Each student will need a sketchbook ($5) or a folder to hold blank paper for this class only. Students are expected to bring their sketchbook to class & take it home each week. We will be photographing & uploading sketched images along with submitting project reflections.
Each student will receive approx. 25 lbs of clay to use this semester! This will allow you to create each assignment within the size perimeters given.
You will also receive access to all our pottery tools in the classroom!
Clay must be thoroughly covered up with a plastic bag to keep it from drying out. This applies to works in process and moist clay.
Clay dust can be harmful if you are exposed to it for long periods of time, so keep your area clean, clay scraps off the floor and clean with water and sponge.
Clay should be no thicker than your thumb.
In order for clay to stick together it must be scored and and slipped together while the clay is moist (plastic) or leather hard.
Wedge clay to remove air bubbles, achieve uniform consistency, and to line up the clay particles.
Trapped air can cause clay to explode. So hollow out sculptural forms and put needle holes through enclosed forms for air to escape.
Don't glaze the bottom of the piece.
Wash the piece before glazing.
Handle your project with two hands at all times. In other words - be careful! - it's your hard work.
NEVER handle another person's work even if it looks cool!
Pinch pots are created by using your hands to shape the clay. Pinch pots are some of the oldest archaeological artifacts found on the planet.
Begin by forming a smooth ball that fits in your palm (fist size).
Press the thumb into the center half-way to the bottom.
Revolve the ball while pressing the walls out evenly with the other hand.
Coil pots are created by pressing coils of clay together.
Keeping the fingers flat, form clay into sausage shapes.
Roll them into ropes (coils)
1/4" to 1/2" thick
Coils are pressed together creating a design. Gaps are filled in with small balls of clay.
Inside of the wall can be smoothed.
Join the walls & the bottom.
The slab building technique involves rolling out clay to an even thickness - usually 1 cm - then cutting shapes, folding, bending, manipulating and joining together to form a finished object.
When clay arrives from the factory it comes in 25lb bricks which are "de-aired". No need to wedge for hand building if you're cutting right off the brick! **You DO need to wedge if you're wheel throwing**
Use your body weight to press down into the clay & roll it back towards your stomach. This compression & rotation will help align the clay particles and push out any excess air that may be trapped inside.
When clay has lots of moisture & is very messy (like mud). Slip is considered wet clay
Flexible state of clay when it can be molded, bent and attached without cracking.
When clay holds its shape & is easily carved into.
No moisture remains. Clay is completely dry & ready to be bisque fired!
Unfired clay that has 0 moisture & is ready to go into the kiln.
Clay that has been fired once at a low temperature. It is no longer recycle-able & is now permanent.
Glaze has been applied & pottery is ready to be fired a second time to give it color, make it waterproof & durable.
Underglaze or "colored slips" are most often applied to leather hard or bone dry clay (before firing). These can be used to create detailed designs or utilize decorating techniques to the surface of your work!
Glaze is a chalky-like mixture applied to bisqueware. Most glazes require a 3 coat application to make sure it is durable and even. Glaze makes your work waterproof, so dishwasher & microwave safe!
You're able to have each piece you create fired & glazed. Please know that if we are in a full remote setting there will be drop off & pick up dates available if possible.