Internet Platforms

There are a number of platforms that allow people to sing online in real-time together. None are perfect, and some are better in some ways and others are better in others. Some require more tech savvy, and others require very little. You need to determine which will work best for you and your ensemble, and I suggest that you remain open to trying different options. This page will discuss some of the options and provide links to get more information or settings advice. The big issue, of course, is the latency or lag in time, which is particularly noticeable with several people participating and people participating from different cities or regions. No one has entirely solved this issue, but many are working on it. Some in the choral world have decided to accept the lag issue, instead work to find platforms that improve sound quality, and sing music online that is either written to be sung remotely or can accommodate remote singing. The next page specifically discusses remote singing and repertoire.

Zoom

Many of us are using Zoom right now anyway, so it's good to know what sound settings are optimal for music. September 2020: Zoom released ver 5.2.2, which includes High Fidelity Audio. I've found this to be a huge improvement on sound quality, even better than Cleanfeed and with much less tech hassle for both host and singers. Doesn't solve the latency issues, but JackTrip has done some work to meet that issue (see below). Here are the settings for high fidelity audio for Zoom 5.4.7 (released Jan 2021):



Cleanfeed

Cleanfeed is a platform that was designed for better audio quality in online teleconferences. You can use Zoom for video conferencing while simultaneously using Cleanfeed for audio. The Cleanfeed website is here. A guide to how to use Cleanfeed alongside Zoom and to optimize for music is here. While you don't have as much control in Cleanfeed as you might in another platform such as Jamulus, in which you can control for room reverb and other audio specifics, Cleanfeed is comparatively user friendly, and is really simple to set up and work with, even for people who are less comfortable with technology. I recommend reading the guide that Karen Siegel of the C4 vocal ensemble is developing here.

Cleanfeed works with the Google Chrome Internet browser only, and external headphones may be necessary. While I had heard that a USB headset works best, a test revealed that a headset with a standard analog headphone connection like you have on your earbuds may work best.

In July 2020, Karen hosted a test of Cleanfeed with about 26 choral singers and conductors that I helped to organize. As host, Karen emailed individual links to each participant to her Cleanfeed room on the day of the test. Once in Zoom, singers "Join With Computer Audio," but then "Leave Computer Audio" (small upward arrow near the microphone icon on the lower left corner of the screen). Singers then linked to the Karen's Cleanfeed room for audio, while remaining in Zoom for video. Each singer could control their own volume level, which helped us to manage clipped or distorted audio for high or loud pitches. Karen also had a board in her host room that allowed her to see and control each participants level.

Here are Karen's takeaways from the test:

  • 26 people were able to successfully connect without any problems (100% of participants; according to the company, 32 is the max.)

  • The consensus was that the sound quality was pretty good, better than Zoom for sure. Specific areas where it is superior to zoom are the ability to pick up/hear high notes and short sounds, with all voices heard equally at once (no selection for a single speaker).

  • Singers can adjust their own levels, and the host of the session can adjust everyone's levels.

  • In my experience as the host, the audio quality was fairly poor. This suggests that a separate computer should be used as the host and server, with no one relying on the sound from that computer to participate in the session. This may depend on the power of the computer being used as the host and server, though.

  • It might be useful to have a dedicated sound engineer who is not singing or conducting, to adjust levels. This person would have to be the host of the session.

  • Scot Hanna-Weir (Santa Clara University) identified a solution to the problem of some people's sound coming in only the left or right channel—select "mono mix" from the settings.

  • Mary Hopper (Wheaton College Conservatory, past ACDA president) shared that USB headphones can be a problem with Cleanfeed; headphones that plug into the headphone jack are more reliable.

Jamulus

Jamulus is a platform that has excellent sound quality and may help mitigate some latency issues, although that's not entirely clear. It allows more control for issues such as room reverb and other audio specifics that can be adjusted in real-time by the host. It requires a significant amount of tech savvy for all participants, and each organization must set up and manage its own server. You can download their software here. Please note that this is an insecure download, so do so at your own risk, but I haven't heard of anyone suffering any consequences.

The C4 Ensemble has been using Jamulus successfully for their online concerts, which include live real-time performances of works that were either composed for online performances or can be adapted for online performance.

C4 has published a how-to for using Jamulus for choral rehearsals and performances here.


Soundjack

Soundjack is another online music platform that I've heard good things about, but I haven't dug in yet. Their website is here. An article for using SoundJack can be seen here. September 2020: Hope is on the way! Read this article about a new buildout of SoundJack that may be what we've been waiting for!

Jamkazam

Jamkazam is yet another online rehearsal platform that says that they don't have a latency issue, but my test with several choral singers in March 2020 was not successful, and we quickly abandoned the platform. You can see their website here. Apparently, the Jamkazam crew has been working on fixes, and I have since heard from musicians that have had success with limited or no latency for a small number of participants. Participants were accessing the platform from the same city, however, and that may have contributed to the success.