Blog #35
Creative Critical Analysis
march 18, 2025
This journey is finally over with my CCRs being all done. I learned so much working on this project and I can't wait to make another one soon and apply everything I've learned these past couple months. I hope you can enjoy it as much as I enjoyed making it.
Blog #34
Final Project
march 16, 2025
With editing and tweaks finally finished, I present to you Birds of a Feather! I had so much fun creating this and I'm a little sad it's over now, but I really love how it turned out in the end. Enjoy!
Blog #33
filming ccr
March 15, 2025
Blog #32
ccr updadted plan + Researching
March 11, 2025
I may or may not have scraped my entire podcast Idea because my friends and I were joking about weird Youtube videos and it sparked an even better idea for my CCR.
There was a viral trend named The Human Mail Challenge circa 2016, in which the content creator would pretend to ship themselves in a box to another location but trick the viewers into believing it were true.
From memory, I remember that these youtubers would have someone outside move the box and play sounds to make the viewers believe they were actively moving in a truck or boat. After confirming via watching some old videos, I've called on a friend to help shake my box from outside. I will also be keeping a snack or two with me as well as my laptop to share my critical analysis with the audience to kill time. My destination will be the one and only Cambridge for some comedic effect.
I think this CCR plan and video idea really resonates with me more than the last one. I'm excited to get started!
Blog #31
ccr update
march 6, 2025
In preparation of creating my Creative Critical Reflection, a couple days ago I bought some podcast equipment attached here. I really want my CCR to feel natural and I don't want anything to be out of place, so naturally I decided to purchase some microphones and a sound mixer set. Since I am on a budget, the set I purchased was only $40 which I think is a pretty good deal for what it is. I did encounter some issues though, natural when working with unfamiliar technology. I couldn't figure out how to properly connect it to my phone or computer to capture the audio from the microphones. I went back to the description of the product on Amazon to ask questions and look at a video guide on how to properly connect it since the manuel that came with it was really confusing me. Sadly, I still cannot figure out how to connect it but I will try my best to sort it out before I start filming. If I can't do that in time, I will just use the microphone as a prop instead!
Blog #30
Constructive Criticism
march 5, 2025
Getting feedback on my film open was really helpful. The biggest critique was that my audio levels were too low, which I kind of expected since I was overly cautious about making it too loud. That’s an easy fix in editing.
Another note was about a shot filmed on the digital camera, some people felt it looked eerie rather than nostalgic, which wasn’t my intention. I’ll have to adjust the color or find a way to make it blend better with the rest of the film.
On the positive side, my classmates understood the storyline more than I thought they would, which was a huge relief. They also liked my editing and music choices, which reassured me that I was on the right track. Now, I just need to make a few tweaks before finalizing everything!
Blog #29
Peer Reviewing
March 3, 2025
Today was all about feedback. My class and I watched each other’s rough cuts and gave constructive critiques on what worked and what didn’t. It was a mix of excitement and nerves, there’s something very different about seeing your work on a screen in front of an audience versus editing it alone in your room.
One of my biggest takeaways from watching other projects was how much small details matter. Some openings had seamless transitions, perfectly timed cuts, and well-balanced sound design, which made them feel so polished. Others had strong storytelling, even if the technical side needed a bit of work. Seeing all these projects back to back gave me a better sense of what makes an engaging film open, and it helped me recognize where my own strengths and weaknesses lie. My biggest worry was that the storyline wouldn’t be clear.
Blog #28
ccr planning
February 25, 2025
With my portfolio project basically complete, it’s time to shift my focus to the Creative Critical Reflection (CCR). Instead of a standard written response, I want to make my CCR feel more personal and engaging—something that truly represents my thought process and creative journey.
To do this, I’ve decided to create a podcast-style CCR where I’ll discuss my film opening, the decisions behind it, and the creative and technical aspects of production. This format feels natural to me, allowing for a more conversational and reflective approach rather than a scripted, rigid response. Plus, podcasts are an increasingly popular medium, making this an interesting way to analyze my project while also showcasing modern media trends.
My plan is to structure the podcast into four main sections, covering the required CCR questions. I want it to feel like an authentic discussion, so I’m considering bringing in a friend to ask me questions and keep the conversation flowing. I might even incorporate clips from my film to highlight key points as I talk about elements like cinematography, sound, and narrative choices.
This format not only aligns with my creative style but also gives me more flexibility to express my ideas. I’m excited to get started and see how this approach brings my CCR to life!
^ Inspiration ^
Blog #27
rough cut
February 21, 2025
We put together a rough cut to get a better sense of how everything was flowing. Right away, I noticed a few issues.
