars: The Legacy Revealed' HD | Mythological Documentary." Video, 1:30:41. YouTube. Posted by Holonet, June 28, 2020. Accessed July 17, 2024.
https://www.youtube.com/watch?v=-5e9pWgyZYA.
Stylist Team. "How Female Star Wars Fans Reclaimed Their Territory." Stylist UK, 2017. Accessed July 17, 2024. https://www.stylist.co.uk/life/star-wars-convention-cosplay-female-force-awakens-last-jedi-feminism-celebration/178074.
Sweeney, Mark. "Aesthetics and Social Interactions in MMOs: The Gamification of Music in Lord of the Rings Online and Star Wars: Galaxies." Soundtrack, the 8, no. 1 (2015): 25-40. https://doi.org/10.1386/st.8.1-2.25_1.
Sweet, Derek. "Mythologizing Mortis: The Clone Wars as Dialogic Spirituality." The Journal of Religion and Popular Culture 31, no. 1 (2019): 59-71. https://doi.org/10.3138/jrpc.2017-0021.
———. "16. Some People Call Him a Space Cowboy: Kanan Jarrus, Outer Rim Justice, and the Legitimization of the Obama Doctrine." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 241-52. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.21.
Tasker, Yvonne. "Women, SF Spectacle, and the Mise-en-scene of Space Adventure in the Star Wars Franchise." Science Fiction Film and Television 12, no. 1 (2019): 9-28.
Tatar, Maria. The Heroine with 1,001 Faces. New York, NY: Liveright Publishing, 2022.
Telotte, J. P. "'The Dark Side of the Force': Star Wars and the Science Fiction Tradition." Extrapolation 24, no. 3 (1983): 216-26. https://doi.org/10.3828/extr.1983.24.3.216.
Terrile, Vikki C. "Saving What We Love: The Hope and Resistance of Makers and Craftspeople in Disney's Star Wars." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 27-50. N.p.: Vernon Art and Science, 2023.
Thompson-Tremblay, Eloise. "The Dead Mom's Peril: Star Wars and the Dispossession of the Mother Figure." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 51-69. N.p.: Vernon Art and Science, 2023.
Thornton, Daniel. "Star Wars Soundtracks: The Worship Music of John Williams." The Journal of Religion and Popular Culture 31, no. 1 (2019): 87-100. https://doi.org/10.3138/jrpc.2017-0014.
Tiffany, Kaitlyn. "Attn: Hasbro, Rey Is the Main Character of The Force Awakens." The Verge, January 4, 2016. Accessed July 17, 2024. https://www.theverge.com/2016/1/4/10712090/attn-hasbro-rey-is-the-main-character-of-the-force-awakens.
Tombul, Isul. "Gender Construction in Transmedial Narration: Star Wars Transmedia and
Fandom." In Gender and Diversity Representation in Mass Media, edited by Gulsah Sari, 197-217. N.p.: IGI Global, 2019.
Ulusoy, Ezgi, Neha Sethi, Joshua Baldwin, Sara M. Grady, and David R. Ewoldsen. "Can't Stop Thinking about Star Wars and The Office: Antecedents of Retrospective Imaginative Involvement." Human Communication Research 48, no. 4 (2022): 622-33. https://doi.org/10.1093/hcr/hqac019.
Urbanski, Heather. "17. The Kiss Goodnight from a Galaxy Far, Far Away: Experiencing Star Wars as a Fan-Scholar on Disney Property." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 253-64. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.22.
Uy, Jamie. "Green Milk: The Environmental Eatymologies of Star Wars: Galaxy's Edge." Transformative Works and Cultures 38 (September 14, 2022). https://doi.org/10.3983/twc.2022.2177.
Van Parys, Thomas. "4. Another Canon, Another Time: The Novelizations of the Star Wars Films." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 73-86. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.9.
Watkins, S. Craig, and Rana A. Emerson. "Feminist Media Criticism and Feminist Media Practices." The Annals of the American Academy of Political and Social Science 571 (September 2000): 151-66. JSTOR.
Webster, Jeremy W. "2. Han Leia Shot First: Transmedia Storytelling and the National Public Radio Dramatization of Star Wars." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 49-60. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.7.
Wetmore, Kevin J., Jr. "The Tao of 'Star Wars', Or, Cultural Appropriation in a Galaxy Far, Far Away." Studies in Popular Culture 23, no. 1 (2000): 91-106. JSTOR.
Weynand, Jack. "Weynand: The Force Isn't with 'The Mandalorian' Season Three." The Heights (Chestnut Hill, MA), April 9, 2023. Accessed July 17, 2024. https://www.bcheights.com/2023/04/09/weynand-mandalorian/.
Whitbrook, James. "Laura Dern's Interpretation of the Force Is Exactly What Star Wars Needs." Gizmodo, March 28, 2018. Accessed July 17, 2024. https://gizmodo.com/laura-derns-interpretation-of-the-force-is-exactly-what-1824154033.
White, Armond. "Star Wars: Episode 1 The Phantom Menace George Lucas, USA, 1999." Film Comment 35, no. 4 (1999): 78-79. JSTOR.
Whitney, Allison. "18. Formatting Nostalgia: IMAX Expansions of the Star Wars Franchise." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 265-76. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.23.
Wille, Joshua. "Fan Edits and the Legacy of 'The Phantom Edit.'" Transformative Works and Cultures 17 (September 15, 2014). https://doi.org/10.3983/twc.2014.0575.
Wilson, Veronica A. "Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe." In Culture,
Identities, and Technology in the Star Wars Films: Essays on the Two Trilogies, edited by Tony M. Vinci and Carl Silvio, 134-54. N.p.: McFarland
Incorporated Publishers, 2007.
Wolf, Mark J.P. "11. Adapting the Death Star into LEGO: The Case of LEGO Set #10188." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 169-96. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.16.
Wolg, Mark J.P. "Transmedia World-Building: History, Conception, and Construction." In The Routledge Companion to Transmedia Studies, edited by
Matthew Freeman and Renira Rampazzo Gambarato, 141-47. N.p.: Routledge, 2018.
Wood, Denis. "Growing Up Among the Stars." Literature Film Quarterly 6, no. 4 (1978): 327-42. Academic Search Complete.
Wood, Mara. "Feminist Icons Wanted: Damsels in Distress Need Not Apply." In A Galaxy Here and Now: Historical and Cultural Readings of Star Wars,
edited by Peter W. Lee, 62-83. N.p.: McFarland Incorporated Publishers, 2016.
Wood, Rachel, Benjamin Litherland, and Elizabeth Reed. "Girls Being Rey: Ethical Cultural Consumption, Families and Popular Feminism." Cultural Studies 34, no. 4 (2019): 546-66. https://doi.org/10.1080/09502386.2019.1656759.
Yergensen, Brent. "The Diversified Senex of Science and the Digital Turn: Star Wars, The Matrix, and the Wisdom of Neil deGrasse Tyson." Northwest Journal of Communication 50, no. 1 (2022): 137-64. Communication and Mass Media Complete.
Yilmaz, Recep, M. Nur Erdem, and Filiz Resuloglu. Handbook of Research on Transmedia Storytelling and Narrative Strategies. Hershey, PA: IGI Global,
2019.
Yodovich, Neta. "The Feminist Side of the Force: Women Negotiating Feminism and Star Wars/Doctor Who Fandom." PhD diss., University of Manchester,
2019.
———. Women Negotiating Feminism and Science Fiction Fandom: The Case of the "Good" Fan. Women Negotiating Feminism and Science Fiction
Fandom. N.p.: Springer International Publishing, 2022. https://doi.org/10.1007/978-3-031-04079-5_1.
Agin, Basak. "'The Force Is Strong with This One': A Material Feminist Approach to Star Wars." In Ecofeminist Science Fiction: International Perspectives on Gender, Ecology, and Literature, edited by Douglas A. Vakoch, 113-26. N.p.: Routledge, 2021.
Ambasciano, Leonardo. "Trials and Tribulations of Luke Skywalker." Implicit Religion 23, no. 3 (2021). https://doi.org/10.1558/imre.43229.
Arthur, Claire, Frank Lehman, and John McNamara. "Presenting the SWTC: A Symbolic Corpus of Themes from John Williams' Star Wars Episodes I-IX." Empirical Musicology Review 17, no. 2 (2023): 169-77. https://doi.org/10.18061/emr.v17i2.8927.
Atkinson, Joshua, and Bernadette Calafell. "Darth Vader Made Me Do It! Anakin Skywalker's Avoidance of Responsibility and the Gray Areas of Hegemonic Masculinity in the Star Wars Universe." Communication, Culture & Critique 2, no. 1 (2009): 1-20. https://doi.org/10.1111/j.1753-9137.2008.01026.x.
Bancks, Tristan. "Beyond the Hero's Journey." Australian Screen Education, no. 33 (2003): 32-34. Academic Search Complete.
Barr, Tricia. "Coffee with Kenobi Discusses the Ladies of Star Wars." FANgirl Blog. Entry posted July 17, 2013. Accessed July 17, 2024. http://fangirlblog.com/2013/07/coffee-with-kenobi/.
———. "Does Slave Leia Weaken or Empower Women?" FANgirl Blog. Entry posted July 18, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/slave-leia-empower-women/.
———. "The Fairy Tale Princess in Empire Strikes Back: Why Leia Is the Gold Standard for Strong Female Heroines." FANgirl Blog. Entry posted 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/princess-leia-gold-standard/?ref=popsugar.com&=___psv__p_39361046__t_w__r_www.google.com%2F_.
———. "Hyperspace Theories Special Edition: Rey and the Hero's Journey in The Force Awakens." FANgirl Blog. Entry posted February 14, 2016. Accessed July 17, 2024. http://fangirlblog.com/2016/02/hyperspace-theories-special-edition-rey-and-the-heros-journey-in-the-force-awakens/.
