An Empire of Poet-Kings
The Vijayanagara Empire (also called the Karnata Kingdom) was a medieval Indian empire that covered much of the region of South India, controlling the lands of the modern states of Karnataka, Andhra Pradesh, Tamil Nadu, Kerala, Goa, and some parts of Telangana and Maharashtra.
It lasted until 1646, although its power declined after a major military defeat in the Battle of Talikota in 1565 by the combined armies of the Deccan sultanates. The ruins of its capital city of Vijayanagara surround present day Hampi, now a UNESCO World Heritage Site in Karnataka, India.
The wealth and fame of the empire inspired visits by and writings of medieval European travelers such as Domingo Paes, Fernão Nunes, and Niccolò de' Conti. These travelogues, contemporary literature and epigraphy in the local languages, and modern archeological excavations at Vijayanagara have provided lots of information about the history and power of the empire.
India in 1398 CE (with the declining Delhi Sultanate labeled "Afghan Empire" on the map),
A Historical Atlas of India by Charles Joppen SJ, London: Longman Greens, 1907.
Table of Contents:
🎧 Interested in a soundtrack for your reading?
Historian Paul Cooper recorded an episode about Vijayanagara for his Fall of Civilizations podcast, and worked with musician Aruna Sairam, who recorded 7 tracks for him, in several south Indian languages and Sanskrit. If you’d like to listen to this music while you read, you can find it here.
Kadana Kutoohalam - a traditional piece of Carnatic music.
Lalitha (Hiranmayim) - A mournful piece often used today in Tamil films, lyrics in Sanskrit.
Karthikeya - The main part of this piece is improvisation on the solfa notes, followed by a percussion duet.
Dootam Slokam on Hanuman - The Hampi Hanuman prayer, written by Sage Vyasaraja, lyrics in Sanskrit.
Kannan Varuginra - A Tamil folk song.
Abhang - A devotional song in Language Marathi.
Arumugatharase Ayya - A poem sung in Tamil. Music is fully in improvisational mode.
THE SILK ROAD: CONNECTING PEOPLE AND CULTURES
by Richard Kurin
"For millennia, highly valued silk, cotton, wool, glass, jade, lapis lazuli, gold, silver, salt, spices, tea, herbal medicines, foods, fruits, flowers, horses, musical instruments, and architectural, philosophical, and religious ideas traveled those routes. The roads themselves were generally in poor condition. Travelers in caravans had to brave bleak deserts, high mountains, extreme heat and cold. They had to face bandits and raiders, imprisonment, starvation, and other forms of deprivation.
"Those going by sea braved the uncertainties of weather, poorly constructed ships, and pirates. Yet because the goods and ideas were in great demand and commanded high prices, courtly rewards, or spiritual benefits, they were worth the trouble of transporting great distances."
Click here for more detail, compiled from multiple primary sources, about what goods were traded along the maritime Silk Road, where they came from, and where they ended up.
“Founded in 1336… the Hindu Vijayanagar empire lasted for more than two centuries as the dominant power in south India. Its history and fortunes were shaped by increasing militarization of south india after the Muslim invasions, and the commercialization that made south India a major participant in the Indian Ocean trade network linking Europe and East Asia. Urbanization and monetization of the economy were the two other significant developments of the period that brought all the peninsular kingdoms into intense political and military competition” (Encyclopedia Britannica).
PRIMARY SOURCE: Abdur Razzak visits Vijayanagara from Persia (1443) *Types of people, possible settings
Abdur Razzak visited Vijayanagara with an embassy (group of representatives) from Persia.
"At the end of the month of Zoul'hidjah (April 1443), we arrived at the city of [Vijayanagar].
The king sent an enormous group to meet us, and appointed us a very handsome house for our residence.
"The city of [Vijayanagar] is such that the pupil of the eye has never seen a place like it, and the ear of intelligence has never been informed that there existed anything to equal it in the world. It is built so that seven citadels and seven walls enclose each other…
"This empire contains so great a population that it would be impossible to give an idea of it without extensive details… [In the city], one meets a numberless crowd of people…
“By the king's palace are four bazaars… Roses are sold everywhere. These people could not live without roses, and they look upon them as quite as necessary as food. Opposite the palace… is the house of the elephants… Opposite the Mint is the house of the Governor, where are stationed twelve thousand soldiers on guard.... On the two sides of the [main] avenue… are represented figures of lions, panthers, tigers, and other animals. Thrones and chairs are placed on the platforms, and the courtesans seat themselves thereon, bedecked in gems and fine raiment.
"In the front of this place rose a palace with nine pavilions magnificently ornamented. In the ninth the king's throne was set up. In the seventh was allotted a place to the humble author of this narrative.... Between the palace and the pavilions ... were musicians and storytellers.
"The throne, which was of extraordinary size, was made of gold, and enriched with precious stones of extreme value.... Before the throne was a square cushion, on the edges of which were sown three rows of pearls."
PRIMARY SOURCE: Portuguese traveler Domingo Paes on the capital (1520)
[The capital city of Vijayanagara is] "the best provided city in the world . . . large as Rome, and very beautiful to the sight... In this city you will find men belonging to every nation and people . . . countless in number, so much so that I do not wish to write it down for fear it should be thought fabulous."
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
SECONDARY SOURCE: Bazaars and Marketplaces in the Capital
"Wares would have been seen at the four large bazaars that were said to exist in the royal centre alone; in addition, each of the temple complexes along the river had a bazaar street whose trade, along with that of the several southern suburbs of the city, was conducted by the merchant guilds of each."
Source: Stein, Burton. "Vijayanagara." The New Cambridge History of India, 2008.
