In this section of the exam you are marked on your understanding of the play you have read and the choices you would make to bring it to life. Think about the concept of 'FROM PAGE TO STAGE'. You have to be able to demonstrate your knowledge of the play (describe/explain) and you have to be able to demonstrate how you would use either acting, directing or production concepts to achieve DRAMATIC IMPACT.
The first part of the Essay question
You will choose one question and there will be a choice of questions about ACTING, DIRECTING or DESIGNING. All three options will be there for you to choose from.
Example question:
Question 1, Part 1: As an actor, describe in detail how you think the central character highlights the themes and issues of the selected text. You must use detailed textual references and/or quotations from the play to support your answer.
Question 2, Part 1: As a director, describe how you would like your audience to react at key moments in your selected text. You must use detailed textual references and/or quotations from the play to support your answer.
Question 3, Part 1 : As a designer, explain in detail how a key scene creates dramatic tension in you selected text. You must use detailed textual references and/or quotations from the play to support your answer.
AS AN ACTOR:
If you choose to answer as 'an actor' you must explain how you would physically bring the character to life onstage using a range of different acting techniques.
AS A DIRECTOR:
If you choose to answer as 'a director' you must explain a holistic vision of the play and explain Acting, Production Areas, Staging Ideas and Production Concepts.
AS A DESIGNER:
If you choose to answer as 'a designer' you need to explain how you would apply at least two Production Areas to the production of the play. You need to demonstrate clear understanding of the skills required if you choose this question.
Some questions only ask you to write about ‘one scene’ or a ‘key scene’, some might ask you to write about the ‘opening scene’, others might ask you to write about the ‘whole play’. If it doesn’t specifically say, always write about the whole play.
You are always being asked to explain how you would bring things to life in relation to the given area.
The given areas that might be in the question could be about any of the following:
Audience Response: How the audience reacts
Emotional Responses: How the character or audience responds in any given situation
Character Relationships: How they are and how they change and alter
Dramatic Tension: The driving force of the play and how it is created and achieved
The play’s Genre: The overall style of the drama
Dramatic features: Events of the play, its style, design issues or complications of performing the play.
Changes in status: Power relationships between the characters
Changes in Circumstance: How aspects of the plot affect specific characters
Key Features: Important plot, design or performance aspects
Key moments: Important events in the course of the play
Character Feelings: How they feel towards others in the story
Character Motivation: What drives the character, what does the character hope to achieve?
Character Personality: What the character is like
Themes and Issues: What the play is about
Conflict: Between characters/due to the play’s events
The second part of the Essay question (must be linked to your answer for the first part)
Example part 2 of the question:
Question 1, Part 2: Describe how, as an actor, you would use acting concepts to highlight the themes and issues of your text to the audience.
Question 2, Part 2: Explain how you would use directing concepts to achieve your desired audience response in performance
Question 3, Part 2: Explain how you would use design concepts to create dramatic tension in the scene
You're looking for four marks for PART 1 and PART 2.
In part 1:
1st Mark: you will get a mark for a well made point that is answering the question
2nd Mark: a further mark for your point being well justified with a quote.
In Part 2:
3rd Mark: A 1st mark is awarded for an acting or directing or design concept related to the point made
4th Mark: is awarded for further detailed development of the acting concept
JOINING THE TWO PARTS TOGETHER IN YOUR ANSWER: When you are writing the essay, you can choose two different ways to answer:
You might prefer to answer with (at least 5) points answering the first part of the question, followed by five points that cover concepts
Alternatively, you might like to write (at least five) paragraphs combining part 1 and part 2.
Combining both means that you can keep your points related and concise. So for example, for an answer to the ACTING CONCEPT QUESTION above, if you were writing about Philip Pullman's 'Frankenstein', the structure would look like this:
INTRODUCTION
I like to describe the introduction as ‘setting out your stall’ – putting all of the interesting goods on display to gain the examiner’s interest. Here's a sample intro for an acting question:
In the play ‘Frankenstein’ adapted by Philip Pullman, a key theme is Victor Frankenstein's single-minded desire to achieve his scientific outcomes, his hatred for the monster he creates and his thirst for vengeance against it; all of these things eventually lead to Victor’s breakdown and downfall. Victor tries to 'play God' and in this essay, I will explain how, as an actor, I would portray this through the acting concepts of voice, movement and proxemics and how I would use props and costume as an actor to show Victor’s traits.
Paragraph/Point 1:
Part 1: Explanation and examples and understanding (with quote)
Part 2: Acting Concepts – how you would communicate the above to an audience using Victor's costume and props to increase the understanding of the themes.
Paragraph/Point 2:
Part 1: Explanation, examples and understanding (with quote)
Part 2: Acting Concepts – how you would communicate the above to an audience using eye contact and tone of voice.
