Acceptable Loss (2025) Stage

Acceptable Loss was an adaptation of J.B. Priestley’s An Inspector Calls, that I developed in collaboration with the third-year BA Acting students at the University of Northampton.  Set in the VIP lounge of Priestley’s Nightclub, the production exposed the dark underbelly of modern business, neo-liberal politics, and privilege.  As a young woman’s tragic death came to light, the elite of West-Amblingshire were forced to confront their complicity in a society driven by profit at all costs.  Acceptable Loss explored what happens when humanity itself becomes just another  'acceptable' sacrifice.

Fallout (2024) Audio Drama

Fallout is a three-part audio drama that delves into the lives of Anna and Jay. - how they met, how they fell in love, and how Jay's controlling and abusive behaviour slowly eroded Anna's ability to escape the situation.   Based on an interactive workshop that I developed for police forces around the UK, Fallout was developed into an audio drama as part of my MSt in Writing for Performance at The University of Cambridge.

What The Hell Just Happened? (2024) Stage

Based on the autobiographical book by Jules and Mark Kennedy, What the Hell Just Happened was adapted into a stage play in collaboration with the third-year BA Acting students at the University of Northampton.  This project brought the Kennedys’ raw and powerful story to life on stage, exploring their personal journey with honesty, humour, and emotional depth.  Through a dynamic and immersive creative process, I adapted the play in close collaboration with the students, culminating in a compelling production that captured the heart of the original memoir while offering fresh theatrical interpretation.

The Bigger Picture (2024) Film

The Bigger Picture was a short training film that I developed for Leicestershire County Council.  The film is used as part of a training package for individuals and agencies involved in providing Early Help to families in the county.

The Little Christmas Tree (2023) Stage

Deep in the heart of a snow-covered forest at the North Pole lies an enchanted woodland, where every year the Great Tree Ceremony takes place. The oldest and tallest tree is chosen to become the centrepiece of Santa’s Workshop. But this year, something unexpected happens. A small, overlooked Christmas tree named Tinsel embarks on a magical journey to prove that even the smallest among us can make a big difference.

The Little Christmas Tree was a heart-warming, 30-minute children's Christmas show filled with songs, laughter, and an uplifting message about the power of self-belief.  Performed throughout the festive season in a picturesque yurt at Welford Christmas Tree Farm, this enchanting production brought joy and wonder to audiences of all ages.

Hate Hurts (2023) Film

Hate Hurts was a short film that was commissioned by  Northamptonshire based charity 'Pearls of Peace', to help raise awareness around the impact that Hate Crime can have on people.

Impact (2023) Film

In 2023, I was commissioned by the City of London Police to write three short films telling the stories of nine victims of fraud.  Based on verbatim interviews, the films explored how individuals were manipulated into handing over vast sums of money and the profound emotional and financial toll that fraud, in all its forms, can have on people's lives.  Designed to be both impactful and deeply human, the films aimed to foster empathy and awareness, helping viewers understand the real, often devastating, consequences of financial crime.

All The Little Things (2022) Film

In 2022, I was commissioned by the City of London Police to write a short film based on verbatim accounts, that would raise awareness around the emotional impact of micro-aggressions in the workplace.

Trapped (2021) Film

I wrote Trapped, a powerful short film commissioned by the East of England Pathfinder project (funded by the Local Government Association) to raise awareness of Child Criminal Exploitation.  The film follows the stories of three young people, showing how they were groomed, manipulated, and ultimately drawn into exploitation - highlighting both the tactics used and the lasting impact on their lives.  As part of the Pathfinder project, Trapped was shown to thousands of young people, helping to educate and equip them with the knowledge to recognise and resist exploitation.

Unacceptable (2021) Applied Theatre

Unacceptable is an Applied Theatre project that has toured to tens of thousands of young people in schools throughout the UK that examines sexism, sexual harassment and sexual violence - what they are, what creates them, and what can be done to expose, and respond to, the harmful attitudes that perpetuate harassment and gender injustice.

Friends Oli and Kalyn confront their mate Adam, who has been saying and posting some worrying things lately.  They have decided to stage an intervention and are going to explain to Adam what sexism is, the differing forms that it can take, and the impact that it can have.

Invictus (2019) Applied Theatre

Commissioned by the Safeguarding Board for Northern Ireland (SBNI) as part of their push to become a trauma-informed nation, Invictus used the power of storytelling to raise awareness of childhood adversity, inspire resilience, and signpost young people to support.  Developed as an early intervention project, it created a safe space for young people to process experiences, share their stories, and find strength in connection.

Since its launch, Invictus has toured schools across the UK and has been seen by tens of thousands of young people, helping to foster awareness, understanding, and hope.

