AGE GROUP: K1 - G1 / G2 - G5
TIME: 9:00AM - 12:00PM (MONDAY - THURSDAY)
This 4-day creative journey invites students to explore the exciting world of colour through painting, collage, sculpture, and mixed media crafts. By the end of the programme, students will gain a deeper understanding of how colours interact, express mood, and bring artworks to life - truly experiencing the magic of colours through their own creations.
Day 1 - Shimmer & Shine – Textured Easter Foil Ornaments
Introduction to basic colour theory (primary, secondary colours, colour mixing).
Demonstration of simple colour mixing using acrylic paint.
Students draw and cut cardboard into ornament shapes (egg, bunny, heart, etc.).
Apply white glue onto the surface of the cardboard.
Arrange string onto the glue to create patterns and raised designs.
Wrap the ornament with aluminium foil.
Gently press and smooth the foil to reveal textured patterns underneath.
Paint over the foil surface using acrylic paint, then allow it to dry.
Attach ribbon or string to complete the hanging ornament.
Day 2 - Colourful Creations: Jumping Clay Pencil Holder
Introduction to clay handling and colour mixing with clay.
Demonstrate basic clay techniques (rolling, flattening, blending, attaching).
Wrap jumping clay around a box or tissue roll to form the pencil holder base.
Smooth and secure the clay surface.
Create decorative patterns, shapes, or small clay elements to attach onto the holder.
Allow the clay to dry completely.
Once dry, add details using markers if desired.
Day 3 - Blooming Colours: Textured Paper Plate Flowers (K1 - G1)
Students from K1 – Grade 1 and Grade 2–5 will create age-appropriate artworks while learning the same painting and collage techniques.
Introduction to painting techniques (wet-on-wet and expressive brush strokes).
Students draw and cut out flower shapes from paper plates or thick paper.
Apply a base layer of paint using the wet-on-wet technique.
Layer additional colours while still damp to create blending effects.
Use brush strokes to add texture and depth to petals.
Allow pieces to dry.
Assemble and glue flower components together.
Add final details if desired.
Day 3 - Garden of Colours: Botanical Collage (G2 - G5)
Students from K1 – Grade 1 and Grade 2–5 will create age-appropriate artworks while learning the same painting and collage techniques.
Introduction to painting techniques, focusing on wet-on-wet blending and expressive brush strokes.
Students plan the layout of their botanical composition.
Create multiple textured painted papers by applying a base layer using the wet-on- wet technique.
Layer additional colours while the paint is still damp to achieve soft blending effects.
Use varied brush strokes to add texture and depth, then allow papers to dry.
Draw botanical shapes (flowers, leaves, stems) onto the dried painted papers and cut them out.
Arrange and glue the cut-out pieces to form the final composition.
Add final details using coloured pencils or markers if desired.
Day 4 - Warm & Cool Animal Paper Puppets
Students will be introduced to the concept of warm and cool colours and how they create contrast and balance in an artwork.
Begin by drawing an animal, separating the head, body, and limbs to create movable parts.
After cutting out the shapes, they will colour their animal using techniques learned in previous lessons, thoughtfully applying a balance of warm and cool colours.
Once completed, students will assemble the pieces using paper fasteners and attach the finished puppet to a popsicle stick to create a colourful, movable paper puppet.
Materials Provided:
Acrylic Paints, Brushes, Watercolour Paints, Water Containers, Paper Palettes, Pencils & Erasers, Coloured Papers, Cartridge Papers, Double-sided Tape, Glue, Colour Markers, Colour Pencils, Scissors, Jumping Clay, Copier Paper, Pastic Cup Cover, Paper Plate, Paper Fastener, Aluminium Foil, String & Ribbon
Min. 8 to run
AGE GROUP: G6 - G12
TIME: 1:00PM - 4:00PM (MONDAY - THURSDAY)
This programme introduces students to experimental and relief printmaking using accessible materials. Students will explore monoprint, monotype, collagraph, and foam relief techniques while learning about texture, layering, and image-making processes. The programme culminates in the creation of a personal zine, where students combine their prints with drawing and collage to express their unique creative voice.
Day 1 - One-Off Impressions: Exploring Monoprint & Monotype
Students will understand the differences between monoprint and monotype and create experimental test prints and one resolved artwork for each method. They will explore texture, layering, subtraction, and abstraction while generating prints for their final zine project.
Monoprint (Additive / Textural Process)
Introduction to monoprint (repeatable base with variable results).
Ink a plastic sheet evenly using sponge.
Arrange found materials (string, sequins, cut paper, textured objects) onto the inked surface.
Carefully place paper on top.
Rub gently by hand.
Peel back paper to reveal the print.
Repeat with different layouts and colour variations.
Select one composition to refine as a final monoprint artwork.
Monotype (Subtractive Process)
Introduction to monotype (a unique, non-repeatable image).
Apply an even layer of paint onto a smooth surface.
Use cotton buds, brushes, fingers, or tools to remove paint and create imagery.
Place paper over the plate and rub gently.
Lift to reveal the printed image.
