工作坊紀錄

2025年開始，我們與台灣首屈一指的手工紙廠-廣興紙寮簽署了合作合約。紙與印刷感覺是分不開的雙生夥伴，借這個機會邀請周邊的居民成為學員，展開了兩場工作坊，選擇利樂包作為板材，利用常見的回收物為媒介，讓大家了解凹版的製程，也同時可以了解廣興紙的各種可能。

Starting in 2025, we have signed a collaboration agreement with one of Taiwan’s leading handmade paper mills, GoangXing Paper Mill.

Paper and printmaking are inseparable—like twin partners. Through this collaboration, we invited local community members to participate in two workshops. Using Tetra Pak cartons as printing plates and everyday recycled materials as a medium, participants were introduced to the process of intaglio printmaking, while also exploring the diverse possibilities of GoangXing’s handmade paper.

2025開春第一場工作坊與講座就讓台南市美術館包起來惹。感謝 #中國民國版畫學會 策劃的國際版畫展，以此為契機，讓我有機會幫館內的志工與館員做版畫的介紹。

花了一天的時間，上午的講座粗領域的介紹版畫中的四個基礎原理凹凸孔平，再配合展覽中的作品實際觀察版種的差異，花了一上午也還是概述而已（扶額）。昨天的大家都很認真的提出很多問題，提到Ai、複製畫與印刷，透過這個機會也讓我好好的解釋，版畫容易讓大家誤會的部分。

下午場，特地挑選較少看到的「凹版」「平版」印刷方式，透過實際示範也更幫大家解惑，早上到底再說什麼！這次從新穎的「廚房平版」先來理解平版與套色，再到古典的「美柔汀」用天鵝絨的黑拉下謝幕。

The first workshop and lecture of 2025 are officially wrapped up at the Tainan Art Museum! Thanks to the International Print Exhibition organized by the Taiwan Printmaking Society, I had the opportunity to introduce printmaking to the museum's volunteers and staff.

The question “What is printmaking?” is truly a monumental one—one that I could probably talk about for days on end. During the morning lecture, I explained the four basic principles of printmaking: relief, intaglio, stencil, and lithography processes. We also observed the differences among these types of prints through the artworks in the exhibition. Even with a full morning, it was still just a general overview (facepalm).

The audience was highly engaged and raised many thoughtful questions, touching on topics like AI, reproductions, and printing. This gave me the perfect chance to clarify some common misconceptions about printmaking.

For the afternoon session, I selected the less commonly seen in Taiwan methods of intaglio and lithography for demonstration. Through hands-on examples, participants gained a clearer understanding of what was covered in the morning. We started with the innovative “kitchen lithography” technique to explore planographic printing and multi-color layering, and concluded with the classical mezzotint, unveiling its velvety blacks to bring the day to a close.