Children often immediately respond to the smooth tactile qualities and vibrancy of chalk pastels. They are soft and easy to use, and each shape and color can be modified with additional layers. Each grade level was encouraged to use their fingertips to blend original hues on toned paper.
Processes and techniques: mark making, blending, creating secondary hues from primaries.
Emphasis on the Elements of Art: shape, texture, and color.
California Arts Standards for Public Schools
CREATING—Anchor Standard 1: Generate and conceptualize artistic ideas and work.
1.2 Enduring Understanding: Artists and designers shape artistic investigations, following or breaking with traditions in pursuit of creative artmaking goals.
Essential Question: How does knowing the contexts, histories, and traditions of art forms help us create works of art and design?
Process Component: Imagine, Plan, Make
TK: Clouds and Rainbows
Artist Connections
Eric Carle, Little Cloud, 1996 (Picture Book)
John Constable, Stormy Sunset, 1821-1822
Franz Marc, Blue Horse with Rainbow, 1913
Kindergarten: Peacocks - Pattern and Color
Artist Connections
Eisaku Wada, Peacock on a Wall, lithograph on cardstock, postcard canceled in 1905
Danielle M. Heitmuller, The Peacock Who Wanted To Be A Star on Vimeo, animation produced at the UCLA School of Theater, Film, and Television, 2014
1st grade: Expressive Portraits
Artist Connections
James Berry (Poet) and Anna Cunha (Illustrator), A Story About Afiya, 2020 (Lantana Global Picture Books)
2nd grade: Flowers Close Up
Artist Connections
Georgia O’Keeffe, Heliconia, Crab’s Claw Ginger, 1939
Georgia O’Keeffe, Hibiscus With Plumeria, 1939
Georgia O’Keeffe, Pineapple Bud, 1939
3rd grade: Intersecting Circles - Light and Color
Artist Connections
Sonia Delaunay, Electrical Prisms, 1914
Sonia Delaunay, Rythme, 1938
4th grade: Flora and Fauna
Artist Connections
“Amates. Identity Bark, is a selection of amate paintings from the Albrecht Collection of The Mexican Museum, one of the most recent additions to its permanent collection. Themes of flora and fauna, mythological animals, and local narratives are highlighted in the show. The pieces belong to the regions of Puebla and Guerrero; in them, one can appreciate a myriad of styles by the artists and artisans who drew them.” via AMATES. CORTEZA DE IDENTIDAD | The Mexican Museum
5th grade: Emotive Landscapes
Artist Connections
Richard Mayhew, Good Morning, 2000
Richard Mayhew, Indigenous Spiritual Space (Ser. No. 7), 1993-94