Araceli Carrera is an interdisciplinary artist. She holds a Bachelor of Art in Dance Education from Arizona State University and since graduating in 2001 she began building her multifaceted pedagogy approach to dance and art. Araceli is an active teacher of academics through Dance and Visual Art in San Diego. She has and continues to dance, perform, teach, choreograph, and work with and for amazing local San Diego dance companies, schools and artists like Eveoke Dance Theater, OmoAche, Neisha’sDance, Malashock and Fresh Congress Dance. Trained in Modern Release Technique, Afro Cuban Dance, Latin Rhythms, Hip-Hop and Afro Brazilian. A visual artist, muralist, costume designer and mother that craves the exchange of art/dance as a language that expresses diversity, intention and culture.
Alexa Fote earned her BFA in Dance from The Ohio State University. She began studying at the South Dayton School of Dance, taking ballet, modern, jazz, and tap. As she got older and more serious, she joined their pre-professional company, which she was a part of for seven years. While in the company, she went to four Regional Dance Americas to perform multiple contemporary pieces by choreographers including Shannon Bramham, Abby Leithart, and Susie Payne. She attended summer programs throughout her high school years, including The American Ballet Theatre, Point Park University, and Hubbard Street Dance Chicago. In college, Alexa focused her energy on dance education by teaching in local schools and interning for non-profits such as Momentum Excellence in Columbus, Ohio. She explored Modern techniques, including Horton, Graham, and Cunningham, with the guidance of her professors, Crystal Michelle Perkins, Daniel Roberts, and Edward Taketa. Alexa went on to work for BalletMet after graduating college, becoming a teaching artist for their Wiggle Jig and outreach programs. Alexa loves to help kids feel excited about dance the way she is. Today she teaches various ages a multitude of styles, and she feels blessed to get to share her passion.
José Ángel Arámbula Ochoa (Tijuana, Mexico) is a director, dancer, and choreographer, and co-founder of Lux Boreal (2002), where he serves as General Director. He has played a key role in shaping the company’s artistic vision and expanding its presence across Mexico, Latin America, the United States, and Europe, while strengthening its educational and social outreach platforms. Since 2006, he has been Academic Director of the Centro de Danza y Producción Escénica de Baja California, developing training systems such as Piso-Articular and Accionar el Cuerpo. He has led major initiatives including Encuentro de Jóvenes Creadores and the 4x4 TJ Night National Choreography Competition. His accolades include multiple performance and choreography awards, Dance Magazine’s “25 to Watch” (2008), and the Arts Angel Award (2018). He holds degrees in Dance and Public Accounting and received an Honorary Doctorate in 2025.
Anna Brown Massey is a choreographer, performer, and teacher. She draws from a background in North Atlantic percussive and Scottish dances to bring rhythmic attention to choreographic forms. She works intimately with sound, and frequently enlists text in conversation with movement. Her research manifests in outside installations, multi-media immersions, and dances on stages.
Anna danced for over 25 dance companies in New York City, and has received numerous grants for choreographic research. She co-founded NACHMO (National Choreography Month), which produces hundreds of new dance artists each year through supported resource-sharing. Anna has been on faculty at San Diego State University since 2017 where she teaches dancing and writing. She holds an MFA in Dance from the Ohio State University. liveinpublic.org
Caley Hernandez was born and raised in San Diego and began dancing when she was eight. At thirteen, she became the youngest member of La Diego 2 and later auditioned and earned multiple scholarships for professional training at The Academy of Performing Arts. In 2014, she performed in San Diego Ballet’s Nutcracker before she moved to the Pacific Northwest. Caley danced professionally with Polaris Dance Theatre and also trained at Northwest Dance Project and The Portland Ballet. In 2018, she returned to San Diego as an instructor, choreographer, and company dancer for Visionary Dance Theatre. She has also performed in San Diego Dance Theatre’s Young Choreographer’s Showcase, Jason Mraz’s 2020 musical production Shine, and La Jolla Playhouse’s Pop-Up Without Walls (WOW) Festival in 2021. Caley continues to dance, teach, and choreograph while also holding the position of Executive Director at Mounrath Powell Dance.
