Meet two teens who become friends at a misogynistic, patriarchal private school, even as they are both drowning in secrets. Jamie Baxter, a football-player-turned-hockey-player, needs to keep it together for one last year or else miss his last shot at a scholarship. Meanwhile, Jules Devereux is trying to be a bold feminist in a school where girls are told to "not make a scene." Their secrets spill out when a teen party goes horribly wrong, and Jamie has to decide if he will support Jules in her time of need, thereby breaking a long-standing tradition of silence. Kiely bravely explores rape culture and how it intersects with class and privilege, along the way making his characters speak to those in privileged positions "in a language they cannot ignore." Kiely, coauthor with Jason Reynolds, takes on an important, sensitive topic that should help connect readers to burgeoning social-justice movements; readers will find themselves rooting for the world not as it is, but as it might yet be.
Reynolds' snappy, dialogue-driven debut is a coming-of-age story with a time traveling twist. High-school senior Jack King meets Kate at a party while he's visiting her college, and their chemistry is undeniable. But Kate's ill, and their romance is heartbreakingly short-lived. Her death, however, sends Jack back in time to the moment they first meet, and every time he fails to save her, he returns to that moment again, getting another chance at love and, in the process, learning valuable things about himself. But sometimes trying to save Kate ruins something else in his life, and each trip back becomes a careful balancing act. This charming, wry novel packed with witty, crackling banter is propulsively readable. Reynolds imbues his diverse cast of characters with rich, dynamic personalities. Jack is particularly multifaceted: this nerdy, awkward black teen resists any easy categorization, and in his witty first-person narrative, readers see him gain even more depth and nuance with each new loop into the past. Kate, too, comes through as a well-rounded character, and it's a joy to watch their romance play out. There are some big questions about choice, consequences, loyalty, and love in this novel, and Reynolds beautifully complements those heavy concerns with the sweet, funny, and genuine voice of his protagonist.
In Reintgen’s energetic debut, a Detroit teen is offered an extraordinary opportunity by corporate giant Babel Communications to earn more than enough money to bring his family out of poverty and get his mother needed medical care. Emmett Atwater, who is black, and nine other teens from across the world are eager to travel to Eden, an Earthlike planet that is home to humanoid beings called Adamites. There, they’ll mine for a sought-after substance called nyxia, which can transform itself into just about anything. But only eight can go, and they must fight for the privilege. Emmett isn’t about to lose, but winning becomes harder as he starts to care about his competitors, especially his sweet-natured Japanese roommate, Kaya, and the kindly Bilal, from the West Bank. The setup will draw comparisons to The Hunger Games, but Reintgen’s characters stand on their own, and the trials they face are inventive. Emmett’s self-deprecation, wit, and ability to see the good in others will keep readers riveted and eager for the next volume in this planned trilogy. Review by Kristin Nelson, Nelson Literary.
In the year 2042, humans conquered death. Now, in the postmortal society of MidMerica, people can live for millennia, either reanimated from fatal accidents or "turning the corner" when they get old by resetting themselves to a younger age. But Earth remains the only habitable planet and so exist the Scythes, tasked with keeping the population in check: those who a Scythe gleans stay dead. Citra and Rowan are two teenagers in this world, chosen to apprentice the Honorable Scythe Faraday. Neither teen wants to learn the ways of a Scythe, and neither wants to begin gleaning lives. Citra and Rowan are both allies and competitors, as only one will be given the dubious prize of Scythedom, and there's an inevitable hint of forbidden love. More fascinating, though, are the questions that Shusterman raises in his exploration of this seemingly perfect future. Murdering teens are nothing new, but this is not the brave new world of The Hunger Games. This society isn't a totalitarian regime masquerading as a paradise, nor is it a postapocalyptic wasteland. It's an actual utopia, a place where a sentient Cloud, known as the Thunderhead, has wiped out poverty, racial inequality, and mental and physical disease-a place where lives are long and death, even with the Scythes, is virtually nonexistent. The world is at peace and tragedy has been minimized-and, honestly, it's kind of boring. In a world without death, what becomes of life?There's no struggle, no desire, no vibrancy. It's not to say there's no tension in this world--Citra and Rowan face increasingly higher stakes as they race toward the end of their apprenticeship. A rogue group of Scythes begins killing beyond their quota, corrupting the power they possess to take a life, and a sequel is heralded by the explosive ending. When our reach does not exceed our grasp, when comfort is more easily obtained than struggle, when our essential humanity doesn't burn out but becomes slowly irrelevant, what becomes of us?
Set shortly after the 2016 presidential election, Ahmed's novel presents a chilling depiction of America, in which U.S. citizens allow themselves to be controlled by prejudice and fear and succumb to the hateful rhetoric of a populist leader. Seventeen-year-old Layla Amin and her parents are among the Muslims rounded up and transported to Manzanar, an internment camp for Muslim American citizens. While most people quietly comply, Layla is determined to fight back for the freedom that is rightfully hers. Layla finds allies both inside and outside the camp, and before long, she herself is at the center of a rebellion against the despicable people in charge. This is a poignant, necessary story that paints a very real, very frank picture of hatred and ignorance, while also giving readers and marginalized individuals hope. It emphasizes that the oppressed have a voice and the power to speak up and fight back, while also reminding us that all citizens have the obligation, responsibility, and power to raise their voices and defend their fellow citizens from mistreatment or abuse. Though it might recall dystopian novels of the recent past, this carries so much more weight and is infinitely more terrifying, since its setting-a near-future U.S.-could very well exist today, tomorrow, or only a handful of years from now. This timely, important novel should spark many conversations about contemporary issues.
"This is not a history book" declares Reynolds at the outset. Reynolds' "remix" begins in 1415 and travels into the present in five well-paced sections. Through figures like Cotton Mather, W. E. B Du Bois, and Angela Davis, among others, the thought patterns of segregationists, assimilationists, and antiracists, respectively, are elucidated, along with the impact such ideas have on all aspects of American life. Throughout the book, Reynolds inserts literal pauses ("Record scratch"), and interjects with commentary ("Let that sink in") and clarifications, a way of insisting that the pages are not merely text, but a conversation. Readers will undoubtedly experience a mixture of feelings after finishing this book, but the encouragement to emerge as critical thinkers who can decipher coded language and harmful imagery stemming from racist ideas, which still linger in modern society and popular culture, will be the most empowering result. Thankfully, extensive back matter is included, with source notes and a dynamic further reading list. Required reading for everyone, especially those invested in the future of young people in America.