The PK Guidelines and the TEKS include phonological-awareness standards in pre-K through second grade. By third grade, most students will have acquired proficiency in phonological awareness; however, many reading difficulties, including dyslexia, are related to weaknesses in phonemic proficiency. Thus, students who demonstrate word-level reading and fluency difficulties will likely benefit from targeted and explicit instruction in phonemic awareness.
Take a moment to review each grade level on the TEKS Matrix to compare the expectations for each grade level.
Phonological-awareness skills include blending, segmenting, and manipulating words, syllables, and phonemes.
Review how the terms blending, segmenting, and manipulating are used within the context of phonological-awareness instruction at the sentence, word, syllable, onset-rime, and phoneme level. Keep in mind that phoneme manipulation is the most complex task within the phonological awareness continuum.
Connect sentence segmentation to the classroom by watching a short clip of this in action. As you examine the video, notice how the teacher uses manipulatives to scaffold students’ understanding that sentences can be segmented into individual words.
Now that you have explored rhyming, connect this to the classroom by examining an explicit rhyming lesson. Take a moment to examine the beginning of the lesson plan. After reviewing the small section of the lesson, pause and reflect on the questions presented.
Reflection:
On what phonological skills should students demonstrate mastery?
Are the objectives clear and concise?
How is the term “rhyming” defined?
How does this lesson bridge the gap between students’ prior knowledge and new learning?
This Rhyme Concentration activity can provide practice with rhyme identification. Turn it into a rhyme production activity by pulling a card, having students name the picture, and then asking them to provide a word that rhymes with the picture. This practice helps all students have a common understanding of what the card represents.
Now that you have explored onset-rime, connect this to the classroom by examining an explicit onset and rime lesson. Notice how the teacher includes kinesthetic scaffolds to support understanding of onset-rime blending. After reviewing the small section of the lesson, pause and reflect on the questions presented.
Reflect
How does this lesson use think-alouds to model metacognitive thinking?
How does the kinesthetic scaffold support students’ understanding of onsets and rimes?
As you review the lesson, look to see that it meets these criteria:
Identifies phonological-awareness skills to be learned and communicates objectives clearly
Provides clear, concise instructions and directions
Connects new learning to previous knowledge
Provides multiple opportunities to practice phonological tasks with affirming and corrective feedback
Employs the Gradual Release of Responsibility model (i.e., I do, we do, you do)
Revisits previously introduced concepts frequently
Logically builds from the least complex to the most complex skills
A phoneme refers to the smallest unit of sound in speech. For example, there are three phonemes within the word sip (/s/-/i/-/p/). Phonemes can be challenging for young children to discriminate because phonemes are instantly blended together as we produce words, phrases, and sentences. However, learning to read and spell requires us to map sounds to letters, which is dependent on our ability to discriminate and accurately produce phonemes.
The video shows Karen Blais, a Certified Academic Language Therapist in Austin ISD, using small mirrors during articulation instruction for digraph /sh/.
Notice how the students use mirrors to watch themselves articulate the sounds.
Use mirrors to examine the articulation of phonemes. In small groups, have students discuss how their mouth is shaped and whether their lips, teeth, or tongue block the sound.
Now that you have explored phoneme categorization, connect it to the classroom by watching a short clip of this in action. At the beginning of this chapter, we learned about allophones. You will notice the /ă/ sound has a slight variation, depending on the position of the letter within the word and the letters around it.
At what point does the teacher release the high level of support?
How does this section of the lesson provide students with opportunities to work more independently on new learning?
Review the following videos to see examples of how to scaffold phonemic awareness instruction. When segmenting phonemes with fingers, some curricula and approaches start with the pointer finger and others start with the thumb. While both approaches are effective scaffolds, campuses and teachers should use consistent language and approaches across classrooms and grade levels.
IMPORTANT: Substituting phonemes is a very challenging skill for young learners and may not be mastered until second or third grade. Because it is a complex skill, students should receive explicit and systematic instruction and multiple opportunities to practice phoneme substitution. Phonemic awareness instruction should be provided at a brisk pace and in short increments. Students benefit from distributed practice and corrective feedback.
While watching the video, observe the actions of Mrs. Keas:
States the objective in student-friendly language
Explicitly teaches the phonemic awareness skill
Models at least 2 examples of the skill
Clearly and accurately articulates phonemes and does not add the schwa sound on to phonemes
Provides opportunities for student practice with feedback
Uses a brisk pace
Review the following videos to see examples of how to scaffold phoneme manipulation instruction using hand motions. In these videos, you will notice that teacher begins with her thumb and points to the target phoneme. An alternative to hand motions can include Elkonin boxes or other multimodal scaffolds to help students visualize the sounds and demands of phonemic awareness activities.