First, the Ultra Key tool wasn’t working properly for our production logo. No matter what I tried, it either looked blurry or had an odd green tint. After experimenting with different background colors, I realized I had to go back to Canva and remake the logo from scratch, using a neon green background for better keying.
Second, I realized that our plot wasn’t as clear as I had hoped. The visuals looked great, but some of the storytelling elements felt vague. To fix this, Amy and I decided to film an additional scene to clarify the characters' motivations.
Lastly, we caught a small mistake, we had accidentally used the same clip twice. It was an easy fix, but it reinforced how important it is to review every detail carefully.
Despite these minor setbacks, the rough cut gave me a solid foundation to build upon. Now, it’s all about refining the edit, adding sound design, and making sure every moment feels intentional.
We’re getting closer to the final product, and I couldn’t be more excited!
Blog #26
Ingesting and editing
February 20, 2025
With filming finally done, I moved on to the post-production process. The first step was organizing all our footage. I transferred everything from my phone and camera to my laptop, carefully sorting clips into labeled folders for each scene. I also went through and deleted unusable takes, making sure everything was easy to find when editing.
Once everything was imported into Premiere Pro, I started assembling the rough sequence. I focused on trimming clips, adjusting pacing, and making sure each scene transitioned smoothly. Some moments felt too long or too short, so I experimented with different cut points until the flow felt natural.
I also worked on audio, adjusting levels and cleaning up background noise to ensure everything sounded clear. Even without music added yet, I wanted to make sure dialogue and ambient sounds were balanced.
Editing is where everything starts coming together, and it’s exciting to see our vision take shape. Now, it's all about refining the cut and adding those final details to make it feel complete!
Blog #25
Finished filming
February 19, 2025
After weeks of hard work, we can finally say we’re done filming!
Our last session took place at a Japanese garden, where we captured our final outdoor shots. We made sure to get long shots, tracking shots, and over-the-shoulder angles to add variety to our visuals.
Then, we wrapped up by filming our opening and closing scenes at Amy’s house. Amy’s mom was kind enough to help us record, making it a fun and collaborative experience.
Finishing filming felt like a huge weight off our shoulders. Now, we can finally move into post-production, where everything will start coming together.
Blog #24
Filming part 2
February 17, 2025
Despite the setbacks, we finally got another filming session in! Amy and I were determined not to fall further behind, so we made it happen.
Saturday night was a whirlwind. Amy had been volunteering earlier that day, which meant she only had about an hour to rush home, shower, and get ready before we had to leave. Our goal was to catch the sunset at the beach, which was crucial for our shots.
We originally planned for our friend Penny to help us record, but she canceled last minute. With no backup, we had to rely on a tripod and self-filming techniques. It wasn’t ideal, but we made it work.
When we arrived, we realized we had barely any time left before the sun dipped below the horizon. We had to work quickly, capturing as many shots as possible before we lost the natural light. Despite the chaos, the footage turned out beautifully. The golden hues reflecting off the water created a stunning visual, making all the stress worth it.
Now, we just need to film a few more scenes before moving on to editing!
Blog #23
setbacks to filming
February 14, 2025
Amy and I have been trying our best to stay on track, but no matter how much we plan, setbacks keep creeping in.
First, Amy got sick, forcing us to delay a major filming day. Then, I got caught up with other responsibilities, making it difficult to reschedule. The combination of our busy schedules and unexpected conflicts has pushed our timeline back more than we’d like.
Even though we created a production calendar to stay organized, life has a way of disrupting plans. Since our film relies on specific lighting conditions and outdoor settings, we can’t just film whenever we want—time of day and weather play a huge role in the visual aesthetic.
Now, we’re looking at adjusting parts of our script to accommodate these delays. It’s frustrating, but we’re learning an important lesson in filmmaking: adaptability is key!
Blog #22
music choices
February 10, 2025
Music plays a crucial role in shaping the emotions of a film, so I took my time carefully selecting tracks that would complement our story.
I wanted songs with a dreamy, nostalgic feel that captured the essence of summer, youth, and friendship. After sifting through multiple playlists, I found a few contenders that stood out. Tracks like Knew You Well, Eugene, and Sentimental Lady had the right blend of soft acoustics, storytelling lyrics, and indie vibes that fit the tone of our film.
Even though some of these songs were originally love songs, their themes of longing, change, and personal growth also applied to deep friendships. In our film, they highlight the emotional bond between our two protagonists as they navigate their journey.
Now that we had a solid music selection, it was time to move on to the next phase, making sure the visuals matched the mood we envisioned.