———. "Star Wars Insider #142." FANgirl Blog. Entry posted June 11, 2013. Accessed July 17, 2024. http://fangirlblog.com/2013/06/star-wars-insider-142/.
———. "Who Should Write Strong Female Heroines? Women Don't Always Get It Right." FANgirl Blog. Entry posted July 15, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/who-should-write-sfh/.
Berger, Arthur Asa. "Return of the Jedi: The Rewards of Myth." Society 21, no. 4 (1984): 71-75. https://doi.org/10.1007/bf02695105.
Bondi, Gabrielle. "What Rey Means to Me: 'Star Wars' Delivers an Iconic New Character." The Young Folks, January 3, 2015. Accessed July 17, 2024. https://www.theyoungfolks.com/film/69919/star-wars-rey-character-means-to-me/.
Booth, Paul. "Disney's Princess Leia." In Disney's Star Wars: Forces of Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 179-92. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Booth, Paul. "Disney's Princess Leia." In Disney's Star Wars: Forces of Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 179-92. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Brabazon, Tara. "Star Wars and Writing a Popular Memory." Youth Studies Australia 18, no. 4 (1999): 11-16. Academic Search Complete.
Brooker, Will. "Readings of Racism: Interpretation, Stereotyping and The Phantom Menace." Continuum 15, no. 1 (2001): 15-32. https://doi.org/10.1080/713657758.
Brooker, Will, and Dan Hassler-Forest. "Afterword: 'You'll Find I'm Full of Surprises': The Future of Star Wars." Afterword to Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 289-96. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.25.
Brown, Douglas. "To Disney Infinity and Beyond: Star Wars Video Games before and after the LucasArts Acquisition." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 123-35. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Brown, Jeffrey A. "#wheresRey: Feminism, Protest, and Merchandising Sexism in Star Wars: The Force Awakens." Feminist Media Studies 18, no. 3 (2017):
335-48. https://doi.org/10.1080/14680777.2017.1313291.
Canavan, Gerry. "19. Fandom Edits: Rogue One and the New Star Wars." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 277-88. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.24.
Cavelos, Jeanne. "Stop Her, She's Got a Gun! How the Rebel Princess and the Virgin Queen Became Marginalized and Powerless in George Lucas's Fairy
Tale." In Star Wars on Trial, edited by David Brin and Matthew Woodring Stover, 305-27. Dallas, TX: Benbella Books, 2006.
Chhaya, Priya. "The Anatomy of a Strong Female Character." FANgirl Blog. Entry posted September 24, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/09/anatomy-strong-female-character/.
Cocca, Carolyn. "'Somebody Has to Save Our Skins!': Padme Amidala, Leia Organa, and Jaina Solo in Star Wars." In Superwomen: Gender, Power, and
Representation, 87-120. N.p.: Bloomsbury Academic, 2016.
de Bruin-Molé, Megen. "15. Space Bitches, Witches, and Kick-Ass Princesses: Star Wars and Popular Feminism." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 225-40. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.20.
———. "The Feminist Politics of Star Wars." Frankenfiction (blog). Entry posted October 12, 2016. Accessed July 17, 2024. https://frankenfiction.com/feminist-politics-star-wars/.
———. "Is Star Wars a Boys' Club?" Frankenfiction (blog). Entry posted November 9, 2016. Accessed July 17, 2024. https://frankenfiction.com/star-wars-boys-club/.
Doctor, Payal. "The Force Awakens: The Individualistic and Contemporary Heroine." New American Notes Online, no. 12 (2017): 1-19.
Dray, Kayleigh. "Star Wars Fans, This Is Why Princess Leia's Feminist Legacy Will Never Die." Stylist UK, 2018. Accessed July 17, 2024. https://www.stylist.co.uk/life/star-wars-leia-organa-feminist-icon-disney-princess-general-carrie-fisher/68159.
Ellis, Kathleen. "New World, Old Habits: Patriarchal Ideology in Star Wars: A New Hope." Australian Screen Education, no. 30 (2002): 135-39. Academic Search Complete.
Erlandson, Karen Thea. "Teaching Intercultural Awareness with Star Wars: A New Hope." Communication Teacher 26, no. 1 (2012): 17-21. https://doi.org/10.1080/17404622.2011.625361.
Frankel, Valerie Estelle. Star Wars Meets the Eras of Feminism: Weighing All the Galaxy's Women Great and Small. Lanham, MD: Lexington Books, 2018.
Galipeau, Steven. "Film Review/Commentary: Star Wars, Episodes VII, VIII, & IX." Psychological Perspectives 65, no. 1 (2022): 148-59. https://doi.org/10.1080/00332925.2022.2083881.
Garber, Megan. "Star Wars: The Feminism Awakens." The Atlantic, December 19, 2015. Accessed July 17, 2024. https://www.theatlantic.com/entertainment/archive/2015/12/star-wars-the-feminism-awakens/420843/.
Gardner, Kate. "Learning to Love Star Wars: The Last Jedi." The Mary Sue. Accessed July 17, 2024. https://www.themarysue.com/learning-to-love-star-wars-the-last-jedi/.
Geraghty, Lincoln. "Creating and Comparing Myth in Twentieth-Century Science Fiction: 'Star Trek' and 'Star Wars.'" Literature/Film Quarterly 33, no. 2 (2005): 191-200. JSTOR.
———. "7. Transmedia Character Building: Textual Crossovers in the Star Wars Universe." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 117-28. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.12.
Gill, Glen Robert. "Re-envisioning Myth in Star Wars: Episode VII: The Force Awakens." The Journal of Religion and Popular Culture 31, no. 1 (2019): 3-15. https://doi.org/10.3138/jrpc.2017-0017.
Gordon, Andrew. "The Inescapable Family in American Science Fiction and Fantasy Films." Journal of Popular Film and Television 20, no. 2 (1992): 1-8. https://doi.org/10.1080/01956051.1992.9943963.
———. "Return of the Jedi: The End of the Myth." Film Criticism 8, no. 2 (1984): 45-54. Academic Search Complete (31286215).
———. "Science-Fiction and Fantasy Film Criticism: The Case of Lucas and Spielberg." Journal of the Fantastic in the Arts 2, no. 6 (1989): 80-94. JSTOR.
———. "Star Wars: A Myth for Our Time." Literature Film Quarterly 6, no. 4 (1978): 314-27. Academic Search Complete (7150150).
Hilck, Karin. "The Space Community and the Princess: Reworking the American Space Program's Public Image from 'Miss NASA' to Princess Leia." In A Galaxy Here and Now: Historical and Cultural Readings of Star Wars, edited by Peter W. Lee, 33-55. N.p.: McFarland Incorporated Publishers, 2016.
Isac, Iuliana, and Vlad Isac. "The Heroic Myth in Modern Times. the 'Star Wars' Franchise." Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts, January 31, 2023, 87-98. https://doi.org/10.31926/but.pa.2022.15.64.3.10.
Janardhan, Shruti. "A Feminist Reading of Star Wars: The Last Jedi." Feminism in India. Last modified December 19, 2017. Accessed July 17, 2024. https://feminisminindia.com/2017/12/19/feminist-reading-star-wars/.
Jowett, Lorna. "Rey, Mary Sue, and Phasma Too: Feminism and Fan Responses to The Force Awakens Merchandise." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 192-205. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Kaufman, Roger. "Homosexual Romance and Self-Realization in Star Wars." In Sex, Politics, and Religion in Star Wars: an Anthology, by Douglas Brode
and Leah Deyneka, 115-32. Lanham, Md.: Scarecrow Press, 2012.
Keidl, Philipp Dominik. "Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian." JCMS: Journal of Cinema and Media Studies 61, no. 5 (2021): 159-82. https://doi.org/10.1353/cj.2021.0088.
Kempshall, Chris. "'We Don't Want Them Here': Aliens, Androids, and Far Outsiders." In The History and Politics of Star Wars: Death Stars and Democracy, 179-222. N.p.: Routledge, 2022. https://doi.org/10.4324/9781315145426-6.
King, Mary C., and Jessica L. Ridgway. "Costume Evolution during the Development of Romantic Relationships and Its Impact on the Positions of Power in the Star Wars Prequel and Original Trilogies." Fashion and Textiles 6, no. 11 (2019). https://doi.org/10.1186/s40691-018-0167-8.
King, Tracy. "The Last Jedi Is the First Properly Feminist Star Wars." The New Statesman, December 19, 2017. Accessed July 17, 2024. https://www.newstatesman.com/culture/film/2017/12/last-jedi-first-properly-feminist-star-wars.
King, Zoë A. Johnson. "Accidentally Doing the Right Thing." Philosophy and Phenomenological Research 100, no. 1 (2018): 186-206. https://doi.org/10.1111/phpr.12535.
Knouse, Evelyn. "Why Female Protagonists Like Rey Aren't as Feminist as You Think." The Heights (Chestnut Hill, MA), March 1, 2022. Accessed July 17, 2024. https://www.bcheights.com/2022/02/28/why-female-protagonists-like-rey-arent-as-feminist-as-you-think/.
Korn, Anne. "Women in a Galaxy Far, Far Away: Star Wars Characters' Costumes Reflect Shift from Power to Romance." Florida State University News, February 27, 2019. Accessed July 17, 2024. https://news.fsu.edu/news/education-society/2019/02/27/women-in-a-galaxy-far-far-away-star-wars-characters-costumes-reflect-shift-from-power-to-romance/.
Koushik, Kailash, and Abigail Reed. "Star Wars: The Last Jedi, Beauty and the Beast, and Disney's Commodification of Feminism: A Political Economic Analysis." Social Sciences 7, no. 11 (2018): 237-57. Accessed July 16, 2024. https://doi.org/10.3390/socsci7110237.
