The Sun is Also A Star

by Nicola Yoon

TSIAS CRP.doc.pdf


Natasha: I’m a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is twelve hours away from being deported to Jamaica. Falling in love with him won’t be my story.

Daniel: I’ve always been the good son, the good student, living up to my parents’ high expectations. Never the poet. Or the dreamer. But when I see her, I forget about all that. Something about Natasha makes me think that fate has something much more extraordinary in store—for both of us.

The Universe: Every moment in our lives has brought us to this single moment. A million futures lie before us. Which one will come true?

http://www.nicolayoon.com/bio/

The Official Version

Nicola Yoon grew up in Jamaica (the island) and Brooklyn (part of Long Island). She currently resides in Los Angeles, CA with her husband and daughter, both of whom she loves beyond all reason. Everything, Everything is her first novel.

The Unofficial Version

  • I believe in love. Really, truly.
  • I'm kind of a hopeless romantic.
  • I'm a proud member of the We Need Diverse Books team
  • I hand write my first drafts.
  • I keep all the empty pens.

Curriculum Connections

Learning Goals: What do you want students to be able to know, understand and do?

OLG1 - Reading Process: Using critical literacy, a variety of reading strategies and, knowledge of form and style, students will analyze, assess and synthesize information and ideas from a variety of texts.

OLG2 - Writing Process: Thinking critically, students will conduct research to develop ideas for writing tasks; they will organize and synthesize information to suit specific forms, purposes and audiences.

OLG3: Oral Communication Thinking critically, students will plan and prepare a variety of oral and/or multimedia texts, using effective communication skills that are organized, and that show evidence of rehearsal and revision.

OLG4: Media and Critical Literacy: By applying critical literacy and key media theory, students will analyze representations and techniques in a variety of media forms and use media techniques to create different media texts for specific audiences and purposes

OLG5: Metacognition: Students will reflect on their English knowledge and skills, and with the support of their teachers, take corrective measures to improve.

Key Quotations

There’s a Japanese phrase that I like: koi no yokan. It doesn’t mean love at first sight. It’s closer to love at second sight. It’s the feeling when you meet someone that you’re going to fall in love with them. Maybe you don’t love them right away, but it’s inevitable that you will.

We have big, beautiful brains. We invent things that fly. Fly. We write poetry. You probably hate poetry, but it’s hard to argue with ‘Shall I compare thee to a summer’s day? Thou art more lovely and more temperate’ in terms of sheer beauty. We are capable of big lives. A big history. Why settle? Why choose the practical thing, the mundane thing? We are born to dream and make the things we dream about.

Growing up and seeing your parents' flaws is like losing your religion. I don't believe in God anymore. I don't believe in my father either.

Do you think it's funny that both of our favourite memories are about the people we like the least now?" I ask. "Maybe that's why we dislike them," she says. "The distance between who they were and who they are is so wide, we have no hope of getting them back.

Trigger Warnings

“The purpose of trigger warnings is not to cause students to avoid traumatic content, but to prepare them for it, and in extreme circumstances to provide alternate modes of learning” Lockhart

Trauma Informed Practice A Coffey 2017.docx.pdf

Potential Tasks

  1. Read the course novel and a variety of materials that explicate ideas about the central themes; select one theme from your novel that you would consider studying or that you find personally meaningful; Connect the main issues or theme in the novel to your own life, or to news events, societal problems, political events or popular trends; display your connection to the text using a creative medium. Examples: write a song connecting the protagonist’s struggles to your own personal life struggles and record the song; create a short film of the social issues in the novel in relation to the issues that teens face today; film an interview with a character answering questions about a social issue that the novel addresses and discuss how the issue is also of concern in current society (e.g. gender equality, prostitution, discrimination etc.). Or,
  2. Create an investigative report/critical examination of the selected social issue. Your documentary should: describe the issue, provide some real-world context and answer the following questions:
    • Who/what is affected?
    • Why is this an important issue?
    • When/what is being done to solve the issue?
    • How are the individuals involved affected?
    • How is the social issue represented/not represented in the media
    • Discuss the idea of voice and power? Whose voice is left out? Who has a voice/power in this matter? Is the voice being heard? Why or why not?

Text to Text Connections

Text to World Connections

From acclaimed writer/director Jeff Nichols, “Loving” celebrates the real-life courage and commitment of an interracial couple, Richard and Mildred Loving (Joel Edgerton and Ruth Negga), who married and then spent the next nine years fighting for the right to live as a family in their hometown. Their civil rights case, Loving v. Virginia, went all the way to the Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry – and their love story has become an inspiration to couples ever since.

Potential Strategy from Engaging Readers and Writers with Inquiry

Engaging Readers and Writers with Inquiry by Jeffrey D Willhelm

Silent Discussion Thread (P.92)

  1. Each member of your group will receive a sheet with one question at the top.
  2. Compose a response to the question.
  3. When "time" is called, pass your sheet to the person to the right, receive another sheet from the person to your left.
  4. Read and respond to the new question on the sheet underneath the previous response.
  5. Repeat until everyone in the group has responded to each question
  6. Pursue a verbal discussion on the responses you have collected.