Program
Friday, 13th December 2019
08:30-09:10 Registrations
09:10-09:30 Greetings from LEE Hsien Chung 李賢中 (Vice Dean of the College of the Liberal Arts, National Taiwan University).
9:30-11:00 Session One: Multiculturality Unfold in History
Moderator: WANG Yuh-Wen/王育雯 (National Taiwan University, Graduate Institute of Musicology)
LIU Johanna Chien-Mei/劉千美 (University of Toronto, Department of East Asian Studies)
"Toward an Aesthetic Multiculturality? Questioning Cross-cultural Reading, Translation and Adaptation in Contemporary Art"
HSIEH Hsin-Chin/謝欣芩 (National Taipei University of Education, Graduate School of Taiwanese Culture)
“Documenting and Materializing Multiculturality of Japanese Colonial Taiwan in Le Moulin (2015)”
TIAN Chen/田晨 (EHESS, Paris)
“The cultural opening in the materiality: Chinoiserie in Eighteenth century France”
11:00-11:20 Coffee Break
11:20-12:20 Keynote Speech (1): Jean-Marie Schaeffer (EHESS, Paris)
“The Materiality of Artworks and Aesthetic Experience”
12:20-13:30 Lunch Break
13:30-15:00 Session Two: Artistic Materiality and Its Institutions
Moderator: Nathanel Amar (Centre d’Études Français sur la Chine contemporaine)
CHU Meng-Tze/朱夢慈 (Tainan National University of the Arts, Graduate Institute of Ethnomusicology)
“Creating the Normalized Rock Band Wave in Taiwan: Community-Based Hit Music Instrument Stores as Mediator”
LEE Wang-Han/李王瀚 (EHESS, Paris)
“When the Monument Started to Be Seen: Multicultural Context, Changing Materiality and Culture of Commemoration in Modern China”
CHANG Chun-Chang/張純昌 (National Taiwan University, Graduate Institute of Taiwan Literature)
“The Emergence of the New “Pure Literary” Aesthetics After Post-Martial Law Period: the City, Daily Life and Object Writing of "Introversion Generation"” (解嚴後新「純文學」美學的浮現:「內向世代」的都市、日常與物件書寫)
15:00-15:20 Coffee Break
15:20-16:50 Session Three: Embodied Materiality in Artistic Practices
Moderator: YANG Chien-Chang 楊建章 (National Taiwan University, Graduate Institute of Musicology)
Mathias Obert/宋灝 (National Sun Yat-Sen University, Institute of Philosophy)
“Self-embodiment through Artistic Practice”
LIN Szu-Yen/林斯諺 (Chinese Culture University, Department and Graduate School of Philosophy)
"Artworks as culturally emergent and physically embodied entities"
LAU Yick-Sau/劉亦修 (National Taiwan University, Graduate Institute of Musicology)
“Making a Local Gebogan: Perspectives on Practicing Balinese Gamelan in Taiwan”
Dinner