PRIMARY SOURCE: Krishnadevaraya on how a King should encourage trade
"A king should improve the harbours of his country and so encourage its commerce that horses, elephants, precious gems, sandalwood, pearls and other articles are freely imported ... He should arrange that the foreign sailors who land in his country on account of storms, illness and exhaustion are looked after in a manner suitable to their nationalities..."
Source: Stein, Burton. "Vijayanagara." The New Cambridge History of India, 2008.
Need more information about a Silk Road city you might use as a setting?
Scroll down this UNESCO: Cities Along the Silk Road site and look for your city or state of interest.
SECONDARY SOURCE: Why Poet-Kings?
What was the link between poetry and political power?
*Good details about people + settings in the first half
"The centre of Vijayanagara literary production was a great hall called the Bhuvana Vijayam, or World Conquest, designed to host poetry readings and contests of literary wit.
"According to [Portuguese traveler Domingo] Paes, the hall was built when the king returned from the war against Orissa. It was a wide open space with lofty walls covered from top to bottom with crimson and green velvet and other handsome cloths...
"There was a deep and sustained connection between political power and literary production. The king’s royal poets not only crafted words, but they also helped shape whole empires. The king’s poet laureate and close confidant was Allasani Peddana. He was perhaps the most celebrated Telugu poet of his time...
"In one verse from his famed Manu Caritramu, Peddana vividly describes the ambience within the Bhuvana Vijayam, where women with eyes like blue sapphires and faces radiant as the moon fanned the king with yak-tail fans while he joyously sat on the throne in the company of learned people. Scholars discussed the fine points of grammar, philosophy, metaphysics and more. But Krishnadevaraya was not a mere spectator during such affairs; his scholarship and literary acumen allowed him not only to oversee but actively engage in philosophical debates and literary discussions. He was creating a court of culture, and a culture for court, by surrounding himself with the finest scholars and poets of the land, and positioning himself at the very centre of it all.
"Although the kings of Vijayanagara were inclusive in their patronage of various literatures, including Sanskrit, Tamil and Kannada, the reign of Krishnadevaraya witnessed the ascendancy of Telugu as the pre-eminent language of the empire... this was Telugu’s moment – it was a language of the people. All of the [famous eight] poets of the Vijayanagara wrote in Telugu, though not exclusively.
"Most poets then, as the case remains in India even today, were multilingual speakers as well as writers. In addition to expertise in two or three regional languages, any poet worth his salt would be proficient in Sanskrit... That being said, vernacular literatures were receiving more and more patronage from local kings, and although Sanskrit remained a language of prestige, regional languages now dominated the realm of lyrical poetry.
"And so it was that Krishnadevaraya presided over not only a vast earthly empire but a vibrant literary one as well. No wonder his court poets cried, ‘O mighty lord, king of kings, supreme sovereign of heroic splendor! You are united like the Highest God – half the goddess Durga, half the Lord of Dance – an emperor in the fields of war and letters!’"
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
If you’re interested in exploring the archaeological remains of Vijayanagara, this article, “Art and architecture of the Vijayanagara empire” by Dr. Gita V. Pai has lots of good photos of important structures that you can also navigate using Google Earth. Don’t get bogged down in the details, but feel free to skim if you want a closer look.
Krishnadevaraya was a great builder. In 1510, he ordered the construction of the huge gopura, or entrance tower, of Virupaksha temple, designed based on mathematical principles.
Source: https://smarthistory.org/art-and-architecture-of-vijayanagara-empire/
NEW SECONDARY SOURCE: The Organization of Craft Production in Vijayanagara
Abstract (A summary that often appears at the start of academic articles)
This article examines the production of two classes of goods, textiles and ceramics, in the medieval South Indian empire of Vijayanagara. A general model for the organization of specialized craft production is presented. Vijayanagara textile production seems to have been centralized; ceramic manufacture, assessed through archeological and ethnographic data, seems to have been noncentralized.
The article will only be useful if you will be writing about a craftsperson in one of these two areas of art production, and even then just skim it. Here's the full text.
NEW SECONDARY SOURCE: Religions + Silk Road Trade
This scholarly article by Donna Hamil is written at an advanced college-level reading lexile. Please don't get bogged down trying to dive in and just read it; instead, SKIM and use Cmd+F to search for key terms to see if it will be useful to you first!
SOURCE: Duarte Barbosa on religion in Vijayanagara (1518)
Krishnadevaraya’s faith, like that of many of his people, was open and non-denominational. Inclusion was at the heart of his Hindu devotion. He believed that all gods were one, that all faiths were equally valid and that every individual was free to choose how and whom to worship.
As the Portuguese officer Duarte Barbosa wrote of Vijayanagara in 1518:
‘The King allows such freedom that every man may come and go and live according to his own creed, without suffering any annoyance and without enquiry whether he is a Christian, Jew, Muslim or Heathen.’
Krishnadevaraya’s non-sectarian Hindu faith at a personal level naturally manifested itself as an overarching state policy of tolerance towards all creeds, sects and religions of the realm.
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
SECONDARY SOURCE: The role of temples in public life *Types of People
"The medieval south Indian temple was much more than a house of devotion, it was an institution – a sacred structure at the very centre of public life.
"Throughout the land, temples both grand and small served as community gathering spaces where cultural programmes were staged, food was distributed and ritual worship was offered from dawn till night.
"For a large complex like Tirupati, this demanded the employment of thousands of people, from priests, administrators and labourers to dancers, artisans and cooks. Due to the generous land grants of past kings, temple authorities held jurisdiction over large tracts of farmland surrounding the main shrine. The bountiful yield from the rich soil was put to direct use, not only to support the entire temple staff but also to prepare the vast amounts of free prasadam to be distributed each day.
