1. Transcultural Things and the Spectre of Orientalism in Early Modern Poland-Lithuania (forthcoming, Manchester University Press).


  1. Doublethink: Polish Carpets in Transcultural Contexts’. The Art Bulletin 104, no. 3 (2022): 2954.

  2. 'Close Others: Poles in the Visual Imaginary of Early Modern Amsterdam'. Slavonic and East European Review 98, no. 4 (2020): 654–689.

    • Awarded the 2021 Emerging Scholars Prize from the Society of Historians of Eastern European, Eurasian, and Russian Art and Architecture (SHERA)

  3. 'Michał Boym, the Sum Xu, and the Reappearing Image'. Journal of Early Modern History 23, no. 2/3 (2019): 296–324.

  4. 'Foreign as Native: Baltic Amber in Florence'. World Art 7, no. 1 (2017): 3–36.

  5. 'Connoisseurship from Below: Art Collecting and Participatory Politics in Poland-Lithuania, 1587–1648'. Journal of the History of Collections 29, no. 2 (2017): 209–226.

  6. 'Between Sacred and Profane: Devotional Space, the Picture Gallery, and the Ambiguous Image in Poland-Lithuania'. Zeitschrift für Ostmitteleuropa-Forschung 64, no. 4 (2015): 521–542.

  7. 'Going Global? An Attempt to Challenge the Peripheral Position of Early Modern Polish-Lithuanian Painting in the Historiography of Art'. The Polish Review 57, no. 4 (2012): 3–26.


  1. ‘Sarmatia Revisited: Maps and the Making of the Polish-Lithuanian Commonwealth’. In Diversity and Difference in Poland-Lithuania and Its Successor States, ed. Stanley Bill and Simon Lewis. Pittsburgh: University of Pittsburgh Press (forthcoming 2022/23).

  2. 'Uprooting Origins: Polish-Lithuanian Art and the Challenge of Pluralism'. In Globalizing East European Art Histories: Past and Present, ed. Beáta Hock and Anu Allas, 25–38. New York: Routledge, 2018.

  3. 'From the Site of Presence to the Medium of Representation, and Beyond: The Fluid Epistemology of Imagery in Post-Reformation Poland-Lithuania'. In Mediating Religious Cultures in Early Modern Europe, ed. Torrance Kirby and Matthew Milner, 85–118. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013. Cited here.


  1. ‘Prussian Amber’. Routledge Resources Online: The Renaissance World (forthcoming 2022).

  2. 'Early Modern Cosmopolitanism?' Making Worlds: Art, Materiality and Early Modern Globalisation. (last modified 24 April 2016).


  1. ‘Forum: Globalising Early Modern Central and Eastern European Art’, co-edited with Robyn Radway, with contributions from Robert Born, Tomasz Grusiecki, Suzanna Ivanič, Ruth Sargent Noyes, Olenka Pevny, and Robyn Radway. Art East Central (forthcoming in 2022).

  2. ‘Revisiting the Region: A Debate on Art History in Eastern Europe’, with contributions from Mathilde Arnoux, Anna Baumgartner, Katja Bernhardt, Robert Born, Tomasz Grusiecki, and Antje Kempe., no. 1 (2022),

  3. Interview with Tomasz Grusiecki.’ Polish Studies Center 2020 Newsletter / 2015–2020 Retrospective, Indiana University (2020): 11–16.


  1. Review of Polish Republican Discourse in the Sixteenth Century, by Dorota Pietrzyk-Reeves. Renaissance and Reformation 44, no. 1 (2021): 292–294.

  2. Review of The Art and Culture of Scandinavian Central Europe, 1550–1720, by Kristoffer Neville. Renaissance and Reformation 43, no. 2 (2020): 399–401.

  3. Review of The House of Hemp and Butter: A History of Old Riga, by Kevin C. O’Connor. The Russian Review 79, no. 4 (2020): 667–669.

  4. Review of Visual Cultures of Death in Central Europe: Contemplation and Commemoration in Early Modern Poland-Lithuania, by Aleksandra Koutny-Jones. Zeitschrift für Ostmitteleuropa-Forschung 66, no. 2 (2017): 248–249.