Dyno is a founding member of San Diego based Breaking crew CYPHERST8. With nearly 25 years of Breaking experience, he has traveled and competed in many competitions — earning first place titles in Footwork Championships such as Furious Styles Anniversary in 2018 in Phoenix, Arizona, Massive Monkees Day in Seattle 2019, and most recently Floorgangz Footwork 2v2 World Finals in Seoul, South Korea 2025.
Dyno has been teaching professionally for nearly 17 years, he is a full time Breaking educator working with various organizations including UCSD Theatre & Dance, Culture Shock Training Academy, Finest City Dance, Transcendance, Etc.
He studied Industrial and Systems Engineering at Tecnológico de Monterrey and graduated from the Professional Dance School of Mazatlán. Co-founder of Lux Boreal Dance Company, he explores body research, movement, choreography, lighting, design, and video for dance, theater, opera, and film. He has created or co-created over 110 works presented across Mexico, the United States, South America, and Europe. Recognized in Dance Magazine’s “25 to Watch,” he also received the Arts Angel Award for Lux Boreal’s binational impact. He teaches at universities in Mexico and the U.S., is a member of Mexico’s National System of Art Creators, serves on the board of directors of the La Jolla Symphony, and holds an Honorary Doctorate in Arts and Humanities.
Originally from Salvador, Bahia, Brazil, Ilana is currently teaching capoeira—an art form that combines music, dance, and acrobatics. Having taught since 2000 at more than a dozen schools in the San Diego area, Ilana brings a wealth of teaching experience to her school residencies. She participates in the Ginga Mundo Capoeira group, and plays percussion professionally with ensembles in many styles. Her current passion project is called Compassionate Empowered Women in Motion. It is a project serving economically challenged women in social, psychological and health transitions of all ages and stages residing in or working/studying in downtown San Diego and surrounding neighborhoods using dialogue, movement, music, martial arts, stretching, breath work and intentional self compassion.
Juan Carlos Blanco Riera (Artistic Director, Omo Aché) was born and raised in Havana, Cuba, where he performed with several professional companies for over 15 years before coming to the U.S. As a youth, he started his performance career with the folkloric arts group, Cumballe, and Oba llú, in his home town of Guanabacoa. He later joined one of Cuba's most renowned folkloric companies, Raices Profundas (Deep Roots), directed by Juan De Dios Ramos Morejon. He spent nine years with Raices Profundas, where he rose to the level of lead male dancer and soloist, touring Latin America and Asia. In 1998, he founded Omo Aché Afro-Cuban Music & Dance Co. in San Diego, CA. to preserve and present Cuba's rich cultural heritage, especially its African roots; presenting in schools, universities, multicultural venues and most recently at The Magnolia for Catalysts of SD and Imperial Counties Conference (Sept 2024), ‘Baja Splash’ at Aquarium of the Pacific (Sept 2024), USD’s ‘The Arts District’ (June 2024), Balboa Theatre’s ‘Danza Cubana’ with Classics4Kids Orchestra (Mar 2024), UTLA/National Education Assocation’s ‘We Are Ethnic Studies’ conference (Jan 2023), ‘Drums and Strings’ at California Center for the Arts Escondido (June 2022), Tiki Oasis (July 2022), Mingei International Museum (2022 Spring Performance Series) and SD Park & Rec. ‘Dance in the Park after Dark’ (Aug. 2022) He has been featured in various Afro-Cuban productions throughout California as a dancer and guest choreographer for groups such as Olorun, Alafia and Taifa. He was musical director for Onstage Playhouse's 2021 production of 'A People's Cuban Christmas Tale’, choreographer & musical director for the 2022 production of 'In the Red and Brown Water' at UCSD and for Diversionary Theatre’s 2023 production of ‘The High Table.’ Most recently he choreographed the grand finale for Southwestern College’s ‘Global Rhythms’ Dance Concert (Nov 2024). He is currently a choreographer for UCSD’s WinterWorks production, debuting work (Mar. 2025) He is currently a Teaching Artist with the Center for World Music and Arts Education Connection SD, teaching Cuban dance & music to students throughout San Diego schools. He also currently teaches dance in UCSD's Department of Theatre and Dance. omoachecubanculture.org | Instagram: @omo.ache
Juliette Martinez, a San Diego native, discovered her passion for dance at the age of two. She honed her skills through training at a local studio and then Evoke Dance Movement and Mather Dance Company.
