Poetry
C. John Graham
C. John Graham
I've been writing poetry for a few decades and have been fortunate to see many poems published in literary journals. Here are a few examples. Thanks to the publications where these first appeared. And check out my poetry chapbook, Where I'm Going, at https://bottlecap.press/products/whereimgoing .
For insights on the composition of "Residue," see Wild Roof Journal's substack.
“CONSPIRE” MEANS TO BREATHE TOGETHER
A brick here, a girder there, and soon,
high-rises trickle light
like constellations decrypted
among the broken clouds.
The ocean idles at the end
of habited earth. Gravity-leavened,
it rises while you’re sleeping; it loves
the crinkled moon. Tonight
you’ll body yourself upstairs.
Speck of space dust flare
and plummet, their evanescent
signatures
congealing in evening air.
The nictating city
slumbers in its wetland bed, a billion
synapses sending each minute
uneasy missives
to an ambivalent heaven.
Girded in a cirrus halo, the moon
commandeers your clerestory, her iridescence
devouring every brilliant
thing in sight. Eating until she’s
filled with light.
Halcyone Literary Review October 2020
RESIDUE
Dear Death Valley: Your runways and roads
are rut-furrowed now, that thousand-year cloudburst already over-
vetted by park rangers’ Biblical renditions. And me, I’m just dirt
eroded from slopes but not misspent, bound to be alluvium
down east of Baja Norte. Does that make sense,
direction-wise? Poles wander, but we sedimentary brethren seek
our watery level, except when thrusting plates look
for an occasional coupling. The humans, you ask? Gravity’s a road
to abasement of the sapien senses
and there’s a load of prone examples: fleshly feelings super-
devastated or outright canceled by quake or virus, Delta
or Omicron, ashes drifted to river bottom, just dust
at every ending. While a billion light-years past Earth’s
partitioned rotation, two tons-per-teaspoon neutron stars seek
union in an unsteady minuet, planting
scant ripples in space-time’s jouncey blanket. The globe rode
a likewise potholed highway once (before that over-
active brood arrived) when a some semi-molten unthinkable
rock flung a moonsworth of Earth into orbit, at least that’s the theory.
Physicists of one ilk or another claim to have the dirt
on our hypothetical origin—“condensed matter” they call it—really
not a conversation-starter for a species seeking
clean air while scribing skid-marks on the rock-hard avenue
to oblivion. Their chronicle of layered
leavings includes plenty of residue
to go around, e.g. two oxygen, one carbon, a sensible
molecule now seeding heat exhaustion. Highway 61
is their anthem to entropic deconstruction—Earth
urging do what you want, Abe, but run while gazing
knowingly out at cosmic pandemonium. (Yes, I’m over-
stating the case, but the bipeds applaud excess
and out-of-proportion allusions
all the time.) So, what’s to uncover
in this mussed-up anthro-muddle? I suspect
it’s just us, shouldering robes of restless dust
churned up from a well-worn road.
Very sensibly yours,
a few layers of leftover sediment
seeking passage to a final valley.
Wild Roof September 2024
NEXUS
This is what we know so far: satellites pass
overhead each hour, broadcasting their dustings
of doubt; planet or not, Pluto cleaves a neat
inclination each twenty-five decades; mad-hatted
Saturn makes rings of aimless collisions; and the sun
can make havoc of our transmitted fictions.
Volitionless bodies forever furrow space and time.
Treading a lunar-illuminated path between my
white stucco portico and forty acres in total darkness,
I wonder how one abides without the other. Seldom
synchronous, these queries flare and extinguish
under an abyss of constellated sky. Heaven
is a temple in the days we long to go home;
Earth is a classroom for the rest.
Appeared as a broadside for the Karen Chamberlain Poetry Festival in Carbondale, CO March 2013
THE MOUNTAINS ARE ON FIRE, AND THE PEOPLE ARE AFRAID
Throwing a good-bye kiss, he pauses on the lower
stair landing. Spring is early this year—are you
going to hang out the hummingbird feeders?
*
She weeds the flagstone walk, prunes a newly
planted rose. Seeding lettuce in wet dun beds, she whispers,
Bare just one leaf to the moon.
*
Leveling at thirty-one thousand feet, he streaks
through a lead-pencil sky. Over blackened
canyons, the contrails swirl like snow.