Blog #21
Creating a logo
February 5, 2025
A film’s production logo is often overlooked, but it’s an important part of branding and setting the tone. Since our film’s aesthetic revolves around nature and warmth, Amy and I wanted a logo that reflected that.
We started with Canva, which made the design process easy but also presented some unexpected challenges. Amy was new to the platform, so I guided her through the basics. We initially found a preset design featuring a sun and flowers that matched our vision perfectly, but the colors weren’t customizable.
Instead of settling, we decided to build our own version from scratch. This allowed us to tailor every detail, choosing the right shades, font, and imagery. We experimented with different names but ultimately stuck with Amy & Kemily Productions because it felt personal and simple.
After finalizing the design, we created two versions: a static PNG for still use and an animated version with a background that we planned to remove using Ultra Key in Premiere Pro. It took some trial and error, but in the end, we had a logo that felt authentic to us.
Blog #20
Slight setbacks in filming
February 2, 2025
This weekend, Amy and I were planning to go watch the sunrise at the beach on Saturday and film some shots while there to make a date out of our filming, then go to the Morikami Museum on Sunday and also shoot there. Issue was, Amy had two birthday parties to go to, one on Friday afternoon and the other on Saturday. I had a wedding to go to on Friday, my cousin's gender reveal party on Saturday, and Church on Sunday morning at 10:30. The way we had structured our filming time was perfectly aligned so that we were both free, before any events take place we were planning to film. However, this is now being set back to next weekend as we both decided we were too burnt out and overwhelmed with staying up so late and celebrating that we weren't able to get up early enough. We also decided it'd be best to stay off the road so sleepy and drowsy in the morning. This setback means we will have to work a bit harder to get our desired shots in our Film Open. Good luck to us!
Blog #19
Filming day #1 (some issues)
January 29, 2025
Today we finally started filming! After weeks of planning, rescheduling, and working around our schedules, Amy and I were able to capture our first set of shots. It felt surreal to see our ideas finally come to life after so much preparation.
To stay efficient, we made sure to bring everything we needed to school, so we could head straight to our filming location once the final bell rang. Originally, a friend was supposed to help record, but at the last minute, they had a scheduling conflict. Instead of letting this set us back, we asked around and found someone willing to step in, proving how important flexibility is in filmmaking.
Our chosen location, a nature trail, was exactly what we had envisioned. The warm lighting, scattered greenery, and rustic pathways fit perfectly with the runaway theme of our film. As we filmed, we made sure to capture every shot from multiple angles, ensuring we had enough footage to work with in editing. We also took some creative liberties, experimenting with framing and movement to enhance the visuals.
By the end of the session, we were exhausted but proud. This was just the beginning, but it already felt like a major accomplishment.
Blog #18
Camera testing
January 28, 2025
Since today I don't have time to properly go out and film today (that's tomorrow), I instead asked Amy to walk real quick so that I could fiddle around with different settings on my phone to see which is best when we actually film. This also includes the default editing option that my phone provides me! I still haven't had the chance to put these clips into Premiere Pro just yet to fiddle with them on our editing software, so I instead clicked the edit button on my phone to figure out and find what exactly it is we want our shots to look like in post-production.
1080p HD at 30 fps
VS
4K at 60fps
Different edit settings applied to the 4K 60 Clip
Blog #17
Location scouting
January 27, 2025
With filming starting tomorrow, Amy and I spent time scouting locations to make sure our scenes feel as real and natural as possible. Since our characters are running away from home, the journey they take is just as important as their destination. We wanted the initial trek to feel isolated, somewhere they wouldn’t easily be found.
From the start, we knew we wanted a nature-heavy setting. It wouldn’t make sense for them to stay in a populated area where they could be spotted. So, we focused on local parks and beaches, looking for places that felt both open and secluded. These locations will help visually emphasize their escape while also adding to the overall atmosphere of the film.
Since we’re filming locally, we were already familiar with some of these areas from past visits and realized they were perfect for our story. Others we discovered online, seeing pictures that matched our vision and adding them to our list. Now, with our locations chosen, we’re ready to bring this journey to life.
I will add photos here soon
Blog #16
Production Plan
January 27, 2025
Filmmaking can get overwhelming without a clear plan, so my partner, Amy, and I decided to create a production schedule to keep everything organized. We put together a shared calendar with filming days, due dates for our blog posts, and deadlines for our raw footage. Having everything laid out in one place helps us stay on track and adjust when needed.
This schedule has already proven to be useful. Since it’s shared, we can both see what needs to be done and work around our own commitments. If something comes up, we can shift things around without losing progress. It keeps us accountable, making sure we don’t fall behind while still giving us enough flexibility.