Upon moving to Los Angeles to attend UCLA, where she earned a B.A. in Dance and a B.A. in Gender Studies, she continued to work professionally, both nationally and internationally, with credits including So You Think You Can Dance, the YouTube Streamy Awards, LA Opera: La Traviata, Generation (HBO Max), and live performances with notable artists. Juliette has toured with Ballet Counterpointe, performing works by Kevin Jenkins, and worked as a performer with RWS Global at Legoland California.
During her time at UCLA, She explored her choreographic voice and presented new works that combined her prior knowledge of contemporary-based movement with her newfound passion for Street Dance. Her journey led her to pursue intense training opportunities that provided her with a deep understanding and appreciation of history, vocabulary, and freestyle in the Street Dance forms of Hip Hop, House, and Popping. She directed an on-campus dance team, ACA, and successfully created an authentic Street Dance curriculum, which sparked her interest in sharing and teaching Street Dance forms, specifically Hip Hop and House.
Following graduation, she continued to build her knowledge in dance forms to better serve as a guide, mentor, and educator to the next generation. Juliette’s perspective on the relationship and intersection between classical and contemporary dance forms and street dance
forms drives her artistic voice and establishes her as a unique educator. As an active member of the Street Dance community, Juliette is honoring Hip Hop culture, participating in Street Dance forms, and preserving the history of these forms to share with the next generation. She has been selected by various organizations to present and set her work in New York, Los Angeles, New Mexico, Santa Barbara, San Diego, Philadelphia, Ensenada (Mexico), and Vancouver (Canada), earning critical acclaim. She has set award-winning competitive choreography on dancers nationwide and is currently on faculty at Danceology and as Head Coach of the Dance Team at SDA.
Juliette is also President and CEO of Harmony Brands Studios, LLC.
She is multifaceted and influential force within the dance community
Mikeal is a San Diego native who has trained in Jazz, Lyrical, Modern, Ballet, Hip Hop, and Contemporary. He has performed with such companies as Unity Dance Ensemble under the direction of Emmy Award winning Tessandra Chavez and Theo Ivey, D’Shire Dance Collective (Devin Brawley), Entity Contemporary Dance Company (Marissa Osato & Will Johnston), and GetDown/PickUp (Emily Miller).
He has over 15 years of experience dancing, teaching, and choreographing both locally and internationally. He is thrilled to continue to learn and grow as an artist and to share his expression through movement.
Throughout her artistic career, Mrs. Astorga has undertaken various dance disciplines including classical ballet, tap, modern dance, Folklore Mexicano and Flamenco. She began her training at the early age of 7yrs old at the world-renowned school of Amalia Hernández (Ballet Folklórico de México), for 5 consecutive summers. She was one of the founding members of Ballet Folklórico de Pacifico in Los Angeles, CA.
As a flamenco dancer, she has appeared professionally at the famous El Cid Flamenco Tablao in Los Angeles. Patricia performed at the Grand Opening of the Disney Concert Hall in Los Angeles. She has studied extensively in Spain with Flamenco Masters such as Juana Amaya, Jesus Carmona, Ursula Lopez to name a few. In August 2006, she formed her own Flamenco dance company, “La Esencia Flamenca.” Collaborating with local musicians from Texas and California. As a result of her ongoing efforts, she developed a wonderful collaborative relationship with the Mexican Consulate in Houston, Mexican Tourism Board, Consulado de Espana, The Museum of Fine Arts, MECA and numerous other Hispanic organizations. On December 8, 2007, Mayor Bill White of Houston, Patricia was given a formal proclamation.
