Presentations

2019
  • ‘Why Care About “Polish Carpets”?’ Annual Meeting of the Renaissance Society of America; Panel:Decorative Arts in the Early Modern Era and Now, Toronto, Mar. 2019
  • ‘Where Do “Polish Carpets” Come From?’ College Art Association Annual Conference; Panel: Renaissance Exchanges, New York City, Feb. 2019

2018
  • ‘Cartography as Entangled History: Geographic Depiction and the Search for a Shared Past’, Annual Convention of the Association for Slavic, East European and Eurasian Studies; Panel: The Memory of the Polish-Lithuanian Commonwealth, Boston, Dec. 2018
  • 'Where Do "Polish Carpets" Come From?', Globalising Polish Histories, Christ Church College, University of Oxford, Sep. 2018
  • ‘Ottomanisation as Europeanisation: Polish-Lithuanian Costume and the Search for a Classical Past’, Annual Meeting of the Renaissance Society of America; Panel: 'Deep Classics’ and the Renaissance, New Orleans, Mar. 2018 
  • ‘Of Mixed Origins: Tracing Michał Boym’s Sum Xu’, College Art Association Annual Conference; Panel: Archives, Documents, Evidence, Los Angeles, Feb. 2018 
  • ‘Almost Different but Not Quite: The Dutch Republic, Poland-Lithuania and the Co-Dependency of Centre and Periphery', Faculty Research Seminar, Department of Medieval Studies, Central European University, Budapest, Jan. 2018

2017

2016
  • 'Thinking through the Periphery: Masquerading as a Pole in the Dutch Republic', 48th Annual Convention of the Association for Slavic, East European and Eurasian Studies; Panel: Horizontal Art History / Global Perspectives: The Work and Legacy of Piotr Piotrowski, Washington DC, Nov. 2016
  • ‘An Imaginary Animal and Its Doubles: Michał Boym’s Sumxu in Replication’, Annual Conference of the Universities Art Association of Canada; Panel: Of Diptychs, Doubles and Mirrors: Towards a Theory of Twoness, Montreal, Oct. 2016
  • 'Connoisseurship as a Dialogic Process: The Kunstkammer of Sigismund III Vasa', The 62nd Annual Meeting of the Renaissance Society of America; Panel: Collecting and the Patron's Input, Boston, Mar. 2016

2015
  • 'Materiality and Conversion', roundtable discussion with Allison Stielau, Benjamin Schmidt, Helen Smith and Lyn Tribble, Annual Meeting of the SSHRC Early Modern Conversions Project, CRASSH, University of Cambridge, Jul. 2015
  • 'Practice Without Theory? Unscripted Connoisseurship at the Polish-Lithuanian Court, 1587-1648', Early Modern Cross-Cultural Conversions: Summer Research Seminar, CRASSH, University of Cambridge, Jul. 2015
  • '"Tears Hardened by the Sun": On Amber's Cross-Cultural Fluidity', 41st AAH Annual Conference; Panel: Flow in World Art (1500-1750)Sainsbury Institute for Visual Arts, University of East Anglia, Norwich, Apr. 2015
  • '"Tears Hardened by the Sun": The Discursive Lives of Baltic Amber in Italy', CAA 103rd Annual Conference; Panel: Early Modern Cross-Cultural ConversionsNew York City, Feb. 2015
  • 'Lost in Translation: Baltic Carved Ambers in the Medici Collections', La séminaire des Noveaux Modernes: groupe de recherche en histoire de l'art du Moyen âge aux Lumières, Montreal, Feb. 2015

2014

2013

2012
  • 'A Transcultural Body Politic? Portraits of the Impostor Imperial Couple Dmitry I and Maryna Mniszech', Conversion, Materiality and Early Modern Globalization; Panel: Interiority and Exteriority: Social Identity and the Body Politic, University of British Columbia, Vancouver, Apr. 2012
  • 'Portraits of the impostor Tsarina Maryna Mniszech and the politics of public imagery in Poland-Lithuania (1605-1606)', First Annual Postgraduate Renaissance Symposium. Beyond the Frame: Portraits and Personal Experience in Renaissance Europe, c.1400 – 1650; Panel: Private Faces in Public Places, The Courtauld Institute of Art, University of London, Apr. 2012
  • 'Religious Image as a Medium of Representation: Iconoclasm and Iconophilia in Post-Reformation Poland-Lithuania', Religion and Cultural Mediation in Early Modernity; Panel: Images and Iconoclasm, McGill University, Montreal, Mar. 2012
  • 'The formation of publics for art in Poland-Lithuania in its global context (1587-1668)', Institute for the Public Life of Arts and Ideas, McGill University, Montreal, Mar. 2012

2011

  • 'Caravaggio’s Conversions', co-presented with Angela Vanhaelen and Sonia Del Re, Forms of Conversion: Transformation in Europe and its World, 1500-1700, McGill University, Montreal, Dec. 2011