Paragraph/Point 3:
Part 1: Explanation, examples and understanding (with quote)
Part 2: Acting Concepts – how you would communicate the above to an audience using posture and balance.
Paragraph/Point 4:
Part 1: Explanation and examples and understanding (with quote)
Part 2: Acting Concepts – how you would communicate the above to an audience using proxemics and use of space.
Paragraph/Point 5:
Part 1: Explanation and examples and understanding (with quote)
Part 2: Acting Concepts – how you would communicate the above to an audience using pitch, pace, pause and intonation to increase tension.
CONCLUSION
In conclusion, I have demonstrated how the key theme of Victor’s need to ‘play god’ through achieving his scientific goal of creating life led to him creating a monster he could not control. This in turn led to the tragedy of Elizabeth’s death and Victor being totally consumed by his own guilt. I have shown how this theme creates many examples of dramatic tension throughout ‘Frankenstein’ adapted by Philip Pullman. I have also identified the ways I would use acting concepts to highlight the themes at key moments and communicate those themes to the audience.
To help you with this, I have listed the different concepts you could use below. As you can see there is a lot of crossover between the concepts and the better you have an understanding of all of them, the easier it is to answer the questions.
It’s good to have a grounding in each possible type of question, while you might be sure you’re planning on answering an acting question, it’s good to give yourself the option once you’re given the exam paper. The more awareness you have of the concepts the better.
ACTING CONCEPTS - for more detail refer to the terminology page
Acting concepts include:
· Characterisation
· Acting techniques
· Acting style
· Voice
· Movement
· Proxemics
· Interaction between characters
· Use of Costume
· Use of Props
· Use of Makeup and Hair
· Rehearsal Techniques
Directing Concepts
Pre Show
What the audience experiences before the play begins. For example there may be a visible set on stage with stage lighting, there may be actors on stage interacting in some way, there may be music playing that adds to the mood of the play. You might decide to project something onto the stage or a screen that adds to the atmosphere before the play begins.
Stage Proxemics
How you place your characters on stage and how this shows their relationship to one another. For example, actors placed very close together to show that they are in a relationship or distance between actors to show that they are angry or dislike one another.
Positioning
This is developed when you are in the early (blocking) phase of directing and involves how you position the character, props and set onstage to communicate meaning to the audience. For example, placing your character ‘centre stage’ gives the greatest focus on him so that might be where you place your protagonist. As a director you will make decisions about the positioning to communicate meaning to the audience.
Use of Levels
Similar to positioning, height is often used as a way to convey status or lack of status.
Characterisation
All of the ways that a director might lead a cast through exercises to develop character, for example you could create improvisations from outside of the script, of do hot-seating to help the actors to consider the character’s motivations.
Character Interaction
How you will direct the actors to react and interact to one another to demonstrate their relationships
Acting Style
Depending on the particular type of play being performed you might need to work with your actors to develop different styles of acting. For example physical theatre might need specific movement skills and melodrama might use a specific style to portray that form.
Voice and Movement
How you direct your actors to use voice and movement in order to convey meaning
Actor/Audience Relationship
This is about creating an emotional response between actors and audience. There is a ‘loop’ that can be created wherein the actors and audience feed off one another’s energy. You need to create the right response for the particular character or situation. There could also be ‘asides’ and ‘eye contact’ if suitable for the style of play.
Special Effects
Pyrotechnics, smoke machines, glitter or confetti cannons etc.
Production Areas
How you choose to use Lighting, Sound, Props, Set Design, Costume, Make-up and Hair.
Drama Media
How you might choose to use Projections, Video Footage, Images or Soundscapes to convey meaning.
Design Concepts
If you choose to answer the question about design concepts you will need to discuss the way FIVE design concepts are used across any production areas. You need to cover a variety of different design areas in order to gain full marks.
Venue
Building or location where the performance is being staged
Period
The historical time period and location of the play
Shifts in Time
If the time period of the play changes through flashback or flash forward
Stage Configuration
How the performance space is set up – Promenade, In the Round, Proscenium Arch, Thrust etc.
Actor Audience Relationship
What space is created between the audience and actors? How do the actors and audience ‘interact’
Immediate Circumstances
What are the most pressing demands of the action? For example if a stage direction states that a character id holding a book this would need to be sourced or if the stage direction says that a character sits at a chair and table, this needs to be onstage.
Onstage/Offstage world
What we see onstage and how this seems to continue off stage. For example if a character leaves to go into a garden which is unseen, this is the offstage world. How do you ensure this remains believable?
Other keywords to use include:
Set Design, Props, Costumes, Make up, Lighting, Sound, Drama Media.
Fabric and Materials
Colour and Style
Age, Personality, Status and Relationships between characters.