therulesofengagement

a short play in four acts

By Kevin Six

Synopsis: The Rules of Engagement is a study of women in conflict.It takes place alternately in “fantasy” where things are more real and in your face with swordplay, rules of engagement, winners and losers; and “reality” where things are more gray. There is a lot of fighting

Cast of Characters: Seven actresses play 12 roles, five of them appear in fantasy and reality.Two men can be played by actors or the actresses playing Katarina and Mary Ann.

Goddess/Amy/Amorah

Crone/Sam/Vasia

Mother/Stephanie/Vivia

Katarina (Stephanie’s friend)

Lover/Kerry/Sexta

Mary Ann (Libby and Kerry’s friend)

Daughter/Libby/Presta

Jason (Anton’s Son)

Anton (Jason’s Father)

Fights: Each fight features a different type of weapon and the style associated with it.That will be left to those who know more about these things.Each fight is a duel for a prize.Each prize in “fantasy” is one given by Amy in “reality.”They are all pins that symbolize each state of woman.Daughter fights Lover and takes her place.Lover fights Mother and takes her place.Mother fights Crone and takes her place.Crone fights Goddess and by losing, gets her life to do over.But she keeps the trinkets, the prizes and the teachings they represent.

ACT I

Daughter Becomes Lover

Scene 1

The stage is bare except for a fire upstage center. Above it is an Alter to the Goddess with a platform for her to appear upon.There is a communal space center.

PRESTA enters.She is dressed in fantasy garb and carries a very heavy sword.

PRESTA

Hello?Hello?Is anyone here?

There is no answer.

PRESTA

Hello?I was told you might see me.I was also told you might as easily kill me.I do not what to use my arms.I am here to ask you to help me—

VASIA

To help you win a battle.

VASIA has entered unknown to PRESTA.Her dress is very masculine and it is hard to tell her gender at first – until she fights, at which time she removes the masculine outer garments to reveal her figure.VASIA’S entrance has startled PRESTA who tries vainly to bear the sword.VASIA laughs.

VASIA

Careful young one.If you drop that sword you’ll get quite a headache.

PRESTA

I can use it!I’m the best swordsman in my village.

VASIA

Swordsman?

PRESTA

Yes.I am better than all the boys and men.

VASIA

Are all the others in your village dead then?Or do they let you win because you’re beautiful?

PRESTA

I am not—

VASIA

Of course you are!That’s why it’s so funny to me.Young women do not fight in these parts. Sword play is the charge of young men and a select few Crones, like—

PRESTA

You are not!

VASIA

Of course I am.Look around young one, do you see children?A Husband?No, I have grown to maturity alone and I have earned the right to choose what I do with my life.And most of my freedom was earned with the blade.

VASIA unsheathes a much lighter and probably sharper instrument.PRPESTA is scared but stands to arm.

PRESTA

Do you wish to engage me?

VASIA

If only to see if you can really lift that gatepost you carry.

PRESTA takes up a defensive position.

PRESTA

I haven’t used it much but I was told you are the best swordsman in the country.

VASIA

Swordswoman, young one.I am a woman.Are you sure you want to die a maid?

PRESTA’S blush turns to anger and she charges VASIA who parries, and after a few short moves, disarms and stands over PRESTA ready to strike.She laughs the whole time.

PRESTA

I am not afraid to die!It would be an honor to die at your hand… But…

VASIA

But you came to ask me a favor.

PRESTA

Yes.

VASIA

To help you train.

PRESTA

Yes.

VASIA

So that you can kill a rival.

PRESTA

How did you know?

VASIA helps PRESTA up.

VASIA

Every year about this time, just after the thaw, young men have swallowed their pride and come to have me teach them sword work.Some are sincere, others are cocky.The cocky die a most embarrassing death.

PRESTA

So I am sincere?

VASIA

You are a curiosity to me.You are the first young woman I have seen on this kind of quest.Women come to me but they are of an age where innocence has passed and other desires replace those more traditional ones – some of the ones I assume you are here to see me about.

PRESTA

Will you take me on as a pupil?

VASIA

I don’t know.I don’t even know your name…

PRESTA

Presta.And how should I address you?Master?

VASIA

Never call me Master!Call me Vasia.

PRESTA

But I would be such a good student…

VASIA

What?Fighting like you do, with so much emotion, will get you killed.I am surprised that you are alive today…

PRESTA

You were right.The boys in my village let me win.But I did learn a few things.May I show you?

VASIA

There will be time for that.First, I think I need to hear the story.

VASIA puts a kettle on the fire.

PRESTA

What story?

VASIA

About the young man.And the young woman to whom he’s betrothed.

PRESTA

How did you know?

VASIA

I am not a young woman but I was once and not as long ago as you might think.The man.Is he worth dying for?

PRESTA

Oh, completely.I would do anything to—

VASIA

And the young woman.Your sister?

PRESTA

How did—?Yes.

VASIA

You want to kill your own sister over a man?

PRESTA

She didn’t even know him until I told her about him.She has to be married first so I asked her to hurry and choose so I could marry him.He doesn’t even love her but his parents and mine have made an arrangement.

VASIA

He loves you, then?

PRESTA

Yes… No…I don’t know!I hoped that with my sister out of the way he would have to marry me.It is the custom in our village.

