Who is Rafael Kelman?
Rafael Kelman has been my highschool art teacher for the past four years. We both began at the academy in the same year, and connected over our mutual love of the artistic process. Often, when I had the time and his classroom was empty, I found my way into the art room to work on artwork (as the names imply.) In these hour long periods we chatted about virtually anything. Film, religion, government, society, money, class, you name it, and in these discussions the art room expanded for me. It became my place to form thoughts, form my self, and speak honestly with an open ear. Rafael never judged, and not only that, but he responded thoughtfully, and treated my intelligence (or sometimes lack thereof) with respect. If my experience with the art room hadn't been so liberating, I often wonder if I would even make a senior project like this-- let alone pursue studio art in college.
In my junior and senior year I had considerably less free time to spend in the art room. While I miss the frequency of our conversations, I've noticed those periods being filled by kid's who're now using Rafael as a resource in the same way I did at their age. I'm grateful his expertise and care is spread in-discriminatly among the student body. Through his roles as a sports coach, art teacher, and member of the school's community, Rafael has become a prominent example out of many other adults in how I want to relate to the younger generation. Kind, understanding, and most importantly, curious.
Kelman and I philosophizing the artistic process. (Photo Credited to Oleander Brenizer)
Kelman was the first of the portraits I began on, and consequently the first to be finished. Unlike my other two portraits, there isnt any other art piece I specifcally allude to in composition or style. While initially an unintended inconsistency at the start, I've come to enjoy the meaning it conjures. Kelman taught me how to enable my self to create art, and so he gets his own piece from me. The multimedia aspects are references to him indulging my artistic process. The knight's armour is an allusion European centered romanticism that's colored much of art history. His sword speaks to art weilded as a tool to protect others. The flowers are a reference to floral Friday. I added sunglasses to him because he wasn't looking as cool as he really is. I also added a raised eyebrow because the trait I admire most about Kelman is his genuine curiosity.
I also really love this piece. I feel like there isn't necessarily anything missing when I look at it. If anything I wish I had done the initial pose I had set up in my prototype drawing. It feels sort of awkward with him just rubbing his belly. I tried to think of what I could put in his other hand, and I came up with nothing. I like to think maybe he is hiding a little fairy or some sort of magic dust behind his palm. I had a lot of fun painting and working on this piece.
Questions asked respectively at: 0:00 4:00, 7:58, 11:19, 16:50, 20:29, 23:20.