"The temple was the nexus of south Indian society – it brought the religious, social, cultural and economic life of the community together under one roof of god. There was thus never a division made in premodern India between state and religion, secular and sacred, for such distinctions never existed in daily life.
"Indeed, the temple was a powerful unifying place, but like all institutions, there were natural hierarchies, and... caste played its part... The inclusion of many perpetuated the exclusion of others. Untouchable devotees, for example, were barred from even approaching some temples."
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
SECONDARY SOURCE: Celebrating the Navaratri Festival in Vijayanagara *Types of people, detailed settings
"The Navaratri festival was a perfect blend of the social, cultural, religious and political life of the kingdom, all wrapped into one non-stop celebration lasting for much longer than its namesake nine nights.
"It was the most important event of the year, for these weeks of celebration brought together all aspects of imperial life, from elaborate pujas and public entertainment to a review of troops and the payment of salaries. And of course, luxurious feasting, for if there was one phrase that [Portuguese traveler and witness to the festivities Domingo] Paes repeats more than any other in his description of the festival it is ‘and now, returning to the feasts!’
"All the king’s chief lords, along with all their respective retainers, arriving in the capital were housed in giant tents erected near the palace walls. And every morning for nine days the king would arrive near the Bhuvana Vijayam [Great Hall] to perform the morning pujas.
"Before him came some twenty horses, fully decked out and saddled with cloths embroidered with gold and precious stones, for ‘they show off well the grandeur and state of their king’.
"All the lords filed in to ‘make their salaam’ to Krishnadevaraya who was seated on a throne fashioned of gold and precious stones.
"Next came the priests carrying boiled rice, cooked edibles, water, fire and many kinds of fragrances which they used to conduct their elaborate rituals. Both [Portuguese travelers] Nunes and Paes describe how the rites were often accompanied by great sacrificial slaughter. Paes informs us that Krishnadevaraya witnessed the slaughter of twenty-four buffaloes and 150 sheep, all of which were offered as a sacrifice to the idol. He adds, ‘You must know that they cut off the heads of these buffaloes and sheep at one blow with certain large sickles which are wielded by a man who has charge of this slaughter; he is so sure of hand that not a single blow misses.’
"On certain days, the idols would be finely decorated, placed in a giant chariot, and pulled through city lanes in a glorious procession. Behind the idol would follow hundreds of skilled dancing girls, for they played an especially important role in all state and religious functions. All of them were fair and young, from sixteen to twenty years of age, some of them so heavily bedecked with bracelets and jewels that their arms needed to be supported by other women.
"And last would come the massive elephants in full decoration, as the idol wended its way back to the Bhuvana Vijayam where the king performed yet more pujas, followed by more sacrifices and even more dancing.
"And then there was dinner, a most grand and sumptuous banquet, for the king fasted during those nine days and only ate at midnight. And with the feasting came the spectacular evening entertainment when the whole palace was filled with flickering torches. There were plays, water sports, mock battles, colourful ‘rockets’ and fireworks, and gory wrestling matches to boot in which huge men struck at each other with knuckledusters, delivering blows severe enough to break teeth, put out eyes and disfigure faces. Incapacitated contenders would be carried off silently by their friends while judges honoured winners with a silken cloth of victory."
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
I haven't found much on this topic. If this is your jam, may I recommend the Abbasids instead? This was their jam, too.
📖 Krishnadevaraya, the last great King of Vijayanagara *Types of People
One of the greatest and certainly the most famous of the emperors of south India was a man named Krishnadevaraya, the last great King of Vijayanagara, who ruled from 1509 to 1529.
Krishnadeva was never meant to be the king. He was a prince, but his mother was a lower-ranking woman than any of his other brothers, and so his older brothers each took a turn at the throne before he did. But they catastrophically mismanaged the kingdom, and faced constant rebellions and uprisings. When Krishnadeva’s older brother finally lay on his deathbed, he was determined that his own infant grandson should take the throne, but he knew that many of the lords backed his brother Krishnadeva. In a final dying wish, he ordered that his brother should be blinded, which under Indian law would mean he could not become king. According to legend, the King’s servants had no confidence in his baby son actually taking the throne, but they were still afraid to anger the dying king. In a bold move, they brought him the eyes of a recently slaughtered goat, still dripping with blood, and told him that his wishes had been carried out.
The King died satisfied that his line was secured, and Krishnadeva effortlessly took the throne.
The Portuguese traveler Domingo Paes visited Vijayanagara Empire around the year 1520, during a golden age under the rule of Krishnadevaraya, the most powerful king of Vijayanagara. He gave the following account of the appearance of King Krishnadeva:
The King is of medium height and of fair complexion and good figure – rather fat than thin. He has on his face signs of smallpox. He is the most feared and perfect King that could possibly be, cheerful of disposition and very merry. He is one that seeks to honor foreigners and receives them kindly, asking about all their affairs, whatever their condition may be. He is a great ruler, and a man of much justice, but subject to sudden fits of rage. And this is his title: King of Kings, Lord of Great Lord of India, Lord of the Three Seas and of the Land.
Under King Krishnadeva, the Vijayanagara empire nearly doubled in size, and would soon reach its largest historical extent, and would also achieve its greatest degree of centralization. At heart, it was still a feudal society, and its regions were still ruled by lords… who paid taxes to the empire, but otherwise enjoyed a degree of independence. As the Portuguese visitor Domingo Paes recalled:
These captains he has over these troops of his are the nobles of his kingdom. They are lords, and they hold the cities and the towns and the villages of the kingdom. There are captains amongst them who have a revenue of 1 million and 1.5 million pagodas [the unit of currency in Vijayanagara]. Others 100,000 pagodas, others 200, 300, or 500,000 pagodas. And as each one has revenue, so the King fixes for him the number of troops he must maintain, in foot, force, and elephants. These troops are always ready for duty, whenever they may be called out, and whenever they may have to go. Besides maintaining these troops, each captain has to make his annual payments to the King.