Lakka, Aikaterini-Maria. "Mothers, Daughters, Rebels: Women's Bodies in Star Wars." In Star Wars and Philosophy: This Is the Way, edited by Jason T.
Eberl and Kevin S. Decker, 30-38. N.p.: John Wiley & Sons, 2023.
Lancashire, Anne. "Complex Design in 'The Empire Strikes Back.'" Film Criticism 5, no. 3 (1981): 38-52. Academic Search Complete.
———. "The Phantom Menace: Repetition, Variation, Integration." Film Criticism 24, no. 3 (2000): 23-22. Academic Search Complete.
———. "Return of the Jedi: Once More With Feeling." Film Criticism 8, no. 2 (1984): 55-66. Academic Search Complete.
Lawler, James. "Passionate Love, Platonic Love, and Force Love in Star Wars." In Star Wars and Philosophy: This Is the Way, edited by Jason T. Eberl and
Kevin S. Decker, 276-83. N.p.: John Wiley & Sons, 2023.
Liedl, Janice. "Teen Queen: Padme Amidala and the Power of Royal Women." In Star Wars and History, edited by Nancy Ruth Reagin and Janice Liedl,
151-75. Hoboken, NJ: Wiley, 2013.
Liedl, Janice, and Nancy R. Reagin. "'Part of the Rebel Alliance and a Traitor': Women in War and Resistance." In Star Wars and History, edited by Nancy
Ruth Reagin and Janice Liedl, 41-65. Hoboken, NJ: Wiley, 2013.
Lubow, Arthur. "The Star Wars War I: A Space 'Iliad.'" Film Comment 13, no. 4 (1977): 20-21. JSTOR.
Lyden, J. C. "Whose Film Is It, Anyway? Canonicity and Authority in Star Wars Fandom." Journal of the American Academy of Religion 80, no. 3 (2012): 775-86. https://doi.org/10.1093/jaarel/lfs037.
Mack, Eric. "Princess Leia: My First Feminist Icon." Geek Girl Con (blog). Entry posted July 28, 2017. Accessed July 17, 2024. https://geekgirlcon.com/princess-leia-my-first-feminist-icon/.
MacMullan, Terrance. "Balance through Struggle: Understanding the Novel Cosmology of the Force in The Last Jedi." The Journal of Religion and Popular Culture 31, no. 1 (2019): 101-13. https://doi.org/10.3138/jrpc.2018-0029.
Martin, Angie. "'Star Wars' Day 2024: The Femininity and Ferociousness of a Princess." Editorial. Fanbase Press. Last modified May 4, 2024. Accessed July 17, 2024. https://fanbasepress.com/press/editorials/item/54949-star-wars-day-2024-the-femininity-and-ferociousness-of-a-princess/.
McDonald, Paul F. "The Goddess." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 153-59. N.p.: McFarland & Company, 2013.
———. "The Love." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 67-74. N.p.: McFarland & Company, 2013.
———. "The Mother." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 55-59. N.p.: McFarland & Company, 2013.
———. "The Queen." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 26-32. N.p.: McFarland & Company, 2013.
———. "The Senator." In The Star Wars Heresies: Interpreting the Themes, Symbols, and Philosophies of Episodes I, II and III, 91-98. N.p.: McFarland & Company, 2013.
McDowell, John C. "En/Gendering Trouble with J. J. Abrams's Rey in The Force Awakens: Re-Subjecting the Subject to a Performative Subjectivity." The Journal of Religion and Popular Culture 31, no. 1 (2019): 16-30. https://doi.org/10.3138/jrpc.2018-0004.
———. "'There'll Be No Escape for the Princess This Time': Re-Gendering the Patriarchal Star Wars Texts." In Identity Politics in George Lucas' Star Wars, 78-115. N.p.: McFarland & Company, 2016.
———. "'Wars Not Make One Great': Redeeming the Star Wars Mythos from Redemptive Violence without Amusing Ourselves to Death." The Journal of Religion and Popular Culture 22, no. 1 (2010): 4. https://doi.org/10.3138/jrpc.22.1.004.
Meneses, Allana Cristina Sales, and Margareth Torres de Alencar Costa. "The Protagonism of Rey in Star Wars: The Force Awakens, a Feminist Reading." Acta Scientiarum. Language and Culture 45, no. 1 (2023): 1-8. https://doi.org/10.4025/actascilangcult.v45i1.64735.
Merlock, Ray, and Kathy Merlock Jackson. "Lightsabers, Political Arenas, and Marriages for Princess Leia and Queen Amidala." In Sex, Politics, and
Religion in Star Wars: an Anthology, by Douglas Brode and Leah Deyneka, 77-88. Lanham, Md.: Scarecrow Press, 2012.
Montgomery, Fielding. "Rogue One: A U.S. Imperialism Story." Journal of Popular Film and Television 48, no. 1 (2020): 27-37. https://doi.org/10.1080/01956051.2019.1642841.
Moreno-Ortiz, Antonio, and María García-Gámez. "Corpus Annotation and Analysis of Sarcasm in Twitter: #CatsMovie Vs. #TheRiseOfSkywalker." Atlantis. Journal of the Spanish Association for Anglo-American Studies 44, no. 1 (2022): 186-207. https://doi.org/10.28914/atlantis-2022-44.1.11.
Morgan, Rebekah S. "Rey-ifying a New Heroine: Interrogating the Curriculum of Femininity in Star Wars Films." PhD diss., Georgia Southern University,
2020.
Mulvey, Laura. "Thoughts on Myth, Narrative, and Historical Experience." History Workshop, no. 23 (1987): 3-19.
Munn, Nick, and Dan Weijers. "Friendship, Love, and Sex with Droids in Solo: 'How Would That Work?' 'It Works.'" In Star Wars and Philosophy: This Is
the Way, edited by Jason T. Eberl and Kevin S. Decker, 143-51. N.p.: John Wiley & Sons, 2023.
Okapal, James M. "The Rise of Rey Skywalker: The Importance of Community and Friends in Star Wars." In Star Wars and Philosophy: This Is the Way,
edited by Jason T. Eberl and Kevin S. Decker, 284-92. N.p.: John Wiley & Sons, 2023.
Ophelian, Annalise, dir. Looking for Leia. SYFY, 2019.
Perez, Edwardo. "Awakening Race, Culture, and Ethnicity in a Galaxy Far, Far Away." In Star Wars and Philosophy: This Is the Way, edited by Jason T.
Eberl and Kevin S. Decker, 247-56. N.p.: John Wiley & Sons, 2023.
Philip, Tom. "An Angry Fan Re-edited Star Wars: The Last Jedi to Make It Less Feminist—And We Watched It." GQ, January 17, 2018. Accessed July 17, 2024. https://www.gq.com/story/angry-fan-re-edited-star-wars-the-last-jedi-to-make-it-less-feminist.
Phillips, Forrest. "Star Wars Franchise, Fan Edits, and Lucasfilm." Transformative Works and Cultures 9 (March 15, 2012). https://doi.org/10.3983/twc.2012.0385.
Poly, Monet. "Feminism and Star Wars: What's Next for the Fandom." Her Campus, February 10, 2022. Accessed July 17, 2024. https://www.hercampus.com/school/susqu/feminism-and-star-wars-whats-next-for-the-fandom/.
Priester, B J. "The Heroine's Journey: Defining Concepts." FANgirl Blog. Entry posted March 2, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/03/the-heroines-journey-defining-concepts/.
———. "The Heroine's Journey: How Campbell's Model Doesn't Fit." FANgirl Blog. Entry posted March 30, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/04/the-heroines-journey-how-campbells-model-doesnt-fit/.
———. "Rey's Heroic Journey in The Force Awakens." FANgirl Blog. Entry posted February 8, 2016. Accessed July 17, 2024. http://fangirlblog.com/2016/02/reys-heroic-journey-in-the-force-awakens/.
Richau, Amy. "The Evolution of Twi'leks in the Star Wars Universe." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 3-25. N.p.: Vernon Art and Science, 2023.
Rowlett, Jacob. "'Why Are You Here, Rey from Nowhere?'" In Film Landscapes of Global Youth: Imagining Young Lives, compiled by Stuart C. Aitken, 166-80. Film Landscapes of Global Youth. N.p.: Routledge, 2024. https://doi.org/10.4324/9781003347446-13.
Sammons, Todd H. "Return of the Jedi: Epic Graffiti." Science Fiction Studies 14, no. 3 (1987): 355-71. Humanities International Complete.
Schowalter, Dana, Shannon Stevens, and Daniel L. Horvath. "Star Wars (toxic) Nostalgia and the Looming End of Man." In The Misogynistic Backlash against Women-Strong Films, 136-60. N.p.: Taylor & Francis, 2021. https://doi.org/10.4324/9780429291975-6.
Scott, Suzanne. "#Wheresrey?: Toys, Spoilers, and the Gender Politics of Franchise Paratexts." Critical Studies in Media Communication 34, no. 2 (2017): 138-47. https://doi.org/10.1080/15295036.2017.1286023.
Sloan, Amanda. "Star Wars and Feminism: An Intersectional Look into the Galaxy." The Feminist Shop (blog). Entry posted May 4, 2020. Accessed July 17, 2024. https://thefeministshop.com/blogs/the-feminist-shop-blog/star-wars-and-feminism-an-intersectional-look-into-the-galaxy-by-amanda-sloan.
Smith, Anna. "A Force for Good: Why The Last Jedi Is the Most Triumphantly Feminist Star Wars Movie Yet." The Guardian, December 18, 2017. Accessed July 17, 2024. https://www.theguardian.com/film/2017/dec/18/star-wars-the-last-jedi-women-bechdel-test.
Spangler, Bill. "Fighting Princesses and Other Distressing Damsels." In Star Wars on Trial, edited by David Brin and Matthew Woodring Stover, 329-40.