Having a solid plan in place makes the process feel more structured, but it also allows us to focus on the creative side of things without stressing over deadlines. With this foundation, we’re ready to move forward and bring our film open to life.
Blog #15
Character & costume Developing
January 26, 2025
Costume design plays a big role in storytelling. Every piece of clothing helps shape a character’s personality, background, and mindset. As I work on the opening of my film, I want the main character’s outfit to reflect her identity: youthful, independent, and a little reckless.
Since the film is set in the summer, her clothing needed to match the season. Jorts felt like the right choice, not just for practicality in the heat, but also for their casual, carefree look. She wears a white tube top over a brown bikini top, with wooden beads she added herself. It’s a small detail, but it hints at her creative and free-spirited nature.
For shoes, she wears brown high-top Converse. They’re simple, well-worn, and fit her laid-back style. Her hair is in braids, a subtle nod to her innocence. The most important piece, though, is her red backpack. It’s more than just an accessory, it carries her clothes and supplies for her runaway journey with her friend.
These choices may seem small, but they help tell the story without words. Her costume isn’t just about style; it reflects who she is and where she’s headed.
Blog #14
Font searching
January 24, 2025
I want to include the title of our film in the opening, so we had to start searching for a font that would fit both the vibe of our planned visuals but also the overall feeling as well. Since our film is very wild in nature, Amy and I wanted to look for a font that was giving the feeling of either innocent because our characters are young and reckless or something that looks like hand writing. We fell upon two final options as shown. In the end we both decided TT Ricordi Allegria Light was our favorite. This font perfectly portrays our genre of coming-of-age but also the juvenile and innocent "go with the flow" nature of our film.
Blog #13
Shot sheet time
January 23, 2025
Now that we have gotten the script out of the way, we cant film with just a general idea, so its shot sheet time! Unlike the script, I've already made these for my past projects so it wasn't difficult. Most of these shots are montage clips of us walking but we want to sprinkle in some creative shots when we can. To do this, we plan to use a different camera for more of a POV and personal feeling to establish a connection with the audience. The digital camera we plan to use for this will also create the more child-like and free spirit feel I want to go for with this film.
Blog #12
Birds of a Feather
January 20, 2025
While Amy and I were searching for names for this film, we started looking at other coming of age films and how their names correlated with the film and what exactly that represented. We were debating naming it after sayings about friends in class together, saying about friends because our two main characters are attached at the hip. We thought maybe "Two Peas in a Pod" but it didn't really resonate with us. Our friends around us were debating about music, very off topic, but one of my friends shouted out "Birds of a Feather!!" when talking about Billie Eilish. Amy and I had this lightbulb moment where we gasped and quickly whipped our heads towards one another, knowing we had just found the perfect name for our film. This saying originates from ancient Greek times, "Birds of dwell with their kind", or the full English saying "Birds of a feather flock together". This is very symbolic of our main characters' relationship, as these two "birds" are now flying away and migrating together.
Blog #11
Film open Script
January 17, 2025
It's now time to further prepare for production, script time! Neither me nor my partner have ever written a script before, so we were quite lost at first. Luckily, however, we used a model script to guide us in this creative process. This model script was also labeled so it was really easy to understand and I quickly got to jotting down. One obstacle we came across was that we didn't want to use much dialogue for this two minute project. The script might not be long (a portion of it is shown below) but Amy reassured me that our shot sheet will help us clearly direct the scenes with no dialogue, the montage sequences. It was also refreshing to remember that this could always be revised later down the line. With our issues now solved and put to rest, the script has now been written.
Blog #10
Group Discussions and starting our film open
January 14, 2025
Today, Amy (my partner) and I began our formal discussion about our film open! I never truly struggled with creating an image of what I wanted this project of ours to look like, and luckily Amy was on the same page
To start, the idea of this as a whole has been super exciting for us, so much so we've even talked about this in the past so we have a lot of ideas already. But before we jump into visuals, we had to decide on a genre to settle on. We are looking to create an indie coming-of-age drama film of two teen best friends packing their bags and running away together. I consume a lot of this kind of content and it has really stuck with me through the years, Amy is also drawn to this genre so we both immediately began brainstorming of ideas that fit into it. Some coming-of-age films tend to have a very artsy and indie feel to them, this gives us a lot of space to be creative with our shots and editing. Amy suggested sunny and warm visuals and I fell in love with this idea. Like any other film in our chosen genre, we will be focusing on our main characters and build emotional connections with them. However, due to this only being a film open, we will achieve this with music that connects with both the characters and the audience. We will also establish the bond between our two characters within the first couple shots. It will be clear that they are best friends and perhaps this will also connect them to the audience.
