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WHY: Today we experience our stories across media and artforms. One could ask why we dont make our stories that way? Both researchers and big industry points in the direction of storyworlds and worldbuilding as a way to do this. But storyworlds are often just seen as industry franchise thinking and a conected to fantacy and imaginary works. With the CITIZEN STREET project I am creating a storyworld as an artistic project and creating a realistic world. To hopefully show how storyworlds can be used as a method that can be used beyond big business and create a truly colaborative way of letting artists work across artforms in a democratic way.
WHY: Today we experience our stories across media and artforms. One could ask why we dont make our stories that way? Both researchers and big industry points in the direction of storyworlds and worldbuilding as a way to do this. But storyworlds are often just seen as industry franchise thinking and a conected to fantacy and imaginary works. With the CITIZEN STREET project I am creating a storyworld as an artistic project and creating a realistic world. To hopefully show how storyworlds can be used as a method that can be used beyond big business and create a truly colaborative way of letting artists work across artforms in a democratic way.
Do good work and share it with people.Â
Do good work and share it with people.Â
In 2023 I released a handbook about how to create storyworlds. This is one of many ways of sharing knowledge and experiences. And a way forward for us as artists. On the picture, my good friend, the boardgame designer Thomas Vigild got the first copy of the handbook, in which he is also sharing knowledge about how to use feelings in designing boardgames.
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