Create several experimental prints.
Develop one more resolved final monotype artwork.
Day 2 - Building Texture: Collagraph Plate Making
Students will learn how to construct a collagraph plate using found materials and understand how texture, layering, and composition affect printed results.
Introduction to collagraph (printing from a textured plate).
Plan composition (abstract, symbolic, or patterned).
Glue textured materials (string, rough paper, plastic, corrugated cardboard, etc.) onto a cardboard base.
Consider raised vs recessed areas.
Allow plates to dry completely.
Prepare plates for printing in Lesson 3.
Day 3 - From Plate to Print: Collagraph & Relief Printing
Students will print from their handmade collagraph plates and explore relief printmaking using foam sheets. They will understand positive and negative space, line work, and repetition while producing multiple prints for their final zine.
Collagraph Printing
Ink the collagraph plate.
Place paper over the plate.
Apply pressure by hand.
Peel back carefully to reveal print.
Experiment with different colours.
Produce several prints.
Foam Sheet Relief Printing
Introduction to relief printing (raised areas print, carved areas do not).
Sketch simple design (bold lines work best).
Lightly transfer drawing onto foam sheet.
Use pencil or blunt skewer to press lines into foam.
Ink the surface.
Place paper on top and apply pressure.
Lift to reveal print.
Create small editions (3–5 prints).
Day 4 - Printed Stories: Zine Making
Students will combine their printed test pieces with drawing, painting, and collage to create a personal zine. They will explore sequencing, storytelling, and layout while expressing their unique visual voice.
Introduction to zines (self-published mini book format).
Fold A3 paper into zine format.
Plan theme or concept (abstract, narrative, symbolic, personal).
Select and trim previous prints.
Arrange composition across pages.
Glue, layer, and collage prints.
Add drawing, painting, and text if desired.
Final refinement to complete their zine.
Materials Provided:
Acrylic Paints, Brushes, Watercolour Paints, Water Containers, Paper Palettes, Pencils & Erasers, Coloured Papers, Cartridge Papers, Double-sided Tape, Glue, Colour Markers, Colour Pencils, Scissors, Copier Paper, Foam Sheet, Cardboard, Textured Materials
Min. 8 to run
AGE GROUP: K1 - G1 / G2 - G5
TIME: 9:00AM - 12:00PM (MONDAY - FRIDAY)
Through hands-on activities, students will explore the styles of renowned artists including Picasso, Yayoi Kusama, Monet, Matisse, and Georges Seurat. Each lesson introduces an artist’s unique techniques and visual language, allowing students to experiment with a variety of media. By reinterpreting these master artworks in playful and age-appropriate ways, students develop creativity, fine motor skills, artistic confidence, and a deeper understanding of different art styles.
Day 1 - Picasso’s Cubist Animals
Introduction to Pablo Picasso and Cubism (geometric shapes, bold colours, abstract forms).
Demonstrate colour mixing & painting techniques using acrylic paint.
Teach how to draw animals using geometric shapes.
Students draw and cut out their animal base shape.
Paint the animal base layer.
On separate paper, students create textured painted sheets.
Once dry, cut textured papers into geometric shapes.
Arrange and glue shapes onto the animal to create a cubist collage.
Day 2 - Yayoi Kusama’s Polka Dot World (Jumping Clay Art)
Introduction to Yayoi Kusama and her love for polka dots.
Demonstrate how to use and shape jumping clay.
Students choose a subject (pumpkin, flower, animal, etc.).
Create the main 3D form using clay.
Flatten clay and use straw tips to create small polka dots.
Attach polka dots onto the sculpture.
Optional: Create a simple background or mini display base.
Allow artwork to dry.
Day 3 - Monet’s Water Lily Pond
Introduction to Claude Monet and Impressionism.
Discuss how Monet painted light and water.
Apply glue onto cartridge paper for the pond base.
Tear or cut coloured tissue paper.
Layer tissue paper to create water texture and depth.
Allow base to partially dry.
Create water lilies using coloured tissue paper.
Paste lilies onto pond surface.
Final layering for added movement and effect.
Day 4 - Matisse Shapes & Print Play
Introduction to Henri Matisse and his cut-out technique.
Cut cartridge paper into bold abstract shapes.
Sponge ink or paint onto a plastic sheet.
Arrange paper shapes onto the inked surface.
Place paper over and press to transfer the print.
Lift to reveal printed shapes.
Repeat with different colours for layered effects.
Optional: Cut printed papers into new shapes and create a collage artwork.
Day 5 - Seurat’s Dot Painting
Introduction to Georges Seurat and Pointillism.
Show how images are formed using small dots.
Students lightly draw a simple scene or subject.
Paint a base layer if needed.
Use cotton buds to apply paint in dot patterns.
Layer different colours using dots.
Fill entire artwork using the dot technique.
Final reflection and sharing.