We would text each other with ideas and keep adding until we had a general idea of what we wanted to do. Today we decided to create a mood board so moving forward we will have photos to look back to so our project stays consistent. This mood board captures the kind of clothing we have in mind, setting, lighting, and colors too so this will be super helpful! We are looking to create a coming of age indie film of two teen best friends packing their bags and running away together. But where are they heading? What kind of trouble will they run into? Attached are our preliminary discussions over text and photos from our mood board.
Blog #9
Film open analysis
december 10, 2024
To prepare for my portfolio, I analyzed the first five minutes of recently released coming-of-age films with a darker tone. I selected these movies because their visuals and storytelling methods stood out as impactful and meaningful.
The first movie I analyzed was Lady Bird (2017), directed by Greta Gerwig. This iconic coming-of-age film focuses on the complexities of family relationships and self-discovery. The movie opens with an intense conversation between Lady Bird and her mother, shown through close-up shots that highlight their emotions. The camera alternates between medium and close-up shots, each lasting about 5-7 seconds, emphasizing the tension in their dialogue. The sound design includes mostly diegetic audio, such as their voices, paired with soft, melancholy background music that subtly underscores the strained relationship. The opening credits are presented as plain white text on a black screen, with Greta Gerwig’s name drawing attention. The setting, a modest home with dated furniture and wallpaper, establishes the family’s financial struggles. Natural, soft lighting enhances the intimate atmosphere, perfectly aligning with the bittersweet tone of the story.
The second movie I reviewed was The Fallout (2021), directed by Megan Park. This film explores the emotional aftermath of a traumatic school event. It begins with a plain title card on a black screen, accompanied by muffled sounds of a bustling school hallway, setting an uneasy tone. The following scenes use a handheld camera to create a raw and authentic depiction of the characters’ emotions. The shots are brief, lasting 3-5 seconds, which enhances the chaotic and disoriented mood. The soundscape consists of footsteps and muffled voices, with no background music, heightening the scene’s realism. The setting, a dimly lit school with muted colors, conveys the somber atmosphere. These elements work together to reflect the film’s serious and introspective tone.
Next, I examined Never Rarely Sometimes Always (2020), directed by Eliza Hittman. This film portrays a young woman’s personal struggles as she navigates a challenging situation. The movie opens with a long, static shot of the protagonist performing at a school talent show. The scene is quiet, featuring only the sounds of the performance and faint audience reactions. This prolonged shot creates an intimate yet awkward feeling, drawing the audience into the character’s experience. The credits are understated, appearing as small white text at the bottom of the screen. The setting reflects a small-town environment, with simple, outdated furnishings and muted tones, suggesting a sense of confinement. Soft, dim lighting further emphasizes the protagonist’s feelings of isolation. These choices align seamlessly with the coming-of-age theme and the film’s somber tone.
Finally, I analyzed The Miseducation of Cameron Post (2019), directed by Desiree Akhavan. This film opens at a high school prom, where Cameron feels out of place despite the lively setting. The scene begins with bright, colorful lighting and upbeat music, capturing the superficial joy of the prom. However, Cameron’s uneasy expressions reveal her discomfort. The shots, a mix of medium and wide angles lasting 5-8 seconds, showcase both the bustling prom atmosphere and Cameron’s isolation. As the scene progresses, the lighting becomes darker, and the music softens, mirroring her growing internal struggles. The opening credits are simple white text that seamlessly integrates into the visuals. The elaborate prom decorations and formal attire contrast sharply with the film’s deeper themes of identity and self-acceptance, foreshadowing the challenges Cameron will face.
Through these analyses, I observed how each film’s opening uses unique techniques to establish tone and genre. Lady Bird employs close, intimate shots and realistic settings to evoke a bittersweet mood. The Fallout uses unsettling audio and dynamic camera work to portray emotional tension and pain. Never Rarely Sometimes Always relies on extended, quiet shots and subdued visuals to immerse viewers in the character’s internal struggles. The Miseducation of Cameron Post contrasts bright, celebratory visuals with subtle emotional cues to reflect the protagonist’s challenges. Each film’s approach inspires me to think critically about how visual and auditory elements can shape an engaging and emotionally resonant opening scene.