Robin Hood (2019) Stage

In 2019, I collaborated with the third-year BA Acting students at the University of Northampton, on an adaptation of Robin Hood.  Written specifically for the students, this version of the legendary tale explored themes of justice, rebellion, and community, all while retaining the adventure and wit that have made Robin Hood an enduring figure in storytelling.  The production combined traditional elements with contemporary perspectives, creating a dynamic and engaging experience that resonated with modern audiences.

Breaking the Chain (2017) Applied Theatre

Breaking the Chain is a hard-hitting applied theatre production that has been seen by tens of thousands of young people throughout the UK that aims to raise awareness, kick-start conversations and build resilience around youth violence – with a focus on knife crime – as part of a public health approach to tackling the issue – an issue that is seeing young people seriously hurt and, all too often, killed on the streets of our towns and cities.

Recently out of prison and trying to turn his life around, Tyler is worried about his younger brother Zeke and his friend Danny.  Zeke and Danny have started carrying knives and Tyler is desperate to ensure that they don’t make the same mistakes that he’s made in the past.  The play follows them over the course of one day as the tensions are mounting and Tyler must intervene to avoid a tragedy and try to talk them all into breaking the chain.

Going to Extremes (2016) Applied Theatre

Developed with UK Home Office funding, Going to Extremes was written to spark conversations and build resilience against extremism and radicalisation.  The multimedia play follows the stories of three young people - Danny, drawn into a far-right group after his parents' separation; Ayesha, a hopeful nurse targeted online by extremists seeking recruits for Syria; and Kamal, struggling to fit in and ultimately finding himself in militant training.  Through simple but powerful storytelling, their experiences are examined to explore how and why young people are targeted and, crucially, how open dialogue, empathy, and critical thinking can help build resilience against manipulation and radicalisation. 

CountyLines (2015) Applied Theatre

Commissioned by Norfolk Constabulary, County Lines is an innovative applied theatre production that raises awareness of the County Lines model of Child Criminal Exploitation (CCE).

Since its creation, County Lines has toured across the UK, reaching hundreds of thousands of young people.  Through powerful storytelling, it shines a light on the reality of child criminal exploitation, helping young people recognise the warning signs and empowering them to seek support before it’s too late.

In the Net (2014) Applied Theatre

In the Net is a fun and engaging applied theatre production designed for primary school children (Year 4+), raising awareness about e-safety and online bullying in an accessible and age-appropriate way.

Using the structure of the hero’s journey, the production takes young audiences on an exciting adventure where they encounter the challenges and dangers of the online world.  Along the way, they learn about cyberbullying, privacy, and digital responsibility, gaining the knowledge and confidence to make safe choices online.

Since its creation, In the Net has been seen by tens of thousands of primary school children across the UK, equipping them with essential tools to navigate the digital world safely and responsibly.

Crashing (2013) Applied Theatre

Crashing was written in response to the growing need to raise awareness of how Child Sexual Exploitation (CSE) can affect young men.  The play follows Eddie, a teenager struggling after the loss of his mum and a breakdown in his relationship with his dad.  Left with nowhere to go, he finds himself sofa surfing - until he meets Michael, a seemingly kind and generous man who offers him a place to stay.  But Michael’s intentions are far from innocent.

Since its creation, Crashing has been performed in schools across the UK and seen by tens of thousands of young people, sparking important conversations about grooming, exploitation, and the dangers of hidden coercion.

Chelsea's Story (2010) Applied Theatre

Chelsea’s Story is an internationally renowned applied theatre production that has proven highly effective in raising awareness of Child Sexual Exploitation (CSE).

The play follows two students who discover the diary of Chelsea, a 15-year-old girl who, after falling out with her family and friends, meets Gary—a man who seems kind, understanding, and supportive. He has a nice car, his own flat, and makes her feel special. But Gary is not who he appears to be. As the students and their teacher examine Chelsea’s story, they begin to unravel the devastating reality of grooming, manipulation, and exploitation.

Since its creation, Chelsea’s Story has been seen by well over one million young people across the UK, it has been performed in the Houses of Parliament, and showcased in both the US and Canada, making a profound impact on audiences worldwide.

Meeting Shakespeare (2009) Educational Theatre

Meeting Shakespeare was an engaging and theatrical production designed to support GCSE students in their study of Shakespeare’s plays. Blending comedy, drama, and a touch of magic, the show followed a group of students struggling with Shakespeare - until the Bard himself appeared to guide them through his works.

With energetic performances, audience interaction, and a playful exploration of his most famous scenes, Meeting Shakespeare brought the Bard to life in a way that was accessible, inspiring, and unforgettable.   Performed in schools around the UK, it turned studying Shakespeare into an exciting theatrical adventure.

Smashed (2009) Applied Theatre

Smashed was written for Jackpot Training Ltd and toured schools across East London, raising awareness of alcohol abuse and its short-term and long-term effects on both individuals and the wider community.

In the Dark (2009) FiIm

In the Dark was a short film written for Jackpot training Ltd and Hounslow Borough Council, aimed at raising awareness around drug use.