Notebooks for Anna Magdalena Bach
1st Book (1722)
2nd Book (1725)
Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of Clavier-Übung.
Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830.
Minuet in F major, BWV Anh. 113.
Minuet in G major, BWV Anh. 114. Usually attributed to Christian Petzold.
Minuet in G minor, BWV Anh. 115. Usually attributed to Christian Petzold.
Rondeau in B-flat major, BWV Anh. 183. This piece is by François Couperin and is best known under the original title: Les Bergeries (6e Ordre).
Polonaise in F major, BWV Anh. 117a [commons]
Polonaise in F major, BWV Anh. 117bMinuet in B-flat major, BWV Anh. 118
Polonaise in G minor, BWV Anh. 119
Chorale prelude "Wer nur den lieben Gott läßt walten", BWV 691
Chorale setting "Gib dich zufrieden und sei stille" in F major, BWV 510
Chorale setting "Gib dich zufrieden und sei stille" in G minor, BWV 511
Chorale setting "Gib dich zufrieden und sei stille" in E minor, BWV 512Minuet in A minor, BWV Anh. 120
Minuet in C minor, BWV Anh. 121
March in D major, BWV Anh. 122. Usually attributed to Carl Philipp Emanuel Bach.
Polonaise in G minor, BWV Anh. 123. Usually attributed to Carl Philipp Emanuel Bach.
March in G major, BWV Anh. 124. Usually attributed to Carl Philipp Emanuel Bach.
Polonaise in G minor, BWV Anh. 125. Usually attributed to Carl Philipp Emanuel Bach.
Aria "So oft ich meine Tobackspfeife" in D minor, BWV 515
Aria "So oft ich meine Tobackspfeife" in G minor, BWV 515aMenuet fait par Mons. Böhm, by Georg Böhm. Not included in the BWV catalogue.
Musette in D major, BWV Anh. 126
March in E-flat major, BWV Anh. 127
(Polonaise) in D minor, BWV Anh. 128
Aria "Bist du bei mir", BWV 508. This composition is probably the most well-known of the arias of the 1725 notebook. Its melody is by Gottfried Heinrich Stölzel.[6]
Keyboard aria in G major, BWV 988/1. Another well-known piece, this is the aria of the Goldberg Variations, BWV 988. Christoph Wolff has suggested that this Aria was entered into the two blank pages of this book by Anna Magdalena later, in 1740.
Solo per il cembalo in E-flat major, BWV Anh. 129. A harpsichord piece by Carl Philipp Emanuel Bach.
Polonaise in G major, BWV Anh. 130. Possibly composed by Johann Adolph Hasse.
Prelude in C major, BWV 846/1. This is the first prelude from The Well-Tempered Clavier, Book 1, with bars 16–20 omitted, most likely in order to make the piece fit in two pages.
Keyboard suite in D minor, BWV 812. This is the first French Suite.
Keyboard suite in C minor, BWV 813. This is an incomplete version of the second French Suite.
Movement in F major, BWV Anh. 131. The handwriting looks like that of a child, and apparently the piece is an attempt to create a bass line for a given melody.
Aria "Warum betrübst du dich", BWV 516
Recitative "Ich habe genug" and aria "Schlummert ein, ihr matten Augen" (solo), BWV 82/2,3
Chorale setting "Schaff's mit mir, Gott", BWV 514
Minuet in D minor, BWV Anh. 132
Aria "Willst du dein Herz mir schenken" (subtitled "Aria di Giovannini"), BWV 518
Aria "Schlummert ein, ihr matten Augen", unfinished, BWV 82/3
Chorale setting "Dir, dir Jehova, will ich singen" (version for choir), BWV 299
Chorale setting "Dir, dir Jehova, will ich singen" (solo), BWV 299Song "Wie wohl ist mir, o Freund der Seelen", BWV 517
Aria "Gedenke doch, mein Geist, zurücke", BWV 509
Chorale "O Ewigkeit, du Donnerwort", BWV 513
