Blackfoot Traditional Territory from Google Earth
Akokatsin (Circle Camp) - Photo provided by Joe Eagle Tail Feathers
Map of Traditional Blackfoot Territory
Courtesy of the The Niitsitapiisini/Blackfoot Gallery Committee and Glenbow
Doreen Blackweasel, Tom Blackweasel, Andy Black Water, Jenny Bruised Head, Clifford Crane Bear, Louise Crop Eared Wolf, Charlie Crow Chief, Rosie Day Rider, Carrie First Rider, Earl Old Person, Allan Pard, Jerry Potts, Pat Provost, Pete Standing Alone, Jim Swag, Donna Weaselchild, Frank Weasel Head, Clarence Wolfleg, and Herman Yellow Old Woman.
Blackfoot Scholar Dr. Leroy Little Bear (Iikaisskini) has written and spoken extensively about Indigenous land-based learning. In his work, Naturalizing Indigenous Knowledge, Little Bear says, "The culture of the Blackfoot involved a communication with nature and the animals. The environment is our classroom" (12). He provides a definition of Place-Based Education: "The land, as opposed to time, is a major referent in the minds of Aboriginal people. ... The ecological aspect of Indigenous knowledge is all about the land. The land is a source of identity for Aboriginal people ... Place must be an integral part of any curriculum" (21). It is for these reasons that we are seeing a move to integrate land-based learning into Western education. Doing so is as an example of Indigenization and decolonization.
Dr. Leroy Little Bear and Chris in Lethbridge, AB (June, 2022)
On traditional Blackfoot (Niitsitapi) territory, there are many sites regarded as sacred. For the Blackfoot Odyssey, six locations are being featured because of the significant roles they have played in Joe's spiritual journey. By no means is our work indicating these sites are the definitive six.
As shown on the Traditional Territory Map created by Calgary's Glenbow Museum, and provided with permission, there are locations marked as "sacred places," but even this map does not reveal all, nor should it. For instance, it does not feature Sundial Medicine Hill, a sacred site Dr. Leroy Little Bear visits in his film, "The Community of the Natural World." During the same summer in which we were filming our videos (2023), Little Bear was working on this video, in which he offers these words that connect so well with our work:
"These territories were lands that were sacred to us. They were places where we held ceremonies. They have their own songs. They have stories about them. And that's why our people remember these places. ... We've continued to have that memory about the stories, the songs, the ceremonies at places like this, and we're now able to rekindle, retell those stories."
~ Leroy Little Bear, "The Community of the Natural World"
Indigenous land-based learning will vary depending on location and the Indigenous knowledge keeper who is imparting a lesson and offering their insight. The primary purpose behind Little Bear's video is to address climate change and sustainability. Although he acknowledges the ceremonial connection Blackfoot people have always had with their land, his video is not about his own ceremonial experiences he has had with that particular location. And that is one area where our work differs. That is why our videos are protected and not shared as openly as his video is. The Blackfoot Odyssey takes a different approach to 'land-based learning' because of its highly personal nature. This personalized and ceremonial approach to the land has had a significant impact on Chris' teaching practice. He encourages his students to learn from a Blackfoot Odyssey, and in turn, explore what their own personal connection to the land can look and feel like.
There were several reasons why Christopher wanted to create these videos in which he would be asking Joe to reflect on both his knowledge of ceremony and his experiences at these sites. A primary reason is that Chris wanted Joe, his stories, and Niitsitapi territory to be a part of the curriculum for a senior-level English course he teaches at Mount Royal University, ENGL 3353: North American Indigenous Literatures.
These six locations hold such significance not only in Joe's life journey but also for the Niitsitapi (Blackfoot people). For such a literatures course, Joe's intense experiences at each of these sites, as he describes them in the videos, were deserving of being referred to as a Blackfoot Odyssey.
Chris presenting at MRU's Celebrate Teaching and Learning Event (May 2023)
Mahtsaohhtaan (Pretty Shield), Calvin Williams, a Blackfoot (Kainai) elder, provided the Blackfoot Odyssey website with a definition of Indigenous knowledge as it relates to Joe.
According to Mahtsaohhtaan, Joe's learning institutions are his culture, the mountains and hills, his ancestors, and his spirit helpers.
Mahtsaohhtann explains that Joe's knowledge has been acquired through sacrifice and years of ceremonial involvement on Joe's part, spanning more than four decades, and that what Joe has given of himself for the knowledge he has acquired has been through his body and his life. He indicates, “What Joe has does not come from humans but from the spirit world. The spirit helpers provide this knowledge. It is very individualistic and one of a kind. No two people get the same knowledge and guidance.”
Table Mountain with Calvin Williams (May 2021)
Chris wishes to model the importance of land-based learning: The best way to learn from the land is to be out on the land.
He encourages others to learn from those who are Indigenous to the land on which they live – to learn from those who have a deep connection, vast knowledge, and personal experience with the land as Joe and Calvin do.
Over the summer of 2023, Joe guided Chris to each site for the purpose of the Blackfoot Odyssey course being developed. Joe wanted Chris to experience the sites for himself and get to know the places on a deeper level.
Together, they will return to all six locations over the summer of 2024 to gather more visuals to enhance the videos that have been completed.
Joe and Chris just across the US/Canada border in Montana (August 2023).
“Just as I am encouraging my students to do in their land-based learning assignment, it was through my visits with Joe to these sites where I could see him wanting me to explore what my own personal connection with the land can look and feel like. In a sense, Joe was allowing me to experience my own Blackfoot Odyssey, which has then given me knowledge and understanding, something I wish my students could experience.” — Chris
Another reason for gathering these stories is that Chris is following the guidance of Calvin Williams, whom he takes as one of his elders. Over the years, Calvin has offered an ongoing critique to Chris regarding his instruction of Indigenous literatures. Mahtsaohhtaan points out that literature is not the traditional way Indigenous peoples have shared their stories; they were delivered orally. Literature is a Western construct. Similarly, Joe has expressed his concerns with Chris that people need to be aware that Indigenous storytelling followed the oral tradition.
Calvin has also encouraged Chris to use lots of visuals in his teaching and to involve the land. For Chris, film offered itself as a way to implement these recommendations – the oral, the visual, and the natural.
Calvin and Chris at Mi'kai'sto, Red Crow Community College, (2016)
Chris recognizes that as much as film is also a Western construct and a modern artistic medium, the videos created have managed to capture the oral delivery of a story. They have also allowed students to hear and learn from Joe – and to 'meet' him.
As a result of these videos, Chris' Indigenous literatures course now contains stories of Niitsitapi territory, and these stories are represented in a variety of forms: the oral, literal, and visual.
Joe with MRU's Academic Media Group, Ian & Chuck.