Drawing for Beginners (NAS, on campus)

Do you want to learn to draw in a way that’s both responsive to the unique qualities of your subject, and at the same time sensitive to the expressive effect of your drawing’s abstract elements, such as line, rhythm, shape, tone, and mass?

In this course for beginners on the crucial but often overlooked fundamentals of drawing, you'll  learn to see and record your subject in a unified way, through increasing awareness of proportion, alignment, structure, perspective, and light and shade, while at the same time increasing your awareness of the expressive effects of your drawing’s abstract elements. You'll draw from subjects including plaster casts, still life objects, the historic National Art School campus and the life model, and also closely study artists’ drawings from many eras that are outstanding for their responsive and expressive qualities.

In your first term you'll mainly use graphite pencils or sticks, black and white chalk, and pen and ink, but returning students can choose to explore one of these media more deeply, or additional media or techniques such as coloured chalks, ink and wash, layered techniques, mixed media, and/or more sustained studies.

Student drawings, Drawing for Beginners

Bookings

Offered regularly as eight Saturday classes, 10 am to 2 pm on campus at the National Art School, Sydney, with "Early bird" and concession discounts available (see the  NAS website for cost and enrollment details). Next session:

https://shop.nas.edu.au/collections/on-campus?filter.p.m.custom.course_lecturer=Dr+David+Briggs

Some classic drawing references


Speed, Harold, 1913. The practice and science of drawing

https://archive.org/details/practicescienceo00speeiala

Goldstein, Nathan, 1984. The art of responsive drawing 

https://archive.org/details/artofresponsived0000gold

Meder, Joseph, 1978. The mastery of drawing

https://archive.org/details/masteryofdrawing000iunse

Charles Bargue Drawing Course

https://archive.org/details/C.BargueDrawingCourse


Norling, Ernest. R.,  1939. Perspective made easy

https://archive.org/details/PerspectiveMadeEasy

White, Gwen, 1968. Perspective A Guide For Artists, Architects And Designers

https://archive.org/details/perspective-gwen-white-1977-b-w

Chelsea, David, 2000. Perspective For Comic Book Artists

https://archive.org/details/perspective-for-comic-book-artists 

Amendola, Sal, 1983. Perspective for the artist

https://archive.org/details/perspectiveforar0000amen

Montague, John, 1993.  Basic perspective drawing : a visual approach

https://archive.org/details/basicperspective0000mont

Cole, Rex Vicat, 1921. Perspective for artists

https://archive.org/details/perspectiveforar00cole 

Powell, William F., 1989. Perspective

https://archive.org/details/perspective0000powe


Loomis, Andrew, 1951. Successful Drawing

https://archive.org/details/andrew-loomis-successful-drawing/page/n21/mode/2up

Loomis, Andrew, 1947. Creative Illustration

https://archive.org/details/creativeillustra0000loom_n7x6 (complete, read online only)

https://archive.org/details/andrew-loomis-creative-illustration (pdf with some missing pages)


Holme, Charles, 1901. Modern pen drawings: European and American.

https://archive.org/details/modernpendrawing00holm/mode/2up

Pennell, Joseph, 1894. Pen drawing and pen draughtsmen.

https://archive.org/details/pendrawingpendra00penn_2/mode/2up

Guptill, Arthur, 1961. Drawing with pen and ink (revised edition; read online only) 

https://archive.org/details/drawingwithpenin00gupt


Loomis, Andrew, 1943. Figure Drawing for All It's Worth.

https://archive.org/details/FigureDrawingForAllItSWorth_20180306

For many more figure drawing references see my page for Anatomy for Life Drawing


Scans of drawings

Zip files of drawings from class:

Drawings1.zip (pencil/ black chalk/red chalk; click here, then click on download symbol on next page)

Black and white chalk.zip 

High Resolution Drawings from Old Masters

https://www.facebook.com/groups/1749572915265868

National Gallery of Art, Washington

https://www.nga.gov/collection-search-result.html?sortOrder=DEFAULT&artobj_classification=drawing&artobj_lifespan=1500_2022

The Metropolitan Museum of Art, New York

https://www.metmuseum.org/art/collection/search?material=Drawings

Getty Museum

https://search.getty.edu/gateway/search?q&cat=type&rows=10&srt=a&dir=s&dsp=0&img=0&f=%22Drawings%22&types=%22Drawings%22&highlights=%22Open%20Content%20Images%22&pg=1 

Archive.org

https://archive.org/search.php?query=subject%3A%22Drawings%22&and%5B%5D=mediatype%3A%22image%22 

Wikimedia

https://commons.wikimedia.org/wiki/Category:Drawings


Public life drawing  sessions in Sydney

Our life model Olivia prepared a current list of venues where you can practice life drawing

https://livtoperform.com/sydney-sketch-clubs/


Light and shade

My other classes at NAS

Understanding and Applying Colour (online, alternately 10 am - 1 pm and 6 pm - 9 pm)

This is my completely unique, in-depth online course on a wide range of aspects of colour, and especially those relevant to painters. The course consists primarily of copiously illustrated lectures, complemented with descriptions and demonstrations of practical exercises that progress from basic exercises illustrating colour theory to painting studies. The course attracts students from all over the world. 

Oil Painting with Colour and Light (on campus, Thursday evenings and some Summer Schools)

This is my on-campus, practical oil painting class at NAS. It is often done by students who have previously done the Understanding and Applying Colour online course (or vice versa, the classes can be done in any order). New students work through a structured series of painting exercises progressing from tonal painting to full colour, but previous students (of either course) can choose among the exercises and work at their own pace. 

Anatomy for Life Drawing (Summer and Winter Schools)

Anatomy for Life Drawing is a five-day workshop held in the magnificent top floor studio in the Chapel at the National Art School in the Summer and Winter School for the last ten years. For beginning anatomists the focus is on the skeleton, but content is flexible for those with prior knowledge. 

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