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagar. Juggernaut Books, 2020.
PRIMARY SOURCE: Domingo Paes on Krishnadevaraya
"[He is] of medium height, and of fair complexion and good figure, rather fat than thin; he has on his face signs of smallpox. He is the most feared and perfect king that could possibly be ... He is a great ruler and a man of much justice."
Source: Stein, Burton. "Vijayanagara." The New Cambridge History of India, 2008.
This is believed to be the foundation of Krishnadevaraya's palace in Hampi. Note the multi layer basement with elephant images as the balustrades. Source.
PRIMARY SOURCE: Domingo Paes, on his tour of Krishnadevaraya's palace *Very detailed descriptions of settings
One day during their stay, [the Portuguese] asked to be shown the palace... and at once Krishnadevaraya commanded that the Portuguese be given a tour of the palace, except for the women’s quarters, which "no one ever sees."
"I cannot possibly describe it all, nor should I be believed if I tried to do so.
"I have no words to express what I saw. To try and tell of what I saw is hopeless, for I went around with my head so often turned from one side to the other that I almost fell over with my senses lost!
"They made us stand still, and they counted us one by one as they ushered us into a small courtyard with a smoothly plastered floor and bright white walls.
"At the end of the courtyard are two gates, one open and the other closed. The closed are the king’s residence, [its gate] painted with two life-size images, one a likeness of the king, and the other of his father... both figures decked in full regalia. And when we wished to continue through the open gate, they counted us yet again, and only then did we enter a wing of the palace living quarters.
"It is like a little mansion with many chambers. One room has a porch enclosed by a railing of heart-shaped stones fashioned with rubies, diamonds and pearls. Another chamber has a canopy bed gilded with gold and fitted with a railing of pearls. We saw another chamber with cross-beams and stone pillars topped with ivory carvings of roses and lotuses. All the craftsmanship was so well executed, one could not find better anywhere in the world.
"Most interesting are the mansion walls which are painted with images from life at court. We could even see ourselves depicted in one of the murals! The king’s artists paint these so the women of the palace may see the goings on of the outside world.
"In another building, underneath some arches, there is a little door chained closed with many padlocks. They told us that inside was a treasury of one of the former kings... Moving along, we passed through a corridor and mounted stairs where we saw three caldrons of gold, each large enough to cook half a cow!
"And finally, we went up a little staircase and through a little door into a magnificent hall, where the king sends women to be trained in dance. It is a long hall, not very wide, with stone sculptures on pillars carved with great beasts like elephants. Along the walls are decorative panels painted with colorful images of stags and elephants, and dancing girls with little drums... And at the other end, on the right, is a lounge with walls and floors of gold where the king sits to watch.
"They did not show us more than this. The residence of the women no man may see except the eunuchs. So from here we returned by the way we entered, and there again they counted us once more."
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
SECONDARY SOURCE: On the meaning of Krishnadevaraya's name
"This process by which the king took on divine status had been evolving for centuries, and perhaps the clearest indication of this change was the insertion of the term deva or god into the names of these kings. During Krishnadevaraya’s own time he was known only as Krishnaraya, and the addition of ‘deva’ seems to have happened much after his death, probably in the seventeenth century by when much of the ‘golden age’ history of Vijayanagara had crystallized."
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
PRIMARY SOURCE: Krishnadevaraya on how a kingdom should be ruled *Types of People
King Krishnadeva published a series of political maxims that contained advice for how a kingdom should be ruled, how it should operate efficiently and secure its access to resources:
"A King should improve the harvest of his country, and so encourage its commoners, that horses, elephants, precious gems, sandalwood, pearls and other goods are freely imported."
He wrote that when he was a new king, his advisers explained:
“If the king acts in accordance with dharma, the rains will fall at least three times every month and make the earth most fertile. If the palace then takes taxes that are its due without being unjust, the palace will prosper, and great quantities of money will flow into the treasury.”
Krishnadeva Raya also wrote about the way he preferred to start his day as a ruler:
At dawn, before the physicians ask, “Did you sleep well?”
a king should consult his brahman astrologers.
After this, he should meet with his accountants
to discuss state finances,
before assembling his ministers and lords.
In the middle of the day,
Before training with wrestlers and masseuses
a king should chat with cooks, farmers, and hunters.
And as the day turns, he should honor venerable yogis
and righteous men before worshiping the gods.
Then, after eating, a king should enjoy old stories told by poets
before being entertained by his jester.
And In the evening he should be with dancers and singers,
and in the night, with his lover, before a good night’s rest.
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagar. Juggernaut Books, 2020.
SECONDARY SOURCE: Qualities of an Ideal King
"Krishnadevaraya and [his rival] Prataparudradeva were both well educated; they were scholars and accomplished poets in their own right and actively participated in the creation of their literary legacies.
"Indeed, this was very much in line with another important theme of Indian kingship: the ideal of a kavi-raja or poet-king.
"As Sanskrit scholar Sheldon Pollock notes, the figure of the learned ruler ‘became virtually mandatory for the fully realized form of kingliness’. To be a truly righteous Hindu monarch, one had to be a master of both body and mind – a monarch and a philosopher who could rule with both might and wisdom...
"Central to this ancient belief was the balance between a king’s body and his mind. He was to be a mighty warrior, of course, but also a man of culture and scholarly wisdom. A kavi-raja had mastery of śastra (weapons) and śāstra (texts), and so he was equipped to rule a vast kingdom with both strength and compassion. As the court pandits in Vijayanagara declared of Krishnadevaraya: ‘You are an emperor in the fields of war and letters!’"
