Podcast

Geeta Bhat has been a pivotal figure in the revival and promotion of Chittara art, an indigenous art form of Karnataka. Her journey began with a profound encounter at an exhibition in Bengaluru, which ignited her curiosity about Chittara art. This led her to delve into the lifestyle and culture of the Deevaru community in villages such as Sagara, Sirsi, Shivamogga, and Soraba. She was captivated by the community's use of natural materials and the detailed, eco-friendly nature of Chittara art, predominantly crafted by women. Under her guidance, CFRIA has conducted numerous workshops, organised exhibitions, and presented its work on international platforms. Her efforts have contributed to preserving this unique art form and empowering the community by offering them new livelihood opportunities and a platform to showcase their skills.

The motive behind the establishment of Chitra Sopanam was to provide a platform to present, teach, encourage and to protect the existing mural art. Through this platform, they are trying to protect the old artforms and also take up this space to present these artforms before people. In other words, through this Sasi Edavarad and the people behind this are trying to bring in the purest art form before people. Every year they put up exhibitions in different places also. Art is not only for entertainment but is also a way to god. That is why the ancient texts has mentioned the 64 arts. Artistic personalities like Mira bhai, Muthuswamy Deekshitar, Chembai Vaidyanatha Bhagavathar, etc has merged with god through their art. While engaging with an art, one should have a pure soul, for the spirituality to be transmitted to the recipients of the art. Each and every living being is to be respected and worshiped. The harmony of living beings is put forward by the theory of Vasudhaivakudumbakam, which means that the whole world is one family.

Throughout history, witches have been enigmatic, mysterious, fascinating, and at the same time frightening figures. The idea of witches, which has its roots in ancient beliefs, often emerged as a response to societal anxieties, challenging norms and reflecting cultural complexities. Ganji Chudail, a pioneer in our contemporary narrative, stands as a testament to the enduring nature of Witch figures.  The trajectory of Ganji Chudail's narrative from local whispers to global digital lore is emblematic of the dynamic interplay between ancient beliefs and the evolving landscape of digital storytelling. 

Here's a very intriguing case study based on witch-hunting! 

Blinded by Superstition: A Case Study of Witch-Hunting 

This episode of the Folk Chronicles deals with the endangered art of Traditional Games and its importance in urban society especially in the digital era post Covid. Immaculate Antony's insight and initiative to revamp these traditional games is commendable and demands immediate attention.