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Gérard Grisey extended the different possibilities of the

synthesis techniques developed in electroacoustic music,

such as analogue, additive, granular synthesis, etc. Now

this notion of synthesis was not just a technique but a

model for an understanding of music, a concept he called

“Instrumental synthesis”:(a perceptual synthesis)

Ablinger has once more renewed this concept, and we now

speak of the Synthesis of Experience,

“Synonym of a utopia of immediate experience of the totality of the moment”

Christian Scheib, Static's Music - Noise Inquiries , op.cit. Web de Ablinger.