Blog #8
Sound project reflection
December 4, 2024
This last project I worked on with my partner was an expansion of my last editing project. In this new one, we created sound effects for our last video and implemented them! To work on this project, my partner, Amy, and I learned a lot about both making and editing sound in projects. Taking turns, Amy and I recorded each other making our own sound effects to enhance and replicate what was happening in the scenes of our project. We both decided the best time to film was at school as we have a class together, so it's the perfect time! Amy has a pair of miniature microphones, and using those we found the best spot to film and began plotting. We knocked on vending machines, skipped down empty hallways, found a creaky door to open and close, and continuously messed around with an empty bag until we were happy with our results. For a bit of a comical/cartoonish effect, my partner and I decided it would be fun to emphasize sounds like the wind and the door creaks, which are commonly seen in cartoon media. However, we also thought it would make the plot clearer. To accompany these sound effects, we added a playful instrumental version of a song from the popular "The Nightmare Before Christmas" because not only did it add to our Halloween theme, but it also highlighted our cartoonish themes throughout the project. I think that the end result came together nicely!
Overall, the most successful part of this project was the sounds I recreated. In my previous project, it was very clear that these sound effects were needed, without them it felt too lifeless and I'm proud of what I was able to achieve and change. Due to that previous "lifelessness," I found it easy to find the perfect place to put it. Of course, however, we also came across some trouble. More specifically, my sound variety could be improved. I only focused on creating foley sounds when I could've also incorporated dialogue, ambient sound, a sound bridge, or any of the plethora of other sound techniques. I think the main reason I did not include these however is because of the plot and nature of the project itself. There wasn't much to work with in terms of experimenting with all these different sound techniques, but I look forward to being able to expand on this in the future. Perhaps to better explore those sound techniques, next time I should better think out my shots with audio already in mind to be able to incorporate them.
In conclusion, I learned a lot throughout this project, not only about sound techniques themselves but how to better plan out my projects too. I think this project was an overall success!
Blog #7
Editing Project Analysis
November 10, 2024
For my most recent project, my partner and I had to create a video that displayed 6 different editing techniques. These techniques were:
Shot/Reverse Shot
Eyeline Match
Jump Cut
Parallel Editing/Crosscutting
Insert (Cut In)
Cutaway
Overall, I'd say that this project was mostly a success. When it came to the brainstorming, my partner and I had a lot of fun coming up with ideas of a story that we could fit into these specific editing techniques. Since it was around Halloween time, we landed on an idea based off of trick or treating! My partner ended up adding a black and white effect over the entire video, but I kept mine with the original color. During the creation of this project, I learned a lot about editing techniques, and the implications behind some of them. However, like any project, we of course encountered some issues along the way.
To begin, around the time we had scheduled to create this project, my partner, Amy, was travelling out of town so we were unable to film. So, the filming process was a bit rushed when we finally did get the chance to film it. This I feel may be reflected in our work and it was a minor challenge for us, but we overcame it despite the pressure it put on us to plan our shots right. But this issue wasn't as problematic as the ones we had when filming. As we had recently learned about these techniques, finding good definitions or examples for these terms were proving to be very difficult. These two problems combined with our limited time to both film and edit made planning this project a lot harder than expected. Although we encountered issues though, I think that Amy and I did a fairly good job at overcoming those challenges and completing this project.
Definitions:
Shot-Reverse Shot- Shifts between a character and what they are observing (often in dialogue)
Eyeline Match- Where 2 shots are cut together in a way that allows viewers to see what the characters are seeing
Jump Cut- A cut in a film that breaks a single shot into two parts, jumping forward in time
Parallel Editing/Cross Cutting- Main action is cut together with more sets of action
Insert (cut in)- A shot inserted which interrupts the continuity
Cutaway- A shot that cuts away from the main action to indicate something else in the space
Blog #6
BLack panther/ wakanda forever - Representation in film
oCTOBER 17, 2024
Black Panther and Wakanda Forever are much more than superhero movies. They’re powerful stories about representation, showing African culture, heritage, and strength on a global stage. These films broke barriers by featuring a mostly Black cast, celebrating African traditions, and presenting a vision of Africa free from colonial influence. This kind of representation wasn’t common in Hollywood, and it had a huge impact on audiences, especially in Black communities.
The techniques we’ve studied, like master shots and reverse shots, are used to show the beauty and power of Wakanda and Talokan, as well as the emotional moments between characters. The stingers at the end of each movie keep the story alive, reminding us that the legacy continues. For instance, Wakanda Forever ends with a sense of hope for the future of Wakanda, highlighting themes of resilience and leadership.
Mass media and social media played a huge role in the success of these films. Before Black Panther was even released, fans were buzzing with excitement online. This energy helped create movements like the “Black Panther Challenge,” which raised money for kids to see the movie. The iconic “Wakanda Forever” salute went viral and became a symbol of pride. The media helped spread this excitement, turning the film into a cultural event.
