SIDE COACHING: What do you think; What’s your input to help me add to this conversation and to reflect on it with new insight.
Small Group Work:
Christensen, L. 2000. "Sweet Learning." P. 23–26 in Reading, Writing, and Rising Up. Portsmouth, NH: Heinemann.
Part I:
I have adapted Christensen’s (2000) ‘sweet learning’ activity.
Sweet Learnings
My parents taught us to dream beyond Lambert Street. I learned expressions, like: what the samhill is wrong with you; believe nothing you hear and only half of what you see; don’t pee on my leg and tell me that it’s raining; Rob Peter to pay Paul. My Mother taught me how to enjoy doing homework and to always read beyond the assigned page numbers. She enjoyed my homework more than I did.
We would go on drives to the airport to see planes take off and land; to the countryside outside of the city limits; on surprise rides to amusement parks. Brother-in-law Bill taught my mother & I how to drive a car. My Father taught me how to fish and to make spaghetti & meatballs and how to make Italian sausage by hand. My Father helped me remember how to spell the word, friend ending in end.
Street names and how to navigate in the city, I learned from my Father. How to negotiate the emotional realm, was my mother's domain.
This story is about what I learned from my mother this one spring day when I was in second grade .
Identify Story Elements in my story:
We all know what makes a good story naturally. Who are the best storytellers?
· Dialogue-Character’s voice and language
· Setting & blocking-place of the story and how movement unfolds
· Interior Monologue- what character thinks and feels
· Authentic Experience-smells, tastes, sounds as if the listener were there
· Character Description
· Figurative language
· Flashbacks
Think about the sweet learnings in your own life where people in your family taught you and contributed to who you have become today.
We will take some time for a guided imagery to recall and reflect on these memories as if in a movie.
You are traveling back home (or another comfortable place to you) as if in the speed of light, there you find yourself, surrounded by those familiar sights, smells, and sounds. Your eye catches something familiar and you walk over to it and remember a story about it. Then you hear a familiar voice talking, my you haven’t heard that voice in a long time. How does that voice make you feel? Sit for a while and look over all the things in the room or go walking around. Each item you touch or with each thought brings a deluge of feelings, smells, tastes as if you are reliving it. Settle on something- a thought-an object-a sound and take time to focus on that memory. Let your mind wander to relive that experience. Enjoy! Now it is time to say thank you for the visit and goodbye. Say your parting words of farewell, knowing you can always return whenever you like. Return from your travels just as fast as you arrived; we are back in your space with your friends. Settle on a remembrance of something you learned as a sweet learning and write about your remembrance in your journal.
Share your stories with a partner. Listener take notes on what sweet learnings took place. (What learning took place, what were the conditions, where did learning take place?)
Share the collective text of our stories-commonalities-themes (Who did you learn from; watching, listening, doing; what could we learn from these experts in your families?)
Acknowledge your experiences are valuable assets that you bring to this summer institute in your learning.
“Because I live in a society that honors the wealthy and tends to hold in greatest esteem ‘high status’ formal knowledge, I must find ways to honor the intelligence, common sense, and love that beats in the hearts of my students’ families” Christensen, 2000, p. 25).
Part II:
The question is what are the next steps to take this to the written realm? How would you guide the story from oral telling through the written stages with students?
Part III: Groups share with the whole group and record responses
The big question for me as a teacher is: As Paul Epstein (2010) remarks, how do we teach strategies for writing by embedding them in oral language?
“Familiarizing ourselves and valuing the diverse and multiple literacies that students of different cultures bring with them enhances the learning potential of those students and that of the entire class” (Moayeri & Smith, 2010, p. 415).
NM Language Arts Standards & Benchmarks
Teachers of English language arts shall:
A. LANGUAGE DEVELOPMENT
(3) demonstrate knowledge that speaking, reading, writing, listening and thinking are interrelated.
(2) understand the importance of rich oral language experiences in early grades and how those experiences can lead to writing skills.
(2)(iv) understand that students of diverse cultures interpret written and oral language in different ways.
(3) understand that the educational process includes families, and the social and economic communities.
D. PEDAGOGY
(1) be able to effectively deliver instruction using a variety of approaches.
(b) All language arts teachers need to be aware of varied students needs and how to modify and implement instruction for diverse learners.
(c) be aware of strategies for helping students be sensitive to and understanding of each other’s learning and social needs.
B. COMPOSING & ANALYZING LANGUAGE
C. RESEARCH