*
Four hours of Discovery Channel and she wonders:
Why aren’t the redwoods impervious to fire? How does a humpback
echolocate? How does he come
*
clean out of the water? Each morning
she makes ritual
of pinching the coleus buds.
Glint Literary Journal Dec. 2022
NEEDLE
A body mostly water: water in
the bones, the nerves, the straining
muscle, heart, brain.
*
Water bends a straw
by bending light. This body
one empty straw, with
*
a portal between the eyes, a phantom
hatchway above the skull.
The dim glimmer
*
of deskbound lamplight perishes in interstellar shimmer.
Nebulae elastic
*
arc the black vacuum, a factory
of stars. Be
the needle
on the hanging
thread.
The Inflectionist October 2022
CLOUD CHAMBER
particles leave traces in fog
in a blue-veined alabaster vestibule
prayers evaporate Mary
may abide but
the data paint your face
pretty particles in vapor
lay tracks from above
I open my mouth
and eat the clouds
to forget how
you taste
Painted Bride Quarterly October 2023
SHOOTING RABBITS
It’s the day for shooting rabbits. I can’t imagine
why it’s been so long. Neither can anyone else. My business
is the new business; the old business
was finished long ago. Now some are getting
ready to shoot; some are already
shooting. No one has given us
the answer sheet; no one
has an answer. I dream of shooting
the long-range missile in the silo. This counts
as a big rabbit.
The Laurel Review Fall 2010
DEPARTURE CLEARANCE
A rain-blackened branch
creaks in the breeze.
Leaf clutter rustles under
pendulum steps.
How many times
can a limb shadow sever
the silver string of recollection?
Mottled daylight plays
among the trees. Look—
it stays a while on you.
Taos Journal of Poetry and Art July 2017
SPACE
It’s ten p.m. when you step into the study and stumble
through the two-year-old’s debris field. Your spouse
rattles a snore from the sofa, oblivious to the nova
dusty little star cluster, will you
never coalesce?
at her feet, while the dog winds himself
silly and sighs in a corner, declining
your entreaties to reacquaint.
arm of the spiral, neighborhood
of anarchy
Tomorrow he’ll delight in desiccated kibble, yellow
nebulae mottling rectangular lawns, and the coded odors
of a regiment of ticking parking meters. An orderly
the vacuum roils
with effervescing particles
universe, like the days when the Ring Nebula
was just a ring. Now it’s a supernova, gas and dust
blown everywhere, as epithets still fly
the probability of collision
is never zero
over Pluto’s demise. Space pablum spatters
Hubble’s double ears. An unplumbable hole
inhales a nursery of stars. Gravity waves rumble
event horizons
leak undecipherable information
the guts of the planet, triggering another
strike-slip fault. Like a promise that only holds itself,
you’re made of mostly empty space. Without an explicable
time spools
into a singularity
whim in your head, you retrieve
from the carpet a faded blue bead
while radio telescopes in the desert
gravitational lenses
magnify the explosion
intercept signals from
a red-shifted dim double star
announcing its self-annihilation.
Blue Mesa Review #7, fall 1995
TERMINAL VELOCITY
A penny dropped from the top
of the Eiffel Tower could kill
someone. Or so goes a myth.
Which building it departs doesn’t
matter so much as its constant
terminal velocity
in draggy Paris air, a speed
of around 44 km/h—to the top
of the head nonfatal. Constantly,
I’m apologizing for killing
the head-banging fly who can’t
press for clemency. The myth
of sin. The myth
of the bumblebee’s fast-
flutter as unairworthy—it doesn’t
hold any garden water. What’s the top
speed of a low-flying death,
or the undelivered forevers
of every whom and what? Always
the myth
that a kill
happens once. That the velocity
of original thought tops
a goldfish’s eyeblink attention. Doesn’t
matter? Who doesn’t
long for a forever
fontanelle, a lucent pane above
the brain’s imperious aims? A myth
more delectable than a speeding
sou, an acceptable ending
to a baby-faced tale. Am I a killjoy
for insisting that a particle accelerator doesn’t
manufacture black holes? That the velocity
of logic flirts with relativistic? Constantly
I’m plunging down another magical
warren chase, as songbirds on high
are inevitably drawn to sky-scraping selves, killing
sentience in an instant. You know, the myth that
top speed will never taper, never end me.
No Country June 2024