Book two of a slow-burn paranormal why choose romance by Gisele Briseia, narrated by August Roy.
Life is good…
It’s been a year since that fateful night that left Rose McKenzie to pick up the pieces of her life once again. A year since Will Kelley left and took a piece of her heart with her. After months of therapy, she’s finally content. She has friends, hobbies, and even a new budding romance with a devastatingly handsome selkie who sets her aflame with a look alone.
… Until it’s not.
But what happened that night in the cave had a price, and now the bill has come due. After a series of nightmares lead her to return to the place where it all started, she learns that the magic she bound to her soul wants free. It will stop at nothing to achieve that goal, even if it means taking her humanity from her, bit by bit.
Then it gets worse.
Otherkind hunters have come to the Golden Isles, posing a threat to not only herself but to everyone she loves and cares about. Yet as the changes grow more noticeable, she knows it’s only a matter of time before she’s found out and hunted down…if the power inside her doesn’t kill her first.
Midnight by the Sea is the second book in the Golden Isles Series and part of the wider Otherkind Universe. It’s a slow-build paranormal romance with two non-human love interests and no need for our heroine to choose between them. These novels must be read in order. The overarching story will have a HEA at the end of book 4. For more information regarding tropes and content, please check out the author’s website.
Book one of a slow-burn paranormal why choose romance by Gisele Briseia, narrated by August Roy.
Rose McKenzie is no stranger to running.
After the death of her father threatens to bring her back under her mother’s control permanently, Rose flees again. This time it’s to the only sanctuary she’s ever known: a tiny island called Nora.
A shadow looms over her childhood haven.
The longer she stays in Nora, the more Rose realizes the island she knew has changed. Families are leaving in droves, and strangers are taking their places, strangers that don’t seem… human. This leaves her stuck between the fight for Nora and her startling attraction towards a mysterious man as beautiful as the sea, who may or may not be involved with Nora’s alarming decline.
The world isn’t as it seems.
All Rose ever wanted was to make Nora her home, but as more secrets come to light, she becomes entangled in a war as old as humanity itself. Between threats on her life, mysterious voices that call out for help in her dreams, and the man she can’t seem to get out of her mind, will she survive long enough to build the life she truly longs for?
Sunset by the Sea is the first book in the Golden Isles Series and part of the wider Otherkind Universe. It's a slow-build paranormal romance with two non-human love interests, and no need for our heroine to choose between them. These novels must be read in order. The overarching story will have a HEA at the end of book 4. For more information regarding tropes and content, please check out the author's website.
A bodyguard contemporary romance by Bella Reves, narrated by August Roy.
There is a fine line between Fan and Fanatic.
The Influencer
Makeup, party, post, repeat. That’s all my life is, until my world is turned upside down. One of my fans has gone a little overboard, deciding to cross that fine line and send me threats against my life. My safety comes into question when it becomes clear they are stalking me, intending to follow through on their deadly promises. Until they can be tracked down, I’m stuck with a babysitter to keep me safe. An unnecessarily handsome, ex-military babysitter, who looks impossibly attractive in a suit.
Seriously, who actually has muscles like that?
The Bodyguard
Just another job, that’s what I keep telling myself. But Kacey is unlike any client I’ve ever had before. Beautiful, sweet, and absolutely chaotic, there’s more to this wide-eyed influencer than what she posts online. I want her, and she wants me, the draw between us is impossible to ignore. Nothing can happen, not while her stalker’s behavior is escalating, and I’m the one tasked to protect her.
And what the f#$k is an influencer, anyway?
A cozy adventure book from Ian Thomas Healey, narrated by August Roy.
Chef Muffin is no adventurer, but she's going to have to figure out how to become one. She's got to prepare a fantastic dish for a royal wedding, using ingredients she's never heard of, that she'll have to travel the breadth of the world to find. If she fails, she loses her livelihood, but if she succeeds...like every true fantasy adventurer...fame and fortune await. And, if she's lucky, she might even find true love into the bargain. It's a recipe for fun.
The second in the original Swash Series by Mark Hardiman, this production explored the meaning of family as characters sought their place in the world through devious and humorous escapades to forestall financial ruin of a fictional tavern. This production brought slapsticks and swords together, incorporated four dialects, and promised a great third in the series in coming years.
A classic tale reimagined to emphasize the scope of holiday cheer. With seven different dialects, this cast also saw the return of Don Harpst to the stage for one last run as the character of Scrooge.
A new comedy by Mark Hardiman, about confused identities and self-discovery, where the lovers fight for their love, and a pirate heroine finds her independence. This production at McCook Community College exemplifies the importance of collaboration to coordinate vocal flexibility, as each actor transitioned between dialects for different character roles.
A new play by Amie Root, following the adventures of Anne Bonnie and her LGBTQ+ crew as they seek piratical excellence, love, and friendship while overcoming stigma, and shaking of society-imposed shame. The Irish dialect of Anne was tailored for the Western Illinois University's production to be as accurate to Anne's Cork heritage, and altered subtle to show allegiance to the English characters during some scenes.
In Mark Hardiman's devised piece based on the short story A Child's Christmas in Wales, the actors bring a musical and imaginative Christmas experience to Southwest Nebraska. The performers learned the history of Welsh, and the significance of honoring a language that is only recently being validated by governmental and educational administrations, and explored the evolution of language from early 1900s to modern slang.
During this production by the teachers and students of North Platte High School, it was important to discuss the implications and controversial elements of the show. Throughout the course of the production, students explored the significance of language and representation in media. By discussing the history of the production they learned the significance of representation, and how it can be used as propaganda, as well as how to address discrimination issues in schools, work, and theatrical productions.
In this production directed by Kelly Robertson, four different dialects were used to create depth in character, and represent geographical movement throughout the show. The actors learned region-specific pronunciations in groups and individually, and learned why these regional differences were significant to characters and plots.
In this new work by Mark Hardiman, the actors explored what happens after the end of Robert Louis Stevenson's famous piece. The next generation of treasure hunters, pirates, and heroes find themselves and build meaningful relationships. Dialects chosen were based on several locations that were frequently associated with pirates. Each actor had their own unique vocal sound that incorporated these elements.
In this kabuki-inspired devised piece directed by Mark Hardiman, the cast and crew worked to create multiple characters using voice, movement, and limited props. Exploring the differences movement can make to the voice, gryphons, crabs, rabbits and queens brought imaginations to life in a fusion of cultures spanning Eastern Asia, England, and Jamaica.
In this devised piece directed by Mark Hardiman, tales and poems of American author Edgar Allan Poe were combined into an exploratory narrative. Working with a group of writers, editors, and musicians, the actors explored language and life to develop scenes and transitions. To document the progression of the production, a blog was updates regularly with new images, videos, and descriptions.