Alan Gratz uses a fast paced and suspenseful writing style to immediately pull and hook readers into his stories and keep them interested from the beginning. His chapters are often very short and mostly end with cliffhangers, moments of danger or unanswered questions that keep the readers turning the pages. This technique deepens the engagement of the readers, making it hard for readers to stop reading because they always want to find out what happens next. He chose this style because many of his stories focus on intense situations, such as war and survival. The quick pacing makes the situations more suspenseful and allows the readers to almost feel the same emotions as the characters. Instead of long descriptions, he focuses on critical moments full of action and suspense, which helps maintain momentum throughout the novels. This is helpful for young readers, as it keeps the stories exciting and quick. By utilizing suspense and speed together, Gratz ensures the readers will be entertained and also emotionally connect with the characters struggles and decisions throughout the story.
Alan Gratz often uses multiple perspectives to tell his stories, which allows more depth and complexity in his writing. Instead of focusing on one main character, he shifts between different characters, locations, situations, and sometimes time periods. This allows readers to see and understand how a single event or action can impact characters in different ways. Also, he uses this technique to build up suspense, as one character may know something the other characters don’t, and we know their thoughts and feelings about it as their stories are told from a first person perspective. This keeps the stories interesting as the points of view are constantly changing, allowing readers to fully understand both sides of the stories. This style of writing shows that history is not one sided and that many different experiences occur that many people don’t know about. This style also allows Gratz to bring his characters together and connect their storylines at key moments of the story.
Alan Gratz heavily focuses on historical realism in his writing, which makes his stories both educational and interesting for young readers. He bases his stories on his research of major historical events, such as World War ll, to ensure his stories are as accurate as possible and believable. He uses real locations, events, and includes historical challenges that many people faced. He uses this realistic approach along with his fast pacing to allow young readers to better understand history through his characters and not get bored doing it. He tells these realistic stories through the eyes of the people enduring these events so that readers can truly understand how people were impacted by them, and it allows readers to emotionally connect with the characters. It also adds emotional weight as readers know that what the characters experience are based on real life events. By combining storytelling with accurate historical events, Grats helps readers connect more deeply with the past and understand how it affected the present.
Jacob
The door slammed open.
“Go! Go now!” Mama whispers, pushing Jacob toward the alley.
Jacob hesitated. “But you.”
“Now!”
A shout echoed through the street with footsteps coming closer.
Jacob ran.
Ana
The fence was right there. Ana grabed the wire and pulled herseld up. Her hands slipped but she climbed anyway. She heard the dogs barking getting closer behind her.
“Hurry!” Papa said.
Ana swung over the top. She heard a gunshot. She froze.
“Dont Stop!” Papa yelled.
Jacob
Jacob ducked behind a stack of boxes, his heart pounding. The alley was dark, but he could feel he wasn't alone. Voices were coming closer.
“They went this way!”
Jacob pressed himself against a wall, not moving a muscle. A shadow was creeping up until he saw a soldier right in front of him.
Ana
She dropped down the other side of the fence, landing hard. Pain shot through her legs, but she shot up anyway.
“Papa.” she whispered. She heard another gunshot. Silence. “Papa?” No answer. The barking stopped, everything stopped.
Jacob
He was frozen. Taking no breaths, not even blinking. He slowly watched the two men pass. They reached the end of the alley and the tension in Jacob's body released. He slowly creeped towards the other end. Then he heard.
“Hey!”
Ana
Ana was lost. No clue of where to go, what to do, what to think. She looked around as she saw the town of Nerub in madness. Building on fire, people in crowds, soldiers everywhere. She heard boots coming towards her.
A voice shouted, “Stop!”
Ana didn’t stop. She ran till she couldn’t anymore. She found herself in a forest, hearing echoes from the town.
Jacob
Jacob started sprinting as fast as he could. He ran out of the town where he thought he'd lose them. Branches were whipping his face. He didn’t know where he was going, but he couldn't stop, not now. A beam of light was on him, Jacob ducked through the trees and changed direction. He kept going until he slammed into someone.
Ana
She cried out as someone ran into her. They both fell hard. She was startled, thinking they were the enemy. Then she saw a boy, not a soldier. He was just as scared as she was.
Jacob
He got up right away, ready to keep going. But then, as he examined the person, he saw a frightened girl his age.
“I’m sorry, I didn’t mean.”
“Shh,” the girl hissed.
They heard voices echoing nearby.
“They’re here somewhere,” she said.
Jacob got frightened. “There soldiers.”
“I know,” Ana explained. The voices were getting further away.
“Let’s just camp out here till we have to run, we should be safe.”