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
The Garuda stone chariot and Vitthala temple gopuram in 1856 (left) and 2016 (below)
PRIMARY SOURCE: Krishnadevaraya wrote a praise poem about himself,
and his own skill as a warrior-King
The fine horses of your cavalry
plowed the fields with their hooves,
and the rushing elephants watered the earth
with their downpour of juice.
Hail Krishna Raya! With a fierce and unified attack,
you turned those wild forests into fields of green,
spreading your fame like the abundant crops of Kubera!
You crushed the skulls of Khurasani warriors like melons
and built a gruesome effigy
with the Adil Khan’s decapitated head!
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
Reliefs on the west end of the royal platform in the city of Vijayanagara. The bottom row depicts a king reviewing his infantry and cavalry. What other activities are recognizable? And what evidence does this wall offer about Vijayanagara?
Source:https://smarthistory.org/art-and-architecture-of-vijayanagara-empire/
SECONDARY SOURCE: How the Vijayanagaran military and state administration was organized, and how these compared to rivals
*Types of military roles / people
In many ways Vijayanagar was a blend of Classical South Indian forms of military and governance as well as Islamic ones, and as a result had a pretty interesting organization.
The Origins of the Vijayanagar State
So, while there are three dynasties of the Vijayanagar Kingdom they are generally grouped together as one continuous state.
The first of these dynasties and the one that laid the foundation for the establishment of the Kingdom was the Sangama dynasty. This dynasty began from two brothers; Harihara and Bukka, who were originally military men from Karnataka. They had approached Muhammad bin Tughluq, who was the Sultan of the Delhi Sultanate, and became his vassals and were appointed as governors of Kampili. However after Muhammad bin Tughluq's death they, like many other vassals in the Sultanate, sought independence and political sovereignty.
The various conquests of these two brothers out of their base at Kampili would lead to the initial establishment of the Kingdom of Vijayanagar in the mid-14th century.
Now, this origin story is important for a couple of reasons. The first is that as a state created by conquest and by soldiers from Karnataka, it defined Vijayanagar as distinctively militaristic and a state that was geared towards warfare, perhaps more so than many other South Indian states at the time. The other important thing to note is the Delhi connection, which was important as this connection laid the groundwork for the way Vijayanagar organizaed its money and military.
The Administrative System of the Vijayanagar Kingdom
So as mentioned the Kingdom of Vijayanagar was state that was largely structured around warfare, and as a result its administrative systems were focused just as much on warfare as they were on wealth extraction.
Now this administrative system changed considerably throughout the polity's history but the general gist of it is something like this:
The Kingdom was divided into various regions, in each region there was a chieftain known as a Nayaka who was given their position by the King of Vijayanagar.
The Nayakas were responsible for three things: (1) the collection of tax revenues, (2) the raising of local armies, and (3) paying tribute or gifts to the King, which was separate from taxes.
The armies that these Nayakas raised were commanded by the Nayaka himself and were to be paid through part of the taxation revenue of the region. While some of the rest of that payment would go to the Nayaka himself, nearly all of what was left (after paying for the army, I mean) would be sent to the King.
It is generally agreed that under the King Krishnadevaraya in the early 16th century, the Vijayanagar military administrative apparatus reached its most centralized and bureaucratic form, after that and the sack of Vijayanagar in the mid 16th century the state gradually decentralized and fell apart.
Now this administrative system bears a striking resemblance to that of the Iqta' system that was prevalent in much of the Muslim world during this time, and given the origins of the Vijayanagar state it is not too much of stretch to think that their administrative system was based on, if not an adaptation of, the Delhi Sultanate.
Alright moving on let's go in to the details about what kind of Armies were raised and their structure.
The Military of the Kingdom of Vijayanagar
Much like the administration of the Kingdom, the military too underwent some drastic shifts throughout the state's history and we'll have to go over them here.
So there were two components to the military of Vijayanagar.
The first was previously discussed: the Nayakas who were both governors and commanders of various regional armies. While these armies may have received some sort of martial training they were by no means professional armies.
The second was the King's own army, which seems to have been a standing army that the King recruited and paid for based on the revenues received from the provinces. Qualitatively this army was similar to those of the provincial ones, but there was King's Guard made up of elite troops who do appear to have had some level of training.
In terms of numbers, the reported numbers are something along the lines of 100 thousand for the King's army and including the armies of the Nayakas its something along the lines of 1 million men for the complete army of Vijayanagar. Now, this is almost certainly an exaggeration, but it is true that Vijayanagar did have an exceptionally large military, even when compared to other South Indian states and when compared to its principle rival the Bahmani Sultanate, which could only muster a fraction of the troops that Vijayanagar could. Despite this big difference in numbers, however, both sides were roughly equal in strength, and this is largely due to the composition of the army. The military of the Kingdom of Vijayanagar was primarily infantry, whereas the Bahmani Sultans primarily utilized cavalry, and were called "Lords of the Horses."
The Vijayanagara infantry were largely spearmen, swordsmen and archers. The Kings of Vijayanagar did have other military elements at their disposal like archers on elephants and some (horse) cavalry, but these were often inferior to those of the Deccan Sultanates of the north. And Bahmani horsemen were often much better trained and equipped than those of Vijayangar and just qualitatively better in terms of military skill.
A key factor of the superiority of Muslim cavalry was the Central Asian warhorse which they rode, which was a breed of warhorse that was way way better than any of the horses in India. Since Vijayanagara was cut off from the overland warhorse trade by the Bahmani Sultanate, they had to rely on overseas trade of horses which was much more expensive and less reliable. So cavalry remained one of the weak points of the Vijayanagar Kingdom's military for quite some time.