Dallas, TX: Benbella Books, 2006.
Sweet, Derek. "16. Some People Call Him a Space Cowboy: Kanan Jarrus, Outer Rim Justice, and the Legitimization of the Obama Doctrine." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 241-52. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.21.
Tasker, Yvonne. "Women, SF Spectacle, and the Mise-en-scene of Space Adventure in the Star Wars Franchise." Science Fiction Film and Television 12, no. 1 (2019): 9-28.
Tatar, Maria. The Heroine with 1,001 Faces. New York, NY: Liveright Publishing, 2022.
Telotte, J. P. "'The Dark Side of the Force': Star Wars and the Science Fiction Tradition." Extrapolation 24, no. 3 (1983): 216-26. https://doi.org/10.3828/extr.1983.24.3.216.
Terrile, Vikki C. "Saving What We Love: The Hope and Resistance of Makers and Craftspeople in Disney's Star Wars." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 27-50. N.p.: Vernon Art and Science, 2023.
Thompson-Tremblay, Eloise. "The Dead Mom's Peril: Star Wars and the Dispossession of the Mother Figure." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 51-69. N.p.: Vernon Art and Science, 2023.
Tiffany, Kaitlyn. "Attn: Hasbro, Rey Is the Main Character of The Force Awakens." The Verge, January 4, 2016. Accessed July 17, 2024. https://www.theverge.com/2016/1/4/10712090/attn-hasbro-rey-is-the-main-character-of-the-force-awakens.
Whitbrook, James. "Laura Dern's Interpretation of the Force Is Exactly What Star Wars Needs." Gizmodo, March 28, 2018. Accessed July 17, 2024. https://gizmodo.com/laura-derns-interpretation-of-the-force-is-exactly-what-1824154033.
White, Armond. "Star Wars: Episode 1 The Phantom Menace George Lucas, USA, 1999." Film Comment 35, no. 4 (1999): 78-79. JSTOR.
Whitney, Allison. "18. Formatting Nostalgia: IMAX Expansions of the Star Wars Franchise." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 265-76. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.23.
Wille, Joshua. "Fan Edits and the Legacy of 'The Phantom Edit.'" Transformative Works and Cultures 17 (September 15, 2014). https://doi.org/10.3983/twc.2014.0575.
Wilson, Veronica A. "Seduced by the Dark Side of the Force: Gender, Sexuality, and Moral Agency in George Lucas's Star Wars Universe." In Culture,
Identities, and Technology in the Star Wars Films: Essays on the Two Trilogies, edited by Tony M. Vinci and Carl Silvio, 134-54. N.p.: McFarland
Incorporated Publishers, 2007.
Wood, Mara. "Feminist Icons Wanted: Damsels in Distress Need Not Apply." In A Galaxy Here and Now: Historical and Cultural Readings of Star Wars,
edited by Peter W. Lee, 62-83. N.p.: McFarland Incorporated Publishers, 2016.
Wood, Rachel, Benjamin Litherland, and Elizabeth Reed. "Girls Being Rey: Ethical Cultural Consumption, Families and Popular Feminism." Cultural Studies 34, no. 4 (2019): 546-66. https://doi.org/10.1080/09502386.2019.1656759.
Yodovich, Neta. "The Feminist Side of the Force: Women Negotiating Feminism and Star Wars/Doctor Who Fandom." PhD diss., University of Manchester,
2019.
———. Women Negotiating Feminism and Science Fiction Fandom: The Case of the "Good" Fan. Women Negotiating Feminism and Science Fiction
Fandom. N.p.: Springer International Publishing, 2022. https://doi.org/10.1007/978-3-031-04079-5_1.
Allen, Spencer L. "A Rebel by Any Other Name: The Onomastics of Disney's Star Wars Rebels." The Journal of Religion and Popular Culture 31, no. 1 (2019): 72-86. https://doi.org/10.3138/jrpc.2017-0020.
Barr, Tricia. "Coffee with Kenobi Discusses the Ladies of Star Wars." FANgirl Blog. Entry posted July 17, 2013. Accessed July 17, 2024. http://fangirlblog.com/2013/07/coffee-with-kenobi/.
———. "How Star Wars Made Me a Feminist — Even When the Franchise Was Not." Popsugar, December 18, 2019. Accessed July 17, 2024. https://www.popsugar.com/entertainment/star-wars-from-feminist-perspective-39361046.
———. "Who Should Write Strong Female Heroines? Women Don't Always Get It Right." FANgirl Blog. Entry posted July 15, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/who-should-write-sfh/.
Booth, Paul. "Disney's Princess Leia." In Disney's Star Wars: Forces of Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 179-92. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Brown, Douglas. "To Disney Infinity and Beyond: Star Wars Video Games before and after the LucasArts Acquisition." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 123-35. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Cao, Caroline. "Why Captain Hera Syndulla Deserves Her Very Own Marvel Comic." The Mary Sue, February 20, 2017. Accessed July 17, 2024. https://www.themarysue.com/hera-syndulla-deserves-a-comic/.
Davis, Lauren. "Why Ahsoka Tano Is the Best Thing to Happen to Star Wars in 20 Years." Gizmodo, March 6, 2014. Accessed July 17, 2024. https://gizmodo.com/how-clone-wars-ahsoka-tano-made-the-star-wars-franchis-1537984315.
de Bruin-Molé, Megen. "'Does It Come with a Spear?' Commodity Activism, Plastic Representation, and Transmedia Story Strategies in Disney's Star Wars: Forces of Destiny." Film Criticism 42, no. 2 (2018). https://doi.org/10.3998/fc.13761232.0042.205.
Ecenbarger, Charlie. "Comic Books, Video Games, and Transmedia Storytelling." International Journal of Gaming and Computer-Mediated Simulations 8, no. 2 (2016): 34-42. https://doi.org/10.4018/ijgcms.2016040103.
Frankel, Valerie Estelle. Star Wars Meets the Eras of Feminism: Weighing All the Galaxy's Women Great and Small. Lanham, MD: Lexington Books, 2018.
Garner, Ross. "The Mandalorian Variation: Gender, Institutionality, and Discursive Constraints in Star Wars Rebels." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 109-22. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Geraghty, Lincoln. "7. Transmedia Character Building: Textual Crossovers in the Star Wars Universe." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 117-28. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.12.
Giannelli, Federica. "The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess." In The Transmedia Franchise of Star Wars TV, edited by DJ Nardi and Derek R. Sweet, 97-117. N.p.: Springer International Publishing, 2020. https://doi.org/10.1007/978-3-030-52958-1_6.
Guitton, Matthieu J. "The Underwater Quest of Prince Lee-Char: Renewing the Hero Archetype in Star Wars." The Journal of Religion and Popular Culture 31, no. 1 (2019): 44-58. https://doi.org/10.3138/jrpc.2018-0045.
Hall, Stefan. "5. Franchising Empire: Parker Brothers, Atari, and the Rise of LucasArts." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 87-100. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.10.
Hedge, Stephanie, and Jennifer Grouling, eds. Roleplaying Games in the Digital Age : Essays on Transmedia Storytelling, Tabletop RPGs and Fandom. Jefferson: McFarland & Company, Incorporated Publishers, 2021.
Hills, Matt. "Transmedia Spectacle and Transownership Storytelling as Seen on TV: Star Wars from the Holiday Special to Rebels." In Disney's Star Wars: Forces of Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 39-52. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Lakka, Aikaterini-Maria. "Mothers, Daughters, Rebels: Women's Bodies in Star Wars." In Star Wars and Philosophy: This Is the Way, edited by Jason T.
Eberl and Kevin S. Decker, 30-38. N.p.: John Wiley & Sons, 2023.
Lee, Jonathan Rey. "8. The Digitizing Force of Decipher's Star Wars Customizable Card Game." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 129-42. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.13.
Liptak, Andrew. "Looking for Leia Is an Upcoming Documentary That Highlights the Women of Star Wars." The Verge, May 11, 2917. Accessed July 17, 2024. https://www.theverge.com/2017/5/11/15567710/star-wars-looking-for-leia-documentary-women-fandom.
Malloy, Daniel P. "Of Graffiti and Kalikoris." In Star Wars and Philosophy: This Is the Way, edited by Jason T. Eberl and Kevin S. Decker, 90-98. N.p.: John
Wiley & Sons, 2023.
Marino, Reagan. "'The Bad Batch' Showcases Freedom and Identity in Final Season." The Heights (Chestnut Hill, MA), February 25, 2024. Accessed July 17, 2024. https://www.bcheights.com/2024/02/25/the-bad-batch-returns/.
Martin, Angie. "'Star Wars' Day 2024: The Femininity and Ferociousness of a Princess." Editorial. Fanbase Press. Last modified May 4, 2024. Accessed July 17, 2024. https://fanbasepress.com/press/editorials/item/54949-star-wars-day-2024-the-femininity-and-ferociousness-of-a-princess/.
Mejeur, Cody. "13. Chasing Wild Space: Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 199-210. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.18.
Morton, Drew. "6. 'You must feel the Force around you!': Transmedia Play and the Death Star Trench Run in Star Wars Video Games." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 101-14. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.11.
Muncy, Julie. "In Praise of the Growth of Ahsoka Tano, the Star Wars Heroine I Always Needed." Gizmodo, March 11, 2018. Accessed July 17, 2024. https://gizmodo.com/in-praise-of-the-growth-of-ahsoka-tano-the-star-wars-h-1823682030.
Nardi, Dominic J. "Canonical Legends: How the Expanded Universe (Selectively) Lives on TV." In The Transmedia Franchise of Star Wars TV, edited by DJ Nardi and Derek R. Sweet, 175-99. N.p.: Springer International Publishing, 2020. https://doi.org/10.1007/978-3-030-52958-1_6.
