Students will create a dynamic illustration featuring one strong focal point (either a figure, animal, or other central object) that tells a visual story through the inclusion of 50 recognizable objects. The objects should contribute to the overall narrative while following the specified rules regarding object count and recognizability.
Learning Objectives
Design an illustration with a clear focal point that leads the viewer’s eye through the composition.
Integrate 50 distinct, recognizable objects into the illustration in a way that supports the story or theme of the artwork.
Develop skills in composition, storytelling, and object placement to create a visually engaging and coherent scene.
Demonstrate understanding of visual hierarchy to prioritize and emphasize the focal point within the scene.
Apply technical skills in drawing and rendering to accurately depict objects and their relationships within the composition.
Big Ideas
Visual Storytelling: Every object and element in a drawing contributes to the narrative. A focal point, supported by the surrounding objects, should communicate a story without the need for text.
Composition and Balance: The arrangement of objects, figures, and space within the image will guide the viewer’s attention and emphasize the focal point.
Attention to Detail: Recognizable and distinct objects help build the richness of the scene and make the story clearer.
Limiting Rules Encourage Creativity: The rules about counting objects force students to think critically about how they use and repeat objects without over-cluttering their image.
Essential Questions
How can you create a compelling visual story using a single focal point and multiple supporting objects?
What techniques can be used to make sure all 50 objects are visually readable and contribute to the overall narrative of your piece?
How do the objects in your illustration influence the viewer's perception of the story or message you are conveying?
What is the role of composition and object placement in guiding the viewer’s eye through your artwork?
Vocabulary
Focal Point: The part of an artwork that draws the viewer’s attention first, often achieved through contrast, color, or positioning.
Visual Storytelling: The use of imagery and visual elements to convey a narrative or message without relying on text or words.
Composition: The arrangement of visual elements within an artwork, determining how they interact and guide the viewer's eye.
Contrast: The use of differing elements (e.g., light vs. dark, large vs. small) to create emphasis or highlight certain areas of the artwork.
Balance: The even distribution of visual weight in an artwork, achieved through the arrangement of objects and elements, creating a sense of stability.
Recognizable Object: An object that is clearly identifiable to the viewer and fits within the rules (i.e., it is not a part of something larger, or attached to a structure).
Hierarchy: The arrangement or presentation of elements in a way that guides the viewer's attention from most to least important.
Layering: The use of multiple digital layers to organize different parts of the artwork, making it easier to edit and refine specific areas without affecting the whole image.
Digital Tools: Software and techniques used in digital art, such as drawing tablets, digital brushes, and color palettes, to create and refine artwork.
1. Ideas & Brainstorming
Objective: Students begin by brainstorming ideas for their digital illustration. The goal is to create a strong focal point (either a figure, animal, or central object) and think about how 50 recognizable objects can tell a story.
Guidance: Encourage students to think about a narrative they want to convey. Should the scene be humorous, dramatic, surreal, or everyday life? What objects might fit this story?
Considerations: Students should avoid generic or unrelated objects. Everything in the illustration should be purposeful, supporting the visual storytelling.
Outcome: By the end of this stage, students should have a rough concept or theme for their composition, a list of objects they might include, and an idea of how they want to position the focal point.
2. Rough Sketches
Objective: Create initial sketches to visualize the placement of the focal point and the 50 objects around it. This stage focuses on overall composition, not details.
Guidance: Remind students that the focal point must draw the viewer’s eye first, so they should consider size, color, and placement. Encourage experimenting with different angles, perspectives, and interactions between objects.
Outcome: Students will produce one or more sketches that represent their ideas for composition, object placement, and the integration of the focal point.
3. WIP 1 (Work in Progress #1)
Objective: Start refining the digital sketch on their chosen software, using digital tools (e.g., layers, brushes) to outline and block in the basic shapes and structures of their objects.
Guidance: Focus on clearly defining the 50 objects and their relationship to each other and the focal point. At this stage, students should have the basic lines, shapes, and layout established but should not yet worry about fine details or coloring.
Outcome: Students should submit their first work-in-progress (WIP 1) by the end of this stage. The image should include the focal point, 50 objects, and a basic layout of the scene. Feedback should focus on clarity, object placement, and how well the focal point is integrated into the composition.
4. WIP 2 (Work in Progress #2)
Objective: Refine the digital illustration further, adding details, texture, and shading. Students will start to bring life to the objects and develop the mood of the scene.
Guidance: At this stage, students should focus on:
Adding details to objects (texture, small features).
Using shading and lighting to enhance depth and emphasize the focal point.
Ensuring that every object is distinguishable and clear to the viewer.
Adjusting the composition to maintain a visual hierarchy, guiding the viewer’s eye toward the focal point.
Outcome: Students will submit WIP 2, with a more detailed and polished version of their digital illustration. Feedback will focus on how well the objects work together to tell a cohesive story and whether the focal point stands out effectively.
5. Final Illustration
Objective: Finalize the illustration by adding color, refining details, and ensuring the piece feels balanced and complete. This stage includes final edits, enhancements, and finishing touches to the work.
Guidance: Students should:
Add color and texture to objects to bring vibrancy to the scene.
Ensure that the focal point is prominent and the most visually engaging element in the image.
Use digital techniques such as layering and blending modes to enhance the visual depth and integration of objects.
Finalize the composition to make sure all 50 objects are visible, recognizable, and contribute to the overall story.
Outcome: Students will present their final illustration, including an explanation of the visual story they are telling and how they used the 50 objects to build that narrative. They should also describe how the focal point and composition guide the viewer through the image.
Materials and Technology
• Digital tablets or drawing tools
• Adobe Photoshop or Illustrator (or similar digital design software)
• Computers with access to the software
• Projector or screen for class critiques
• Internet access for research and inspiration
Georgia Department of Education Standards: Applied Design 1
VAADCR.1: Engage in the creative process to generate and visualize ideas by using subject matter and symbols to communicate meaning.
VAADCR.2: Create artwork reflecting personal solutions to design problems using a variety of techniques, approaches, and tools.
VAADCR.3: Explore various media, techniques, and processes to develop aesthetic criteria.
VAADAR.1: Reflect on and discuss the visual aspects and purposes of artwork from various times and cultures.
VAADPR.1: Create works of art that demonstrate mastery of material, technique, and process.
VAADAR.2: Critique personal and others’ artworks through the application of art concepts.