This situation changed in the 15th century, when under Devaraya II, the Kings of Vijayanagar began to recruit Muslim mercenaries and soldiers into his armies. These Muslim groups were pretty much all cavalry and they were organized into ethnic based regiments (i.e. Turks, Siddis, Afghans, etc..) led by a representative officer. There were reported to be around 200 of these officers and 10,000 of these soldiers in the army of Devaraya II. These Muslim cavalrymen introduced a whole bunch of different military technologies and innovations, for instance nailed horseshoes, better stirrups, and so on, which helped narrow the gap between Bahmani and Vijayanagar cavalry. They also helped facilitate the warhorse trade between Muslim merchants and the Kingdom. Moreover, once the Portuguese arrived in the Indian Ocean and asserted control over trade they favored trading with Vijayanagar over the Muslim Sultanates and directed trade towards them. Over time, the Muslim regiments grew in size and importance, and it reached its peak during the reign of Krishnadevaraya in the 16th century, who employed not just an increasing amount Muslim cavalrymen but also Muslim and Portuguese musketeers and cannoneers to great effect, and in his reign the territory of Vijayanagar reached its peak.
Sources:
Asher, Catherine B., and Cynthia Talbot. India before Europe. Cambridge: Cambridge University Press, 2006.
Eaton, Richard M. “‘Kiss My Foot,’ Said the King: Firearms, Diplomacy and the Battle for Raichur, 1520.” Chapter. In Expanding Frontiers in South Asian and World History: Essays in Honour of John F. Richards, edited by Richard M. Eaton, Munis D. Faruqui, David Gilmartin, and Sunil Kumar, 275–98. Cambridge: Cambridge University Press, 2013.
Narayana Rao, Velcheru, David Dean Shulman, and Sanjay. Subrahmanyam. 1992. Symbols of Substance Court and State in Nāyaka Period Tamilnadu Delhi ;: Oxford University Press.
Stein, Burton. The New Cambridge History of India: Vijayanagara. The New Cambridge History of India. Cambridge: Cambridge University Press, 1990.
Sinopoli, Carla M. "From the Lion Throne: Political and Social Dynamics of the Vijayanagara Empire." Journal of the Economic and Social History of the Orient 43, no. 3 (2000): 364-98.
Wagoner, Phillip B. ""Sultan among Hindu Kings": Dress, Titles, and the Islamicization of Hindu Culture at Vijayanagara." The Journal of Asian Studies 55, no. 4 (1996): 851-80.
SOURCE: The Rayavacakamu: How Krishnadevaraya Acquired a Bigger Army *SKIM for Types of People; read in depth for governance
One revealing incident told in the Rayavacakamu * speaks of Krishnadevaraya’s clever plan to galvanize his lords, as well as [his minister and advisor] Timmarasu’s equally shrewd assistance in making it happen.
It began one morning as the king was listening to the recitation of stanzas on royal conduct. He heard a poem by Baddena that struck him deeply:
Only when a king has an army greater than his lords
will he grow strong enough to secure the authority
needed to deploy his forces far and wide.
Krishnadevaraya immediately summoned all the palace accountants and treasurers and asked them, ‘How much revenue comes to the Lion Throne of Vijayanagara from the provinces? How many forts and citadels are there in the kingdom? How many cities and villages are there, and how much cultivated land?’ And then he commanded, ‘I want you all to prepare detailed figures for our holdings in coin, precious ornaments and jewels; for the savings treasury; for the accounts from district temple superintendents; and for the palace’s salaried forces, including elephants, horses, and their attendants.’
Allalanatha, the keeper of the treasury, replied apologetically, ‘All these days, king Viranarasimha never once inquired about the details of the accounts. But, now that my Lord has shown an interest in these matters, I will gladly prepare the figures you have requested.’ And after carefully working all day and night, Allalanatha submitted a detailed financial report. He said, ‘By my calculations, the nayaka [noblemen] estates ought to provide the king a standing army of 24,000 horses, 1,200 elephants, and 200,000 infantrymen. But the nayakas have continually failed to provide the correct number of horses, elephants, and infantrymen. This disparity is certainly worthy of your majesty’s consideration.’
The young king was stunned by this disturbing report; his lords had larger armies than his own! Krishnadevaraya turned to his ministers for advice, but they all bowed their heads in silence. Finally Timmarasu spoke up, saying, ‘Don’t worry, we’ll run things to your satisfaction, your lordship needn’t say another word.’
This upset the king even more, for he felt inconsequential and powerless, unable to act independently among his ministers. He mulled this over for a long time, and then one night, as he slipped out to make his rounds, Krishnadevaraya escaped to a temple some leagues north of the city. He was determined not to return to the palace and spent the night there in secret.
In the morning, Timmarasu was alarmed not to find the king in his chambers. He quickly sent spies off in every direction with instructions to find the king and report back to him. And soon enough, one spy returned and informed the minister of the king’s whereabouts.
When he heard this, Timmarasu sent written messages to all the lords, nobles and chief nayakas, telling them that the king had decided to go hunting, and that they should all come quickly with their full forces. And so they hurried about and made ready their men, and as soon as everyone had gathered – all the horsemen, elephant riders, infantrymen, retainers, nobles and lords present in the city – they rode forth with Timmarasu at the head.
Once they crossed the city walls, Timmarasu ordered the men to fall in rank, get into formation and stay at the ready. Then he dismounted and made his way to the temple where Krishnadevaraya was waiting.
A cordial exchange of grievances sprinkled with pleasantries passed between king and minister, until Krishnadevaraya finally expressed his pressing desire for a strong standing army, along with the funds required to pay them all a proper salary. Timmarasu replied that he would ensure this happened right away and quickly summoned the troops gathered nearby.