Ophelian, Annalise, dir. Looking for Leia. SYFY, 2019.
Poly, Monet. "Feminism and Star Wars: What's Next for the Fandom." Her Campus, February 10, 2022. Accessed July 17, 2024. https://www.hercampus.com/school/susqu/feminism-and-star-wars-whats-next-for-the-fandom/.
Priester, B J. "The Heroine's Journey: Defining Concepts." FANgirl Blog. Entry posted March 2, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/03/the-heroines-journey-defining-concepts/.
———. "The Heroine's Journey: How Campbell's Model Doesn't Fit." FANgirl Blog. Entry posted March 30, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/04/the-heroines-journey-how-campbells-model-doesnt-fit/.
Richau, Amy. "The Evolution of Twi'leks in the Star Wars Universe." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 3-25. N.p.: Vernon Art and Science, 2023.
———. "365 Star Wars Women." 365 Star Wars. Accessed July 17, 2024. https://365starwars.com/category/365-star-wars-women/.
Romain, Lindsay. "Ahsoka Tano Is the Best Character in Star Wars." Nerdist, February 20, 2020. Accessed July 17, 2024. https://nerdist.com/article/ahsoka-tano-best-star-wars-character/.
Schiller, Melanie. "6. Transmedia Storytelling: New Practices and Audiences." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 97-108. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctv5rf6vf.10.
Sloan, Amanda. "Star Wars and Feminism: An Intersectional Look into the Galaxy." The Feminist Shop (blog). Entry posted May 4, 2020. Accessed July 17, 2024. https://thefeministshop.com/blogs/the-feminist-shop-blog/star-wars-and-feminism-an-intersectional-look-into-the-galaxy-by-amanda-sloan.
Sweeney, Mark. "Aesthetics and Social Interactions in MMOs: The Gamification of Music in Lord of the Rings Online and Star Wars: Galaxies." Soundtrack, the 8, no. 1 (2015): 25-40. https://doi.org/10.1386/st.8.1-2.25_1.
Sweet, Derek. "Mythologizing Mortis: The Clone Wars as Dialogic Spirituality." The Journal of Religion and Popular Culture 31, no. 1 (2019): 59-71. https://doi.org/10.3138/jrpc.2017-0021.
———. "16. Some People Call Him a Space Cowboy: Kanan Jarrus, Outer Rim Justice, and the Legitimization of the Obama Doctrine." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 241-52. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.21.
Tatar, Maria. The Heroine with 1,001 Faces. New York, NY: Liveright Publishing, 2022.
Thompson-Tremblay, Eloise. "The Dead Mom's Peril: Star Wars and the Dispossession of the Mother Figure." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 51-69. N.p.: Vernon Art and Science, 2023.
Tombul, Isul. "Gender Construction in Transmedial Narration: Star Wars Transmedia and Fandom." In Gender and Diversity Representation in Mass Media,
edited by Gulsah Sari, 197-217. N.p.: IGI Global, 2019.
Ulusoy, Ezgi, Neha Sethi, Joshua Baldwin, Sara M. Grady, and David R. Ewoldsen. "Can't Stop Thinking about Star Wars and The Office: Antecedents of Retrospective Imaginative Involvement." Human Communication Research 48, no. 4 (2022): 622-33. https://doi.org/10.1093/hcr/hqac019.
Weynand, Jack. "Weynand: The Force Isn't with 'The Mandalorian' Season Three." The Heights (Chestnut Hill, MA), April 9, 2023. Accessed July 17, 2024. https://www.bcheights.com/2023/04/09/weynand-mandalorian/.
Barr, Tricia. "Leadings Ladies of Star Wars EU Shine." FANgirl Blog. Entry posted October 11, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/10/leadings-ladies-of-star-wars-eu-shine/.
———. "Seeking SFH – Mara Jade Skywalker in the Star Wars EU." FANgirl Blog. Entry posted October 3, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/10/seeking-sfh-mara-jade-sweu/.
———. "Seeking SFH (Strong Female Heroine) – Jaina Solo in the New Jedi Order." FANgirl Blog. Entry posted June 28, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/06/seeking-sfh/.
———. "Seeking SFH: Tyria Sarkin Tainer Fights for the Jedi Team." FANgirl Blog. Entry posted May 30, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/05/seeking-sfh-tyria-sarkin-tainer-jedi-team/.
———. "Star Wars Insider #142." FANgirl Blog. Entry posted June 11, 2013. Accessed July 17, 2024. http://fangirlblog.com/2013/06/star-wars-insider-142/.
Cao, Caroline. "Why Captain Hera Syndulla Deserves Her Very Own Marvel Comic." The Mary Sue, February 20, 2017. Accessed July 17, 2024. https://www.themarysue.com/hera-syndulla-deserves-a-comic/.
Chhaya, Priya. "The Anatomy of a Strong Female Character." FANgirl Blog. Entry posted September 24, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/09/anatomy-strong-female-character/.
Cocca, Carolyn. "'Somebody Has to Save Our Skins!': Padme Amidala, Leia Organa, and Jaina Solo in Star Wars." In Superwomen: Gender, Power, and
Representation, 87-120. N.p.: Bloomsbury Academic, 2016.
Dray, Kayleigh. "Star Wars Fans, This Is Why Princess Leia's Feminist Legacy Will Never Die." Stylist UK, 2018. Accessed July 17, 2024. https://www.stylist.co.uk/life/star-wars-leia-organa-feminist-icon-disney-princess-general-carrie-fisher/68159.
Ecenbarger, Charlie. "Comic Books, Video Games, and Transmedia Storytelling." International Journal of Gaming and Computer-Mediated Simulations 8, no. 2 (2016): 34-42. https://doi.org/10.4018/ijgcms.2016040103.
Frankel, Valerie Estelle. Star Wars Meets the Eras of Feminism: Weighing All the Galaxy's Women Great and Small. Lanham, MD: Lexington Books, 2018.
Freeman, Matthew. "3. From Sequel to Quasi-Novelization: Splinter of the Mind's Eye and the 1970s Culture of Transmedia Contingency." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 61-72. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.8.
Freeman, Matthew. "Rebuilding Transmedia Star Wars: Strategies of Branding and Unbranding a Galaxy Far, Far Away." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 23-38. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Geraghty, Lincoln. "7. Transmedia Character Building: Textual Crossovers in the Star Wars Universe." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 117-28. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.12.
Guynes, Sean. "9. Publishing the New Jedi Order: Media Industries Collaboration and the Franchise Novel." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 143-54. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.14.
Herrera, Beatriz Bartolome, and Philipp Dominik Keidl. "10. How Star Wars Became Museological: Transmedia Storytelling in the Exhibition Space." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 155-68. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.15.
Lomax, Tara. "1. 'Thank the Maker!': George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 35-48. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.6.
Louzon, Monica. "Mara Jade, Frontier Woman: Agency in Star Wars and Influencing the Transmedia Franchise." In Women's Space: Essays on Female
Characters in the 21st Century Science Fiction Western, edited by Melanie A. Marotta, 25-41. N.p.: McFarland & Company, 2019.
Mejeur, Cody. "13. Chasing Wild Space: Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 199-210. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.18.
Nardi, Dominic J. "Canonical Legends: How the Expanded Universe (Selectively) Lives on TV." In The Transmedia Franchise of Star Wars TV, edited by DJ Nardi and Derek R. Sweet, 175-99. N.p.: Springer International Publishing, 2020. https://doi.org/10.1007/978-3-030-52958-1_6.
Richau, Amy. "The Evolution of Twi'leks in the Star Wars Universe." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 3-25. N.p.: Vernon Art and Science, 2023.
Schiller, Melanie. "6. Transmedia Storytelling: New Practices and Audiences." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 97-108. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctv5rf6vf.10.
Schowalter, Dana, Shannon Stevens, and Daniel L. Horvath. "Star Wars (toxic) Nostalgia and the Looming End of Man." In The Misogynistic Backlash against Women-Strong Films, 136-60. N.p.: Taylor & Francis, 2021. https://doi.org/10.4324/9780429291975-6.
Thompson-Tremblay, Eloise. "The Dead Mom's Peril: Star Wars and the Dispossession of the Mother Figure." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 51-69. N.p.: Vernon Art and Science, 2023.
Van Parys, Thomas. "4. Another Canon, Another Time: The Novelizations of the Star Wars Films." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 73-86. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.9.
Barr, Tricia. "How Star Wars Made Me a Feminist — Even When the Franchise Was Not." Popsugar, December 18, 2019. Accessed July 17, 2024. https://www.popsugar.com/entertainment/star-wars-from-feminist-perspective-39361046.
Bondi, Gabrielle. "What Rey Means to Me: 'Star Wars' Delivers an Iconic New Character." The Young Folks, January 3, 2015. Accessed July 17, 2024. https://www.theyoungfolks.com/film/69919/star-wars-rey-character-means-to-me/.
Brabazon, Tara. "Star Wars and Writing a Popular Memory." Youth Studies Australia 18, no. 4 (1999): 11-16. Academic Search Complete.
Clark, Jessica. "I Had the Feminist Awakening I Never Knew I Needed at a Star Wars Convention." Mamamia, April 22, 2017. Accessed July 17, 2024. https://www.mamamia.com.au/feminist-star-wars/.
de Bruin-Molé, Megen. "The Feminist Politics of Star Wars." Frankenfiction (blog). Entry posted October 12, 2016. Accessed July 17, 2024. https://frankenfiction.com/feminist-politics-star-wars/.
———. "Is Star Wars a Boys' Club?" Frankenfiction (blog). Entry posted November 9, 2016. Accessed July 17, 2024. https://frankenfiction.com/star-wars-boys-club/.