In Wakanda Forever, the story goes deeper. The movie pushes us to think about history and how indigenous people have been treated. For example, Wakanda is criticized for not sharing Vibranium, but they don’t want to harm the world by giving away such dangerous resources. The Talokan people, like Wakandans, are seen as threats by outsiders when all they’re doing is protecting their home and culture. These themes encourage the audience to reflect on the consequences of exploitation.
The casting in these films is also a step toward greater diversity. The creators purposely cast actors from all over the world and portrayed women, especially Black and indigenous women, as leaders and geniuses. These women are powerful and smart, which breaks the usual stereotypes seen in movies.
Sound plays an important role in the story, too. The music blends traditional African instruments with modern Hip-Hop, giving Wakanda a unique and vibrant feel. The composer, Ludwig Göransson, traveled to Africa to work with local musicians, making sure the soundtrack was a true tribute to African culture. The music adds depth to the story, making Black Panther even more meaningful.
In the end, Black Panther and Wakanda Forever are important films because they show how powerful representation can be. They celebrate African culture, promote diversity, and inspire people around the world.
Blog #5
more Terms
September 25, 2024
A reverse shot is a filming technique in which the camera is placed in the opposite direction of the previous shot, often to capture another character’s perspective in a dialogue sequence. It’s commonly used to show reactions or responses in conversations. An example of this can be found in Gossip Girl (2007), during a standoff between Blair and Chuck, the camera alternates between each character as they speak, using reverse shots to enhance the tension and create a dynamic conversation.
citation
"Shot Reverse Shot." StudioBinder, https://www.studiobinder.com/blog/shot-reverse-shot-definition/. Accessed 25 Sep. 2024.
A stinger refers to a brief, sharp sound or musical cue used to punctuate a moment, such as a surprise or a jump scare. This technique is often used to heighten emotional impact or transition between scenes. In Insidious (2010), stingers are frequently used during jump scare moments, such as when a sudden loud sound accompanies the appearance of a ghostly figure, making the scare more intense.
Citation
"Stingers in Film Sound." FilmSound.org, https://filmsound.org/terminology/stinger.htm. Accessed 25 Sep. 2024.
A master shot is a wide, continuous shot that captures the entire scene, showing all the characters and actions in one frame. This shot acts as a reference for the scene and is typically intercut with other shots during the editing process. An example of this can be found in The Avengers (2012), during the climactic battle scene in New York, a master shot is used to show all the superheroes fighting together, providing a comprehensive view of the chaos and teamwork before cutting to individual actions.
Citation
"What is a Master Shot in Film?" StudioBinder, https://www.studiobinder.com/blog/master-shot-definition/. Accessed 25 Sep. 2024.
Blog #4
Terms
September 23, 2024
Sound Motifs are audible symbols, sounds, music, and noises that filmmakers strategically use to bring a deeper meaning and possible theme within the film across to the viewers. They often come in the form of a piece of music, like a theme song. An example of this is the theme song we hear in Jaws every time the shark is around. The sound motif is used to warn the audience of approaching danger. John Williams, composer for the Jaws film, described the repetition of the two notes in this sound motif as "grinding away at you, just as a shark would do, instinctual, relentless, unstoppable." Sound motifs holds psychological power in films.
citation
Griffiths, Sherice. “What Is a Motif in Film? Themes & Symbols Explained.” Celtx Blog, 13 Mar. 2024, blog.celtx.com/what-is-a-motif-in-film/.
Superimposition is an editing technique in which two or more separately photographed images/shots blend together. It does this on the same film strip so that all shots are simultaneously visible when blending. A common use of superimposition in film is to show a characters backstory or perhaps visions. This is usually done by layering one image from the past over the present, it's a visual representation of the characters life story, memories, or thoughts. An example of superimposition in film is
Citation
Filmmakers Academy. “Superimposition.” Filmmakers Academy, 16 July 2021, www.filmmakersacademy.com/glossary/superimposition/#:~:text=Superimposition%20is%20an%20editing%20technique. Accessed 24 Sept. 2024.
A graphic match occurs when the shapes, colors, movement, or other elements match composition within a scene, but is most commonly used as a transition. Transitions with graphic matches are created when the ending of one frame and beginning of the next frame have the same or similar visual elements. An example of this is found in the movie Psycho, when a shot is cut from a swirling drain to a character's lifeless eye. Graphic matches create a connection or relationship between two things, in this case the swirling drain to lifeless eyes symbolize the loss of life.
Citation
“Use a Match Cut to Connect Scenes | Adobe.” Www.adobe.com, www.adobe.com/creativecloud/video/discover/match-cut.html.