Right then and there, with the palace accountants by his side, Timmarasu made public all the discrepancies in both the military and monetary tribute due to the state by the lords present. Shamed and remorseful, the lords immediately offered to their king 500 elephants, 12,000 horses and 1,000,000 infantrymen from their own ranks. And so, just like that, the wise old Timmarasu turned the king’s wish into reality.
Krishnadevaraya was amazed! He exclaimed, ‘Who else but you has the power to make the impossible possible?’ He ordered Timmarasu to be presented with the seven worthy gifts: a cap, an ornamental shirt, a necklace, a pair of pearl earrings,
a yellow shawl, fragrant musk and paan.
‘Indeed,’ rejoiced the king, ‘today at last my kingship has been set on firm ground!’ The king mounted his elephant named Masti Madahasti and climbed into the golden howdah. He called upon Timmarasu to take the seat behind him, and king and minister triumphantly marched back to the capital with a mighty new army
following close behind.
This unique story reveals several important themes related to a stable government: the critical importance of a salaried army stationed in the capital, the loyalty and goodwill of lords, a strong-willed king and a clever minister. The Rayavacakamu adds that when Krishnadevaraya returned to the palace, he boasted to his retainers, ‘Is there any other minister in this world who is like my Appaji Saluva Timmarasu? Just look at what can be done when you have a minister like Appaji!’ And indeed they would accomplish much together, for the man who was like a father to the young
king would prove to be Krishnadevaraya’s fiercest ally and most trusted adviser.
One verse written by the king himself echoes what he believed were the qualifications of an effective minister. It is more than evident that Appaji was the inspiration for it, and perhaps the poem even corroborates the eventful day described above:
A learned brahman, versed in statecraft
and horrified by injustice,
older than fifty but younger than seventy,
devoid of ego and from a healthy family,
who only takes up the office of minister
at the behest of the king, will discharge
his duties successfully, and in just one day,
strengthen every branch of the government.
* The Rayavacakamu is an update to a king about the goings on in his kingdom. Although often taken to be a contemporary document of Krishnadevaraya's period, the Rayavacakamu is in fact a historiographic representation of that period written some ninety years later at the Nayaka court of Madurai, one of Vijayanagara's most important successor states.
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
SECONDARY SOURCE: The Payment of Annual Military Salaries
"A few days after the [Navaratri] festival (see the Religion section above) came the annual review of the armed forces and the paying of officer salaries.
"It was an impressive event, for the troops that guarded the city alone stood at some 50,000 men including shield bearers, spearmen and archers, not to mention thousands of the finest stallions and hundreds of elephants in all their colourful trappings.
"In a glorious procession the king would set out for a specially erected tent a full league from the city. From this vantage point he would watch as his captains marched out towards him according to rank with their troops arrayed in perfect formation. It was a grand public display of martial prowess designed to further glorify the empire and its sovereign lord.
"As [Portuguese traveler Domingo] Paes witnessed, ‘The king passed along gazing at his soldiers, who gave great shouts and cries and struck their shields. The horses neighed, the elephants screamed, and it seemed as if the city would be turned upside down! The hills and valleys and all the ground trembled with the firing of guns and muskets; and to see the bombs and fire-missiles over the plains, this was indeed wonderful. Truly it seemed as if the whole world were collected there! I was so carried away with myself, it felt like I was in a dream.’
"Part of the men’s excitement must have come from the fact that the spectacle was also occasion for the payment of annual salaries. Captains would renew their pledges of fealty and the king would distribute, all according to rank, thousands upon thousands of pardaos. These gold coins struck in the Vijayanagara mint had an image of the king on one side and the imperial boar insignia on the other. For this reason they are also known as varahas, from the Sanskrit word for boar. The currency was valued and accepted all throughout the Deccan, and particularly in Portuguese Goa."
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
PRIMARY SOURCE: Krishnadevaraya on Securing Horses + Elephants for War, in his teaching poem Amuktamalyada
"Merchants from distant lands, who import elephants and warhorses should be kept in imperial service at the capital. Treat them with prestige and provide them with towns and mansions. Purchase their goods at a high price and ensure that your enemies are deprived of such resources."
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
SOURCE: On the Importance of War Horses
"Warhorses imported by sea from West Asia were the most sought-after imperial commodity. And since indigenous horse breeds were not hardy enough for warfare, sturdier foreign horses were constantly being imported into the subcontinent.
[Portuguese commander] Albuquerque... had seized control of Middle East ports like Hormuz and Aden, and so they could channel all foreign horse imports to Goa and monopolize the South Asian overseas horse trade. [Internal conflict in the empire to the north meant that] horses could no longer be brought to the Deccan overland from Central Asia and north India, but had to be shipped across the Arabian Sea.’ It was this lucrative trade network that the Portuguese sought to control exclusively.
In a letter to [his] King Dom Manuel, Albuquerque wrote:
'Because the king of Vijayanagara wants to secure a steady supply of horses to his land, he will do whatever you request. With Goa [a west coast port city, which the Portuguese had just captured] in your power, the kings of Vijayanagara and the Deccan will both pay tribute.’
In another letter to his king, Albuquerque boasted:
‘I have determined that all the horses from Arabia and Persia should be in your hand. First in order to receive the high duties paid on horses, and second because the kings of Vijayanagara and the Deccan will strive for peace with you. They see that you have the power to give them victory over each other, because without doubt, whoever has the horses from Arabia and Persia will win.’
Thus the rise of the Portuguese in India was tightly linked to war and horses; it was nothing short of a medieval arms race. And Albuquerque’s strategy of conquest was simple: pit local states against each other and exploit native hostilities to further Portugal’s imperialist agenda.