Dray, Kayleigh. "Star Wars Fans, This Is Why Princess Leia's Feminist Legacy Will Never Die." Stylist UK, 2018. Accessed July 17, 2024. https://www.stylist.co.uk/life/star-wars-leia-organa-feminist-icon-disney-princess-general-carrie-fisher/68159.
Frankel, Valerie Estelle. Star Wars Meets the Eras of Feminism: Weighing All the Galaxy's Women Great and Small. Lanham, MD: Lexington Books, 2018.
Freeman, Matthew. "Rebuilding Transmedia Star Wars: Strategies of Branding and Unbranding a Galaxy Far, Far Away." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 23-38. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Garber, Megan. "Star Wars: The Feminism Awakens." The Atlantic, December 19, 2015. Accessed July 17, 2024. https://www.theatlantic.com/entertainment/archive/2015/12/star-wars-the-feminism-awakens/420843/.
Gardner, Kate. "Learning to Love Star Wars: The Last Jedi." The Mary Sue. Accessed July 17, 2024. https://www.themarysue.com/learning-to-love-star-wars-the-last-jedi/.
Gibson, Caitlin. "How Princess Leia Became an Unofficial Symbol for the Women's March." The Washington Post, January 23, 2017. Accessed July 17, 2024. https://www.washingtonpost.com/news/arts-and-entertainment/wp/2017/01/23/how-princess-leia-became-an-unofficial-symbol-for-the-womens-march/.
Gilkeson, Shanna R. "Fanning While Female: Gatekeeping, Boundary Policing, and the Harassment of Women in the Star Wars Fandom." PhD diss., Bowling Green State University, 2023.
Herrera, Beatriz Bartolome, and Philipp Dominik Keidl. "10. How Star Wars Became Museological: Transmedia Storytelling in the Exhibition Space." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 155-68. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.15.
Hills, Matt. "14. From Transmedia Storytelling to Transmedia Experience: Star Wars Celebration as a Crossover/Hierarchical Space." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 213-24. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.19.
Knudsen, Gry Hongsmark, Michael Fabrin Hjort, and Lukas Johannes Blaser. "Playing with Fandom." MedieKultur: Journal of Media & Communication Research 35, no. 66 (2019): 18-36. Communication and Mass Media Complete.
Leishman, Rachel. "So You're Still Gatekeeping New Fans of Star Wars…." The Mary Sue, April 14, 2021. Accessed July 17, 2024. https://www.themarysue.com/stop-gatekeeping/.
Lyden, J. C. "Whose Film Is It, Anyway? Canonicity and Authority in Star Wars Fandom." Journal of the American Academy of Religion 80, no. 3 (2012): 775-86. https://doi.org/10.1093/jaarel/lfs037.
Mack, Eric. "Princess Leia: My First Feminist Icon." Geek Girl Con (blog). Entry posted July 28, 2017. Accessed July 17, 2024. https://geekgirlcon.com/princess-leia-my-first-feminist-icon/.
Marshall, Andrea. "Our Stories, Our Selves: Star Wars Fanfictions as Feminist Counterpublic Discourses in Digital Imaginaria." Journal of Fandom Studies
8, no. 3 (2020): 277-88. https://doi.org/10.1386/jfs_00024_1.
Martin, Angie. "'Star Wars' Day 2024: The Femininity and Ferociousness of a Princess." Editorial. Fanbase Press. Last modified May 4, 2024. Accessed July 17, 2024. https://fanbasepress.com/press/editorials/item/54949-star-wars-day-2024-the-femininity-and-ferociousness-of-a-princess/.
Mishou, A. Luxx. "12. Retcon: Revisiting Cosplay Studies." In Sartorial Fandom: Fashion, Beauty Culture, and Identity, edited by Elizabeth Affuso and Suzannee Scott, 190-202. N.p.: University of Michigan Press, 2023. https://doi.org/10.3998/mpub.12315327.
Moreno-Ortiz, Antonio, and María García-Gámez. "Corpus Annotation and Analysis of Sarcasm in Twitter: #CatsMovie Vs. #TheRiseOfSkywalker." Atlantis. Journal of the Spanish Association for Anglo-American Studies 44, no. 1 (2022): 186-207. https://doi.org/10.28914/atlantis-2022-44.1.11.
Ophelian, Annalise, dir. Looking for Leia. SYFY, 2019.
Philip, Tom. "An Angry Fan Re-edited Star Wars: The Last Jedi to Make It Less Feminist—And We Watched It." GQ, January 17, 2018. Accessed July 17, 2024. https://www.gq.com/story/angry-fan-re-edited-star-wars-the-last-jedi-to-make-it-less-feminist.
Phillips, Forrest. "Star Wars Franchise, Fan Edits, and Lucasfilm." Transformative Works and Cultures 9 (March 15, 2012). https://doi.org/10.3983/twc.2012.0385.
Richau, Amy. "365 Star Wars Women." 365 Star Wars. Accessed July 17, 2024. https://365starwars.com/category/365-star-wars-women/.
Schiller, Melanie. "6. Transmedia Storytelling: New Practices and Audiences." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 97-108. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctv5rf6vf.10.
Scott, Suzanne. "A Fangirl's Place Is in the Resistance: Feminism and Fan Studies." In Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry, 25-50. N.p.: NYU Press, 2019.
Shefrin, Elana. "Lord of the Rings, Star Wars, and Participatory Fandom: Mapping New Congruencies between the Internet and Media Entertainment Culture." Critical Studies in Media Communication 21, no. 3 (2004): 261-81. https://doi.org/10.1080/0739318042000212729.
Stylist Team. "How Female Star Wars Fans Reclaimed Their Territory." Stylist UK, 2017. Accessed July 17, 2024. https://www.stylist.co.uk/life/star-wars-convention-cosplay-female-force-awakens-last-jedi-feminism-celebration/178074.
Urbanski, Heather. "17. The Kiss Goodnight from a Galaxy Far, Far Away: Experiencing Star Wars as a Fan-Scholar on Disney Property." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 253-64. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.22.
Wille, Joshua. "Fan Edits and the Legacy of 'The Phantom Edit.'" Transformative Works and Cultures 17 (September 15, 2014). https://doi.org/10.3983/twc.2014.0575.
Wood, Rachel, Benjamin Litherland, and Elizabeth Reed. "Girls Being Rey: Ethical Cultural Consumption, Families and Popular Feminism." Cultural Studies 34, no. 4 (2019): 546-66. https://doi.org/10.1080/09502386.2019.1656759.
Yodovich, Neta. "The Feminist Side of the Force: Women Negotiating Feminism and Star Wars/Doctor Who Fandom." PhD diss., University of Manchester,
2019.
———. Women Negotiating Feminism and Science Fiction Fandom: The Case of the "Good" Fan. Women Negotiating Feminism and Science Fiction
Fandom. N.p.: Springer International Publishing, 2022. https://doi.org/10.1007/978-3-031-04079-5_1.
Brown, Douglas. "To Disney Infinity and Beyond: Star Wars Video Games before and after the LucasArts Acquisition." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 123-35. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Brown, Jeffrey A. "#wheresRey: Feminism, Protest, and Merchandising Sexism in Star Wars: The Force Awakens." Feminist Media Studies 18, no. 3 (2017):
335-48. https://doi.org/10.1080/14680777.2017.1313291.
de Bruin-Molé, Megen."'Does It Come with a Spear?' Commodity Activism, Plastic Representation, and Transmedia Story Strategies in Disney's Star Wars: Forces of Destiny." Film Criticism 42, no. 2 (2018). https://doi.org/10.3998/fc.13761232.0042.205.
Frankel, Valerie Estelle. Star Wars Meets the Eras of Feminism: Weighing All the Galaxy's Women Great and Small. Lanham, MD: Lexington Books, 2018.
Freeman, Matthew. "Rebuilding Transmedia Star Wars: Strategies of Branding and Unbranding a Galaxy Far, Far Away." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 23-38. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Giannelli, Federica. "The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess." In The Transmedia Franchise of Star Wars TV, edited by DJ Nardi and Derek R. Sweet, 97-117. N.p.: Springer International Publishing, 2020. https://doi.org/10.1007/978-3-030-52958-1_6.
Guynes, Sean. "9. Publishing the New Jedi Order: Media Industries Collaboration and the Franchise Novel." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 143-54. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.14.
Hall, Stefan. "5. Franchising Empire: Parker Brothers, Atari, and the Rise of LucasArts." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 87-100. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt2g5dd.10.
Johnson, Derek. "'May the Force Be with Katie': Pink Media Franchising and the Postfeminist Politics of HerUniverse." Feminist Media Studies 14, no. 6
(2014): 895-911. https://doi.org/10.1080/14680777.2014.882856.
Jowett, Lorna. "Rey, Mary Sue, and Phasma Too: Feminism and Fan Responses to The Force Awakens Merchandise." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 192-205. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Knudsen, Gry Hongsmark, Michael Fabrin Hjort, and Lukas Johannes Blaser. "Playing with Fandom." MedieKultur: Journal of Media & Communication Research 35, no. 66 (2019): 18-36. Communication and Mass Media Complete.
Koushik, Kailash, and Abigail Reed. "Star Wars: The Last Jedi, Beauty and the Beast, and Disney's Commodification of Feminism: A Political Economic Analysis." Social Sciences 7, no. 11 (2018): 237-57. Accessed July 16, 2024. https://doi.org/10.3390/socsci7110237.
Lamerichs, Nicolle. "6. Droids on the Runway: Fandom, Business, and Transmedia in Star Wars Luxury Fashion." In Sartorial Fandom: Fashion, Beauty Culture, and Identity, edited by Elizabeth Affuso and Suzannee Scott, 99-113. N.p.: University of Michigan Press, 2023. https://doi.org/10.3998/mpub.12315327.
