texts
Gérard Grisey extended the different possibilities of the
synthesis techniques developed in electroacoustic music,
such as analogue, additive, granular synthesis, etc. Now
this notion of synthesis was not just a technique but a
model for an understanding of music, a concept he called
“Instrumental synthesis”:(a perceptual synthesis)
Ablinger has once more renewed this concept, and we now
speak of the Synthesis of Experience,
“Synonym of a utopia of immediate experience of the totality of the moment”
Christian Scheib, Static's Music - Noise Inquiries , op.cit. Web de Ablinger.
Texts
The Society Of The Spectacle, Guy Debord PDF
One dimensional man, H. Marcuse PDF
The Field of Cultural Production, Pierre Bourdieu PDF
A-Thousand-Plateaus G. Deleuze-F. Guattari PDF
Aesthetic Theory, Theodor W. Adorno PDF
Give my regards to eight street, Morton Feldman PDF
Of Grammatology, J. Derrida PDF
Deconstructing Tradition in Japanese Music, Gunnar Jinmei Linder PDF
Peter Ablinger, Texts in english Link
Brain structure and meditation, Britta K. Hölzel PDF
Noise & Capitalism, Anthony Iles,Mattin,Edwin Prévost PDF
Guqin and Music Scholarship in Modern China, Chuen Fung Wong PDF
Guqin and Guzheng, Gaywood, Harriet Rosemary Ann(English) PDF