Krishnadevaraya grasped this new reality but it was still too early for him to fall in league with the Portuguese... Only later would Krishnadevaraya favour the
Portuguese and try to seek exclusive access to the all-important warhorses they traded in.
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
PRIMARY SOURCE: I'm Not Bathing Until This City Falls
"I, Krishna Raya, supreme lord of the Earth, easily took Udayagiri and seized the Karnata land in my firm arms. The jeweled crown that the Gajapati’s uncle offered as a precious gift now lies sparkling at my feet!"
This assertion by Krishnadevaraya is not corroborated by Krishnadeva's own account of the 18-month seige of Udayagiri. When sieges lasted a long time, military camps became almost like small towns of their own:
"The camp was very busy with elephants, horses and soldiers in their glittering armour and weapons just milling around. Merchants with bullock carts set up stalls to sell everything: vegetables, grains, clothing, ornaments, fragrances, mattresses and pillows. Barbers, washermen, cobblers, tailors and other tradesmen set up their shops. Delicious dishes of meat and fowl mixed together with tasty spices were served throughout the camp. There was even sweet palm liquor!’
As the siege dragged on, frustrated with waiting, Krishnadevaraya made a solemn vow to neither eat nor bathe until the fort was taken and the head of his enemy lay at his feet. But as he would later advise in another poem:
‘A king should be clever, not impulsive. Never make a vow regarding the enemy, for an invasion can drag on and on.’
This ability of the king to self-reflect and incorporate the lived experience of his reign into his political theories makes his poems on governance both unique and deeply insightful.
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
PRIMARY SOURCE: Krishnadevaraya on managing an expansive empire
"But no matter how big your empire is build tanks and canals for the benefit of farmers, Ease taxes and grain revenues, be strong, and both artha and dharma will grow" (Reddy).
PRIMARY SOURCE: Duarte Barbosa on the wealth of Vijayanagara (1504-14)
Duarte Barbosa was a Portuguese representative who visited Vijayanagara 1504-14
“There is an infinite trade in this city.... In this city there are many jewels which are brought from Pegu and Celani [Sri Lanka], and in the country itself many diamonds are found, because there is a mine of them in the kingdom of [Vijayanagara] and another in the kingdom of Deccan. There are also many pearls and seed-pearls to be found there, which are brought from Ormuz and Cael... also silk-brocades, scarlet cloth, and coral.”
PRIMARY SOURCE: Athanasius Nikitin on Inequity (1468-1474) *People
Athanasius Nikitin was a native of Twer, Russia who visited India from 1468 to 1474:
“The land is overstocked with people; but those in the country are very miserable, whilst the nobles are extremely opulent and delight in luxury. They are wont to be carried on their silver beds, preceded by some twenty chargers caparisoned in gold, and followed by three hundred men on horseback and five hundred on foot, and by horn-men, ten torch-bearers, and ten musicians.”
PRIMARY SOURCE: Domingo Paes on visiting Vijayanagara around 1520
Domingo Paes was a Portuguese traveler who visited Vijayanagara Empire around 1520:
“This kingdom has many places on the coast of India; they are seaports with which we are at peace, and in some of them we have factories.
“The land has plenty of rice and Indian-corn, grains, beans, and other kind of crops which are not sown in our parts; also an infinity of cotton. This country wants [for] water because it is very great and has few streams; they make lakes in which water collects when it rains…
“Going forward, you have a broad and beautiful street, full of rows of fine houses and streets of the sort I have described, and it is to be understood that the houses belong to men rich enough to afford such. In this street live many merchants, and there you will find all sorts of rubies, and diamonds, and emeralds, and pearls, and seed-pearls, and cloths, and every other sort of thing there is on earth and that you may wish to buy. Then you have there every evening a fair where they sell many horses, and also many citrons, and limes, and oranges, and grapes, and every other kind of garden stuff, and wood; you have all in this street.
“The size of this city I do not write here, because it cannot all be seen from any one spot, but I climbed a hill whence I could see a great part of it; I could not see it all because it lies between several ranges of hills. What I saw from thence seemed to me as large as Rome, and very beautiful to the sight; there are many groves of trees within it, in the gardens of the houses, and many conduits of water which flow into the midst of it, and in places there are lakes; and the king has close to his palace a palm-grove and other rich-bearing fruit-trees.
“This is the best provided city in the world.”
SOURCE: More Domingo Paes, on what the King wore, corroborated with Krishadevaraya's own account
Paes goes on to provide a detailed description of the king’s royal attire. He was decked in fine white clothes ornamented with golden roses, and wore around his neck a diamond necklace of very great value.
"This matches quite well with Krishnadevaraya’s own verse about kingly attire:
"A king should don a single gem whose luster shines throughout the world. He should wear the finest clothes embroidered with sparkling silver, and ornament himself with matching jewels according to the day of the week."
Upon his head was a brocade cap of the finest silk which reminded Paes of a war helmet from his native Iberia. And last but not least, he was barefoot, "for no one ever enters where the king is unless one has bare feet."
This intimate encounter with the great king of Vijayanagara left a deep impression on Paes. He memorialized Krishnadevaraya as "the most feared and perfect king that could possibly be, cheerful of disposition and very merry. He seeks to honour foreigners, and receives them kindly . . . so gallant and perfect is he in all things!"
Source: Reddy, Srinivas. Raya: Krishnadevaraya of Vijayanagara.
New Delhi: Juggernaut Books, 2020.
New! Here are some book-length sources to SKIM, including one called "Vijayanagara Voices" that puts literature in its historical context, one on art and architecture, one on government administration and daily life, and one on kingship. Find anything helpful?