Leon-Boys, Diana, and Christopher Chavez. "Star Wars: Galaxy's Edge as Postcolonial Fantasy: Disney, Labor, and the Renegotiation of Border Discourses." International Journal of Communication 15 (2021): 2378-96. Communication and Mass Media Complete.
Scott, Suzanne. "#Wheresrey?: Toys, Spoilers, and the Gender Politics of Franchise Paratexts." Critical Studies in Media Communication 34, no. 2 (2017): 138-47. https://doi.org/10.1080/15295036.2017.1286023.
Tiffany, Kaitlyn. "Attn: Hasbro, Rey Is the Main Character of The Force Awakens." The Verge, January 4, 2016. Accessed July 17, 2024. https://www.theverge.com/2016/1/4/10712090/attn-hasbro-rey-is-the-main-character-of-the-force-awakens.
Urbanski, Heather. "17. The Kiss Goodnight from a Galaxy Far, Far Away: Experiencing Star Wars as a Fan-Scholar on Disney Property." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 253-64. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.22.
Uy, Jamie. "Green Milk: The Environmental Eatymologies of Star Wars: Galaxy's Edge." Transformative Works and Cultures 38 (September 14, 2022). https://doi.org/10.3983/twc.2022.2177.
Wolf, Mark J.P. "11. Adapting the Death Star into LEGO: The Case of LEGO Set #10188." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 169-96. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.16.
Wood, Rachel, Benjamin Litherland, and Elizabeth Reed. "Girls Being Rey: Ethical Cultural Consumption, Families and Popular Feminism." Cultural Studies 34, no. 4 (2019): 546-66. https://doi.org/10.1080/09502386.2019.1656759.
Agin, Basak. "'The Force Is Strong with This One': A Material Feminist Approach to Star Wars." In Ecofeminist Science Fiction: International Perspectives on Gender, Ecology, and Literature, edited by Douglas A. Vakoch, 113-26. N.p.: Routledge, 2021.
Barr, Tricia. "The Fairy Tale Princess in Empire Strikes Back: Why Leia Is the Gold Standard for Strong Female Heroines." FANgirl Blog. Entry posted 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/princess-leia-gold-standard/?ref=popsugar.com&=___psv__p_39361046__t_w__r_www.google.com%2F_.
———. "How Star Wars Made Me a Feminist — Even When the Franchise Was Not." Popsugar, December 18, 2019. Accessed July 17, 2024. https://www.popsugar.com/entertainment/star-wars-from-feminist-perspective-39361046.
———. "Hyperspace Theories Special Edition: Rey and the Hero's Journey in The Force Awakens." FANgirl Blog. Entry posted February 14, 2016. Accessed July 17, 2024. http://fangirlblog.com/2016/02/hyperspace-theories-special-edition-rey-and-the-heros-journey-in-the-force-awakens/.
———. "Leadings Ladies of Star Wars EU Shine." FANgirl Blog. Entry posted October 11, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/10/leadings-ladies-of-star-wars-eu-shine/.
———. "Seeking SFH – Mara Jade Skywalker in the Star Wars EU." FANgirl Blog. Entry posted October 3, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/10/seeking-sfh-mara-jade-sweu/.
———. "Seeking SFH (Strong Female Heroine) – Jaina Solo in the New Jedi Order." FANgirl Blog. Entry posted June 28, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/06/seeking-sfh/.
———. "Seeking SFH: Tyria Sarkin Tainer Fights for the Jedi Team." FANgirl Blog. Entry posted May 30, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/05/seeking-sfh-tyria-sarkin-tainer-jedi-team/.
———. "Star Wars Insider #142." FANgirl Blog. Entry posted June 11, 2013. Accessed July 17, 2024. http://fangirlblog.com/2013/06/star-wars-insider-142/.
———. "Who Should Write Strong Female Heroines? Women Don't Always Get It Right." FANgirl Blog. Entry posted July 15, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/07/who-should-write-sfh/.
Batti, Bianca. "Feminist Worldbuilding: Intersectional Methodologies in Feminist SF Criticism and Feminist Game Studies." TransMissions: The Journal of Film and Media Studies 2, no. 2 (2017): 30-46.
Brooker, Will. "Readings of Racism: Interpretation, Stereotyping and The Phantom Menace." Continuum 15, no. 1 (2001): 15-32. https://doi.org/10.1080/713657758.
Brooker, Will, and Dan Hassler-Forest. "Afterword: 'You'll Find I'm Full of Surprises': The Future of Star Wars." Afterword to Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 289-96. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.25.
Brown, Jeffrey A. "#wheresRey: Feminism, Protest, and Merchandising Sexism in Star Wars: The Force Awakens." Feminist Media Studies 18, no. 3 (2017):
335-48. https://doi.org/10.1080/14680777.2017.1313291.
Callahan, David, and Anthony Barker. Body and Text: Cultural Transformations in New Media Environments. Cham: Springer, 2019.
Cavelos, Jeanne. "Stop Her, She's Got a Gun! How the Rebel Princess and the Virgin Queen Became Marginalized and Powerless in George Lucas's Fairy
Tale." In Star Wars on Trial, edited by David Brin and Matthew Woodring Stover, 305-27. Dallas, TX: Benbella Books, 2006.
Chhaya, Priya. "The Anatomy of a Strong Female Character." FANgirl Blog. Entry posted September 24, 2011. Accessed July 17, 2024. http://fangirlblog.com/2011/09/anatomy-strong-female-character/
de Bruin-Molé, Megen. "15. Space Bitches, Witches, and Kick-Ass Princesses: Star Wars and Popular Feminism." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 225-40. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.20.
———. "'Does It Come with a Spear?' Commodity Activism, Plastic Representation, and Transmedia Story Strategies in Disney's Star Wars: Forces of Destiny." Film Criticism 42, no. 2 (2018). https://doi.org/10.3998/fc.13761232.0042.205.
———. "The Feminist Politics of Star Wars." Frankenfiction (blog). Entry posted October 12, 2016. Accessed July 17, 2024. https://frankenfiction.com/feminist-politics-star-wars/.
———. "Is Star Wars a Boys' Club?" Frankenfiction (blog). Entry posted November 9, 2016. Accessed July 17, 2024. https://frankenfiction.com/star-wars-boys-club/.
Doctor, Payal. "The Force Awakens: The Individualistic and Contemporary Heroine." New American Notes Online, no. 12 (2017): 1-19.
Ecenbarger, Charlie. "Comic Books, Video Games, and Transmedia Storytelling." International Journal of Gaming and Computer-Mediated Simulations 8, no. 2 (2016): 34-42. https://doi.org/10.4018/ijgcms.2016040103.
Frankel, Valerie Estelle. Star Wars Meets the Eras of Feminism: Weighing All the Galaxy's Women Great and Small. Lanham, MD: Lexington Books, 2018.
Freeman, Matthew. "3. From Sequel to Quasi-Novelization: Splinter of the Mind's Eye and the 1970s Culture of Transmedia Contingency." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 61-72. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.8.
Freeman, Matthew. "Rebuilding Transmedia Star Wars: Strategies of Branding and Unbranding a Galaxy Far, Far Away." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 23-38. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Freeman, Matthew, and Renira Rampazzo Gambarato. The Routledge Companion to Transmedia Studies Edited by Matthew Freeman and Renira Rampazzo
Gambarato. London: Routledge, Taylor & Francis Group, 2020.
Garner, Ross. "The Mandalorian Variation: Gender, Institutionality, and Discursive Constraints in Star Wars Rebels." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 109-22. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Geraghty, Lincoln. "7. Transmedia Character Building: Textual Crossovers in the Star Wars Universe." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 117-28. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.12.
Giannelli, Federica. "The Princess Strikes Back: Forces of Destiny and the Capitalization of the Disney Princess." In The Transmedia Franchise of Star Wars TV, edited by DJ Nardi and Derek R. Sweet, 97-117. N.p.: Springer International Publishing, 2020. https://doi.org/10.1007/978-3-030-52958-1_6.
Gordon, Andrew. "The Inescapable Family in American Science Fiction and Fantasy Films." Journal of Popular Film and Television 20, no. 2 (1992): 1-8. https://doi.org/10.1080/01956051.1992.9943963.
———. "Science-Fiction and Fantasy Film Criticism: The Case of Lucas and Spielberg." Journal of the Fantastic in the Arts 2, no. 6 (1989): 80-94. JSTOR.
Green, Michael. "Screenwriting Representation: Teaching Approaches to Writing Queer Characters." Journal of Film and Video 65, nos. 1-2 (2013): 30-42. https://doi.org/10.5406/jfilmvideo.65.1-2.0030.
Guitton, Matthieu J. "The Underwater Quest of Prince Lee-Char: Renewing the Hero Archetype in Star Wars." The Journal of Religion and Popular Culture 31, no. 1 (2019): 44-58. https://doi.org/10.3138/jrpc.2018-0045.
Hedge, Stephanie, and Jennifer Grouling, eds. Roleplaying Games in the Digital Age : Essays on Transmedia Storytelling, Tabletop RPGs and Fandom. Jefferson: McFarland & Company, Incorporated Publishers, 2021.
Herrera, Beatriz Bartolome, and Philipp Dominik Keidl. "10. How Star Wars Became Museological: Transmedia Storytelling in the Exhibition Space." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 155-68. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.15.
Hills, Matt. "14. From Transmedia Storytelling to Transmedia Experience: Star Wars Celebration as a Crossover/Hierarchical Space." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 213-24. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.19.
———. "Transmedia Spectacle and Transownership Storytelling as Seen on TV: Star Wars from the Holiday Special to Rebels." In Disney's Star Wars: Forces of Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 39-52. N.p.: University of Iowa Press, 2019. https://doi.org/10.1353/book67144.