VASIA

You want to kill your sister over a young man who might not even love you?Do you know what comes of a loveless marriage?A loveless life.A bitter and disappointing life.Why would you choose this?

PRESTA

He is the only man who—

VASIA

There will be others!You are young and beautiful.Why have no other men talked to your father?

PRESTA

It is only women in my family.My father was a great soldier.

VASIA

And like all great soldiers he is dead.

PRESTA

Yes.Before I even knew him.But my sister remembers him.He taught her to fight.In my house, I am one of many.Me, my sister, mother, aunt and grandmother.

VASIA

That’s why men don’t come to court?Lots of power in that clan I guess.

PRESTA

You don’t know the half of it.

VASIA

What else?

PRESTA

I lied.I am not the best swortsm—swordswoman in the village.My sister is.All the boys and most of the men have tried her.Mainly to win her hand.But she beats them all – and many carry scars that add to their disappointment.The boys…

VASIA

The boys fight you so that they may learn to best your sister.

PRESTA

Yes.But one won’t fight.

VASIA

This is the one you are here about no doubt.

VASIA pours tea.

PRESTA

Are you gifted with second sight Master Vasia?

VASIA

Vasia will do, Presta.No, I am not gifted in that way.I do have a good connection to the Goddess but I do not have second sight.I can tell your story because it is close to my own.

PRESTA

It is?

VASIA

Yes, young Presta.And mine didn’t have a traditional ending…

VASIA gestures to her clothes, the décor and the weapons all around.

PRESTA

Did you?Well, what happened?

VASIA

There will be time for that.First we must see what The Goddess has in store for you.Are you willing to submit to her will?

PRESTA

What does that mean?

VASIA

The Goddess knows your life’s plan.If you like, I can ask her for you.Might save you a lot of unnecessary trouble.

PRESTA

Can you do that?

VASIA

Yes.But first you must be purified.

VASIA places herbs on the fire, chief among them sage.PRESTA is led through the flame.

PRESTA

It didn’t even—

VASIA

A good sign to be sure.Now sit here and face the Alter.

The women sit as two points of a triangle, the top of which is the Alter.The Goddess AMORAH appears on the Alter, dressed as a war goddess should be.She is wise, old, fit tough as nails and beautiful—with a large capacity for love.

AMORAH

Peace to those who pronounce the incantations properly.Woe to those who misuse the power of the Goddess Amorah.

VASIA

Amorah.Great Mother.

AMORAH

It is my acolyte.Speak, Vasia.

VASIA

I am here with one who petitions.

AMORAH

Who asks of me?

VASIA nods to PRESTA.

PRESTA

It is I, Great Mother.I am Presta.

AMORAH

Ah!Finally have you come to settle the accounts and fulfill the prophesy.

PRESTA

What?No, I just want your advice on—

AMORAH

Be silent, child and listen while I read the words etched on thy heart, the desire of thy being and the woman you may become if you wish to engage the mind, body, soul and spirit.

PRESTA

I…I don’t know.

VASIA

It’s OK. Just listen to the Goddess.

AMORAH

Presta.Thy will is strong.It confuses my great plan for you.The key that unlocks a door to the Universe is thine for the asking.But you would have Presta be the name be of the greatest to wear the armor and brandish the sword.Thy shield will protect the masses.It is you who must decide the path you choose.One is not ordinary and the other is less so.

PRESTA

But, there’s this guy, see…

VASIA

Great Mother.Amorah.What is your will for young Presta?

AMORAH

Her path is divided by that strong will of hers.To love one or many?To protect the very world or be a citizen of it?She will not remember until her choice has been made.

VASIA

When will the choice be made, Amorah?

AMORAH

When it is made.In time.

VASIA

But what, Great Mother, should we do while we await her enlightenment?

AMORAH

Love or glory.It is her choice.

VASIA

What to do, Amorah, in the time before the choice is made?

AMORAH

What you were born to do, Vasia.What you chose to do right here – in your own time.To train your successor.

VASIA

Mistress!

AMORAH

It is time or it is not time.Together will you know. You know thy path and there are variables for all students.Should she choose her own path, Presta’s leads through you.Teach her all you would to help her and protect the self.

VASIA

Thank you Mother Amorah!

AMORAH disappears and PRESTA comes out of a deep trance.

PRESTA

What a dream I had.Did you commune with the Goddess?Did she enlighten you?

VASIA

Don’t you remember?

PRESTA

I remember a dream that even now fades away so fast it’s frustrating!Tell me.What will we do?

VASIA

We will train.

PRESTA

Master!

VASIA

Call me Teacher.

The lights fade down on the cave and…

…up on a modern day living room.

Scene 2

The Alter has become a fireplace and the communal space a couch and coffee table. There is a wedding shower underway.On the couch is KERRY next to her friend MARY ANN.To one side is KERRY’S Grandmother AMY, her Mother STEPHANIE and STEPHANIE’S friend KATARINA.KERRY opens a present.

KERRY

Oh, Grandma Amy!It’s a beautiful pin.Is it one of yours?

AMY

No, Kerry.I got that years ago and have been waiting for one of my granddaughters to get engaged so I could give it to her.

STEPHANIE

Libby will be so jealous.

AMY

She gets one similar when…

For more information on The Rules of Engagement, see Rights and Royalties

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