When it comes to King, everyone thinks of horror and fantasy. Some specific topics that king tends to portray in his works are: child abuse, domestic violence, sexual assault, and the supernatural. For instance, in Gerald's game, Rose Madder, and It a young girl is abused. In both Gerald's game and It Jessie and Beverly are both abused by their father figures growing up. On a similar note, in Rose Madder, Rose is also abused as a child, but it is by her boyfriend, soon to be husband, Norman. In both Rose Madder, and Gerald’s Game Rose and Jessie are both physically, mentally, and sexually abused by their husbands that leaves them traumatized. When it comes to the supernatural, it can almost be assumed that everything that King creates will have some aspect of it. In all three novels It, Gerald’s Game, and Rose Madder the supernatural is extremely evident. It is written to include an alien that can shapeshift and enter into mainly children's minds and feed on their fear. Gerald’s Game contains a man called the Moonlight Man, that is described as pale as the moon, disfigured, and un-humanly, who eats and molests buried corpses. Rose Madder’s supernatural aspect comes from the painting Rose buys, that she believes she can enter into and that the painting can let out its own scenery into the real world. Overall, King reuses many of the same topics in his works, but that does not make him any less of a writer.
When cross-referencing King’s works like Gerald’s Game, and Rose Madder, mainly similarities can be seen in the characters he creates. For example, the main characters in the two novels are middle aged women, who have been abused as children and adults by the men in their lives. Both Jessie and Rose experience mental, physical, and sexual abuse from their husbands, and both in the end find freedom from their abusers. Not only are the women in these two specific novels similar, but also the men. Norman and Jerald have much in common: respected in their community, jobs in the law field, abusive to their wives, physically strong, short tempered, and misogynistic. While the main men and women in the two novel examples are extremely similar, the supernatural characters are not as similar. In Gerald's Game, the Moonlight Man is perverted, a criminal, a cannibal, and also helpful. While he does not kill Jessie he definitely scares her and has some intent to harm her, whereas Rose Madder has a different affect on Rose than the Moonlight Man to Jessie. Rose Madder, is the embodiment of beauty to Rose, she is strong, brave, and seems to be all knowing, yet she too has flaws that resemble the Moonlight Man. Both of them are disfigured, influential, and overall dangerous if their needs are not met. In total, King has very similar characters in his works, but each one is unique and special in their own way.
While most of King’s works do fall into the realm of horror, his tone does not merely scratch the surface of scary and frantic. King tends to display the tone as raw, honest, and brutal. When analyzing the novels Gerald’s Game and Rose Madder, many similarities in tone can be evident. As typical of King, both works are psychological horrors, but their tone goes beyond the simple “scary”. Both novels have very similar main characters and plots, and due to that their overall tones are extremely similar. Rose Madder and Gerald’s Game both come off as survival due to the plots surrounding the concept that in order to survive, one must escape their enclosure. Both novels come off a survival instinct manual, with notes of revenge, regression-from past memories, and an identity search. The tones of the novels could almost be identical, except for the fact that Gerald’s Game’s tone has a more snarky feel to it while Rose Madder still has some aspects of innocence. Overall, both novels are very similar when it comes to tone, yet they both have aspects that differentiate each other.
The night has been exceptionally tiring for Jessica, a long night at the local Fine and Dine, yet the last thing she wants to do is go home. Jessica knows that every night she goes back. She has to go back.
“What if you didn’t?”
Like I could ever do that. That voice inside her has been there since she was a little girl, but the worse it got, the quieter it became. It's all she's known. How could she possibly leave Richard when every man is the same. Her father was no better, the boys at school acted nice, but she knew deep down that they were all the same. Every man was the same, no matter what facade they put on.
These days she found herself going through life as if she was watching it through a screen. Every day the same, she no longer prayed for change. She knew no amount of praying would save her. In fact, she no longer found a purpose in praying, for God is a man, and he would find no issues with her situation. It was normal.
“Pull yourself together, and get going before you're late.”
She knew that voice, that was Miss. Sane, the only voice that kept her in check and not falling apart at the seams. Miss Sane, and her little Miss always fought, but with Little Miss slowly fading away, Miss Sane found her influence much more effective. No longer did Jessica consider packing a bag each time Richard needed to let loose. She was finding herself finally numb to it all. Next thing she knew, she was already home.
This was now a common occurrence for Jessica, losing track of time, being on autopilot, and disassociating for hours at a time. Miss Sane told her it was just because of all the bonks to the head over the years, but deep down Jessica knew that Little Miss has been right all along.
“I really am falling apart.”
Jessica would never fully admit it to herself but she knew. Each time she felt the touch of a man, she knew she was chiseling away part of herself. Who was the first; who will be the last? She will probably never know. From before she could remember, men have always been in her life. I mean her father was present when she was brought into this world. This unforgiving world.
“Don’t call this world unforgiving, you just need to accept your role in society Jess, then you can let go and let life move through you”
Miss Sensible always knew what to say to get Jessica back into line, but this time she didn’t listen, for another voice, a much quieter and weaker voice, spoke up.
“Your life is meant to be lived.”
Little Miss, while she may be young and her vocabulary may be sparse, she truly did have a way with words. My life is meant to be lived. I wanted to be a designer. I wanted to live where it was warm. I wanted friends.
I had friends. I had friends and they all left.
“They did not leave you Jessica, you pushed them away, every last one of them. Even sweet Susan with that stutter Richard found very un ladylike.”
No, I didn’t push them away, he did. He kept me from them. He told me they were using me. He said they wanted to break us apart.
“Do you see now Jess?”
I think I made a Little Miss. I really do.
When I wrote my emulation, I tried to tie in many aspects noted in several of Stephen King’s works. I decided to make my main character a woman who is and has been in abusive relationships, because that is a trend evident in many of King’s works like Rose Madder and Gerald’s Game. My main character Jessica is depicted as being abused by her father and husband Richard, similar to the characters Rose and Jessie in Rose Madder and Gerald’s Game. I picked a topic of realization of abuse, when Jessica comes to understand that maybe she isn't the problem, and that it might be the men. This topic came to me fairly easy because when I think of the main plot of both Rose Madder and Gerald’s Game, I think of how both women after experiencing internal conflict came to the resolution that they were being abused, and that the behavior they were experiencing was not normal.
To extend on that topic, the tone too had to fit. I attempted a tone that was both innocent and yet brutally honest. Jessica did not glaze over her feelings, if she felt it, that's what was said, yet she also had an immature view of the world. I used this tone of my emulation because it best describes the tone of Rose Madder, and a bit of Gerald’s Game. The inclusion of inner voices also stems from them being present in both Gerald’s Game and Rose Madder.