Embedded Files
MI & TI CAFE
CONTRA’ BUSATO 42 VICENZA
Mostra aperta fino al
20 luglio 2018
MOSTRA PERSONALE DEL PITTORE:
Renato De PaolI
“PREDILETTA DAGLI DEI: ACQUA;
MEIO TAI, DONE
BACALA’, CASE, CESE, CITA’, BARCa LIGA’”
info 3486781525 depaolirenato@gmail.com
INVITO AD INGRESSO LIBERO
Presenta : Althea Amarante Architetto _
In collaborazione con IMAGES _ Galleria d‘Arte Corso Fogazzaro
Associazione ARTE VICENZA 219 _ INVITO AD INGRESSO LIBERO
FACEBOOK VICENZA ART.COM
:siti e blog https://sites.google.com/site/wwwartedepaoliorg/home https://sites.google.com/site/depaolirenatopittore/
https://sites.google.com/site/edarproduction/home?pli=1 https://sites.google.com/site/testecalde2014/ www.artedepaoli.org https://sites.google.com/site/wwwartedepaoliorg/home https://sites.google.com/site/depaolirenatopittore/ https://sites.google.com/site/testecalde2014 https://sites.google.com/site/assoarte1995/home EDPS PRODUCTION NOVA _
REVIEWS:
BY THE JOURNALIST ALESSANDRO SCANDALE IN VICENTINE ASSOCIATIONS http://www.associazionivicentine.it/associazioni/vicenza/culturali/renato_de_paoli_in_mostra_a_vicenza/7-2-638.html
Renato De Paoli on show PERSONAL PAINTING in Vicenza
Author: 1 Date: 6/8/18
From June 20 to Vicenza, the personal exhibition of the artist Renato De Paoli entitled Favorite by the gods: water
Will open on Wednesday, June 20 at 18 at the Mi & Ti Cafe in Contrà Busato 42 in Vicenza (near the Municipal Police Office) the personal exhibition of the artist Renato De Paolidal title Favored by the gods: water, with presentation by the architect Althea Amarante. The exhibition, with free admission, created in collaboration with Images Galleria d'Arte in Corso Fogazzaro and Associazione Arte Vicenza 219, will present to the public numerous works of painting by the artist, Veronese by birth and Vicenza by adoption.
Pictorial compositions gathered in a single dazzling fabric of luminous colors, evoking an intense feeling - we read in the criticism -. They are the colors of joy, nostalgia, tenderness, certainly the colors of the personal life of the original and unpredictable painter Renato De Paoli, who in the pictorial tract and in the creation of the image is delicate and seems to offer a suggestion, almost look for a dialogue. "So figures like the houses, just dashed, the creatures of plants and animals barely mentioned, the faces - especially the feminine ones - barely sketched, penetrate the meanders of our memory, touch the cords of our emotionality - in reality, in De Paoli's painting, it is the immediacy of the sign, sure and flowing that involves us and also the unpredictability of the instinctual gesture that catches surprisingly and pleasantly It may seem like an amused child Renato De Paoli, conversely he plays a pictorial discourse full of suggestions coming from afar and they evoke a polyphony of agreements that unite us in our human story: an original and restless artist who not only tells of himself, but also the exaltations, fears and hopes of all of us ".
Renato De Paoli (René da Sparè) is an eclectic and multipurpose character. Artist, writer and poet, he has worked with many architecture and urban planning professionals, specializing in architectural restoration in Vicenza under the guidance, among others, of Franco Barbieri. He is security coordinator, responsible for the historical and artistic heritage of Vicenza. Lecturer in training courses for the conservation and enhancement of the historical architectural heritage in Bologna, and in Vicenza. With his Edar editions, De Paoli published two collections of poems - Poesis '99 and Le sete ave marie, a photographic diary - The diary of the moons, a brief history of the Venetian fluvial civilization - In the time of the Goddess - in addition to catalogs art and other publications. In more recent years he has exhibited his works in numerous exhibitions, both collective and personal.
Last year De Paoli presented to the public a series of artistic postcards as a tribute to the city of Vicenza. Postcards by artists depicting some of the most striking views of the UNESCO heritage city: Piazza dei Signori with the Basilica Palladiana and the Torre dei Bissari; the church of the Servants with the Venetian calendar and heraldry; piazza delle Erbe seen from the arch of the Zavatteri; the four books of Andrea Palladio's architecture.
