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South African comedian Noah brings a fresh and tonic perspective to the role of host for The Daily Show, frequently joking about life as a mixed-race child under the tyranny of apartheid. He now reveals the full brunt of the terror and diabolical absurdity he endured in this substantial collection of staggering personal essays deftly shaped by his stand-up gifts for timing and precision. Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother, who defied racially restrictive laws to secure an education and a career for herself-and to have a child with a white Swiss German even though sex between whites and blacks was illegal; neither parent could be seen in public with their son. So dangerous was life for mischievous, polyglot Noah that he spent much of his time alone indoors and later endured hunger, homelessness, jail, and violence. But his episodic and electrifying memoir sparkles with funny stories of epic teen awkwardness, astounding accounts of his nervy entrepreneurial success as a music bootlegger and DJ, and vibrant and insightful descriptions of daily life in Johannesburg and Soweto. Noah's coming-of-age paralleled South Africa's emergence from apartheid, and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.

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Acevedo, author of The Poet X, returns to the novel in verse format for this story of two teenage sisters separated by a secret, an ocean, and their father. Papi kept one family in New York and another in the Dominican Republic-something New Yorker Yahaira had an inkling of, but is a complete surprise to Dominican Camino. After Papi's plane crashes on his way to spend the summer with Camino, his secret fully emerges, and the sisters struggle with their complicated grief and uncertain-but now connected-future. The girls find that for all their differences, they share features and family traits. Acevedo's free verse poems for each girl share an easy cadence and thoughtfulness, yet each girl's perspective is clear: Camino is strong but fearful of the dangers that threaten her life and hopes; Yahaira's anger is palpable, but so is her tenderness and love for her girlfriend Dre. In a later section, the perspectives blend into each other as the girls meet, bond, and become true sisters. Memorable for its treatment of grief, depiction of family ties, and lyrical strength, expect a well-deserved high demand.

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Del Rainey and his best friend, Qwan, are known for their wild times with girls in town. Even so, he's always had his eye set on Kiera Westing-the hottest and most unavailable girl at school. So when Del sees an opportunity to spend time with Kiera, he doesn't care that that time will be spent taking purity pledge classes at church. Even though he had no intention of being pure, Del finds himself challenged and stretched to check his own behavior toward girls as he spends more time with the Purity Pledgers. What he thought would be a surefire way into Kiera's heart becomes an experience that reveals just how toxic his own behavior toward women is. Readers will find themselves rooting for Del because he's such a likeable character, but a shocking event will illuminate just how poor his decisions have been to date. This title grapples with the many ways that toxic masculinity drives the actions of people, from the pastor's love of public shaming to Del's inability to accept no as an answer from girls. With a fresh perspective, Giles takes care to flesh out his full cast of characters, creating an intricate, multifaceted web of misogyny and its detrimental impact.

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Julia's older sister, Olga, was always polite, respected her parents, and eagerly took up the Mexican traditions her mother insisted upon. After Olga dies in a car accident, Julia is thrust into a spotlight she's not ready for. She's too angry, too unappreciative, too American, which results in her mother shutting out her social and love life. Then Julia discovers Olga's trove of secrets, which hint at a hidden life. As Julia pursues the mystery of the real Olga, she begins to find out that more than one of her family members has secrets. This bildungsroman immigrant story captures the chaotic life of a young person trying to navigate two worlds while trying to follow her own path. Julia wants to leave Chicago and attend college, while a "perfect Mexican daughter" would stay put, get a job, and contribute to the family. Sánchez weaves these threads along with a tragic story of distant sisters to create an earnest and heartfelt tale.

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For Norris Kaplan, Austin, Texas--location of his mother's new professor gig--is the antithesis of his true home in Montreal, Canada. Gone are hockey hooligans and routinely spoken French, replaced by relentless heat and the ubiquitous orange of the UT Longhorns. Compounding these differences is the fact that Norris is a black Haitian Canadian kid stuck in cowboy country. He resolves to build a barrier of snark to keep everyone out until he can get back north, where he hopes to reunite with his estranged father. However, Norris doesn't count on falling head over heels for the devilishly mysterious, soulful, and fiery Aarti Puri. Philippe's protagonist is as acerbic as they come, tossing one-liners at breakneck speed. His repartee with other characters, especially his closest friends Liam and Maddie, is hilarious and engaging. These friendships are the most interesting aspect of the book, even over the love story, which has a few twists along the way.

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Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school. Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil's death becomes national news, where he's called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr's best friends at school. The police's lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil's death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr's natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family. This story is necessary. This story is important.