A collection of creative works to give a better visual understanding on the TEd Jeepgy Pillars.
By Vi Choa
Desperation, a piece that addresses the experiences of the marginalized, raises the question: Why does society try to strip the marginalized of what little they have? Notice the woman in the artwork wrapping herself around a coin, see how her edges are fading away. Although these people are cornered, they remain desperate; society will pry its selfish hands into their lives, try to break the poor in hopes of obtaining what they own, and still, they continue to hold on.
By Alyssa Simtoco
This work entitled Enough depicts the situation of people in poverty, and how the government tries to “throw a rope” to the people in hopes of that being enough for them, but in reality, it isn’t even close. The rope is about to break because of negligence and abandonment, but a hand that reaches out to the person symbolizing that we, as fellow community members, can do what we can instead of waiting for the rope to snap.
By Hilary Yao
Reaching Out, An illustration that shows how our actions, whether big or small, can help another person get back on their feet again. Donating to organizations that work for reducing poverty would already be a big act of “reaching out” with the symbols on the artwork representing opportunities and basic needs while the hands show the act of helping others in need.
Art by Juuno Tan
Short Story by Sophia Lu
Art by Gavin Kaw
Short Story by Gabrielle Uy
By Alyssa Simtoco
This piece entitled One and the Same aims to manifest equality for every individual, and express that we as people should strive for impartiality, regardless of gender. As shown in the artwork, two people point at each other, forming an equal sign, symbolizing that they see themselves as all they are: two people, different genders, equal footing. In this day and age, discrimination and bigotry should be a thing of the past, so we must learn to embrace all genders as how we would anyone else.
By Vi Choa
"Even Playing Field" is a piece that reflects on the equality shared amongst each gender in the form of a playing card. The playing card holds both a woman and a man on either half of the card, symbolizing the 'even field' the two genders should be on. The water further reflects on our true selves, embracing the fluidity of how we choose to present ourselves and our identity through femininity or masculinity.
By Gavin Kaw
This piece is meant to represent how the youth can utilize social media to voice out their opinions and start discourse on taboo topics. Although social media in large amounts can negatively impact one's mental health, it can be a powerful tool in uniting a group together when used correctly.
By Juuno Tan
The word metamorphosis is the Greek term for transformation, or change in shape, and it is also commonly associated with butterflies who have to go through this in order to become their full selves. In this piece, we can see items that are commonly used to spread activist movements which evidently aim to make changes to society while the butterflies in the background represent the youth, who undergo changes in order to reach adulthood.
Art by Hilary Yao
Short Story by Pilar Buenaventura
Art by Lily Dytoc
Short Story by Gabrielle Uy
By Alyssa Simtoco
Hate grows in everyone. No one can avoid it, but what does it say about a person when they hate for no reason? As one blindly follows the other, they are subconsciously jumping on the bandwagon to fit in, creating a hate train.
By Juuno Tan
This piece is meant to show how mental health can affect someone, and how it may set them apart from other people. Details, such as the unfinished look on the piece, are meant to symbolize how mental health could affect your work. Meanwhile, splashes of colors found behind the girl are meant to visualize the overwhelming emotions that someone may be going through.
Art by Hilary Yao
Essay by Gabrielle Uy
This artwork shows how transfeminine identities are invalidated in their media representation as they are usually depicted in a humorous manner or seen in stereotypical ways. It creates a harmful representation of them as they are perceived as men who enjoy acting and dressing femininely.
Art by Lily Dytoc & Gavin Kaw
Essay by Pilar Buenaventura
We wanted to create an artwork that is in line with the article on Lualhati Bautista and her recent passing. The article speaks about the recent passing of Lualhati Bautista and her literary works. It goes deeper into her importance in Philippine literature as a woman and an activist. Thus we decided to have the quills resemble wings as a fitting symbol.
Art by Vi Choa
Essay by Dana Yu
Time is unforgiving. It is voracious; it marches on, apathetic to the people affected by it. However, one thing remains unchanging: the threads binding the Philippines to China.
The lady in the red (Philippines) and the lady in the blue (China) both appear to be in contact with one another -- a gentle hand caressing the face of the other -- a dragon could also be observed in the background. This represents the flow of time; how the two countries remain intertwined with each other even as time sways or disrupts their connection.
CREDITS
Header: Alyssa Simtoco
Artworks Logo: Vi Choa
Website Layout: Angelina Lapez
Website Organization: Max Yu, Erika Sy, Sabine Cuason, Shanen Magsombol, Hilary Yao, Cara Reyes, Real Talk Logistics Committee