Cerys Leung
Thesis Statement:
In the picture of Dorian Gray, Oscar Wilde explores the themes of duality, the morality of beauty and youth, and aestheticism using floral symbolism, juxtaposition, parallelism, imagery and classic allusion to challenge and critique conventional Victorian morality while exploring art and its influence.
Central Themes:
Duality The Morality of Beauty and Youth Aestheticism
Analytical Response
Quote 1: "The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth."
This quote is said by Lord Henry to Dorian Gray, it encapsulates the themes of duality and morality of beauty and youth through the use of juxtaposition, metaphor, and floral symbolism. Lord Henry emphasises on the juxtaposing symbolism of flowers, particularly their representation of both transience and eternality. “The common hill-flowers wither, but they blossom again” The transience represents the ephemeral nature of human youth and beauty, suggesting that the vibrancy of youth and pleasures are temporary and are bound to diminish over time. However, Lord Henry also points out that, despite the transitory nature of flowers, they also symbolise eternality as “they blossom again” each year. The line "But we never get back our youth" suggests that, while flowers return year after year, humans can't reclaim their lost youth. It highlights how time passes inevitably and how fleeting youth and beauty are. The theme of duality is deeply implied in this quote as the transient nature of beauty and youth (reality), contrasts with the illusory pursuit of eternal youth and beauty that Dorian Gray seeks through the portrait, which is represented by the never ending life cycle of flowers in this quote (illusion). Another major theme explored in this quote is the morality of beauty and youth. It suggests that the natural cycle of life and beauty in flowers is morally neutral, however, Dorian’s desire to preserve youth and beauty at any cost can lead to moral corruption when external beauty is valued over inner virtue.
Themes explored in this quote: Duality + Morality of Beauty and Youth
"Laburnum, 2016" by John Halliday
"Thinking man Painting" by YOSHI OGURA
Quote 2: “Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also.”
This is one of the very first things that Lord Henry says to Dorian that is related to the pursuit of aestheticism and hedonism, which is a central theme of the book. A new idea - “Hellenic ideal” is introduced to Dorian Gray, which refers to the ancient Greek notion of pursuing beauty, pleasure, and self-expression, an idea very similar to aestheticism as they both reject the notion of strict moral constraints and encourage people to prioritise their own desires over social conventions. In the quote, Lord Henry challenges the conventional Victorian morality and he argues that denying yourself from pleasures and desires will only lead to a stronger desire for what has been denied. The constant emphasis on forbidden desires and the longing for what is deemed “monstrous and unlawful” reflects on the dilemma of societal norms vs individual desires. The use of the word "monstrous" provides vivid imagery and adds a sense of immorality. Moreover, the phrases "the great events of the world take place in the brain" and "the great sins of the world take place also" uses parallelism to convey the idea that a sin only originates from a person’s imagination and that such a philosophy doesn’t possess existence within reality. This links to how our brains process our thoughts and desires, which have a profound influence on our actions and shape our perception of sin and morality. Therefore, this influential quote is significant as the ideas that it conveys are one of the driving forces for Dorian Gray’s actions and downfall later in the book.
Themes explored in this quote: Pursuit of Aestheticism and Hedonism + the Morality of Beauty and Youth
Quote 3: “I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose.”
This quote was said by Dorian Gray out of jealousy, accusing Basil of preferring art to his friends, because pieces of art will never change or grow old. Dorian’s accusation of Basil reveals that Dorian projects his feelings onto others, assuming they feel the same as he does, which reflects on his insecurities. In the quote, Dorian makes comparisons of himself and “your ivory Hermes”, which alludes to the god Hermes in Greek mythology, who was the messenger of the gods and was associated with youthfulness and vitality. Similarly, “Your silver Faun” is a reference to a mythological creature known as a faun/satyr, they were portrayed as half-human and half-goat, a symbol of unrestricted desire, sensuality and youth. By comparing himself to these immortal beings, it not only showcases Dorian’s desire to remain beautiful and young forever, but also his self-perception as an object of desire that loses value with age rather than a human being, which explains his extreme pursuits of aestheticism. In addition, this quote reflects on the theme of aestheticism as Dorian’s pursuit of aesthetic perfection is shown clearly through this line, "How long will you like me? Till I have my first wrinkle, I suppose,", this reveals Dorian’s fear of aging and shows how he believes that the only thing worth of importance is external beauty, and if it fades, then he will not be valued by others. The emphasis on “first wrinkle” further highlights the point that Dorian does not accept even a single external flaw, which links to the idea of fear of imperfection and mortality in the pursuit of aestheticism. This highlights the damaging consequences of valuing aesthetics above everything else and the dehumanization that might be present in the pursuit of beauty.
Themes explored in this quote: Pursuit of Aestheticism
Painting of Hermes
Contemporary Connections
The British Royal Family (Princess Diana)
Both “the Picture of Dorian Gray” and the British Royal Family are associated with the idea of duplicity (Reality VS Illusions). The British Royal Family are known for their public image and the way their lives were presented to the world, especially Princess Diana, who was one of the most iconic members of the family. The media and paparazzi very often portrayed her as a fairytale princess with glamor and happiness, creating an illusion of a perfect life to the audience. Moreover, being a part of the Royal Family adds another layer to this theme as the expectations and pressure placed upon royals to maintain a flawless facade often leads to the creation of an illusory world. However, the truth is that Princess Diana faced some personal difficulties that were often hidden from the public eye, including her marriage with Prince Charles. The duality between her cultivated image and reality mirrors the central dilemma of “the picture of Dorian Gray”, where Dorian hides his true self in the portrait, away from the public view, and presenting an unblemished public appearance.
A portrait of Princess Diana
Artistic Responses
A pencil-sketch Bas Relief in Gothic Cathedrals
This artwork that I created was inspired by the bas relief from the Fidenza Cathedral's left portal pediment, which is attributed to Benedetto Antelami and is an example of Romanesque sculpture. It displays three different scenes that resonate with the themes of Gothicism.
On the left side, Emperor Charlemagne stands with a warrior. In the center, Pope Adrian II is portrayed presenting the archpriest of San Donnino with the mitre and crosier, symbols of episcopal rank. This religious interaction highlights Gothic themes like sin, redemption, and moral disparities within churches and illustrates the corrupting influence of authority. On the right, the bas relief showcases the miracle of a sick person being healed by Domninus of Fidenza. This scene suggests a sense of the supernatural and mystery, which are both important to Gothicism. Moreover, it resonates with the supernatural aspects of "Dorian Gray," where the portrait shows the moral decay while Dorian remains unblemished.
2. Film
Aestheticism and Hedonism: The film contains a central element, the Qi Pao, which is related to aestheticism. Beauty and exoticism reflect the pursuit of aesthetic pleasures and sensory indulgence, which are related with Aestheticism.
Orientalism: The inclusion of the Qi Pao, a traditional Chinese dress that symbolises beauty and elegance, reflects on the Victorian fascination with the exotic East. The visually striking Qi Pao, with its bright red color, contrasts with the green grotesque amphibian mask that introduces a sense of uncanny. The mask disrupts the harmonious aesthetics of the Qi Pao, which challenges the romanticised idea of the exotic East.
Duplicity: the contrasting elements of the grotesque mask and the Qi Pao also reflect on the theme of duality, such as beauty and ugliness or attraction and repulsion. Moreover, the film's incorporation of Greek mythology explores the contrast between appearances and reality, the masks people wear, and the consequences of living in illusion.