In efforts to establish a core body of repertoire for sheng and bassoon, the ensemble continues to collect new scores, arrangements, and transcriptions that reflect the histories, sounds, and literature of the Silk Road.
Folk songs showcase our cultural stories over generations. Silkwind Mundi utilizes these timeless melodies through our unique instrumentation to create new sonic chapters and breathe unexpected life into the classics.
Silkwind Mundi invests in the music of living composers to create immersive, technology-driven musical spaces. This includes fixed media, live electronics, computer processing, multimedia, immersive experiences, mixed-sensory interactions, visual projections, and participatory audience engagement.
Arrangements, transcriptions, or reimagined classical melodies inspired by cultures along the Silk Road, including, but not solely limited to:
Imperial China
Iranian/Turkic Peoples
Kushan Empire and the Indian Subcontinent
Parthian and Sasanian Empires (Persia)
Roman and Byzantine Empires
New works that capture the spirit of the duo's aim.*
Bassoon and sheng
Bassoon, sheng, + live electronics or fixed media
Bassoon, sheng, + immersive experience(s)
Bassoon, sheng, + lighting, multimedia, projected video, or other such experience
Bassoon, sheng, + audience participation/mixed-sensory interactions
Bassoon, sheng, + other means of technology-driven musics
New works in settings for expanded instrumentations. Consult with the duo to ensure collaborators are available before proceeding.
Bassoon, sheng, + Chinese traditional instruments
Bassoon, sheng, + instruments from cultures along the Silk Road
Bassoon, sheng, + other Western instrument(s)
36 key gaoyin sheng (高音笙)/ reformed sheng.
Breathing and playing techniques can be found here, and fingering charts can be found here.
Polyphony and chords are encouraged as long as the keys can be reached. Please contact Alexander Strader for questions.
Heckel System (German) bassoon.
For multiphonics, use "Contemporary Techniques for the Bassoon: Multiphonics" by Jamie Leigh Sampson.
For extended techniques, please contact Aaron Pergram for a discussion.
*Alex can also play the clarinet/bass clarinet. However, we are not accepting bassoon and clarinet duos. We will accept compositions where Alex plays the sheng AND clarinet/bass clarinet. The parts must be written for one performer on bassoon and one performer on sheng + clarinet and/or bass clarinet.