“EDITING.” College Film & Media Studies, 9 Mar. 2010, collegefilmandmediastudies.com/editing/#:~:text=GRAPHIC%20RELATIONSHIPS&text=By%20ending%20one%20shot%20with.
Blog #3
MISE en scene
September 20, 2024
Mise en scène is a crucial aspect of filmmaking, derived from the French term meaning "placing on stage." It refers to the arrangement of all visual elements within a scene, including settings, props, actors, costumes, and lighting. Each component plays a vital role in shaping the film’s atmosphere and enhancing storytelling.
The setting provides the physical context where the action unfolds. It can be a natural location or a constructed set, influencing the mood and helping to establish the time period. This contextual backdrop allows the audience to better understand the narrative and its characters.
Props serve multiple purposes; functional props are necessary for the plot, while symbolic props can carry deeper meanings, enhancing thematic richness.
Costume and makeup are instrumental in character development. They define a character's identity, background, and emotional state, often reflecting their journey throughout the film. In period pieces, accurate costumes help immerse the audience in the era, reinforcing the film’s authenticity.
Lighting is another powerful tool in mise en scène. The quality and direction of light can create a specific mood. Harsh lighting might evoke tension, while soft lighting can suggest warmth or intimacy. For instance, backlighting can introduce a sense of mystery or drama, affecting how viewers perceive characters and their motivations.
The placement and movement of actors, known as blocking, are critical in conveying relationships and power dynamics. An actor’s location can reflect dominance or vulnerability, and their body language and gestures contribute significantly to the emotional depth of a scene.
Framing and composition further enhance the visual storytelling. Different shot types, such as close-ups or wide shots, serve distinct purposes, from creating intimacy to establishing context. Employing the rule of thirds helps in creating balanced and engaging visuals, guiding the audience's focus toward key elements.
At its core, mise en scène is more than just looking good; it’s a powerful way to tell stories and express complex ideas without saying a word. It helps build a believable world that pulls viewers in while also highlighting themes and emotions. When filmmakers thoughtfully arrange these elements, they create a unified vision that grabs the audience's attention and enhances the overall experience of the film.
Blog #2
Hispanic Hertiage MIni doc
September 13, 2024
This month, starting September 15th, is Hispanic Heritage Month. In celebration of this month, my partner Amy Sadowsky and I created a mini doc using our past knowledge of editing and research of this special month. However, we ran into a couple issues along the way. After discussing what we wanted to do for the project, which was to kickstart the celebration here at my school, we had issues carrying out the beginning of the video. Our plan was to film a short interview with some students to capture the attention of students when they eventually watch this mini doc in their class. The issue we ran into, was finding the right time to film. This week at school was spirit week, so I found it hard to film during lunch as it was very noisy and it would mess with the audio. It was decided that we would film them in the morning instead, when it wasn't as loud. We had a very small issue with voice overs as well, as my partner learned to better read out loud the script to make it erasier for the students to understand our words. In the end, we overcame our issues and took away some new skills from it. Opening up Premire Pro brought back some of my knowledge of how to work on it after not having opened it all summer, I still remembered many controls. I did the research, worked on the script, and collected images, while my partner put together a collage of videos, put them onto the timeline, and finalized all of the editing. Through this, I learned to better research topics and properly format scripts for projects, as well as how to work with the voice over and music volume ratio. Overall, this project was a huge success.
Blog #1
Representation: Selection, Omission, Construction
August 23, 2024
Chappell Roan, the rising star. Chappell Roan is an American singer and songwriter that has recently been put in the spotlight earlier this year at Coachella and has since been rising to fame. A huge part of a celebrities career is keeping up a certain image. Taking a look at Chappell Roan's Instagram, you can clearly see that she is a very lively and bright woman who has a passion for performing and building the community she's brought together with her art. Her posts, often very bright and professional photos, really put her popstar life and her art in the spotlight. However, this sudden burst of fame has really changed her life and she has expressed how it sometimes feels like others don't see her as human. This is expressed in a very different post than her others, a black screen with white text, telling her fans that the way that some people treat her is unacceptable. Wanting people to see her as human, she sometimes also posts unprofessional pictures of her everyday life or outings taken by her on her own phone. Overall, her Instagram perfectly captures the energy and beauty in her performances, yet also shows that relatable and everyday life side of hers.
These three professional photos from her Instagram show her passion and energy while on stage performing, her popstar life.
These pictures show that relatable and everyday life of hers, these are not professional photos. Some may even see the first photo as a vulnerable one to share
This post reminds us that she is a celebrity who has celebrity friends as she is performing with another very popular artist, Olivia Rodrigo
rough cut
February 21, 2024