Cartooning

Image of cartoon portraits

CARTOONING

CARTOONING COURSE SYLLABUS Ms. Tinucci

This course will explore essential components of cartooning: history of cartoons/comics and historical cartoon artists, cartoon figure drawing in ink, background basics, comic-strip writing, graphic storytelling, panel and page composition, and graphic novels. Students will develop a self-published mini-comic alongside several class exercises and worksheets.

Students will learn to make comics from start to finish. Students will experiment with writing and drawing short narrative comics, while also being introduced to book design. Comics will be analyzed not only in terms of writing and illustration, but also in terms of color, illustrating the anatomy of a figure, perspective and design. By the end of the course, students will have completed several comic booklets, and have gained a thorough understanding of creating a multi-colored mini-comic.


In this course you will:

  • Learn about lettering, inking, writing, texture and composition in this course, designed to challenge you as a cartoonist and illustrator.


  • Learn the basics of anatomy, foreshortening, shading environment and composition.


  • Learn how to handle your tools and apply ink, first in a series of short value studies and then quickly moving onto applying inks to concept work.


  • Learn how to create different short story projects and stand alone pieces. These lessons are there to offer you a chance to build your vocabulary as a cartoonist and give you a chance to encounter all the challenges necessary to tell visual stories on paper.


Daily Expectations:

  • Use your class time wisely and work on the project at hand.

  • Log into Google Classroom and submit ALL completed on-line assignments

GRADING:

Your grade will include your in-class studio participation AND at home assignments submitted to Google Classroom.


Projects in class: 40%

  • Specific criteria for each, which includes effort, creativity, and craftsmanship

Projects online in Google Classroom: 40%

  • Specific criteria for each, which includes effort, creativity, and craftsmanship

Class Participation: 20%

  • Attendance, discussion, and critique activity, Quizzes, being on task and daily class preparation.

  • Work habits, effort and time management


SUPPLY LIST:

  • Pencils, a standard HB pencil, some hard pencils, such as a 2h, a 3h or a 4h. (Pencils are numbered on the side)

  • Inexpensive nylon watercolor brushes. Variety pack of brushes. Brushes should come to a point, be short-handled and sized anywhere between .005 and 7.

  • Squeezable Whiteout pen or standard Whiteout

  • Sketchbook- approx. 14” x 17” white sulphite drawing pad suggested (e.g. Strathmore, Bristol Plate Surface, Aquabees Multimedia pad or Fabriano smooth ) – for planning the design, before working on good paper for finished art

  • Pencil sharpener w/ enclosed shavings container

  • Two or three fine-pointed Black ink pens – Felt tips pens or pigma markers are ideal Possible brands/types: Sanford Ink’s Papermate Liquid Expresso Extra-Fine Line (favorite), Pilot Razor Point, Copic Multiliner pens, Sakura Pigma Micron technical pen (005 to 03), Sakura Pigma brush (marker), Staedtler Mars Graphic 3000 Duo Brush Markers, Pentel Brush Pens, or whatever you choose.


Suggested Reading:

  • **Comics & Sequential Art and Graphic Storytelling & Visual Narrative – by Will Eisner http://willeisner.com/

  • **Understanding Comics: The Invisible Art, Reinventing Comics: How Imagination and Technology are Revolutionizing an Art Form, and Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels - and visit http://www.scottmccloud.com/ – by Scott McCloud

  • Visual Storytelling: The Art and Technique – by Tony Caputo

  • Panel Discussions: Design in Sequential Art Storytelling – by Durwin Talon

  • The Making of a Graphic Novel: The Resonator – by Prentis Rollins

  • Perspective! for Comic Book Artists: How to Achieve a Professional Look in Your Artwork -- by David Chelsea

  • Constructive Anatomy, Complete Guide to Drawing from Life, etc. -- by George Bridgman

  • Dynamic Anatomy, Drawing Dynamic Hands, etc. -- by Burne Hogath

  • How to Draw the Marvel Way – by John Buscema

  • The New Official Marvel Try-Out Book – by Marvel Comics How to Draw (The Best of Wizard Basic Training) series – by Wizard Entertainment

  • How to Draw Manga series – by Graphic-Sha The Complete

  • Guide to Comic Book Inking: 2nd Edition – by Gary Martin Alan

  • Moore’s Writing for Comics: Vol. 1 – by Alan Moore Writing for

  • Comics with Peter David – by Peter David The DC Comics

  • Guide to Writing Comics -- by Dennis O’Neil The DC Comics

  • Guide to Penciling Comics -- by Klaus Janson The DC Comics

  • Guide to Inking Comics -- by Klaus Janson The DC Comics

  • Guide to Coloring and Lettering Comics – by Mark Chairello & Todd Klein http://en.wikipedia.org/wiki/Comics



Cartoon Ms. Tinucci


ASSIGNMENT I:

Who is your favorite cartoon character?

What is the name of the artist that created the character?

What are the characteristics of the character that appeal to you? What do you like about the character and the design of the character?

How would you describe the style of the artist?


Draw your favorite character on drawing paper to be submitted for a grade.