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María Clara Suite is characterized by its romantic dances influenced by those of the Spanish, as a result of the Spanish colonial era of the Philippines. Named after the mestiza heroine in the novel Noli Me Tángere (Touch Me Not) by Dr. José Rizal, the María Clara Suite is said to embody the elegance and virtue of the mestiza Filipina, as well as the gallantry and boldness of the mestizo Filipino.
Contact the María Clara Coordinators: ucla.spcn.mariaclara@gmail.com
JR Robles (he/him)
JR Robles (he/him)
María Clara Coordinator
Katie Yan (she/her)
Katie Yan (she/her)
María Clara Coordinator
SPCN 46 – María Clara Dances
Valse Vieja
Valse Vieja
Origin:
The Christian lowlands of Pangasinan
Performed by members of the upper class in old Pangasinan during ceremonies, occasions, and fiestas
Classified as a festival/ballroom dance
The Dance:
A version of the waltz (the dance is Spanish for "Old Waltz")
A movement of the hand in a gesture called kewet is used, unique to the people of Pangasinan
Paseo De Narciso
Paseo De Narciso
Origin:
The San Narciso region in the Zambales province
Traditionally performed at celebrations
The town plaza of San Narciso is a popular spot for friends and lovers to meet up and flirt
The Dance:
The feelings manifested by the friends and lovers are shown as stolen glances and flirtatious signs through the use of their hat, cane, scarf, or parasol
Incorporates playful and flirtatious movements
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