De Paoli was born in Sparè Isola sul Menago (Asparetto Cerea Verona). As a child he attended the many art shops of his "Isola": Sparè sul Menago. Son of art by his father Paolo-Paolino and his mother Rosa, he learns the art of wood restoration of the reproduction of art furniture. In his tavern the inspiration is under the auspices of the master Segattini who has filled the "ostaria" of works. In the summer he attends the art workshop of the master Loris Barini, and learns lacquering-gilding. He collaborates assiduously with Nicola Silvestrini di Nogara, progressing also in photography and architecture. He knows the work of the master sculptor Costantini of Caselle near Nogara. He trains with Maestro Scapini di Cerea in the "Appio Spagnolo" school.
vvv
MI E TI _ TI E MI _ RENATO DE PAOLI
I know the Artist Renato De 'Paoli, a man of culture, passionate researcher, profoundly "curious" of art, and of his expressions, sianop ancient arts that contemporary arts_ What interests the artist is to share the meaning of thoughts and gestures of those who have produced and produced art,
With this intention, he pays homage to the authors with studies on their personalities, he deepens and interprets their artistic expressions, he traces their techniques at a time, to enter the depth of the original spirit and better understand it. on each of the respectful homages he makes, he nevertheless puts his own soul, the sign that leads him to the awareness of understanding and allows him to express his own understanding. here we are dealing with studies on Brunelleschi, Alberti, from Palladio, to Le Corbusier, Aldo Rossi, Michelucci, Piacentini, Terragni, Scarpa, Gardella, in architecture, in Veronese painting, Vasari,, Klimt, Kandischy, Il Dada and invents the New Dada in the centenary, and many others to study and experiment, more recently Pollok and Action Painting, Andy Warhol and pop Art, to the shapes and voids of Fortuna, to the provocations of Manzoni anticipating the most recent contemporary currents . Renato works on media that he meets for the Contrà di Vicenza, Bata panels, Beneton, Chanel N 5, etc. , which inspire him, very often the imprinted images become an integral part of his works. This brings thought to the playful aspect of his work, not only referring to poetic figures, but also in FARE, to dream and realize a city vision, or abstractionism by looking at advertising panels or containers for his books of poetry built with cardboard boxes, or catalogs, collections of images built with paper placemats of "Righetti self service in Vicenza where the author often went with friends painters poets literates", reveal the purity, the childish inspiration that remains in the adult and are nothing but lucky expressiveness never repressed and confirm the taste for the free spirit, the invention without conditioning, the creative ability, the emotion of transformation, the meeting of the dream ... what will come out of it?
Althea Amarante _ Architect_ Criticism_
Vicenza 20 June 2018
VVVVVVVVVVVVVVVVVVVVVVVvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
Renato De Paoli and the colors
The exhibition opened these days at the Cafè Mi e Ti, anthology of the painter Renato
De Paoli, is a succession, chasing colors. Some refer to others, in
a sort of visual history where traces left, real streaks -
cracks that mark the different supports, act as background for the work
next.
In this exhibition, one can not detach the eye from such a pressing one
sequence, a single work can not be isolated because the risk is that of
nullify the context, to lose sight of the piece that induces (brings in)
to the next piece. Almost ring of a chain that, failing,
it undoes the structure itself, every single piece lives on its own naturalness
coloristic and coexist with that of the other rings / works.
The colors of De Paoli are tools, picks to undermine insipid obviousness
to account for a complex, structured reality. The contribution of the single
color chains to itself, and unleashes itself, that fragment of experience that
amalgamated to the other fragments and, at the same time estranged from those, it constitutes
the experience of everyday life, the perception we have of it, always
very personal, always different.
A perceptive diversity that does not facilitate the encounter with artistic expression
of De Paoli, but that actually, precisely because of the complexity of this approach,
guarantees an unexpected and engaging, alienating and visual encounter
penetrating, never superficial. It is necessary to be caught by these colors,
engulfing them in their breaches, in order to catch their extreme sense, the
ultimate meaning to which they lead. Extreme because there is a kind of
ineluctability in the sign of De Paoli, a reference to the essentiality of color,
once again understood as a fragment of a whole, chained to tell us
of himself. Last because there is a propensity in these signs to say something else,
an opening to infinity that overcomes the finiteness of the support in view of a beyond
which tastes like absolute.
Sergio Merlo 2018 27_06_ Critical poet
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
vvvvvvvvvvvvvvvvvvvv
Renato De Paoli uses a visual language of shapes, colors and lines with the aim of creating a composition that can exist with a degree of independence from visual references in the world
Adriano Rigo
vvvvvvvvvvvvvvvvvvvvvvvv
vvvvvvvvvvvvvvvvvvvvvvvvvv
In RENATO DE PAOLI "Painting of perceptions" Bello the chromatic sense.
Laura Pasqualucci
Patrice and art critic.
VVVVVVVVVVVVVVV
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
In RENATO DE PAOLI "Painting of perceptions" Bello the chromatic sense.
Laura Pasqualucci
Patrice and art critic.
VVVVVVVVVVVVVVVVVVVVVVVVVVV
VVVVVVVVVV
A different and funny portrait, a caricatural and conceptual way of expressing a personality in a primitive way.
Adriano Rigo
VVVVVVVVVVVVVV
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
Renato De Paoli
The abstract painting of Renato De Paoli, ardent and extroverted, does not forget the form, but overcomes it through an expressive boldness intrinsic to his research. This artistic temerity is already evident in the phase of conception of the work of art.
Caterina De L
Artiste Peintre Professionnel
He studied at the Academy of Fine Arts in Palermo
VVVVVVVVVVVVVVVVVVVVVVVVVVVV
VVVVVVVVVVVVV
I question myself about the intention of the author.