Materials Provided:
Acrylic Paints, Watercolour Paints, Brushes, Water Containers, Paper Palettes, Pencils & Erasers, Scissors, Coloured Tissue Papers, Cartridge Papers, Copier Paper, Double-sided Tape, Glue, Colour Markers, Colour Pencils, Jumping Clay, Clay Tools, Sponges
Min. 8 to run
AGE GROUP: G6 - G12
TIME: 1:00PM - 4:00PM (MONDAY - FRIDAY)
In this programme, students develop a quiet focus as they explore how colour, shape, pattern, and form communicate ideas and emotions. They are encouraged to experiment with different media as a way of tuning into their unique visual language. To finish, students create a final mixed-media artwork, combining their newfound skills to consciously express their personal ideas and creative voice.
Day 1 - Painting Mood Through Colour
Students explore colour mixing and mood through abstract acrylic painting on a circular canvas. Using underpainting and intentional brushwork, they express emotions through a calm, reflective creative process.
Students are introduced to basic colour theory, colour mixing, and how colours can communicate mood and emotion in abstract art.
Students begin with an underpainting to establish mood and tonal direction, experimenting with loose brushwork and blended colours.
Students mix their own colours and apply layers of paint, learning how colour relationships and transparency affect depth and atmosphere.
Students experiment with different brush techniques to create texture and visual interest, responding intuitively to the developing artwork.
Day 2 - Shapes & Spaces : Negative Painting in Watercolour
Through a mindful approach to watercolour, students explore layering and negative painting to examine the relationship between form and space.
They reflect on how repeated motifs and the intentional use of negative space can communicate complex ideas and emotions.
Students are introduced to wet-on-wet painting and negative painting, focusing on how water, pigment, and timing affect colour flow and softness.
Students begin with a wet-on-wet background wash, experimenting with colour blending and organic transitions to establish atmosphere.
Students select or design a simple repeated motif and consider how repetition can create rhythm and visual coherence.
Students build their artwork by painting around the motifs, gradually defining shapes through the negative spaces rather than outlining forms directly.
Students add layers to strengthen contrast, clarity, and depth, observing how overlapping washes enhance the overall composition.
Day 3 - Patterns & Symbols
Students engage in a meditative printing process to design a custom foam stamp using abstract or geometric shapes. By focusing on the rhythmic repetition of pattern and colour on a canvas tote bag, they mindfully explore how simple forms can communicate deep ideas and personal meaning.
Students explore how simple shapes and repeated forms are used as visual symbols in art and design.
Students sketch and cut abstract or geometric shapes from foam, focusing on clarity, simplicity, and repeatability.
Foam shapes are mounted onto a base to create a reusable stamp.
Students use sponges to apply acrylic paint evenly onto their stamps, experimenting with colour combinations.
Students print their designs onto a canvas tote bag, exploring placement, rhythm, and pattern through repetition.
Day 4 - Shaping Ideas
Students practice creative mindfulness by intuitively moulding clay into shapes that express a specific mood or character. This process encourages a quiet focus on form and structure, allowing students to experience sculpture as a meaningful way to communicate ideas through the language of touch.
Students will explore how shapes, forms, and motifs can convey meaning in three-dimensional art.
They will start brainstorm personal ideas, emotions, or themes and translate them into simple shapes or symbols.
Next, students will earn basic hand-building techniques and experiment with combining forms and textures.
Start constructing their artwork, focusing on balance, proportion, and intentional form.
Students refine their sculptures by adding texture, patterns, or details.
Day 5 - Microcosm: A Mixed Media Self-Expression
In this final project, students explore the theme Microcosm by combining multiple media to express their personal ideas and emotions. Integrating techniques learned throughout the programme, they create a meaningful artwork that reflects their unique creative voice.
Students discuss the idea of a “microcosm” as a personal world that reflects their thoughts, feelings, and experiences.
Brainstorm ideas and select techniques from previous lessons, such as acrylic painting, printmaking, watercolour painting, and collage.
Start building artwork through layering, combining materials and techniques to create depth and meaning.
Refine compositions by adjusting colour, texture, and focal areas.
Complete artwork with attention to balance, clarity, and personal expression.
Materials Provided:
Acrylic Paints, Watercolour Paints, Brushes, Water Containers, Paper Palettes, Pencils & Erasers, Scissors, Cartridge Papers, Watercolour Paper, Glue, Colour Markers, Colour Pencils, Jumping Clay, Clay Tools, Circular Canvas, Canvas Tote Bag
Min. 8 to run
ABOUT THE FORT STUDIOS
We partnered with The Fort Studios, founded by Denise Jillian Tan, a professional artist and educator specialising in painting. The Fort Studios' team of highly skilled and experienced teaching artists is dedicated to building a vibrant community of art enthusiasts, educators and practitioners who are passionate about exploring, sharing, and advancing their love for art.
Committed to fostering lifelong learning and personal fulfilment, The Fort Studios offers high-quality learning programmes and creative services designed to inspire and empower every art enthusiast in their community.
Click here to learn more about The Fort Studios.
For more details regarding the Art Projects programme, please email info@thefortstudios.sg and denisetanatp@uwcsea.edu.sg (Denise)
For registration and general enquiries, please email hapdover@uwcsea.edu.sg