The Role of Systematic Cantonese Language Education in Nurturing Diasporic Identities: Lessons from a University in North America
Good Eat: Identity and Authenticity through Language in Hong Kong Eateries
Preliminary Inquiry of the Development of Contemporary Cantonese Theatre in Hong Kong
British Chinese? British Hongkonger? Towards a New History of Hong Kong Migrants in the UK
Hong Kong Studies and the Making of Hong Kong Subjectivity
Beyond Political Hostility: Coloniality, Chineseness and Locality in Post-2019 Hong Kong pop music
Relational Creativity and Participatory Research: Community Film Screenings and Art Exhibitions in Hong Kong-UK Diasporic Community
Performing the Tale of Lo Ting, in the Encounter with the Emergence of ESEA Identity in Britain
Melodies in Migration: Navigating Cultural Identity through Cantopop Lyrics
Digital Media of Diaspora: UK Hongkongers on YouTube
Transition of the Art Exhibition Landscape in Hong Kong - From Physical to Digital
Written in Sand: Collaborative Design Historical Narratives of Hong Kong at the Hong Kong Pavilion, London Design Biennale 2021
The “Cultural Representations” of Hong Kong at the Commonwealth Institute in London from the 1950s to 70s
Where Do “We” Live?: The Disappearance of the Former Vietnamese Asylum Seekers Campsites
Laughter of the “Left Experience”: Emigration Comedy Films in Hong Kong during the Transition Period (1984-1997)
(Re)Presenting Diasporic Hong Kong in Anglophone Stand-up Comedy
Stand-up Comedy and Diasporic Communities: a Practitioner’s Perspective
Exploring Audience Reception of Hong Kong Culture - Insights from the Social Media of Hong Kong Century-Old Tai Hang Fire Dragon Dance
Remembering Anita Mui: Politics of Affective Redress in Online Space
Hong Kong History in Poetry: Creative Non-Fiction
Hidden Transcripts: Volatile Masquerading of Graffiti in Post-2019 Hong Kong
A Call for Academic Inquiry into Hong Kong Comics: Intersections of History, Society, and Culture