The art of De Paoli makes me think of the inexhaustible depth, Pansini, emeritus professor at the University of Brescia, of Bergamo of Cremona, as well as well-known writer, having studied various texts texts, explored in the hidden, here now, the work of De Paoli.
Art, the artist expresses himself, the works become objects, the art has the task of involving me, as Kant says, (it is to identify the conditions within which a knowledge can be considered valid both in the field of new sciences of nature both in the traditional ones of metaphysics, ethics, religion and aesthetics.), the bishop of Vicenza, The Gospel, Pope Francis, Jesus.
I interpret art, I can diverge from other interpretations. I ask myself: what should I deduce, and I still wonder what possibility do I have to grasp from these works? What should I deduce? What's there for me?
The answer is: "So I find in Renato De Paoli's painting, comfort, perspective, curved line, enveloping, anguish, positive research".
He expresses his unconscious De Paoli, a man with his originality that we must appropriate.
It offers us, enveloping sails, even non-figurative spaces, which tend to be involved, to our personal need to explore ourselves in research.
Why does this work suggest me?
the instrument presented here today in this exhibition is sealed by color, it is color.
This is why the painting here exposed upsets me optimistically, thanks to the use of colors.
The Artist De Paoli is emerging, is not the first exhibition, so does not outline environments, or portraits, expresses his torment, a joyful torment, which enhances life. Positive art that the city of Vicenza must realize.
De Paoli often paints the lagoon, the watery concavity. From the lagoon from which life emerges, lagouna_ la cuna, has something more to restore us, there is the form of the reparatory mission, the lack of guilt, the need for reparation. By repairing, the teaching of the need for restoration, of regeneration, to which our life obliges us to be such, transmits to us. Time inflicts pains wounds and tears. Regenerating ourselves, we make ourselves hope, thanks to the master De Paoli.
He dug well as well as in Bolca's petraia finds fish all with their iconology, fish eye, sun, are transformed, in a feminine symbol, coming from the philosophy, the search for the eye, the fish and also allusive to the hieroglyphs of Egypt . Thus De Paoli becomes an archaeologist, of the soul, of color, adding poetry, making painting: "Crea" .-
Marine critic poet
VVVVVVVVVVVVVVVVVVV
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
vvvvvv
In the work of De Paoli we can see the wound of life. De Paoli tells us, with his works, of the wound of life, the wound that takes us all from birth onwards but also before birth the wound of life, When we are born, cold noise, sentences coincided as opposed to what before everything enveloped you pleasant temperature, all well-cushioned.
What does De Paoli say about the birth: "life gives us vulnus, but here there is an elegant way of speaking.The work is read with a double meaning: the creation of the new and the fun with more pleasure." De Paoli tells us : "I repair the damage that time or people have done, do." It is possible to regenerate oneself recreating with art and freeing oneself from the expiration.The important, indispensable, also have fun, so as to create a painkiller. as an activity he does the restorer, he repairs houses, apartments, churches, houses, we with external objects, and interior objects undergo this suggestion.The message of De Paoli is: "elegant proposes us an antidote to the wounds that life inflicts. In this way it becomes essential for us to regenerate ourselves, to re-create ourselves and also to have fun,
De Paoli tells us: "As an activity I do the restorer, mobile shelter" To us remain our feelings that bring out internal objects and external objects.
De Paoli RE NATO strikes the critic's imagination with the pot-bellied carafe, the memory of the mother, the fish that recur in the re-edition, the revival of regeneration. Nothing to do with the loathsome and absurd philosophies that some painters offer.
Renato De Paoli knows how to regenerate those who watch him, those who observe him, emotions that go beyond the titles of his works. Therefore. here the artist proposes and impresses us with the recovery of the lost landscapes, just to resume the man who made them disappear. The evolution also leads him to the author's portrait. For example, in the work entitled "La tara", the criticism, "Gone with the wind", with protagonist Rossella O'Hara, re-emanates to memory ... the estate, the earth, the mother earth.
The painter De Paoli offers us the way, the way to re-emerge after being regressed. After to progress, these fish, these eyes, these suns, these boats, are repeated in the evolution of the phylogeny, ("birth", "creation", "origin") the deep emotion of becoming re-emerges. , epigenesis, (morphogenetic potentials inserted in the pictorial diaologist that gradually differentiate themselves in the successive stages of development.) Orthogenesis (in biology, a rectilinear evolution, characterized by the development, in a continuous way or without deviations, migrated here in art and painting) So in us emerges the wish to allow us an eyed life, so as to be penetrated so much that we feel the discomfort of the human limit. However, the work allows us through the form we can apply to renewal. Then it is also this repeat invitation to renewal, reaffirmed by the author with another container, "the ship", "the bay of angels", so the child almost an angel does not become a demon, rather it protects us from tears, comforts us from stress takes us away from dissatisfaction. Renato's rebirth, "the master De Paoli" "NATO RE" or A SPA RE 'NATO "in homage to his native country, Vicentino by adoption, fondles its name ironically as we all born, progressively degrade, and not we are more kings.The first experience, the internal mother has disappeared, our loves, with which we must come to terms, come to terms with reality, and little by little, you are bound by law, another kind of message that offers us, Born King,
Born in Provence, without water, so is his work of re-naturalization the work enclosed in his repertoire for over 30 years, so we admire the first landing in Vicenza in the work of 1990, "From the window of San Faustino".
