"Utopias we can only imagine; dystopias we've already had."
- Margaret AtwoodAlthough the term "utopia" wasn't created until 1516 (Thomas More), utopian ideas are as old as man. Some consider the Garden of Eden to be the first written description of utopian paradise. Visions of utopia were the progenitors of dystopian concepts. One of the earliest recorded utopian proposals was Plato's Republic. Plato imagined an enlightened republic ruled by philosopher kings. Religions also contained a hint of utopia in their promises of bliss in the afterlife.
Perhaps the first piece of literature to blur the line between utopia and dystopia was Gulliver's Travels by Jonathan Swift, published in 1726. Gulliver visits four different societies which seem impressive at first but turn out to be seriously flawed. A common thread is those in power having little regard for the lesser citizens of the land: a blueprint for modern dystopia. In his famous work of satire, Swift shows what could happen if the visions of politicians, moralists, technocrats, and rationalists were taken to the extreme.
The Industrial Revolution (1760-1840) was a time of rapid growth, but it led to the imprisonment and dehumanization of laborers and to the mass accumulation of wealth in the hands of business tycoons. Though also labeled as science fiction, H.G. Wells's The Time Machine (1895) portrayed the upper and lower classes evolved into separate species, showing the class division at the center of many dystopian texts. Keeping with the theme, Jack London's The Iron Heel (1908), perhaps the earliest of modern dystopian fiction, depicts a tyrannical and authoritarian rule over destitute citizens.
This was an exciting time of advancement in science and medicine. Mass media was also experiencing a surge, and progressive reforms sprang up in response to inequities in society. Yevgeny Zamyatin published We (1921) in which a totalitarian state eliminates free will and individuality. All of this led up to the publication of one of the most famous dystopian books of all time: Brave New World. In Aldous Huxley's disturbing novel, people are genetically engineered, conditioned to perform social roles, and kept happy by drugs and propaganda. The "savages" represent real humanity as we know it.
The title words "Brave New World" originally appeared in William Shakespeare's The Tempest. Miranda's speech demonstrates an ironic naivete in not understanding the wicked nature of the visitors.
The phrase "Brave New World" has come to represent an era of hope and change, and at the same time a bleak and dismal future. It is ofen used ironically to describe something that is meant to cause improvement in people's lives but actually is a source of extra problems.
In the 1968 film Charly- based on Daniel Keyes's "Flowers for Algernon"- Charlie alludes to the "brave new world" concept in his answers to audience questions about what he now understands after having a surgery to increase his intelligence:
World War II saw the rise of real-life political dystopias- fascism, communism, and totalitarianism- with citizens under the watchful eye of the state. Death camps ruthlessly and efficiently slaughtered any who didn't belong. George Orwell published Animal Farm in 1945 to mock the Soviet regime, and one of the most famous dystopian novels of all time- 1984- was released in 1949. This was Orwell's critique of totalitarianism, media, and language. In it, the government uses mass surveillance and propaganda to repress citizens and persecute individuality.
1984 introduced several phrases that are now recognized and used in modern culture. They can also be applied to describe oppressive methods of control and manipulation in a vast number of dystopian novels:
Big Brother = the being exercising complete control over citizens' lives through constant surveillance
Doublethink = the acceptance of contrary ideas at the same time; used to make the truth more acceptable and often a result of political indoctrination
Thoughtcrime = controversial thoughts considered criminal offenses because they don't conform with social expectations
Newspeak = ambiguous language used in political propaganda, designed to diminish range of thought
Room 101 = torture chamber in the Ministry of Love where prisoners are subjected to their worst fears
2 + 2 = 5 = represents the government's control over reality: If everybody believes it, does that make it true?
Telescreen = propaganda tool that operate as television, microphones, and security camera, used to monitor and control citizens
Memory hole = the alteration or destruction of embarrasing or inconvenient historical documents; re-writing history so certain things never happened
Orwellian = describing an authoritarian state or situation characterized by surveillance, intrusive government, and/or deceptive and manipulative use of language
This was the era of captivation with atomic energy, artificial intelligence, and space travel. Popular films and comic books captured society's worries about nuclear war and post-apocalyptic consequences in stories about vengeful robots, space colonies, the depletion of earth's resources, overpopulation and crime, and the broadcasting of deadly mass entertainment. The 1964 black comedy film Dr. Strangelove was a satire of our Cold War fears, and comics like Watchmen and V for Vendetta addressed the threat of conflict with the Soviet Union and the aftermath of nuclear war.