Isac, Iuliana, and Vlad Isac. "The Heroic Myth in Modern Times. the 'Star Wars' Franchise." Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts, January 31, 2023, 87-98. https://doi.org/10.31926/but.pa.2022.15.64.3.10.
Jenkins, Henry. "Adaptation, Extension, Transmedia." Literature/Film Quarterly 45, no. 2 (2017). JSTOR.
Jowett, Lorna. "Rey, Mary Sue, and Phasma Too: Feminism and Fan Responses to The Force Awakens Merchandise." In Disney's Star Wars: Forces of
Production, Promotion, and Reception, edited by Richard McCullough and William Proctor, 192-205. N.p.: University of Iowa Press, 2019.
https://doi.org/10.1353/book67144.
Kaufman, Roger. "Homosexual Romance and Self-Realization in Star Wars." In Sex, Politics, and Religion in Star Wars: an Anthology, by Douglas Brode
and Leah Deyneka, 115-32. Lanham, Md.: Scarecrow Press, 2012.
Keidl, Philipp Dominik. "Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian." JCMS: Journal of Cinema and Media Studies 61, no. 5 (2021): 159-82. https://doi.org/10.1353/cj.2021.0088.
Kempshall, Chris. "'We Don't Want Them Here': Aliens, Androids, and Far Outsiders." In The History and Politics of Star Wars: Death Stars and Democracy, 179-222. N.p.: Routledge, 2022. https://doi.org/10.4324/9781315145426-6.
King, Mary C., and Jessica L. Ridgway. "Costume Evolution during the Development of Romantic Relationships and Its Impact on the Positions of Power in the Star Wars Prequel and Original Trilogies." Fashion and Textiles 6, no. 11 (2019). https://doi.org/10.1186/s40691-018-0167-8.
Knouse, Evelyn. "Why Female Protagonists Like Rey Aren't as Feminist as You Think." The Heights (Chestnut Hill, MA), March 1, 2022. Accessed July 17, 2024. https://www.bcheights.com/2022/02/28/why-female-protagonists-like-rey-arent-as-feminist-as-you-think/.
Knudsen, Gry Hongsmark, Michael Fabrin Hjort, and Lukas Johannes Blaser. "Playing with Fandom." MedieKultur: Journal of Media & Communication Research 35, no. 66 (2019): 18-36. Communication and Mass Media Complete.
Korn, Anne. "Women in a Galaxy Far, Far Away: Star Wars Characters' Costumes Reflect Shift from Power to Romance." Florida State University News, February 27, 2019. Accessed July 17, 2024. https://news.fsu.edu/news/education-society/2019/02/27/women-in-a-galaxy-far-far-away-star-wars-characters-costumes-reflect-shift-from-power-to-romance/.
Koushik, Kailash, and Abigail Reed. "Star Wars: The Last Jedi, Beauty and the Beast, and Disney's Commodification of Feminism: A Political Economic Analysis." Social Sciences 7, no. 11 (2018): 237-57. Accessed July 16, 2024. https://doi.org/10.3390/socsci7110237.
Lakka, Aikaterini-Maria. "Mothers, Daughters, Rebels: Women's Bodies in Star Wars." In Star Wars and Philosophy: This Is the Way, edited by Jason T.
Eberl and Kevin S. Decker, 30-38. N.p.: John Wiley & Sons, 2023.
Lamerichs, Nicolle. "6. Droids on the Runway: Fandom, Business, and Transmedia in Star Wars Luxury Fashion." In Sartorial Fandom: Fashion, Beauty Culture, and Identity, edited by Elizabeth Affuso and Suzannee Scott, 99-113. N.p.: University of Michigan Press, 2023. https://doi.org/10.3998/mpub.12315327.
Lawler, James. "Passionate Love, Platonic Love, and Force Love in Star Wars." In Star Wars and Philosophy: This Is the Way, edited by Jason T. Eberl and
Kevin S. Decker, 276-83. N.p.: John Wiley & Sons, 2023.
Leon-Boys, Diana, and Christopher Chavez. "Star Wars: Galaxy's Edge as Postcolonial Fantasy: Disney, Labor, and the Renegotiation of Border Discourses." International Journal of Communication 15 (2021): 2378-96. Communication and Mass Media Complet
Lomax, Tara. "1. 'Thank the Maker!': George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 35-48. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.6.
Louzon, Monica. "Mara Jade, Frontier Woman: Agency in Star Wars and Influencing the Transmedia Franchise." In Women's Space: Essays on Female
Characters in the 21st Century Science Fiction Western, edited by Melanie A. Marotta, 25-41. N.p.: McFarland & Company, 2019
Lyden, J. C. "Whose Film Is It, Anyway? Canonicity and Authority in Star Wars Fandom." Journal of the American Academy of Religion 80, no. 3 (2012): 775-86. https://doi.org/10.1093/jaarel/lfs037
Marshall, Andrea. "Our Stories, Our Selves: Star Wars Fanfictions as Feminist Counterpublic Discourses in Digital Imaginaria." Journal of Fandom Studies
8, no. 3 (2020): 277-88. https://doi.org/10.1386/jfs_00024_1.
Mejeur, Cody. "13. Chasing Wild Space: Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 199-210. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.18.
Morgan, Rebekah S. "Rey-ifying a New Heroine: Interrogating the Curriculum of Femininity in Star Wars Films." PhD diss., Georgia Southern University,
2020.
Mulvey, Laura. "Thoughts on Myth, Narrative, and Historical Experience." History Workshop, no. 23 (1987): 3-19.
Priester, B J. "The Heroine's Journey: Defining Concepts." FANgirl Blog. Entry posted March 2, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/03/the-heroines-journey-defining-concepts/.
———. "The Heroine's Journey: How Campbell's Model Doesn't Fit." FANgirl Blog. Entry posted March 30, 2012. Accessed July 17, 2024. http://fangirlblog.com/2012/04/the-heroines-journey-how-campbells-model-doesnt-fit/.
Richau, Amy. "The Evolution of Twi'leks in the Star Wars Universe." In Star Wars: Essays Exploring a Galaxy Far, Far Away, edited by Emily Strand and Amy H. Sturgis, 3-25. N.p.: Vernon Art and Science, 2023.
Schiller, Melanie. "6. Transmedia Storytelling: New Practices and Audiences." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 97-108. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctv5rf6vf.10.
Schowalter, Dana, Shannon Stevens, and Daniel L. Horvath. "Star Wars (toxic) Nostalgia and the Looming End of Man." In The Misogynistic Backlash against Women-Strong Films, 136-60. N.p.: Taylor & Francis, 2021. https://doi.org/10.4324/9780429291975-6.
Shefrin, Elana. "Lord of the Rings, Star Wars, and Participatory Fandom: Mapping New Congruencies between the Internet and Media Entertainment Culture." Critical Studies in Media Communication 21, no. 3 (2004): 261-81. https://doi.org/10.1080/0739318042000212729.
Sloan, Amanda. "Star Wars and Feminism: An Intersectional Look into the Galaxy." The Feminist Shop (blog). Entry posted May 4, 2020. Accessed July 17, 2024. https://thefeministshop.com/blogs/the-feminist-shop-blog/star-wars-and-feminism-an-intersectional-look-into-the-galaxy-by-amanda-sloan.
"'Star Wars: The Legacy Revealed' HD | Mythological Documentary." Video, 1:30:41. YouTube. Posted by Holonet, June 28, 2020. Accessed July 17, 2024.
https://www.youtube.com/watch?v=-5e9pWgyZYA.
Tasker, Yvonne. "Women, SF Spectacle, and the Mise-en-scene of Space Adventure in the Star Wars Franchise." Science Fiction Film and Television 12, no. 1 (2019): 9-28.
Tatar, Maria. The Heroine with 1,001 Faces. New York, NY: Liveright Publishing, 2022.
Tombul, Isul. "Gender Construction in Transmedial Narration: Star Wars Transmedia and Fandom." In Gender and Diversity Representation in Mass Media,
edited by Gulsah Sari, 197-217. N.p.: IGI Global, 2019.
Watkins, S. Craig, and Rana A. Emerson. "Feminist Media Criticism and Feminist Media Practices." The Annals of the American Academy of Political and Social Science 571 (September 2000): 151-66. JSTOR.
Webster, Jeremy W. "2. Han Leia Shot First: Transmedia Storytelling and the National Public Radio Dramatization of Star Wars." In Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, 49-60. N.p.: Amsterdam University Press, 2018. https://doi.org/10.2307/j.ctt207g5dd.7.
Wetmore, Kevin J., Jr. "The Tao of 'Star Wars', Or, Cultural Appropriation in a Galaxy Far, Far Away." Studies in Popular Culture 23, no. 1 (2000): 91-106. JSTOR.
Wolg, Mark J.P. "Transmedia World-Building: History, Conception, and Construction." In The Routledge Companion to Transmedia Studies, edited by
Matthew Freeman and Renira Rampazzo Gambarato, 141-47. N.p.: Routledge, 2018.
Yergensen, Brent. "The Diversified Senex of Science and the Digital Turn: Star Wars, The Matrix, and the Wisdom of Neil deGrasse Tyson." Northwest Journal of Communication 50, no. 1 (2022): 137-64. Communication and Mass Media Complete.
Yilmaz, Recep, M. Nur Erdem, and Filiz Resuloglu. Handbook of Research on Transmedia Storytelling and Narrative Strategies. Hershey, PA: IGI Global,
2019.
Yodovich, Neta. "The Feminist Side of the Force: Women Negotiating Feminism and Star Wars/Doctor Who Fandom." PhD diss., University of Manchester,
2019.
———. Women Negotiating Feminism and Science Fiction Fandom: The Case of the "Good" Fan. Women Negotiating Feminism and Science Fiction
Fandom. N.p.: Springer International Publishing, 2022. https://doi.org/10.1007/978-3-031-04079-5_1.