Life is harsh and harsh, Renato proposes and launches a message of rebirth in everyday life,
The Poet Renato De Paoli, with 2 collections of poetry published, is also a painter, soon, even in this discipline, borrowed from the restoration, from the furniture to 'learn, very educational, the workshops of artisans, who as a young man has attended.
So from the work of wood, of the marangon, master of the ax, to learned how to build, how to work, from wood to bricks, to stone, to canvas all arts learned as told in the art workshops,
In conclusion, the artist declares that as a student, today an artist, he works "to leave a mark that he too was."
So I add, the word poetry, painting, the whole art is a kind of message to live wisely, to create. De Paoli does exactly this, in art in all ways, in recreation, in the body, he renews and changes every second as the eternal struggle that changes us every 7 years renews us, and we fight the eternal struggle between Eros and Tanatos clash of titans chasing each other and they meld together in love and death. So that is perceived, so De Paoli transmits us with its chromaticism the atmosphere of the work the painful message, the restoration, the rebirth of life.
thank you.
2 DECEMBER 2017 Vicenza -
Prof. Dr. Cesare Pansini
Art critic
VVVVVVVVVVVVVVVVVVV
VVVVVVVVVVVVVVVVVVVVVVV
RENATO IS
Disheveled and decomposed, here reappear on stage, the poet, painter and writer
"RENATO DE PAOLI".
Veronese by birth, but Vicenza by adoption, hides behind a look always pleasantly "improvised", an authentic and versatile artistic vein.
Sitting with him talking, I am kidnapped by the amount of things that magically manages to extract, gesticulating, from his bag: postcards, sketches, reviews, catalogs of his works. My eye rests on two curious fishes, which bite inexorably and are sealed in a treble clef, while precise signs, outline pleasing glimpses of the city.
Female figures, with soft strokes, blend and blend harmoniously with the architectural aspects of her drawings.
Rigidity and softness, masculine and feminine principle, blend with mastery in his works. His immediacy and his sympathetic nonconformity capture the interest.
His works mix different objects and techniques, wisely used, that seem to print, glue or paint in its basic materials: canvases, postcards, cards, cardboards, billboards, stolen sometimes to the quiet of the historic center of Vicenza. Its colors are soft, as we can see in the work entitled "Sunset on the Bay of Angels", oil on canvas with light but decisive traits, which reveal a determined but sensitive character.
Instead, in the painting "Infinite eyes fish to the grotto", technical oil on canvas and cardboard, depicts friends almost "ethereally existing", which reveal in their presence an underlying and veiled solitude.
"Eyes and fish with big eyes" religiously awaken the Spirit inviting him to watch and investigate the meaning of life that flows like water in the eternal principle.
Who is Renato then? He is a custodian of the artistic and architectural heritage of our city of Vicenza.
He is an artist who plays down the heaviness of life with a jovial smile. His works are an escape from the world and from time, in the search for emotions and ideas, to be impressed and offered, to the soul of those who meet him.
Chiara Di Natale
Poet and art critic
Vicenza 9/11/2017
In the Quaternary geological period, the presence of Homo Sapiens left traces of rock engravings. At the sites that have come to light, numerous graffiti are present on planet Earth, in the caves and along the stone sides of the mountains. They represent the reality of daily life, pastoral, agricultural with symbolic figures.
Renato De Paoli wants to transmit to posterity, the essence of his works, imbued with cultural education and imaginative ideas, which are in part suggested and elaborated by the complex structure of his DNA. Epigenetic Art is the Personal exhibition of painting letters and poems that De Paoli exhibits at The Dreams Caffe in Vicenza. Panels and boards of various sizes enliven the walls, are painted with brightly colored shades, the brushstrokes are decided almost impulsive, in stark contrast to the stylized drawings with lines and curves, in black and white that reveal memories of an experience. Among the favorite symbols of the author, there are faces and female figures and in presenting some friends and artists, he grants suggestive corners of the historic center of Vicenza.
Appreciation for the use of recycled material; nature thanks for saving a tree.
It is not easy to talk about Renato. In some respects, I identify it in symbiosis of the Crusader Words without a schema with the boxes to be inserted that are not black and the obligatory intersections rich in the fantasy of rebus. I suggest reading carefully the works of De Paoll, scrutinizing in the invisible cracks, in the nuance of color that deceives and unveils the restless unconscious, to steal the emotions and the little secrets of his soul, always in conflict if being Man, if being Fish
.
Gabriella Molon -
Poet and Criticism
Vicenza 21.9.2017
VVVVVVVVVVVVVV
VVVVVVVVVVVVVVVV
RENATO IS
Disheveled and decomposed, here reappear on stage, the poet, painter and writer
"RENATO DE PAOLI".
