Unlike the oboe, the clarinet uses a “single reed” and a mouthpiece to produce the sound.
For a class of 30 students, typically you look to have 8 clarinet players, this should be the biggest section!
One necessity of clarinet tone production is the ability to make the chin flat. Orthodontia is okay, but if a student has an extremely rounded bottom row of teeth, the mouthpiece will be hard to place in the proper position for tone production.
Hands are large enough to reach all keys.
Fingertips are large enough to cover the tone holes on clarinet.
Thumbs are not double-jointed.
Eye-hand coordination is good.
Reading skills are above average.
Be able to demonstrate a flat chin.
Round and protruding teeth make it difficult.
Students who are able to focus on and perform a detailed series of instructions could do well on clarinet.
Students who have difficulty remembering a series of instructions should avoid playing clarinet.
Clarinet players are also responsible for maintaining a working stock of 4-6 quality reeds.
Any student can be successful on any instrument even if they do not possess these ideal physical characteristics. While these suggestions are preferred, they are not absolutely crucial in instrument placement. Dedication, passion, and hard work can overcome any physical obstacle.
Buffet, Jupiter, Selmer, Vito/Leblanc, Yamaha
Unfortunately, there are some clarinets on the market whose poor design and craftsmanship will make it next to impossible for your student to succeed. Mr. Morrissey can help you avoid that pitfall.
A box of strength 2.5-3 or medium strength reeds.
Optional: Cleaning Kit, Pad Savers, Music Stand for Home