I've spent a fair amount of my teaching career debating which books "deserve" a spot on our secondary English curriculum. Some books would be placed on the optional summer reading list, and others would be added to the official curriculum for in-depth study. Often, the books that wound up in the latter category were those that were purported to have literary depth, to be needed for college, or to otherwise be ignored by students. Often, these books had held their place in British and American English classrooms for decades. Jewett (2017) asserts that for over 50 years, English classes have been taught as courses in Euro-American studies (p. 95). The world our students are a part of is larger than the predominantly white populations of Europe and the USA; so too must our curriculum reach beyond this narrow worldview. Jewett suggests replacing "canonical works" with humanizing books "written by and about people of color" (p. 95). This push is supported by the #OwnVoices movement that recognizes works created by people within the culture they portray.
During my six years as a secondary teacher, I ensured that my curricula had representation beyond the straight, able-bodied, white male perspective, but I do not think that I truly decolonized my classroom. Ladson-Billings (2021) calls for a culturally relevant approach that would reorganize the curriculum as a whole. For example, to center the authentic experiences of African Americans, instead of "focusing only on slavery, immigration, Manifest Destiny, and American Exceptionalism, the re-set curriculum will engage questions of sovereignty, liminality, otherness, hegemony, and reparations" (p. 73). Not just the books, but the unit themes and the ideas deemed worthy of knowing must change. One way of adopting a decolonial perspective that "challenges the universal logic and matrix of power produced by colonialism" (Garcia et. al., 2021, p. 3), then, is perhaps by authentically depicting historically marginalized communities in all themes of study.
I have included resources that have shaped my thinking on how to choose books to include in curriculum as well as reading lists to help diversify my shelves on the Creating Local Canons page.
"[If] you move the margin to the center, that really changes your practice and it changes how you're interacting with young people. It changes how you think about equity and how you think about justice." -- Kim Parker (Anderson 2019)
"When the books we name as 'the classics' or 'the greats' are primarily telling white, Western, and male-driven stories, the message is that voices from other kinds of communities are not also 'classic,' 'great,' or worthy of that same study or praise.
Our students deserve to know that their voices and powerful voices from the communities they come from are as brilliant and worthy as those we have been pushed to read for generations before." -- Christina Torres (2019)
"Students of all backgrounds—and especially our students whose communities have been historically marginalized or erased—deserve to know that there exists a rich and deep literary legacy comprised of many diverse voices.
That, in many ways, it’s been the authors occupying the margins of society who have pushed its boundaries to be more open, inclusive, and truly representative of the breadth and depth of human experience" -- Tricia Ebarvia and Julia Torres, (pp. 6-7).
"Consider the themes or essential questions explored in the curriculum and ask: whose voices, what points-of-view are not reflected in our study? Which voices are marginalized or absent?
Then find those voices; find those texts." -- Tricia Ebarvia (2018)
Anderson, J.(Host) (2019, Sep 25). Harvard EdCast: Putting Diverse Books into Practice. [Audio Pocast Episode]. In Harvard EdCast. Harvard Graduate School of Education. https://www.gse.harvard.edu/news/19/09/harvard-edcast-putting-diverse-books-practice
Ebarvia, T. (2019). Disrupting Your Texts. Literacy Worldwide. July/August edition, pp. 40-41. http://viewer.zmags.com/publication/e47dbdab#/e47dbdab/44
Ebarvia, T. (2018, Jul 11). Disrupting Texts as a Restorative Practice. Blog Disrupttexts. https://triciaebarvia.org/2018/07/11/disrupting-texts-as-a-restorative-practice/
Ebarvia, T. & Torres, J. (n.d.). What is a "Classic": An Educator Guide. Penguin Random House. https://penguinrandomhousesecondaryeducation.com/wp-content/uploads/2022/05/4879_Classics-Guide_Intro-brochure_04122-2.pdf
García, Flores, N., Seltzer, K., Wei, L., Otheguy, R., & Rosa, J. (2021). Rejecting abyssal thinking in the language and education of racialized bilinguals: A manifesto. Critical Inquiry in Language Studies, 18(3), 203–228. https://doi.org/10.1080/15427587.2021.193595
Jewett. (2017). Speaking Truth to Power: Whitesplaining the Canon. English Journal, 106(5), 93–96.
Ladson-Billings, G. (2021). I’m Here for the Hard Re-Set: Post Pandemic Pedagogy to Preserve Our Culture. Equity & Excellence in Education, 54(1), 68–78. https://doi.org/10.1080/10665684.2020.1863883
Torres, C. (2019, Apr 16). The Power of Words: On "Classics" and "Canon." EducationWeek. https://www.edweek.org/teaching-learning/opinion-the-power-of-words-on-classics-and-canon/2019/04