Veronese by birth, but Vicenza by adoption, hides behind a look always pleasantly "improvised", an authentic and versatile artistic vein.
Sitting with him talking, I am kidnapped by the amount of things that magically manages to extract, gesticulating, from his bag: postcards, sketches, reviews, catalogs of his works. My eye rests on two curious fishes, which bite inexorably and are sealed in a treble clef, while precise signs, outline pleasing glimpses of the city.
Female figures, with soft strokes, blend and blend harmoniously with the architectural aspects of her drawings.
Rigidity and softness, masculine and feminine principle, blend with mastery in his works. His immediacy and his sympathetic nonconformity capture the interest.
His works mix different objects and techniques, wisely used, that seem to print, glue or paint in its basic materials: canvases, postcards, cards, cardboards, billboards, stolen sometimes to the quiet of the historic center of Vicenza. Its colors are soft, as we can see in the work entitled "Sunset on the Bay of Angels", oil on canvas with light but decisive traits, which reveal a determined but sensitive character.
Instead, in the painting "Infinite eyes fish to the grotto", technical oil on canvas and cardboard, depicts friends almost "ethereally existing", which reveal in their presence an underlying and veiled solitude.
"Eyes and fish with big eyes" religiously awaken the Spirit inviting him to watch and investigate the meaning of life that flows like water in the eternal principle.
Who is Renato then? He is a custodian of the artistic and architectural heritage of our city of Vicenza.
He is an artist who plays down the heaviness of life with a jovial smile. His works are an escape from the world and from time, in the search for emotions and ideas, to be impressed and offered, to the soul of those who meet him.
Chiara Di Natale
Poet and art critic
Vicenza 9/11/2017
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
In the Quaternary geological period, the presence of Homo Sapiens left traces of rock engravings. At the sites that have come to light, numerous graffiti are present on planet Earth, in the caves and along the stone sides of the mountains. They represent the reality of daily life, pastoral, agricultural with symbolic figures.
Renato De Paoli wants to transmit to posterity, the essence of his works, imbued with cultural education and imaginative ideas, which are in part suggested and elaborated by the complex structure of his DNA. Epigenetic Art is the Personal exhibition of painting letters and poems that De Paoli exhibits at The Dreams Caffe in Vicenza. Panels and boards of various sizes enliven the walls, are painted with brightly colored shades, the brushstrokes are decided almost impulsive, in stark contrast to the stylized drawings with lines and curves, in black and white that reveal memories of an experience. Among the favorite symbols of the author, there are faces and female figures and in presenting some friends and artists, he grants suggestive corners of the historic center of Vicenza.
Appreciation for the use of recycled material; nature thanks for saving a tree.
It is not easy to talk about Renato. In some respects, I identify it in symbiosis of the Crusader Words without a schema with the boxes to be inserted that are not black and the obligatory intersections rich in the fantasy of rebus. I suggest reading carefully the works of De Paoll, scrutinizing in the invisible cracks, in the nuance of color that deceives and unveils the restless unconscious, to steal the emotions and the little secrets of his soul, always in conflict if being Man, if being Fish
.
Gabriella Molon -
Poet and Criticism
Vicenza 21.9.2017
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
vvvvvvvvvvvvvv
The eclectic artist Renato De Paoli (ours is also a poet, painter, researcher of beauty and artistic promoter) ... ... portrays with tenderness the roofs seen from a window of an attic of the Town Hall of Nogara and then there is the plant and the rise of Villa Capra called la Rotonda in a frame of other Palladian villas, including that of Pojana Maggiore, of which he also proposes the plan.
In Piazza dei Signori, in a background of black velvet, in succession we can admire the Palazzo della Ragione with its Lodges, the Bissara Tower and the Palazzo degli Uffici.
A mention deserves the reproduction of the noble coat of arms designed by Rossetti for the Venetian Dogato on which the symbols of all the Venetian domains are located.
....... we can deduce, as in the emblem, the ability to assemble a city in the space even if reduced by a rectangle, inside which the amateur will be able to make a very personal and metaphorical journey.
Overall, even here and there with a touch of Tony Vedu ', is a warm, original and interesting look / sign at the heart of Vicenza.
March 23, 2017
Lorraine Busellato
Critic Poet Writer
Marana di Crespadoro (Vicenza)
VVVVVVVVVVVVVVVVVVVVVVVV
VVVVVVVVVVVVV
. it is condensed the patience of a Carthusian, the voice of a poet, the expertise of an architect, the synthesis of a historian. The beauty of Renato De Paoli emerges from the merger of everything.