Patricia currently resides in sunny San Diego, CA as of 2009. She has continued to teach both Folklore Mexicano and Flamenco. Within one year her two dance companies in San Diego (Sabor Mexico Theatrical Dance Co. of SD & La Esencia Flamenca Dance Company of SD) combined has grown to 30 dancers and musicians. Recently, Danzarts – Sabor Mexico was chosen out of 320 applicants to work with the San Diego Symphony by Bill Conti (composer of the theme song “Rocky”) production “Your Song, Your Story”. Had the privilege of Performing at Symphony Hall, Joan Kroc Theater, Embarcadero accompanied by San Diego Symphony and Mariachi Garibaldi. For 8 consecutive years, Patricia has choreographed shows for Mariachi Sol De Mexico de Jose Hernandez for their “Merry-Achi” productions each year. Also has choreographed for Lila Downs -Dia de los Muertos show in 2023.
Vika S. Hernandez is a Dance Artist, Creative Director and Event Producer. She has studied Afro-Brazilian Dance and Capoeira since 2007, and holds a M.A. in Global & International Studies with an emphasis on Global Culture & Religion. Her work weaves the healing aspects of dance as a social medicine together with a deep respect for the dancing traditions of the African Diaspora. In San Diego, she directs her own dance company Sambamerica Dance Collective, and is the Creative Director of International Women's Day Arts+DanceXchange and Oceanside's World Rhythm & Dance Festival. IG @vikadances
Faith Jensen-Ismay has an extensive history as a dancer, teacher, and choreographer working throughout the entire county of San Diego and beyond. She is a founding Director of Mojalet (in 1991) with Mary Neuru, and Linda Zambrano; she became the Artistic Director in 1997, presenting her work and performing in Mexico, Switzerland, London, France, and Germany, as well as the East and West Coasts. Currently, Faith is part of the dance faculty at Mesa College and offers classes through Mojalet Dance Collective in Rancho Bernardo at "The Vine", and Arts for Learning San Diego a Young Audiences affiliate.
Moonlighting from 2007-2011, she served as the choreographer for The Jumpitz - a performing group offering children's entertainment through stories, songs, and dance, While working with The Jumpitz, she created choreography for over 30 music videos for DVD's, with several aired on Nick Jr., Armed Forces Network, HD Network and more. She also split her time traveling Domestically and Internationally with the group; in 2010 and 2011, she toured as the Choreographer, and Live Performance Director with AFE Tours presenting performances for military families in England, Netherlands, Germany, Portugal, Spain, Italy, and Greece.
Her professional performing career began in the 1986-1987 season with Three's Company and Dancers under the direction of Jean Isaacs, Nancy Mc Caleb and Betzi Roe Weinburg; with them she was able to tour in Europe, Mexico and domestically. Faith worked for 3's Company/ Isaacs McCaleb & Dancers for 11 years, then continued with McCaleb Dance for an 1.5 years, and Jean Isaacs' San Diego Dance Theatre until August 2005. While with San Diego Dance Theatre, she had the opportunity to perform works by Jean Isaacs, Christopher Pilafian, Mary Anthony, Monica Bill Barnes, Rui Horta, Kevin Wynn, Marco Antonio Silva, Jeffery Gerodias, Gabriel Masson, Yolanda Snaith, and more.
As a choreographer, Faith had created work for Mojalet Dance Collective, The University Dance Company at SDSU, UCSD Faculty Dance, Palomar, Mesa and Grossmont College Faculty Concerts, "Beyond Therapy" at The Old Globe Theater, Northern California Dance Conservatory, The PGK Dance Project, The Jumpitz, and more.
Over the past 30 years, her training has been influenced by many great artists that have done extensive workshops here in San Diego, with special thanks to Riza Steinburg from the Limon Company, who greatly influenced her work.