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Types of Light in Photography

12 Types of Lighting in Photograph

There are so many types of lights in photography, and they each create different effects. Here of some of the most common types of light and how to use them.

What Does Light Mean in Photography

When it comes to photography, the type of lighting that you use is one of the most important elements of any photo. Light in photography refers to how the light source, which can be natural or artificial, is positioned in relation to your subject. The position and quality of light can affect any number of things in your final photo, from clarity to tone to emotion and so much more. By paying attention to how light plays off of the angles and curves of your subject, and which parts of the subject are illuminated and which are in darkness, you can become a stronger photographer because you'll start to learn how to harness your light source in the most effective way for any given project.

How Light Affects Your Photography

Whether you're doing portrait photography or still life or landscape, so much of your lighting choices will depend on the features of your subject, and how you want them to be portrayed in your photos. For example, hard light is more severe and will emphasize angles and any surface that isn't perfectly flat, like the waves at a beach or a model with wrinkles or acne, while soft light will smooth over these features.

If you're doing a beauty shoot where the focus is flawless features, the type of lighting that you use will likely be very different than a photoshoot where you want to emphasize the personality and distinctive lines of your model's face. Understanding how to make the best use of natural and artificial lighting in every situation will be a huge step forward in your journey to becoming the best photographer that you can.

Different Types of Lighting

There are two main kinds of light: natural and artificial. Natural light is anything that occurs without human intervention, so it can be the direct light of the sun on a bright day, the diffused light created by a cloudy or foggy day, or even the light of the moon at night. On the other side of things, artificial light can often be moved around and adjusted to fit your situation. It is easier to position artificial light in relation to your subject than with natural lighting, where you would have to move the subject and camera according to the lighting technique that you want to use. Both artificial and natural lighting can be manipulated to create any number of styles of lighting, as long as you know how to use them.

Natural Light

If you want to use natural light in your photography, it's important to understand the angle of the sun and how that will affect your composition. For example, for most of the day, the sun is directly overtop so your subject will be lit from above. A sunny day without clouds will result in more intense shadows, while a sky full of clouds will diffuse the sunlight so that the contrast of light on your subject is less harsh.

For natural lighting that is softer, you may want to make use of the hours closest to sunrise and sunset, when the sun will be off to a slight angle as opposed to directly above your subject, and the brightness of the sun may be less extreme.

Backlight

Backlit photos are when the light source is behind the subject, with the subject in between the light and your camera. This can be a great opportunity to play with silhouette and long shadows in your photography. The potential downside to backlit photos is that the white balance will be off, resulting in a loss of detail in your subject. This works well for silhouettes, but if you still want to see some detail on your subject, this is the time to pull out your light diffuser to reflect some of the light from the background onto the front of the subject.

Soft Light

Soft lighting occurs when your light source is diffused, so that the effect is more subtle than it would be with a direct source of light. By using soft light, you will end up with less intense shadows, if any at all, and a lower contrast between the darks and lights in your photo.

If you're working in a photography studio, you can use a diffusion panel between the light source and your subject. This could even be a light-colored curtain over the window to diffuse the natural sunlight coming in. If you're shooting outside, soft light will occur naturally on an overcast day, as the clouds in the sky diffuse the direct light from the sun. By keeping the light soft, you can achieve a more youthful appearance in your portrait photography.

Hard Light

The opposite of soft or diffused light, hard lighting is when your light source is pointed directly at your subject. It results in high contrast and intensity, bright whites and dark shadow, and is often created by making use of the midday sun. You can also manufacture this type of light in your studio by using a spotlight or other source of light that is not diffused.

Rim Light

Rim light can be created using a form of backlighting, where the light is at an angle from behind or above. The light will hit your subject in a way that creates a glowing outline or highlight around the subject, depending on the direction that your light is coming from. This technique is useful for distinguishing the subject from the background by providing definition.

Position your light source above and behind your subject and adjust until you see the light rim appear. A higher contrast will bring out the rim light while a low contrast will dull the overall effect. If you're not getting enough of the detail on the front of your subject, pull out a reflector to bring sufficient lighting to their features.

Loop Lighting

Loop lighting is a specific technique used for portraits. The name refers to a "loop" of shadow from the nose on the cheek. It is generally considered a less dramatic and intense option for portraits than some of the other options listed.

Loop lighting is pretty universally flattering, so if you have multiple portrait appointments or mini sessions in one day, this is a great trick to pull out of your pocket. Position your light slightly higher than the model's eye level and at a 45-degree angle. You can experiment with a more or less defined loop by moving the light up and down, and can adjust the intensity of the shadow by moving the light closer or farther away from the subject.

Broad Lighting

Often used for graduation photos, broad light for photography is a type of side lighting where the side of the model closest to the camera is lit, and the side farther away is in shadow. This technique can be useful for a subject with a thinner face, as the side with the light on it will appear larger than the side in shadow, resulting in a fuller face. Position your model's face at an angle, turned slightly away from the camera, to achieve this look.

Short Lighting

Short lighting is pretty much the exact opposite of broad lighting. In this case, the side of the face that is closest to the camera is in shadow, whereas the farthest side is in the light. Instead of creating a fuller face shape, short lighting will thin out the face, so be cautious of how and when you make use of both of these techniques.

Butterfly Lighting

Like loop lighting, butterfly lighting is named after the specific type of shadow that is created on your model's face. Position your light in front and above your subject to create a butterfly-shaped shadow under their nose. This lighting is often seen in glamour shots and headshots. It will also serve to highlight the other facial features with the same level of severity, which can be great for accentuating high cheekbones, but may not be useful if your model has deep-set eyes as it can result in too much shadow under the eyes.

Split Lighting

When the light hits your subject at a 90-degree angle, that is called split lighting. This results in a straight line down the center of your subject's face, with one side entirely lit and the other side completely in shadow. This is a great option for a dramatic portrait, particularly if you are using a hard light as opposed to soft.

Rembrandt Lighting

This style of lighting is named after the way that Rembrandt used light in his portrait paintings. It is a type of side lighting, similar to split lighting, except that the side of the face that is in shadow has a triangle of light under the eye. This can be highly effective in making a two-dimensional image appear three dimensional.

Choosing the Best Type of Lighting for Your Photographs

No one method of lighting will be effective in every scenario. For example, you will need a much different lighting setup if you are photographing the milky way as opposed to doing a portrait shoot in your home photography studio. As you practice and get more confident in identifying which types of light are best for which situations, you will be able to quickly determine what lighting to use based on your subject, setting and overall concept.

Indoor Photography Lighting

While there are many types of artificial light that you can invest in for your studio, natural light is a great option for portraits, even when you are shooting inside. Set up your model near a window, and see how the color of light changes throughout the day and alters the effect of your photo. If you do use outdoor light while indoors, make sure to turn off your indoor lights, as they may be two different colors and can create an uneven tone. Use a light-colored backdrop or lightbox so that the light will reflect off of it, brightening up the overall composition.

Lighting for Portraits

The lighting you choose will depend on your model's face. While options like butterfly and loop lighting are considered universally flattering, every model is different, so be open to changing things up at the last minute if you aren't getting your desired effect.

If you want to play up the personality in your model's face, you might want to experiment with more severe lighting options, like Rembrandt and split lighting, although you can lessen the drama if you use a light reflector to balance the other side of your subject's face.

Broad lighting can make your subject appear to have a wider face, and short lighting results in a thinner face, so it is not always useful for creating flattering photos. Carefully consider your subject's face shape and what they and you want to evoke in the final image when selecting your lighting style for a photo shoot.

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