They range from the classical composure in the succession of basilica uffizi torre palazzo ... to the enchanted look on the roofs, poetically sung after having them for months or years kept under the watchful eye from their workplace. It then runs to the "temple to live" by Andrea Palladio, the Rotonda, almost pedantic in the writing of plants and raised if not enlivened by decorative sketches and the frame of villas created by the Renaissance genius and scattered over the Veneto territory, by the youth of Poiana Greater than that of maturity in Maser. What is most striking about three other postcards is the synthesis reduction of Vicenza around the statue of Andrea della Gondola or framed above the measured Roman and decumanus Roman ruins. It is not enough an hour to decipher every postcard in this series to read a story that goes from deep antiquity to more recent times; and on this story the stratigraphy of the buildings. As in the case of the collapsed Gothic Basilica, collapsed, wonderfully saved by the Renaissance genius. And so, in extension, in the narrow space, they enter, where the eye from the beginning perceived chaotic signs, the architectural beauties of a city poetry. Poetry is a word that I do not create, but I steal from the graffiti that Renato puts under the camouflage disguises between the swirl of signs.
If in front of Guernica di Picasso you first perplexed and then marveled at the intensity of feeling enclosed in the signs to evoke the massacre and the torment ... so before each of these provocations, overcome the superficiality of our presupposition, born in heart the gratitude to hold in your hands the best of a city of art.
Composition of a dog coat of arms, by Rossetti, to group together the arms of different doges to laugh at Venice.
If I collect the papers, from Piazza dei Signori, to the roofs, to the Rotonda, plus the three on Vicenza and the doges ... by the artist De Paoli.
Mario Corato.
Poetry writer critic
Recoaro
March 27, 2017
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
VVVVVVVVVV
"Renato De Paoli and the post-poor art"
The artist thrives on emotions and expresses emotions through his work.
Here it is an artist, our Renato De Paoli, who sifts the Corso Palladio to recover the discarded material in front of the shops. Billboards, cardboard, cards.
In his improvised studio with colors, brushes, paints, etc. creates, unites paste, cuts, sews.
To express itself, the true artist does not need anything else.
You do not need canvases, frames, expensive colors, When the demon of artistic creation knocks on your door you have to open it immediately otherwise you run the risk of implosion.
There are around people who call themselves artists and has a house full of huge canvases left unsold, sometimes perhaps because they express nothing but not in a Zen or cosmic sense.
So these works are made with frames made of various layers of colored cardboard. the picture looks for a three-dimensional value. The design of city elevations (houses, ancient architecture) is well defined and particularizing better than a photo. Designed in china or in pen.
In the portraits there is a post-expressionist sprint. A good design of a face goes beyond trying to grasp a flash of intimacy of the personality of the subject. this is done lightly with a feather.
Renato De Paoli is from a life that is expressed with the design, self-taught, as an observer of the reality that surrounds it. For play as a joke.
Now, however, with the use of color s paper, cardboard or canvas, he leaps over the wall to get to the lawn where he draws the colors of life.
2016 NADIA VANINI
April 26th Verona
vvvvvvvvvvvvvvvvvv
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
"Do not be waiting for the De Paoli, is always on its journey: From the literary PREHISTORY of the Lagunari Islands of a part of the Verona's islands (Isola della Scala etc.) to a detailed mapping of these islands ...
De Paoli becomes contemporary and goes on display: among taverns, more modernly BAR or Caffè, nudes glimpsed by posters for perfumers or descriptive scenes of country drinking all seasoned and served on napkins with modern essentiality.
For further information please contact Piero Franceschetti, M.Lucia Ferraguti, ....... Fiorella in Contrà Frasche del ciscale 24 Vicenza "_
ARCHANGELO PERSANO -
2016 International PAPERNEWS ART Vicenza
vvvvvvvvvvvvvvvvvvvvvvvvvvvv
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
"A multidisciplinary approach to which a parterre of presences of national scope is to be counterbalanced, starting from the artistic director of the Veneto architect Renato De Paoli .."
MARIA GRAZIA TESCHI
2014 THE PROVINCE OF CREMONA 8 April 2014
vvvvvvvvvvvvvvvvvvvvvvvvvv
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
"It is a wide-ranging artistic-cultural project that fielded by the architect Renato De Paoli, art and its multiple languages in an ideal interchange of images, words, emotions, a journey through various forms of communication and art that It gives voice to the desire to talk about sculpture, painting, graphics, photoraphy, design and poetry, a mix of expressive protagonist. The idea that gave rise to the exhibition highlights the architect de Paoli (known for the restoration of the Palladio's Venetian Villas and Palladio palaces in Vicenza as well as Artistic Director of the "the languages of art" initiative
Giorgia Cippelli _
Mondo Padano Friday 4 April 2014
vvvvvvvvvvvvvvvvv
vvvvvvvvvvvvvvvvvvvvv
"Architecture and visual arts are the result of interesting studies and designs conducted for years, from day to day, immediate for evocative efficacy, on the theme of architecture and urban planning.The essential and purely indicative sign is charged with the task of transmitting as well as personal experience, a cultural experience, a small and precious constellation of realities and utopias ".