More recent dystopian literature reflects society's growing concerns over climate change, financial crises, government power, political polarization, global epidemics, corporate takeover, mental health, inequality, and terrorism. Notable dystopian novels from the 1990s and early 2000s include:
Random Acts of Senseless Violence- Jack Womack
Super Sad True Love Story- Gary Shteyngart
A Boy and His Dog- Harlan Ellison
Jennifer Government- Max Berry
City of Bohane- Kevin Barry
Blindness- Jose Saramago
The Children of Men- P.D. James
Parable of the Sower- Octavia E. Butler
Dystopian scenarios are not all imagined from scratch, and they do not only mirror mythical narratives. Rather, they have grounding in actual human behavior and events throughout history.
"As a psychological state, dystopia may also be conceived to be humanity's starting point."
The apparent Utopian equality of Sparta's citizens rested on a backbone of sadistic conquest, obedience to authority, slavery, and ritual public beatings.
Slavery has been pervasive throughout history- from ancient civilizations, conquest of the New World, and Africa to the 'state slavery' of 20th-century totalitarianism.
Totalitarian dictatorships in various times and places have ruled through the use of terror and fear as instruments of control and conformity.
Also including mental asylums, such institutions are associated with torture, forced labor, group discipline, uniformity, and dehumanization.
Anxiety, paranoia, and the desire for a scapegoat has led to the targeting of such groups as lepers, witches, and Jews.
- George Claeys
Many dystopian societies function through the power of authority and extreme prejudice. History and research have shown how even the most average person can possess personality traits predictive of authoritarian influence and vicious discrimination.
Fascinated by how so many Nazis could have carried out orders to murder millions of Jews, Stanley Milgram created an experiment to show how normal, everyday people can be easily persuaded by an authoritarian figure. Basically, particpants were told to deliver electric shocks to someone in another room (participants did not know it was an actor). Even through the screaming and begging to stop, participants continued to follow orders to inflict increasingly higher voltages. Out of 40 participants, all 40 delivered shocks up to the final "potentially lethal" one (26 administered the final shock). The study revealed that people are willing to enact violence on others if it increases gradually over time.
In Palo Alto, California (1969) high school social studies teacher Ron Jones couldn't get his students to comprehend how so many people became Nazis and carried out the atrocities of the Holocaust, so he decided to try an experiment. He introduced slogans, rules, a salute, armbands, and strict discipline orders into his classroom. A vast majority of students fell right into line, enjoying initially the sense of community created in the classroom, and eventually the feeling of power in the school as their group, The Wave, steadily grew. As recruitment, rallies, bullying, and violence among students escalated, Jones culminated the experiment with an assembly during which he projected what he claimed was the face of their leader: Adolf Hitler.
Theodore W. Adorno, author of The Authoritarian Personality (1950), devised a ranking of personality traits that predict fascist behaviors in individuals. They include:
blind allegiance to conventions
black-and-white notions of right and wrong
belief that violence is justified against those who are different or who resist authority
defiance of new ideas and belief in simple blanket answers
stereotyping and scapegoating
superstition and belief in higher powers controlling our fate
Some sample agree/disagree statements from the F-test:
America is getting so far from the true American way of life that force may be necessary to restore it.
Homosexuality is a particularly rotten form of delinquency and ought to be severely punished.
Every person should have a deep faith in some supernatural force higher than himself to which he gives total allegiance and whose decisions he does not question.
It is essential for learning or effective work that our teachers or bosses outline in detail what is to be done and exactly how to go about it.
No matter how they act on the surface, men are interested in women for only one reason.
When you come right down to it, it's human nature never to do anything without an eye to one's own profit.
No insult to our honor should ever go unpunished.
If you strongly agree with any of these statements, Adorno would claim you exhibit some of the personality traits leading to fascist behavior.
Power is the defining concept of dystopian literature. In order to construct thematic patterns across dystopian texts, we can examine ways in which individuals, groups, and institutions respond to power. At the heart lies the protagonist's choice to conform or rebel.
Seek It
Exert It
Submit to It
Resist It
"The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion."
- Albert CamusSources:
ABC Pictures. (1968). Charly. Retrieved from https://www.youtube.com/watch?v=HWZG--3BIzc&t=4810s
Claeys, G. (2018). Dystopia: a natural history: a study of modern despotism, its antecedents, and its literary diffractions. Oxford: Oxford University Press.
Gendler, A. (2016). TedEd Lessons Worth Sharing: How to Recognize a Dystopia. Retrieved from https://ed.ted.com/lessons/how-to-recognize-a-dystopia-alex-gendler
Gresh, L. H. (2014). The Divergent companion: the unauthorized guide to the series. New York: St. Martins Griffin.
Orwell, G. (1955). 1984. New York: New American Library.
Smith, T. W. (n.d.). The tempest: Shakespeare. Bath: J. Brodie.
Strasser, T. (2013). The wave. New York: Ember.
Wischow, K., & Cunningham, P. (2018). Dystopian book clubs. Portsmouth, NH: Heinemann.