MARIA LUCIA FERRAGUTI
1999 The Sunday 18 September pag.23 _ Exhibitions _
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
"Renè De Paoli at CORTILETTO exhibition space in Vicenza presents" Tovaglioli, not spit on napkin. "" In your opinion how many words I should write: it is colored napkins, signs of imprints made by different hands in the same places - place - in the company - dinner or breakfast or wedding dinner is consumed. Renè De Paoli's very good idea has produced quite a number of these "wipes" sheets, full of signatures, signs of an ironic game of the Oca from an aesthetic point of view. The research of Renè De Paoli is part of his own fantastic itinerary and he thinks he will reach all those people attentive to the variation of trends in the exhibition world ".
ARCHANGELO PERSANO -
1995 JUNE II The Painters' Meeting _ Exhibitions _ Presentations _
vvvvvvvvv
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
EXHIBITIONS
personal
2018_ Mi è Ti Cafè _ Contrà Busato 42 _ Vicenza _
2018_ Vicenza Vescovile Seminar
2017 December Painting DE MI Gallery Franceschi Stradella Santa Barbara 1 / b Vicenza
2017 August September "EPIGENETIC'ART" Cafe dream CORSO FOGAZZARO 135 Vicenza
2017 May Creativity Gallery Via Quadri Vicenza
2017 april POSTCARDS AND SURROUNDINGS stradella del Garofolino VICENZA
2017_Contrà frasche del Gambero 24 Vicenza.
2016_2015_Contrà frasche del Gambero 24 Vicenza.
2014 Hot Heads _ Canned Art _Vicenza _ Biron Di Sotto_
2012 VICENZA PAM Vicenza
1999 Vicenza "Bar Borsa" Basilica of Palladiana
1995 Vicenza "Il cortiletto"
EXHIBITIONS
recent collective
2015 Araceli new Vicenza edited by Musatti Zenere
2015 Scaletta 62 Vicenza curated by Michela Musatti
2015 "Arte in Corso" Fogazzaro Vicenza September 19
2015 "Arte in Corso" Fogazzaro Vicenza March 29
Competitions _ Diplomas _ Artistic Directions
Cremona 2014_
University Photo Phunia
Biennial Ex Libris Vicenza_ 2008 _ 2010_ 2012_2014_ 2016_ 2018_
Newspapers that have written by Renato De Paoli
Vogue Vicenza
Vicentine reality
La Voce dei Berici
The Sunday of Vicenza http://ladomenicadivicenza.gruppovideomedia.it/a_ITA_3950_1.html
The Giornale di Vicenza
Padano World
Catholic life
RAIXE VENEXE
IL BASSO ADIGE
Traces of letters and arts
Art Press Vicenza palladium
Vicentine Associations
Publications.
RECENSIONI :
A CURA DEL GIORNALISTA
ALESSANDRO SCANDALE
IN ASSOCIAZIONI VICENTINE
Data: 08/06/18
Questa è una versione ecologica dell'articolo e adatta alla stampa.
Utilizzando meno carta e meno inchiostro aiutiamo l'ambiente!
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
Le composizioni pittoriche di Renato De Paoli esposte in una sapiente e ordinata mostra in un elegante Cafè vicino a Corso Fogazzaro, in Contrà Busato 42, è da ravvisarsi in singole opere, bensì in un unico prezioso tessuto smagliante di luminosi colori, evocante un intenso sentire. Sono i colori della gioia, della nostalgia, della tenerezza,certamente i colori della vita personale dell'originale e imprevedibile pittore qual'è Renato De Paoli, è peraltro in quel tessuto , già a prima vista che si accendono i nostri turbamenti, le nostre sensazioni. Infatti Renato De Paoli, nel tratto pittorico e nella creazione dell'immagine ,è delicato, morbido; e sembra offrire un suggerimento, sembra cercare un dialogo.
Così figure come le case, appena tratteggiate, le creature vegetali e animali appena accennate, i volti ( tanti i volti femminili) appena abbozzati , fino allevocazione astrattadella lezione di Pollok e Fontana, penetrano in meandri della nostra memoria,toccano corde della nostra emotività. In realtà, nella pittura di Renato De Paoli, è l'immediatezza del segno, sicuro e fluente che ci coinvolge ed anche l'imprevedibilità dell gesto istintuale; è la iridiscente luminosità delle trame , tese su tavole, ci cattura sorprendentemente e piacevolmente. Può sembrare un innocente , divertito, giocherellone fanciullo Renato De Paoli, di converso egli svolge un discorso pittorico denso di suggestioni che giungono da lontano e suscitano una polifonia di accordi che ci accomunano nell'umana nostra vicenda. Insomma, un artista originale e inquieto, che non racconta solo sé stesso, ma racconta anche le esaltazioni, le paure, le speranze di tutti noi.
Agosto 2017.
agg.to maggio 2018
M.M.
VVVVVVVVVVVVVVVVVVVV
Renato De Paoli
Vicenza e dintorni in Cartoline d’arte
Vicenza
venerdì 21 aprile 2017 ore 18:30
STRADELLA del Garofolino 3/A
laterale c.so fogazzaro
INCONTRI CULTURALI : Panificio Menardi Cav. Ernesto 0444 325101
presenta
alessandro scandale GiornalisTA
info
3486781525
siti e blog https://sites.google.com/site/wwwartedepaoliorg/home https://sites.google.com/site/depaolirenatopittore/
https://sites.google.com/site/edarproduction/home?pli=1 https://sites.google.com/site/testecalde2014/ www.artedepaoli.org https://sites.google.com/site/wwwartedepaoliorg/homehttps://sites.google.com/site/depaolirenatopittore/ https://sites.google.com/site/testecalde2014
EDPS PRODUCTION NOVA _ ASSO ARTE_
INCONTRI CULTURALI : Panificio Menardi Cav. Ernesto 0444 325101 _
Panificio nel cuore del centro storico di Vicenza, condotto da generazioni dalla famiglia Menardi, si reinventa per proporvi qualcosa di nuovo! Degustazione di finger food dolci sempre ovviamente accompagnati da un calice
Vi aspettiamo numerosi.
vvvvvvvvvvvvvv
VICENZA
ASSO ARTE VIC 219
GALLERIA DUOMO PALLADIO POSTE SIGNORI
CONTRA' FRASCHE DEL GAMBERO
2017_MERCOLERDì 15 MARZO DALLE Ore 16:30
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
VAI ALL' INTERVISTA A RENATO DE PAOLI
PITTORE
SCHIACCIA SU QUESTO LINK
vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv
VICENZA
Contrà Frasche del Gambero
24
RENATO
DE PAOLI
PITTORE
MOSTRA NEW DADA
“ALGORITMEI ARCIGNEI”
CENTRO CULTURALE
INAUGURAZIONE
VENERDI' 16
SETTEMBRE 2016
ORE 18:00
Dir. Art, Arci PERSANO _ P.R. FIORELLA ARROBA
Info 3486781525
depaolirenato@gmail.com
la mostra chiude domenica 16 ottobre 2016
-.
ORARI
SITI : EDARPRODUCTION
https://sites.google.com/site/edarproduction/home?pli=1
ORARI AM PM SU APPUNTAMENTO TELEFONANDO AL 3486781525
SITI :
www,artedepaoli
https://sites.google.com/site/wwwartedepaoliorg/home
https://sites.google.com/site/depaolirenatopittore/
https://sites.google.com/site/edarproduction/home?pli=1
https://sites.google.com/site/testecalde2014/
EDARPRODUCTION
https://sites.google.com/site/edarproduction/home?pli=1
VVVVVVVVVVVVVVVVVVVVVVVVVVVVV
vvvvvvvvvvvvvv
Arci Persano
ha inauguratoo domenica 31 luglio al Caffè 191 di Viale Trieste, Vicenza, sotto gli auspici della Direzione Artistica di Ilaria, la personale di Pittura . Presentato dalla Dot.sa Chiara Franceschini la manifestazione ha visto la presenza di numeroso e qualificato pubblico. Presenti tra gli altri la Pittrice Vajenti, l’artista Michela Mussato. la pr. Traduttrice Fiorella Arroba. La mostra si chiude il 18 settembre.
VVVVVVVVVVVVVVVVVVVVVV
Teste Calder
Continua a Ponte di Barbarano Via Caglia 31 lo svolgimento di laboratori artistici propedeutici al traguardo finale fissato per il 16, 17 18 settembre 2016 con la WOODSTOCK artistica che vede impegnata Claudia Nawrrath
ATELIER FRASCHE DEL GAMBERO 24
VICENZA
3486781525
on demand
Mercato rinnovato!
Antiquariato , collezionismo, vintage.
De Munari Antiquariato e Servizi per l’Arte vince il bando indetto un bando per la gestione del mercato dell’antiquariato Comune di Vicenza,che ha scelto il progetto di Francesca De Munari “ miglior proposta per professionalità e proposte innovative”.
Il mercato si tiene si tiene in centro Storico di Vicenza ogni seconda domenica del mese da settembre a giugno..Il progetto “De Munari” si conclude nel settembre del 2019.
Francesca De Munari oltre che direttrice della omonima galleria antiquaria è anche Storica dell’arte e accompagna la sua competenza professionale a quella davvero appassionata di cultrice di arti, E’ stata protagonista a metà luglio protagonista di una speciale recita artistica impegnata nel ruolo di organizzatrice dell’evento “Pittura a Olio ….aglio peperoncino”, in Piazza Duomo. Un evento quest’ultimo pure ben riuscito, svolto anch’esso sotto gli auspici del Comune di Vicenza e della Assessore al Commercio Cordova..
VVVVVVVVVVVVVVVV
La Galleria De Munari lavora, non solo per selezionare pezzi preziosi per chi desidera impreziosire la propria dimora ma la galleria, ha intrapreso una nuova avventura che presenterà
domenica 11 settembre 2016
De Munari Antiquariato e Servizi per l’Arte
Contrà Vescovado 13 Vicenza |
ci invita
domenica 11 settembre
.alla presentazione del
“mercato rinnovato di Vicenza”!
Francesca De Munari
Page updated
Google Sites
Report abuse